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KurzfilmeTranskript
00:00:06Musik
00:00:38Where have you been? Where are the others?
00:00:40I don't know. I'm scared. Something's wrong.
00:00:42Girls, just calm down.
00:00:44No, Mike, and Linda have never come back.
00:00:46Ralph went to go look for them, and now he's gone, too.
00:00:48Help me find him.
00:00:49All right, all right.
00:00:50We'll find him.
00:00:51Yeah, we'll look around down here.
00:00:52You go upstairs and get dressed.
00:00:54Not leaving without Ralph.
00:00:56Just to drive over to the sheriff's department on the mainland.
00:00:58We'll be right back with help.
00:00:59I'm not leaving.
00:01:00She's got to come.
00:01:02Let's take one last look around.
00:01:03We'll be right back.
00:01:04One last look.
00:01:06One last look.
00:01:08All right.
00:01:09Okay, you two go around that side, and I'll go this way.
00:01:12Uh-uh, buddy. I'm sticking with you.
00:01:14Why don't you two go around this side, and I'll go around that side.
00:01:17Take it fast.
00:01:18Okay.
00:01:50Cut.
00:01:52Cut.
00:01:53Cut.
00:01:54I thought I said no phones on my set.
00:01:57Who in the hell has a goddamn phone ringing on my set?
00:02:03What?
00:02:04God damn it!
00:02:09I thought I told you to never, ever call me when I'm fucking working!
00:02:16Bitch!
00:02:20Lashy.
00:02:22God damn it!
00:02:23Delete that!
00:02:25Get off my set!
00:02:28Okay.
00:02:29First positions.
00:02:31Sidney, tell Shostrum and Farrell we're going to do the poke gag next.
00:02:35Watch the barn doors.
00:02:36Don't cut yourself.
00:02:38Yeah, man, I've done this before.
00:02:40All right.
00:02:40Can't be done, bro.
00:02:41The day is over.
00:02:42What?
00:02:43Union rules, boss.
00:02:45It's triple time now.
00:02:46Golden time.
00:02:48It's just one more shot.
00:02:49It won't take but a bit.
00:02:52You can shoot it if you want to, but it's just going to cost more.
00:02:56Three times as much, plus we get additional turnaround and an extra meal.
00:02:59God damn it!
00:03:01It's just one more shot.
00:03:02Let's put it up to the crew for a vote.
00:03:04Sorry, it can't be done.
00:03:06Union rules.
00:03:07Just one more shot, Julian.
00:03:09I've seen your notes, bro.
00:03:10There's like three more setups.
00:03:12That would probably take like four hours with shooting.
00:03:14That's half a day.
00:03:16We're already 14 hours into this day.
00:03:18No can do.
00:03:19Come on, bro.
00:03:20We can finish this thing and wrap tonight.
00:03:23Can't be done, bro.
00:03:25Besides, the wrap party and the horror fest are scheduled for tomorrow night.
00:03:28The horror fans are going to be here.
00:03:29Oh!
00:03:31Mind the doors?
00:03:32Right.
00:03:36You'll pay for this.
00:03:39Sydney, tell Shostrum and Farrell we're not going to do the poke gag today.
00:03:44We'll do them tomorrow morning, first thing.
00:03:48That's it for today, everybody.
00:03:49Thank you.
00:03:50Be here tomorrow, 10 a.m. sharp.
00:03:53You can leave anything here you want.
00:03:55It's a hot set.
00:03:56We have security.
00:03:57But a 10 a.m. call tomorrow?
00:03:59All that daylight again.
00:04:00We'll just close the doors again.
00:04:02Newbie can handle it again.
00:04:04No sweat.
00:04:04Not tomorrow.
00:04:06No Saturday.
00:04:07Not a work day unless you want to pay time and a half.
00:04:09God damn it!
00:04:10Hey, but it's triple time.
00:04:13You and me need to talk.
00:04:1610 tomorrow?
00:04:21Okay, folks.
00:04:22That's it for today.
00:04:23Call tomorrow, 10 a.
00:04:25Mind the doors?
00:04:26Right.
00:04:28Olivia, I'm strangling you.
00:04:30Like, my hand is against your neck.
00:04:32Like, how would you ever think you can speak?
00:04:35Yeah, but I still think I should have a line.
00:04:37And I mean, why do I have to wear this stupid wig?
00:04:39Because your hair looks nothing like hers.
00:04:41Yeah, but it's a remake.
00:04:42I'm not supposed to even look exactly like her.
00:04:44I'll take that.
00:04:45I'll take that.
00:04:46Thank you.
00:04:47Mm-hmm.
00:04:48Anything else?
00:04:49That's it.
00:04:50I'll see you at the shop.
00:04:51Mocha.
00:04:54Yeah, she totally had a line.
00:04:56The...
00:04:58Uh, uh, Henry has been looking for me.
00:05:02Ugh, that douche nozzle.
00:05:03I've been dodging him this whole shoot.
00:05:05He just wants the vag.
00:05:07I can say I blame him.
00:05:09Shut up, McNutt.
00:05:13You know what?
00:05:14I don't even know why I keep hiring you.
00:05:16Because you told Mom you'd look after me.
00:05:18Yeah.
00:05:19Worst fucking mistake of my life.
00:05:21Next to getting into the movie industry.
00:05:31John?
00:05:32You okay?
00:05:36Never been better.
00:05:37You?
00:05:38Nah.
00:05:41A condo at the beach.
00:05:42It's changed since you were here before?
00:05:44It was just a movie.
00:05:46But it brings bad vibes.
00:05:50Yeah, we're gonna have a good time.
00:05:52Even if it kills us.
00:05:56Hey, you know what?
00:05:56Let's go check in.
00:06:00Why did you buy this stupid car?
00:06:03Because it's cool.
00:06:04Well, it won't start.
00:06:08Try putting your foot on the brake.
00:06:12There you go.
00:06:13I'll tell you.
00:06:16I'm sorry.
00:06:29I love you.
00:06:33Try again.
00:06:39You're good.
00:06:42No, I don't know.
00:06:43Das war's für heute.
00:07:13Oh Gott.
00:07:14My killing days are behind me.
00:07:16So you're safe.
00:07:19For a while.
00:07:21Maybe.
00:07:24Thank you.
00:07:25I'll pass the word around.
00:07:27Keys. You wanna have some keys?
00:07:29Thank you.
00:07:31Don't forget your bag.
00:07:34Your name tag is in this bag.
00:07:36You'll need to wear it to the party.
00:07:38Ah, okay.
00:07:44Ah!
00:07:45Whoa!
00:07:46Hi, Jack!
00:07:49Killing anyone lately?
00:07:50You know, I was just telling this lovely young lady here
00:07:53that my killing days
00:07:55are behind me.
00:07:58It's Mr. and Mrs. R.H. Martinez.
00:08:01I recognize you from the last movie.
00:08:04Welcome back.
00:08:05Yes, it's good to see you.
00:08:07We're so glad to have been invited to the party.
00:08:10Hey, do you remember which room I had the last time?
00:08:12No, I don't.
00:08:14I just remember it was pretty far away from everyone else's.
00:08:17Yes, he tried to keep me away from everyone else
00:08:19to preserve my character's reputation as the good girl.
00:08:23Yeah.
00:08:23No partying for me.
00:08:25We'll have that work for you.
00:08:27Yeah, I'll see you two outside.
00:08:31Oh, keys.
00:08:33Thank you.
00:08:33Don't forget your bag.
00:08:35Here are some name tags in there.
00:08:37You need to wear them to the party.
00:08:39Very good. Thanks so much.
00:08:44Hey, hey, Jack.
00:08:46How you doing, sir?
00:08:47I'm fine.
00:08:48Good seeing you again.
00:08:49Good to see you.
00:08:50Yeah, it's been a long time.
00:08:52I have.
00:08:52And speaking of which.
00:08:54Jack.
00:08:55Sweetie.
00:09:00It's so good to see you.
00:09:03Nice to see you guys.
00:09:04Good to see you.
00:09:08How have you been?
00:09:09I've been well, Ruthie.
00:09:11How long has it been?
00:09:13Too long, friend.
00:09:14Too long.
00:09:15That's what Buddy said.
00:09:18Can you believe these El Cheapo swag bags?
00:09:22Oh, Bill, they're okay.
00:09:24Look, a t-shirt.
00:09:27Yeah.
00:09:28Yeah.
00:09:28Oh, Ruthie.
00:09:29Did you get your old room back?
00:09:31It was, um, 216, right?
00:09:34I don't remember.
00:09:36Uh-huh.
00:09:36I do.
00:09:37It was room 216, all right.
00:09:39I don't remember my room number, either.
00:09:41Because I don't remember a lot of things nowadays.
00:09:45Hey, Bill.
00:09:46Yeah.
00:09:46You know what my favorite kill was in the mutilator?
00:09:52Hm.
00:09:55It was when I grabbed you by the throat with, uh...
00:09:59Flonger.
00:10:00Oh, man.
00:10:05I always wanted to do that.
00:10:06Just one more tyke.
00:10:07Oh.
00:10:08Just one more.
00:10:11I'm gonna go get settled, Dad.
00:10:12See you later.
00:10:14Yeah, see you later.
00:10:21There's something I don't like about Bill.
00:10:24He's so smug, I can't quite put my finger on it.
00:10:26But it's like he knows something that we don't know.
00:10:30I hardly knew him.
00:10:51You are one ugly motherfucker.
00:10:57Hey, Sandy girl.
00:10:59Henry.
00:11:00Great.
00:11:01I'm not bothering you, am I?
00:11:03Not at all.
00:11:04Just gluing some stuff on.
00:11:07I've been looking for you all over the place.
00:11:10Well, these slashers keep the prop department pretty busy.
00:11:13That's good.
00:11:14That's good, sweetie.
00:11:15Look, listen.
00:11:16Um, I'm dying to ask you, uh, this question.
00:11:21What's that?
00:11:22Well, uh, it's kind of, I don't know how to say this.
00:11:27It's weird.
00:11:28It's, um...
00:11:29Just go ahead.
00:11:31Listen, doll face.
00:11:32I might embarrass you, okay, when I say this, so...
00:11:35Well, I'm a big girl, so out with it.
00:11:37Hey, wait.
00:11:37Is this the first movie that you've been working with me on?
00:11:40Yep.
00:11:41Listen, I've heard nothing but good things about you.
00:11:45That's great.
00:11:46Uh, you are gonna be working with me very soon again.
00:11:50I'm telling you.
00:11:51Well, thank you.
00:11:52I am often available.
00:11:54Sometimes too often.
00:11:57Listen, I can do something about that.
00:11:59That would be great.
00:12:01I still don't know how to put this, um...
00:12:04Spit it out!
00:12:06Okay.
00:12:06When a man and a woman want to get together and do a certain thing and there's situations
00:12:17that are in the way, you know, it just...
00:12:21They gotta get inventive.
00:12:24You understand?
00:12:25Yeah, inventive?
00:12:26Um, not exactly.
00:12:29When they want to get intimate in non-intimate ways, you know?
00:12:36Not really.
00:12:37I don't know.
00:12:38They wanna do it, but they don't, you know...
00:12:42Henry.
00:12:42Henry.
00:12:43Are you hinting at some heads?
00:12:45I heard you suck a mean dick.
00:12:46Is that true?
00:12:47Um, where did you hear that?
00:12:49I can't reveal my sources.
00:12:50But if it's true, hey, why don't we find out, okay?
00:12:55Look, I can help you with your career.
00:12:58Eh?
00:12:58Come on.
00:13:01If you insist.
00:13:02Uh, no, I can't insist.
00:13:03It all has to be voluntary.
00:13:05Yeah.
00:13:05Uh, step here.
00:13:07Uh, in case somebody walks in.
00:13:09I like how you think.
00:13:13Okay, take the little guy out.
00:13:15Oh, he is not little.
00:13:17Uh, are you ready?
00:13:19Oh, I see that you are.
00:13:21Not a shower or a grower.
00:13:22What?
00:13:23Just stick it through the curtain.
00:13:24I don't like being watched.
00:13:26You ever wonder what deep throat is all about?
00:13:31Oh, you're so big.
00:13:33You're gonna have to push real hard.
00:13:36Oh, I could do that.
00:13:38Okay, push now.
00:13:41Oh.
00:13:42Mmm.
00:13:44That's good, baby.
00:13:47Oh, you keep that up.
00:13:57Oh, yeah.
00:13:58I like a little fur down there from time to time.
00:14:01Mmm.
00:14:02Oh.
00:14:02Mmm.
00:14:04Mmm.
00:14:05What's up, dude?
00:14:06Nothing much.
00:14:06Just giving Henry some heads.
00:14:08Uh, come again?
00:14:11Excellent choice of words.
00:14:13Mmm.
00:14:15Mmm.
00:14:16Mmm.
00:14:17Mmm.
00:14:18What the fuck?
00:14:23What?
00:14:24What the fuck?
00:14:27Oh, easy.
00:14:28It's glued on there.
00:14:29It might take some meat with it.
00:14:31It might take the whole thing off.
00:14:33And that would require stitches.
00:14:35Lots of painful stitches.
00:14:37Mimi.
00:14:38How do I get this goddamn thing off me?
00:14:42Uh, well, you could use an acetone or a solvent.
00:14:46Um, some nail polish remover or alcohol.
00:14:49Machete.
00:14:50But, uh, any of those would probably burn like hell.
00:14:53You could try to whittle it off.
00:14:55Oh, but you want to be careful with that knife.
00:14:58Yeah, that prop cost you a lot of money.
00:15:00Try not to damage it.
00:15:02Oh, plus we may need it again.
00:15:05And then what, bitch?
00:15:07Shhh.
00:15:08A cold shower?
00:15:09Oh, oh, oh, oh.
00:15:11Cold shower.
00:15:11You are never working for me again.
00:15:15The fuck are you looking at?
00:15:28Hey!
00:15:30Knock it off.
00:15:31Oh!
00:15:33I had an accident!
00:15:34I'm sorry!
00:15:40He's gonna have to live with that?
00:15:41Nah.
00:15:43If he'd take a bath with soap and water, it would wash right off.
00:15:45On skin, that glue deteriorates in 36 hours.
00:15:48He'll wake up day after tomorrow and it'll come right off, so to speak.
00:15:53Have you hummed a kazoo lately?
00:15:57Magnet, I swear.
00:16:00Wait, have you ever seen one of these up close?
00:16:02You know, I never really understood how to play those things.
00:16:04Oh, I guess he only got some bad intel.
00:16:07Shut up, asshole!
00:16:08I thought you'd put the big end in your mouth and then you hump.
00:16:16You are weirdly good at that.
00:16:17Oh, thank you.
00:16:18I got you one.
00:16:18Oh, thank you.
00:16:26How is he supposed to pee?
00:16:28Henry?
00:16:29Oh, shit.
00:16:30Oh, my God.
00:16:43You need to quit hampering the chute.
00:16:45My job is to look out for the crew, not the chute.
00:16:48I'm not intentionally hampering anything.
00:16:50I'm just doing my job.
00:16:51Well, lighten up.
00:16:52Me lighten up?
00:16:53You lighten up.
00:16:55Look, you've been working that crew for 14 hours a day for five days now.
00:16:58They're tired.
00:16:59But they're professionals, so they keep giving.
00:17:01You need to give them a short day and a pat on the back.
00:17:06Yeah, I know.
00:17:06You're right.
00:17:08I just want to get this thing in the can and move on.
00:17:11It's been a pain in the ass.
00:17:12They sent us the wrong lenses.
00:17:14The hard drives have all failed.
00:17:16Even the special effects gags haven't worked.
00:17:19And the crew laughs at the fucking dailies.
00:17:21This is a goddamn horror movie, not a comedy.
00:17:24What are we looking for?
00:17:26My phone.
00:17:27We're over budget.
00:17:29We're behind schedule.
00:17:30So what else is new?
00:17:32But I understand.
00:17:35Um, the one you threw?
00:17:37Mm-hmm.
00:17:39I'll talk to the crew.
00:17:42Tomorrow's the last day.
00:17:42You only have that one scene left to film.
00:17:45Why don't you give them a short day?
00:17:47Call it a 10-hour day.
00:17:48Put it in the can.
00:17:50The crew will appreciate the tip.
00:17:52And the wrap part will be fun,
00:17:54and everyone will feel good about the shoot
00:17:56and about having worked with you.
00:17:58Maybe someone will even want to work with you again.
00:18:01Money's good.
00:18:02Look, bro, I'm sorry I popped off at you the other day.
00:18:05From now on, we'll do it your way, okay?
00:18:08Union rules and everything.
00:18:10You know I love you, man.
00:18:17Asshole.
00:18:33Who's there?
00:18:44Hey, what's up?
00:18:45Ah!
00:19:08Oh, what the?
00:19:10Ah!
00:19:11I'm damn lucky
00:19:12that this guy didn't destroy the set, I tell you that.
00:19:16Uh...
00:19:16Because that would ruin my day
00:19:19if that happened, all right?
00:19:21Just the light, man?
00:19:22That just ruined! Can you fix that or what?
00:19:24The light!
00:19:25Yes, sir.
00:19:25We can get it back up in no time.
00:19:26Hey, hey, man.
00:19:27All right. I gotta get out of here.
00:19:29I'm out of here.
00:19:30Jewel! Hey, how you doing?
00:19:31Listen, take over for me, okay?
00:19:33Cover for me, please.
00:19:34Just keep my name on...
00:19:36Keep me posted, all right?
00:19:38See you then.
00:19:39That's right.
00:19:40At the O'Channel Motel.
00:19:42Send a black and white in the EMS.
00:19:48Copy that.
00:19:50Don't you guys have a safety officer or something to hear on set?
00:19:54Who's supposed to be keeping an eye on everybody's safety?
00:19:57He is.
00:20:07Detective Joe Columbo, ABPD.
00:20:09Columbo? Really?
00:20:10Ha!
00:20:11Yeah, yeah.
00:20:12Big funny.
00:20:13I'm cooler than Falk.
00:20:15But I don't smoke.
00:20:17One of the remaining few.
00:20:20Could the vehicle possibly...
00:20:24Did this belong to the victim?
00:20:26Hard to say.
00:20:27There are a few going around.
00:20:29Every cast and crew member got one.
00:20:33Might be the victims.
00:20:34Could be.
00:20:36Might not be the victims.
00:20:39How could an accident like this happen?
00:20:41There's no accident.
00:20:42That light was bagged.
00:20:44It wouldn't have just fallen over.
00:20:46You think it was pushed?
00:20:48My brother knew his way around the set.
00:20:50He didn't trip on it.
00:20:52Yeah.
00:20:53Yeah, I think someone pushed it.
00:20:57Has anybody been on the set recently?
00:21:01Everyone's been on it for days.
00:21:04Beg it.
00:21:08Are you in charge here, Mr...
00:21:09Hill.
00:21:10Only temporarily.
00:21:12Who's the head cheese, then?
00:21:15Henry, the producer, is in charge.
00:21:16I need to talk to him.
00:21:17Where is he?
00:21:19You just missed him.
00:21:20He had to leave.
00:21:21He's not available right now.
00:21:24I'm in charge for now.
00:21:26The head man is here.
00:21:27You can't say anything.
00:21:28He asked me to talk to you.
00:21:30A man is dead.
00:21:32He doesn't want to talk to the police.
00:21:33He wants to talk to you.
00:21:34He's just, uh...
00:21:37Indisposed to the moment, sir.
00:21:39I really can't say more than...
00:21:41I...
00:21:41I am authorized to speak for him.
00:21:45Okay.
00:21:46I need to talk to everyone that works here.
00:21:48So get me a list of names,
00:21:50and let's start with your, uh...
00:21:52Mr. Producer.
00:21:54Actually, sir, most of the people are sleeping.
00:21:57Wake him up.
00:21:58Some have left for the night.
00:22:00They'll be back tomorrow.
00:22:01We'll start with the people who are here.
00:22:02Wake him up.
00:22:03May I suggest an alternative?
00:22:05No.
00:22:08What?
00:22:10Tomorrow's the last day of shooting.
00:22:12We need to finish this movie.
00:22:14Everybody's gonna be problematical enough with...
00:22:16John Dead.
00:22:17If we can finish it at all...
00:22:20It would just make things worse if you got everyone excited.
00:22:28Uh...
00:22:28There appears to have been a murder here.
00:22:32I need to talk to your people.
00:22:34One on one.
00:22:36So...
00:22:37Who was the first on the scene?
00:22:39I understand.
00:22:40Um...
00:22:41Security got this first.
00:22:42Good.
00:22:42Listen.
00:22:43Tomorrow, after the last shot, it's the...
00:22:45It's the wrap party.
00:22:46Everyone will be here.
00:22:48Come and mingle with the crowd and...
00:22:49Figure out who you want to talk to and talk to them then.
00:22:51Yeah.
00:22:52I don't like it.
00:22:52It's too informal.
00:22:54I will give you a complete list of the cast and crew.
00:22:57Everyone will be relaxed.
00:22:59The job will be over.
00:23:01There's pressure off.
00:23:03They'll actually have been drinking, so there'll be loose lips, if you know what I mean.
00:23:10When's this party start?
00:23:12Around eight.
00:23:13Maybe a little earlier for those who aren't needed on set.
00:23:18It's not how I operate.
00:23:21But I'll do it.
00:23:23And I'll be the life, or maybe the death, of your party.
00:23:29Where's the security guard? I'll talk to him now.
00:23:31He's over there.
00:23:48Hey.
00:23:49Save my seat, please.
00:23:50Be right back.
00:24:00Good morning.
00:24:01Hey, Bill.
00:24:03Ruthie, I would like to introduce you to my new friend, Ann.
00:24:07Hey, Ruthie.
00:24:08Hello, Ann.
00:24:09Are you on the shoot?
00:24:10I'm a PA, but not on call this morning.
00:24:12I am.
00:24:12My name's Jack Chattern.
00:24:14Big Ed in the original.
00:24:15Pleased to meet you.
00:24:16Well, thank you very much.
00:24:18Oh, hi, R.H.
00:24:20Hey, what's this?
00:24:22Take my seat?
00:24:23Drink my coffee?
00:24:25What's next?
00:24:27Well, if, uh, Ruthie's not too busy.
00:24:30Oh, man.
00:24:32Well, lucky for you, I don't like bacon.
00:24:35Yeah, right.
00:24:36Move.
00:24:37Sit here.
00:24:43Everything all right at this table?
00:24:45Everything's fine.
00:24:46We're just recreating a moment from the movie.
00:24:48Say, aren't you all the folks from that movie that was made here?
00:24:51Yep.
00:24:52These three were in the cast.
00:24:54Well, I'll be.
00:24:55And the principal actors.
00:24:56We're glad to have y'all back.
00:24:58Breakfast on the house today.
00:25:00Whoa, why, thank you, my kind sir.
00:25:02And would you happen to have any, um, steaks on the menu?
00:25:06You kidder.
00:25:07Enjoy your meal.
00:25:09Uh, I...
00:25:10I wasn't kidding.
00:25:12Well, now you were.
00:25:15Um, here's my number, y'all.
00:25:17Send me yours so we can stay in touch.
00:25:19Ann has been, um, working very hard on this motion picture,
00:25:23and she thinks that she has a career in the industry.
00:25:26And speaking of which, what in the heck have all y'all been doing
00:25:29the past, I don't know, 35 years or so?
00:25:33Well, I gave up full-time teaching to direct and perform more.
00:25:36I work all the time now.
00:25:38Yeah.
00:25:39I'm a singer-songwriter.
00:25:41As a matter of fact, I just got back from Nashville
00:25:42where I was recording an album.
00:25:44So who have you been bothering all these years?
00:25:49Funny.
00:25:51Listen, I have been in real estate, and I have done quite well,
00:25:55thank you very much.
00:25:56Is everyone excited about the party tonight?
00:25:59Two days of R&R at the beach.
00:26:02Well, at first I didn't think this was going to be very much fun.
00:26:06But now that I'm here, I'm beginning to see the possibilities.
00:26:12The cast and crew eat here.
00:26:13I wonder where they are.
00:26:15Well, praise the Lord.
00:26:19Maybe they're in church.
00:26:20On a Saturday?
00:26:23My sister-in-law would tell you that my brother was a special man.
00:26:28A great human being.
00:26:29A miracle worker.
00:26:31He turned many second-rate screenplays into great motion pictures.
00:26:35And yet he was never awarded an Oscar.
00:26:37All the guy did was make shit.
00:26:41Profitable shit, but it was shit.
00:26:43No one was ever watching that.
00:26:45I'm gonna miss him.
00:26:51He loved show business.
00:26:53He was the most beautiful person in the whole world.
00:26:59He may have seemed like a self-important person.
00:27:02Like an overbearing person.
00:27:05But really, he was just insecure.
00:27:08Full of self-doubt.
00:27:12He was universally loved.
00:27:14He was universally loved.
00:27:15A fabulous friend and a wonderful leader.
00:27:19Things he cared about.
00:27:21Life.
00:27:22Love.
00:27:24Kindness to others.
00:27:26Gentility.
00:27:28Mom.
00:27:30Apple pie.
00:27:40He was a good man.
00:27:43A humanitarian.
00:27:45A sweet soul.
00:27:49He was an asshole.
00:27:52Now.
00:27:57How are we gonna finish this thing without fuckwad?
00:28:03It was slow as shit.
00:28:05And behind schedule.
00:28:07We'll just finish it.
00:28:08It's basically done.
00:28:10We can use that last take.
00:28:12Lose the sound of John's phone ringing.
00:28:14But we can do it.
00:28:15Just one last scene.
00:28:17It's important to us to finish it too.
00:28:19It'll look bad on our resumes if we don't finish.
00:28:23People will think we're jinxed.
00:28:25No.
00:28:25It has to be reshot.
00:28:27The talent reacted to the ringing in the phone.
00:28:29Okay.
00:28:30Well, up to the ringing then.
00:28:31Ed, you saw it.
00:28:33Can we use any of it?
00:28:34Yeah, I mean, I can use a lot of it up to the ringing.
00:28:36Four shots.
00:28:38John and I discussed it last night just before, um...
00:28:41You know.
00:28:42It's nearly done.
00:28:44We would have finished it last night,
00:28:46but we had to quit because of union rules.
00:28:49Hey, those are not my rules.
00:28:51Yes, but...
00:28:52We can probably do it.
00:28:54Probably?
00:28:55I got a lot at stake.
00:28:57But fucking probably.
00:28:58The lights are still set up for the first shot.
00:29:00We have the setups planned for the rest.
00:29:03Yeah, call hasn't been canceled.
00:29:04It's just delayed.
00:29:06Our people are still here.
00:29:07You know, we can set it for two this afternoon.
00:29:11Should give us plenty of time.
00:29:12Okay, yeah, but who's gonna direct?
00:29:14I mean, it can't be too hard,
00:29:16cause Dumbo is doing it.
00:29:17But who's gonna do it?
00:29:18I will.
00:29:19What?
00:29:20I know his style.
00:29:20I know what he's gonna do, what he's gonna say.
00:29:23I'm assistant director.
00:29:25It's part of my job to take over in situations like this.
00:29:27No, I'll do it.
00:29:28I'm more in charge.
00:29:29Boss?
00:29:31You're my main man.
00:29:32And besides, you don't know what jackass had in mind.
00:29:36He had everything planned out.
00:29:38We'll just look at his notes.
00:29:40Where are the notes?
00:29:41Do you have them?
00:29:42He kept them on his phone.
00:29:45On his phone?
00:29:48Okay.
00:29:49I mortgaged my yacht for this turn of a movie,
00:29:51and he kept his notes on his fucking phone?
00:29:54It's the way he worked.
00:29:56He kept it on him.
00:29:57You know, it was handy.
00:29:58He's always making changes.
00:30:00Notes, scripts, storyboards.
00:30:04Jesus Christ, where is this fucking phone?
00:30:07He threw it at a light last night.
00:30:09What?
00:30:10Broke a bulb, 50 bucks.
00:30:12Yeah, he was looking for it on set last night.
00:30:14Do we have it?
00:30:15Don't know.
00:30:16We settled a few things, finished our conversation,
00:30:18and I went, hmm.
00:30:19Wait.
00:30:20I picked it up yesterday after he threw it,
00:30:22and I gave it to you, Sydney.
00:30:24That's right.
00:30:25It's in here somewhere.
00:30:28I'll find it.
00:30:30That's an ugly bag, by the way.
00:30:32I mean, it's company property,
00:30:33so let me, let me, let me go through the...
00:30:35No, it's not.
00:30:35It's mine.
00:30:36My wife gave it to me for our anniversary.
00:30:38It's not ugly.
00:30:40Here it is.
00:30:43Give it this.
00:30:45That's great.
00:30:46It's got a passcode.
00:30:47Okay, who's good with his goddamn things?
00:30:49Let me see it.
00:30:52Nope.
00:30:54Nope.
00:30:55Oh, there.
00:30:57Here, I'm in.
00:30:581031.
00:31:00Cute.
00:31:01Look under his notes.
00:31:03He kept them there.
00:31:04In order of scene numbers.
00:31:06He was organized, if nothing else.
00:31:08Here they are.
00:31:09Scene 138.
00:31:11Give it to me.
00:31:11No.
00:31:12Boss.
00:31:14Okay, Julian.
00:31:15You have this.
00:31:19But,
00:31:20you better not fuck up.
00:31:22Or,
00:31:24the bitch is in charge.
00:31:28Two o'clock call, folks.
00:31:34Bill.
00:31:35Stop.
00:31:36I'm married.
00:31:37And happy.
00:31:38Ruthie.
00:31:39What the hell?
00:31:40Whoa, wait a minute.
00:31:41I'm out of here.
00:31:42Shit.
00:31:43Shit.
00:31:43R.H., put that away.
00:31:45That's it.
00:31:45I'm out of here.
00:31:47Not a chance.
00:31:48He's getting what he deserves.
00:31:49No, R.H., it was nothing.
00:31:51Well, it sure looked like something.
00:31:53It was nothing.
00:31:55Bill just thinks we're back shooting the original movie.
00:31:58Well, he's gonna fade away just like the original.
00:32:00Calm down.
00:32:02Think for a minute.
00:32:04Huh.
00:32:05You know, like the original.
00:32:06Shooting's too good for him.
00:32:08All right.
00:32:08This damn thing doesn't work anyway.
00:32:15Ah!
00:32:19Ah!
00:32:22Ah!
00:32:24Ah!
00:32:26Ah!
00:32:27Ah!
00:32:28Please not many.
00:32:29Ah!
00:32:32Ah, ah!
00:32:47Und das ist ein Wettbewerb.
00:32:49Danke Gott.
00:32:51Du bist ein religiöser Mann, Henry.
00:32:54Fuck you.
00:32:56Komm schon, du kannst mir ein Drink.
00:32:58Du hast mich nicht zu putt, doch.
00:33:00Geh der weg von hier, mit dir.
00:33:02Komm schon.
00:33:05Watch it, lock this door.
00:33:07I don't need any assholes jerking off at me, understand?
00:33:09It locks automatically.
00:33:26No nametag, no mission.
00:33:29Play of the month, huh?
00:33:32Okay, here we go.
00:33:35Welcome back, folks.
00:33:36It's the host with the most, Zine.
00:33:38Editor and publisher of the Gore Times Online Edition.
00:33:41And we are here at the fabulous Ocean Anna Motel in beautiful Atlantic Beach, North Carolina.
00:33:46We are fortunate to be attending my special invitation only, the Rap Party Slash Horror Fest,
00:33:51which you can see going on behind me.
00:33:53Celebrating the end of the filming of the remake of our favorite slasher, The Mutilator.
00:33:58That's right.
00:33:58I've talked about The Mutilator many times before I first saw it when I was in high school
00:34:02and has since become one of my favorite 80s independent horror slashers of all time.
00:34:06I was impressed that the film had heart.
00:34:08It was a love letter to me personally.
00:34:10And since its release in the 1980s, it has become a very talked about cult classic.
00:34:14Buddy Cooper, who directed the original, is also just a really awesome guy who's there
00:34:17to help young people in film with questions they might have about writing, directing, or producing.
00:34:22He's got an old school style, but that original Mutilator flick is still to this day a blueprint
00:34:26for many other indie horror slashers that have tried to follow in its bloody footsteps.
00:34:30Another wonderful thing about Buddy is he's always there to shake a hand
00:34:33and answer a question from a fan.
00:34:36Now, of course, I'm talking about the uncut version of The Mutilator,
00:34:39not the one the MPAA stepped on.
00:34:41Buddy had a sure shot hit on his hands, and the MPAA made him cut out all the good bits.
00:34:45Oh, sorry. It's a sensitive subject for me.
00:34:47Let's just try and keep it positive, okay, and focus on the screen values of those like
00:34:52Ruth Martinez and Bill Hitchcock, Jack Chatham, the entire cast and crew,
00:34:59the entire picture-edit team, sound-edit team.
00:35:01It's all of superb quality, okay?
00:35:03I mean, like, Michael Menard's entire score for The Thing is incredible,
00:35:07as was the theme song, which was made available on 45 RPM singles.
00:35:11A potent earworm, if I do say so myself.
00:35:14A lot of great horror fans out there would have sold their unborn child
00:35:18for a chance to see a Mutilator remake, but I'm happy to say now they can keep the baby.
00:35:23Oh, I've been told by a confidential yet reliable source that...
00:35:27Not me.
00:35:30...that the remake is in the can, so stay tuned.
00:35:32It'll be coming soon to a theater near you.
00:35:35Mutilator 2, look for it.
00:35:42Oh, wow, wow, wow, wow.
00:35:44Oh, shut up with you.
00:35:46...
00:35:53...
00:36:18It includes all cast and crew members.
00:36:21It includes their phone number, motel room number, home and email addresses.
00:36:26I hope they'd also include their character names or crew position.
00:36:30...
00:36:32Name that.
00:36:39What's a gaffer?
00:36:41Please, please, please, please, please.
00:36:43What?
00:36:44Whoa.
00:36:45Is this the original one from Mutilator 1?
00:36:48Yep, the very same one.
00:36:50Well, it's a little heavier for me.
00:36:53Let me see that.
00:36:53Whoa, whoa, whoa, no, no, girls.
00:36:55That's it, isn't it?
00:36:55This is sharp, this is sharp.
00:36:56Hey, hey, hey, hey, hey.
00:36:57Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
00:36:58Take my picture.
00:36:59Please, please, please, please, please.
00:37:01Hey, hey, hey, hey, hey, hey, hey.
00:37:02This keeps up, somebody's really gonna get hurt.
00:37:04Oops.
00:37:06Or worse.
00:37:07Sorry, RH.
00:37:08How about the axe?
00:37:09Do you have my battle axe?
00:37:10No.
00:37:11Sadly, someone stole it.
00:37:14How can that happen?
00:37:15How?
00:37:16I don't know.
00:37:17We think that someone from the original shoot just made off with it.
00:37:20We had to get a different one.
00:37:21Damn.
00:37:22Some people, huh?
00:37:23I know, right?
00:37:37Hey, man.
00:37:41How's that leg?
00:37:43This leg is great.
00:37:45Stainless steel, carbon fiber, spring-loaded piston, and naturally formed ankle.
00:37:53It's the best leg you can buy with taxpayer dollars.
00:38:02Sorry about that.
00:38:05Is everybody here?
00:38:07Where's Liz?
00:38:08I don't know.
00:38:09She's here somewhere.
00:38:10Look, let's just find her, grab some IPAs, and have a little private party.
00:38:16Oh, I see her right there.
00:38:18Show us that bad look, Mr. Chatham.
00:38:22Bad look?
00:38:24Hey, you!
00:38:31Yeah, just call me Big Ed, alright?
00:38:33You're still the best bad guy ever.
00:38:35Yeah, I still got it, don't I?
00:38:40Whoa.
00:38:41What party are you going to?
00:38:43Just, uh, thought I'd take a night-time dip.
00:38:46Feel like having a companion tag-along?
00:38:49No.
00:38:50For safety, I mean.
00:38:52I know, I, uh, think I'll be okay.
00:38:55I almost made the Olympic swim team.
00:38:57Yeah?
00:38:58What was your stroke?
00:39:00Uh...
00:39:01It's all in the wrist, right?
00:39:14Here we go.
00:39:15Hey, ma'am.
00:39:20I got a little tipsy.
00:39:23Listen guys, how can you tell if a period, how are you supposed to tell if a period's
00:39:29in italics?
00:39:31If you ever had a wet dream and not remember it?
00:39:33Like, like what even are italics anyhow?
00:39:38Come on.
00:39:39We want to have a private party.
00:39:41Yeah.
00:39:41Come with us.
00:39:42No thanks, I'll stay.
00:39:43I've got my eye on something.
00:39:48I'm okay.
00:39:50Hey.
00:39:52Nice talking to you.
00:39:54Oh, she's the crowd.
00:40:09What's up man?
00:40:10What's up dude?
00:40:36Hey there Marilyn, would you like to be on my show, The Gore Times?
00:40:40I have a YouTube channel, you've probably heard of it.
00:40:44Oh, I'm a friend of uh, Henry's.
00:40:52Thanks a lot, Henry.
00:40:55So how'd you do that thing at the end, where they cut you in half?
00:40:59Oh, there's nothing to it, they just glued me back together.
00:41:06And when was the last time you saw the director alive?
00:41:10Uh, on the set, when he blew a circuit.
00:41:14Yeah, he was very much alive then.
00:41:17Did you get along with him?
00:41:19Uh, well I didn't have to deal with anything directly, which was good for me, right, because
00:41:24that guy could be a real pain in the ass.
00:41:26Sure.
00:41:27Who did you deal with?
00:41:28Uh, the DP.
00:41:30Okay.
00:41:32What's a DP?
00:41:34Director of Photography.
00:41:37Am I a suspect?
00:41:42Everybody's a suspect.
00:41:46Uh, do you keep information confidential?
00:41:52Uh, like, when someone tells you shit?
00:41:58Well, uh, I work with confidential informants all the time, and I protect their identity.
00:42:06What do you got?
00:42:10Look, you can't use my name.
00:42:12You can't say where it came from.
00:42:15Well, if we have to go to court, you may have to testify.
00:42:18Okay, never mind.
00:42:23Well, if you withhold information, thereby hindering a formal police investigation, you're committing
00:42:30a crime.
00:42:31Uh, a felony, in fact, if you want to go to jail.
00:42:35Yeah, but, I mean, it's nothing.
00:42:40You're asking for trouble.
00:42:42Look, it's just my opinion, man.
00:42:45It's nothing like real evidence.
00:42:47Mm-mm. Spill it.
00:42:52You know who really hated John?
00:42:55Henry.
00:42:56The producer.
00:42:58They were constantly fighting, and he told John that he'd never work for him again.
00:43:05Henry.
00:43:08Okay.
00:43:10I want to talk to Henry.
00:43:12Where is he?
00:43:15Trenchcoat.
00:43:25Okay.
00:43:26All right, we are here now with the one and only Buddy Cooper, director of Mutilator One.
00:43:31Oh, Buddy, you were credited as executive producer on this film.
00:43:36Tell us, what exactly is it that you do as an executive producer?
00:43:41Nothing.
00:43:42As executive producer on this picture, I do absolutely nothing.
00:43:46It's crazy.
00:43:49Uh, okay, uh, well, tell us, Buddy, um, is there any particular thing from the original Mutilator that you like
00:43:55better than in the remake?
00:43:56Oh, yeah.
00:43:57Uh, on the original Mutilator, the director did not get murdered. I like that.
00:44:02Toke.
00:44:03Thanks.
00:44:05Hey, excuse me.
00:44:09Buddy Cooper, everybody.
00:44:14Well, if it moves or bleeds, wiggles or winks, walks or talks, then it's special effects.
00:44:19But if it doesn't do anything, if it just lies there, then it's props. You get it?
00:44:24Uh, yeah, I get it. I'm married to a prop.
00:44:29Do you think the white bits and oranges are good for you?
00:44:33I don't think they're good for you.
00:44:34The white bits?
00:44:37Oranges.
00:44:46Do you like this line of work?
00:44:48It's what some people do. They don't drink.
00:44:51Maybe that's why I drink.
00:44:58They gave me those tests in high school.
00:45:02The tests that tell you what you're best suited for.
00:45:05Mine all kept coming up.
00:45:07Forest Ranger.
00:45:11Really?
00:45:13All these years I've wondered, day and night,
00:45:17what's so great about being a forest ranger?
00:45:26Nobody there.
00:45:29Weirdo.
00:45:31It's been a long time since the movie was made, but you're still a very good looking man.
00:45:36Well, thank you very much.
00:45:38You look good too.
00:45:40I'm flattered.
00:45:43Are you married?
00:45:47No, I'm not married.
00:45:49I'm available.
00:45:54Um...
00:45:54Well?
00:45:58Well...
00:46:01Um...
00:46:02Would you like to come up to my room for a nightcap?
00:46:05Not right now.
00:46:07It might be a little obvious if we both leave the party at the same time, don't you think?
00:46:12What if I give you a call later?
00:46:15I'll be counting on it.
00:46:18I'll be calling.
00:46:19Definitely.
00:46:40Frozen Three Musketeers bar dipped in melted butter.
00:46:43Nah.
00:46:44Friars vanilla ice cream with maple syrup.
00:46:47Mmm.
00:46:48You win.
00:46:56You can relax, Henry's not here anymore.
00:47:00Hey, has that guy talked to you yet? The cop?
00:47:04That guy's name is Columbo.
00:47:06You believe that?
00:47:08Yeah.
00:47:09I told him Henry's a nobody.
00:47:12Just somebody's messenger boy.
00:47:14No real power, just a real asshole.
00:47:17Damn, I told him that Henry probably killed John.
00:47:21No, you didn't.
00:47:21Yes, I did.
00:47:23I love it.
00:47:25Shoot it!
00:47:27Whoop!
00:47:29Cheers.
00:47:36Goddamn that, sweet.
00:47:40Am I handsome yet, or what?
00:47:42Uh, I think I need another one.
00:47:43I'll be right back then.
00:47:46Hey, Ed, how about running my death scene from the first Mutilator movie for me?
00:47:52You know, the real one, the way it's supposed to be done.
00:47:57Again?
00:47:58Why don't you just get a copy?
00:48:00Um, no money?
00:48:03Why don't you just ask Buddy for one, and then you can wash it anytime you want?
00:48:06Ed, I promise you, this will be the very last time that I ask you.
00:48:13All right, give me a few minutes and then come on.
00:48:22Mr. Jack Chatham?
00:48:24Big Ed himself?
00:48:25Oh my goodness, I'm so nervous.
00:48:27Please don't kill me.
00:48:28Just kidding.
00:48:29Uh, but speaking of which, why do you think that Big Ed killed all those people in the original Mutilator
00:48:35when he was only after his son?
00:48:37It doesn't seem to make much sense if you think about it.
00:48:41That's a good question.
00:48:43Are we on TV? Is that what that is?
00:48:44Right there.
00:48:45That's nice. That's nice.
00:48:48See, when I put myself into the Big Ed character, I found that I really became Big Ed.
00:48:57And it felt like once I started killing people, I discovered that I really liked it.
00:49:03You could say I was hooked.
00:49:08So, I just wanted to keep on killing.
00:49:11Killing.
00:49:14Killing.
00:49:17Killing all those people was the most fun I've ever had.
00:49:53Killing all those people were in trouble with, I felt like I was.
00:50:00Talking to his children's no Ruben.
00:50:03You could do something that was funny.
00:50:03I couldn't be kidding.
00:50:03I could do something.
00:50:03But I thought we did not want to play with it.
00:50:04It's great.
00:50:07I waited so early.
00:50:08I thought I was so sorry for you.
00:50:09I thought it was amazing.
00:50:12I thought it wasn't my fault.
00:50:42Hey Ed, are you ready?
00:50:44I've come to see it, and I've also brought you a souvenir.
00:50:49All right, Hotshot, this is the last time.
00:50:51I've got plenty of other things to do to do with egocentric assholes.
00:50:54Yeah, I saw you talking to her earlier,
00:50:57but I have come to watch my most breathtaking performance.
00:51:02I should have been nominated.
00:51:05Okay, right.
00:51:08It's all queued up. Have a seat.
00:51:11You gonna watch it with me?
00:51:12Ooh, do you have any popcorn?
00:51:16Nah, I'm gonna head back to the party.
00:51:18Pull the door shut. It locks automatically.
00:51:20See you on the red carpet, Hotshot.
00:51:23Hey, what's up?
00:51:31All right, here we go. Walking in the dark.
00:51:39And what do you find first?
00:51:44There you go, the pyramid sinker.
00:51:46And what do you find second?
00:51:48Come on.
00:51:52Well.
00:51:55Well.
00:51:56Well.
00:51:56No wonder.
00:51:58Whoo-hoo.
00:51:59Falling asleep, huh?
00:52:01He, he, he, he, he, he, he.
00:52:04Oh, yeah.
00:52:05Go ahead.
00:52:06Badda, badda, badda, badda, badda, badda, badda.
00:52:08Swing.
00:52:09Badda.
00:52:11Boom.
00:52:12Now he's awake.
00:52:14Oh.
00:52:14Right.
00:52:18And the great singing debut.
00:52:21Doo-doo-doo-doo-doo.
00:52:22Doo-doo-doo.
00:52:25Doo-doo-doo.
00:52:26Doo-doo-doo.
00:52:26Doo-doo-doo.
00:52:27Something like that.
00:52:31Ta-dum.
00:52:35Not yet, huh?
00:52:37But look, I gotta lock up.
00:52:39Because I got something to see upstairs.
00:52:43Oh, Ed, just in time for the big finish.
00:52:51Yeah, brilliant idea, number three or four.
00:52:54Oh, I'm really gonna hate to do this one.
00:52:58Make sure you're okay for the night.
00:53:02Do it.
00:53:02Do it.
00:53:04Do it.
00:53:04Do it.
00:53:10Even I couldn't do that.
00:53:36No.
00:53:54No.
00:53:57No.
00:53:58Aaaaahhhh …
00:54:57Untertitelung. BR 2018
00:55:05So, you like the way your lips turned out?
00:55:11Hey, you work on the picture, don't you?
00:55:13Yes, I do.
00:55:14Can I get a few words for the fans?
00:55:16I would love to say hello to the fans of the movie, but I'm on my way somewhere right now.
00:55:21Maybe later.
00:55:22I'll keep an eye out for you.
00:55:25See you.
00:55:26Bye.
00:55:27I'm going to keep an eye out for you, idiot.
00:55:31You're at war time.
00:55:32Alive and in the flesh?
00:55:33I'm a big fan.
00:55:35Really?
00:55:36Your YouTube link is on my bookmarks toolbar.
00:55:41Really?
00:55:41Yes, I love that you use background in philosophy.
00:55:45Awesome.
00:55:46Yes, like, use what you've learned and not what they've taught you.
00:55:49I can't believe you remember that.
00:55:51Never let pride get in the way of drabbiness.
00:55:53You are awesome.
00:55:55I remember almost everything you say.
00:55:58Can I, like, buy you a drink or something?
00:55:59I don't drink.
00:56:00Water?
00:56:01Sure.
00:56:02Perfect.
00:56:03I also drink water.
00:56:05We have so much in common.
00:56:16Just so you know, I'll be closing up soon, ma'am.
00:56:19How will I get off?
00:56:20That button right there will open the gate from the inside.
00:56:22But, uh, just watch your step.
00:56:25We'll be turning the lights off in a few minutes.
00:56:27I will.
00:56:28Good night.
00:56:29Thanks.
00:56:30Good night.
00:56:41Good night.
00:57:06Good night.
00:57:13Good night.
00:57:18Good night.
00:57:21Good night.
00:57:29Good night.
00:58:01Untertitelung des ZDF für funk, 2017
00:58:30Untertitelung des ZDF, 2020
00:58:39Untertitelung des ZDF für funk, 2017
00:58:51Untertitelung des ZDF für funk, 2017
00:59:04Untertitelung des ZDF für funk, 2017
00:59:05Oh, goody
00:59:08Let me put it on for you, don't move
00:59:11Please do
00:59:13Close your eyes
00:59:23No, no, no
00:59:53You want a Hummer?
00:59:55Because you have a really nice kazoo
01:00:02Hmm, well, fuck yeah
01:00:11Follow me maestro, there's too many people here
01:00:16Let's make it too fewer
01:00:21Oh, hey, no, you've, uh
01:00:25You didn't bring your glue, right?
01:00:27Maybe
01:00:28Seriously, though, you didn't, right?
01:00:32Oh, hey, no, you didn't, right?
01:01:00Aaaaaaaaaaaahhhhhhhhhh
01:01:04Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah!
01:01:13Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah!
01:01:15Hey, ciao!
01:01:16Oh, yeah? They're not gonna... not off on me, are you?
01:01:19Uh, yeah. I mean, no...uh, not yet.
01:01:24Ja.
01:01:24Du denkst, dass du das?
01:01:26Come on.
01:01:27No.
01:01:28Ich werde ihn aufhören, wenn du das.
01:01:30Okay.
01:01:32Ja?
01:01:32Ja.
01:01:33Hier geht's.
01:01:37Oh.
01:01:41Oh.
01:01:42Oh.
01:01:43Oh.
01:01:43Oh.
01:01:44Oh.
01:01:45Oh.
01:01:45Oh.
01:01:47Oh.
01:01:50Oh.
01:01:51Oh.
01:01:52Oh.
01:01:52Oh.
01:01:53Oh.
01:02:02Oh.
01:02:03Oh.
01:02:04Do you know why
01:02:05why there are pop tarts?
01:02:07But not mom tarts?
01:02:11Not exactly.
01:02:13Cause of the pastryarchy.
01:02:15cause of the pastryarchy.
01:02:15Hahaha.
01:02:17It's the stupidest damn joke I've ever...
01:02:19how about right here?
01:02:23Ja, ich würde gerne.
01:02:30Und...
01:02:30Buh-chaa!
01:02:31Ja, Lendie.
01:02:35Squeeze your cheek, don't let me...
01:02:36Let me on this bad boy.
01:02:37Plenty of things in the best.
01:02:42Have you ever seen it this iffy out here?
01:02:47Oh, look at the stars.
01:02:51I don't see any stars.
01:02:54I don't see any stars.
01:02:54Ha.
01:03:00Ha.
01:03:08I haven't done it before.
01:03:11That's not a little bit.
01:03:13Yeah.
01:03:14Mhm.
01:03:41I don't see any stars.
01:03:45Mhm.
01:04:15Die Sendung wurde vom NDR live untertitelt.
01:04:46Die Sendung wurde vom NDR live untertitelt.
01:05:07Die Sendung wurde vom NDR live untertitelt.
01:05:09Die Sendung wurde vom NDR live untertitelt.
01:05:11Die Sendung wurde vom NDR live untertitelt.
01:05:32Die Sendung wurde vom NDR live untertitelt.
01:05:45Die Sendung wurde vom NDR live untertitelt.
01:05:53Die Sendung wurde vom NDR live untertitelt.
01:06:07Die Sendung wurde vom NDR live untertitelt.
01:06:24Die Sendung wurde vom NDR live untertitelt.
01:06:42Die Sendung wurde vom NDR live untertitelt.
01:06:45Die Sendung wurde vom NDR live untertitelt.
01:06:53Die Sendung wurde vom NDR live untertitelt.
01:06:58Die Sendung wurde vom NDR live untertitelt.
01:07:11Die Sendung wurde vom NDR live untertitelt.
01:07:16Die Sendung wurde vom NDR live untertitelt.
01:07:22Die Sendung wurde vom NDR live untertitelt.
01:07:35Die Sendung wurde vom NDR live untertitelt.
01:07:44Die Sendung wurde vom NDR live untertitelt.
01:07:47Die Sendung wurde vom NDR live untertitelt.
01:08:00Die Sendung wurde vom NDR live untertitelt.
01:08:04Die Sendung wurde vom NDR live untertitelt.
01:08:07Die Sendung wurde vom NDR live untertitelt.
01:08:08Die Sendung wurde vom NDR live untertitelt.
01:08:10Die Sendung wurde vom NDR live untertitelt.
01:08:12Die Sendung wurde vom NDR live untertitelt.
01:08:13Nein, ich habe einen kleinen Promen.
01:08:14Ja, ich habe einen Karten.
01:08:19Es ist ein Karten.
01:08:20Einmal mehr?
01:08:21Einmal wieder.
01:08:25Ich bin ein Haken.
01:08:30Einmal.
01:08:32Häh!
01:08:38Hey, wait!
01:08:52Oh, shit.
01:08:55Help!
01:08:57Wir müssen helfen.
01:08:59Grab the room, grab the room.
01:09:00Bring her up.
01:09:02No, no, don't fall.
01:09:07No!
01:09:17Help!
01:09:24Come on, Perra, Perra.
01:09:35I'll get help!
01:10:00Help me!
01:10:11Let me look with the camera.
01:10:14Oh, okay.
01:10:16But I really didn't see anything.
01:10:19How do I do this?
01:10:20You just look through there.
01:10:22It's called a viewfinder.
01:10:24I don't see anything.
01:10:26It's all black.
01:10:28My favorite color.
01:10:30My bad. Sorry.
01:10:34I didn't see anything, really.
01:10:36But what do you see?
01:10:39Nothing, really.
01:10:41Just the end of the fishing pier.
01:10:43See?
01:10:44I told you.
01:10:45Here, you know what?
01:10:46Alright, let me see.
01:10:53Huh.
01:10:53What?
01:10:56Um...
01:10:57Nothing.
01:10:58Nothing.
01:11:18No!
01:11:21Oh!
01:11:23Oh!
01:11:24I'm gonna die.
01:11:25I'm gonna die, I'm gonna die.
01:11:27I'm gonna die.
01:11:29Oh!
01:11:30Ah!
01:11:31Ah!
01:11:33Ah!
01:11:40Oh!
01:11:43Oh!
01:11:43Oh, oh, oh.
01:12:19So you think you're a fan of mutilator? Check this out.
01:12:22Oh, my gosh. Let me get a shot of that. Hold on.
01:12:24Here with us now is another exceptional fan of an exceptional movie, Rick Fletcher.
01:12:29Show us that tattoo, Rick.
01:12:31Look at that. That is fandom.
01:12:33That is dedication.
01:12:35That is permanent.
01:12:59Help me!
01:13:01No, no, no! What are you going to do now?
01:13:04No, no, no! Brother! No, no, no, no!
01:13:18This might hurt you.
01:13:21No, no, no, no!
01:13:26Oh!
01:13:28Ha ha ha ha!
01:14:15Brains! I want brains!
01:14:31Brains!
01:14:34Help!
01:14:36Help!
01:14:37Help!
01:14:38Help!
01:14:52Okay, everybody out!
01:14:56Everybody!
01:15:06Coming to you live now from the wonderful Ocean Animal Hotel in beautiful Atlanta Beach, North Carolina with some breaking
01:15:11news.
01:15:12A Gore Times exclusive.
01:15:13Actor Bill Hitchcock has just apparently been murdered.
01:15:18Mr. Hitchcock's deceased body was found in the same manner with the same implement of death that was used to
01:15:24kill Mr. Hitchcock's character in the 1980s cult classic film, The Mutilator.
01:15:29The remake of which was being made here.
01:15:31We were all just wondering who could have done this terrible deed.
01:15:37It wasn't me. I liked Bill.
01:15:40Of course it wasn't me. Get that camera out of my .
01:15:43It wasn't us.
01:15:44Jinx.
01:15:45This is the Gore Times, signing off for now.
01:16:01It wasn't me.
01:16:12It was Big Ed!
01:16:18I told you it wasn't me!
01:16:20Okay.
01:16:21It was Big Ed!
01:16:22Sure it was.
01:16:23Let's go.
01:16:29Okay.
01:16:33Run!
01:16:54Thank you.
01:16:59FROM THE GAMES
01:17:07Musik
01:17:38Musik
01:18:09Musik
01:18:39Musik
01:19:09Musik
01:19:41Musik
01:20:10Musik
01:20:37Musik
01:21:07Musik
01:21:08Musik
01:21:08Musik
01:21:08Musik
01:21:08Musik
01:21:11Musik
01:21:22Musik
01:21:53Musik
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