00:00Okay.
00:04What's the reason why the cinema started?
00:09Sir, let's start a little bit.
00:12I was very busy at the time.
00:20I was a production company.
00:22I was a debut director.
00:24I was a production company.
00:26I was a production company.
00:30I was a production company.
00:32I was a production company.
00:35I was an independent producer.
00:37Covid-19 is not as possible.
00:40You know, the producers and producers are going to have to trust.
00:47Unfortunately, I lost my father.
00:50So, it's like you have to do the daily work, but you don't have to do the daily work.
00:56You don't have to do the daily work.
00:59So, it's like a rebuild process.
01:06I don't know if you have to do the work for me.
01:09I don't have to do the work for me.
01:13I had to recover my work.
01:15I don't know if you have to do the work for me.
01:18In the past 23 years, I had to do the music films.
01:26I had to do the work for me.
01:30I had to do the work for me.
01:34And Saroji Nadu is not small.
01:36She is a part of history.
01:37Very big part of Indian freedom history.
01:39So, I had to do my great great grandson on that.
01:46But he is also a part of the narration.
01:48I have to do it.
01:49He is a very big industrialist in West Bengal.
01:53and in Kolkata.
01:55They were running in the US's Obama campaign.
02:00So, when we started Kelsa,
02:03the writer started to start the story,
02:06we were able to start the story.
02:08We had a few times shooting.
02:11In this film we had a lot of fun.
02:14In the first place,
02:15they were in Sanjay Lila Bansali,
02:24She was from NSD, National School of Trauma.
02:30She was a senior Sarojini, which was amazing.
02:36She became an effective runner.
02:38She was doing great work actually.
02:39She didn't work at MSD, N.S.D. actor.
02:42But also important in this situation,
02:48she's coming to the young Sarojini.
02:50The young Narojini,
02:52a person who rose,
02:53She's never born insama.
02:56Your son was like a man.
02:59Your son was a young son.
03:03She's got a living to the character.
03:05If you look at the character, he is an old man, he is a father, he is a father, he
03:15is a father.
03:18If you look at the character, you can play the character.
03:25But if you look at the character, the character starts to be correct.
03:30If you look at the character, the character starts to be a very difficult film.
03:38There is an assassination of Gandhiji.
03:44But the character starts to be a very difficult film.
03:51I am not going to touch politically.
03:52They don't have to touch politically. It's not the case of the story of Sarojina Aydar.
03:59They don't have to touch any journey in their journey.
04:05They don't have to touch everything politically.
04:11This is the story of a freedom fighter.
04:18This is a freedom fighter.
04:20But in that case, we don't have to say anything.
04:25Because in history, the facts are very important.
04:29But there are many incidents.
04:32Probably Sarojini, Nightingale of India, Gandhiji,
04:36He is a writer, he is a writer.
04:39But Sarojini, there are many unnoticed pieces of history.
04:43They are a leader in Salt March, but they are very important.
04:51I am trying to tell you about this.
04:54I am a good actor.
05:00I am a good actor.
05:01I am a good actor.
05:01I am a good actor.
05:03I am a good actor.
05:07I am a good actor.
05:09I am a good actor.
05:12In the audience the people whose producers are very important.
05:15They have many of us
05:16They are very important to have done this film.
05:19Since it is August,
05:21I have not been working on a fan.
05:24So, the movie is participating in August 14,
05:25I have a big attention to the movie.
05:33How do you research this research work?
05:41We have to research 6-8 months
05:46First, the structure is our writer
05:50but we don't have to stop the fact state
05:53So, there are many English writers who are interested in it.
05:58And some writers are interested in it.
06:02So, there are probably 4-5 posts that we study.
06:08That's why we use the internet, which is the biggest source of everything.
06:13But in this film, we used the original footage of the government.
06:19The first thing is that I shoot this video is not the same for me.
06:23For example, when I shoot this video, it is the same for me.
06:26If I shoot this video, I can feel like I have a good energy.
06:33I can feel like I have the same camera.
06:37So, there are some pieces of history that I can use the government's director.
06:41We have to get permission from the cinema.
06:47We have to try this history.
06:51What is the film in which film is?
06:54What is the film in which film is?
06:57Hindi, Canada.
06:59It is the film in the first film.
07:02It is the film in the first film.
07:05Our family comes from Bengal.
07:08In Bengal, Telugu has already done dubbing. FMD has bought Telugu rights and has already done the rights of Kanadake
07:21and N. Kumar and Shweta.
07:24He has also done the rights of Kanadake and has already been done.
07:27In August, he is the director of Sangeet Akshetra.
07:36He has been the director of this film.
07:42As a director, yes. It is my first film.
07:45I have been watching 100 films.
07:48He is the director of Rani Maharani, B. Ramurthi.
07:52He is the director of Sangeet Nridesha.
07:57He is the director of Jagesh.
08:04Jagesh is the director of Sangeet Nridesha.
08:08He is the director of Sangeet Nridesha.
08:10The director of Edma Rosha and I have seen every department inreries.
08:19He is the director of the Rani Maharski.
08:25I don't know if he is a director of the film.
08:30We have to feel the fit of the film.
08:30And now, we have to deal with the directors of the film as well.
08:34They are also independent.
08:41So, Jagehsar also has a department in the cinema.
08:48That's why Jagehsar is a way of life.
08:54So, Jagehsar is a way of life.
08:55So, Jagehsar is a way of life.
09:10So, Jagehsar is a way of life.
09:14That's why I am a guru and music.
09:17That's why I started the production.
09:21So, I started the production of the cinema.
09:26So, I started the production of the Shibana Sar.
09:30I don't have to worry about it.
09:32I don't have to worry about it.
09:37That's why Jagehsar is a way of life.
09:42So, the cinema is a lot of experiment.
09:47The cinema is a very subject and a very concept.
09:50Praveen Chengsi Sothia is a part of the film.
09:55In Hindi, many people are a part of the film.
10:01Again, what is the most important part of the film?
10:04The most important part of the film is the most important part of the film.
10:08The film is the most important part of the film.
10:15The film is premier in the council.
10:19He has seen her name for the film as Kerran Sithi,
10:23if she has a character, if she is a subject, if she is his first subject,
10:28I am the president of Nelluli.
10:33I'm from the publisher that we read.
10:36I would suggest that I would like to talk about it.
10:43I would like to talk about a common man.
10:54The common man is a subject like Dr. Narsimurthy and Dr. Narsimurthy.
11:01They are acting, acting, Omsai Prakash, and Gaurishankar.
11:09They are playing music.
11:12They are playing a team like Dr. Narsimurthy and Dr. Narsimurthy.
11:24The common man is a chief minister.
11:27They are playing a twist entrance to an app subject.
11:34They are playing a lot of cinema.
11:37The common man is a common man.
11:42I am not a common man.
11:45I am dead.
11:48I was dealing with a conversation on the other side of my life.
11:54I talked to anyone who was the singer of Sin Narsimurthy.
11:59They are anyone who is the owner of Sin Narsimurthy.
12:03It is not the same thing when they are caught.
12:05Baba Segal, Javay Dali, Kailash Kair.
12:11He is a heroine. He does not sing for everyone.
12:14There is a lot of people in the film.
12:17There is also a lot of writers like Nagindaprasad and Siserwesh.
12:22So, we need to make a difference.
12:24We need to make a difference.
12:25We need to make a difference.
12:26We need to make a difference.
12:30Who is shooting in the film?
12:36The common man is in the final mixing.
12:40The second is the DIA, the second is the Sound Mixing.
12:44Our common man is a common man in August.
12:48There is one to be aсяч00,
12:51usually a man takes a lot of money.
12:53His own dad takes a lot of money,
12:54and he does good, and he does bad.
12:59We need to make a difference.
13:02So, I think a technician is the sound of music.
13:06As a technician I am not sure who I am.
13:08So, I am hoping August will be my month.
13:12And in Canada, I would like to say,
13:13August is considered very lucky.
13:19Last year, Bhima, Ganesha, Krishna Pranisakhi.
13:24Because in the industry, it boosts the cinema.
13:27So, probably, common man is that.
13:29So, I think it's a realistic thing.
13:33Yes, that's correct.
13:35This is the content of the cinema.
13:37That's right.
13:40It's a big challenge for the cinema.
13:43Correct.
13:44So, if you're the cinema,
13:45the content of the cinema,
13:49it's a big challenge for the cinema.
13:50It's a big challenge for the cinema.
13:56It's a big challenge for the cinema.
14:00Because in Canada,
14:03we are exposed to a lot of content.
14:11When it comes to the world cinema,
14:13we are exposed to a lot of content.
14:15When it comes to the world cinema,
14:16we are exposed to a lot of content.
14:21But, where would we watch a French film
14:23or a Spanish film,
14:25which is very good.
14:26There is a Chinese cinema,
14:30Oscar, Parasite.
14:31So, how would I watch Parasite?
14:33Parasite is in the theatre.
14:34I don't want to go to the theatre.
14:37I don't want to go to the theatre.
14:37There is no access.
14:38But, in the start of the OTT,
14:40there is access to world content.
14:42What is the access to world content?
14:44I don't want to create content.
14:46I don't want to create content.
14:49I want to create content.
14:55There is a lot of content.
14:57You can be意 rode out and unique content,
15:00more than other kunwari trees,
15:02So,
15:08you want to incorporate support!
15:09this culture is a lot more important to save.
15:14It'serk ale and engine streams a lot of money.
15:15in the cinema industry,
15:17you father Sureshcandra,
15:32My father was an excellent musician. He was a violinist.
15:41He was a 4th disciple.
15:46He and my father learned music together.
15:51I came from a family that has music.
15:53I was very proud of him.
16:09I was very proud of him.
16:13I was very proud of him.
16:17I was very proud of him.
16:20I was very proud of him.
16:27If I wanted and created an amazing role in Australia, that's the reason for us.
16:33I was with Narasimurthi and Saiprakash.
16:37I was very proud of him.
16:39I was a very proud of him.
16:44that is how I'm living music is a part of my life it is a way of living for me
16:51so
16:51I don't know what I'm doing but music will always keep us alive
16:59cinema I don't know what I'm doing
