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Rivals. S02 - E04
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00:04I'm on my way
00:30I'm in my way, I'm in my way, I'm in my way.
00:32In the jungle, the mighty jungle, the lion's feet tonight.
00:40In the jungle, the...
00:42Whoever it is we're waiting for, it better be bloody worth it.
00:46There's a ton of paparazzi in the car park.
00:52Mr. Farron!
00:54Mr. Farron!
00:57Sorry, Daisy, but my mother had a bit of a turn.
01:00It was a quite long night.
01:02I think Titania's all right, then.
01:07I think perhaps Lorde's gone too far this time.
01:14Who are you playing?
01:15Hermia.
01:16I thought you'd be playing the pretty one.
01:18Oh!
01:30Nice touch for the photographers.
01:33Isn't it just?
01:49Another nail in the venture of coffee.
02:07Jesus fucking Christ.
02:12Your mother's changed sides.
02:15I think I'm in my way, I'm in my way, I'm in my way, I'm in my way.
02:34I'm in my way.
03:13Hello, my Rose.
03:15What are you doing?
03:17The board was exceptional.
03:18Well, I told you she would be.
03:20an entirely authentic performer.
03:22It's as if she's lived it all before.
03:24Thank you for telling me to hire her.
03:26I'd be lost without you, darling.
03:42What are you doing?
03:44Getting into bed.
03:45Sorry, Declan, I'm back for work, not for you.
03:47You're telling me I'm not welcome in my own bed.
03:51Anything else you want to take while you're at it?
03:53I'm not taking anything that wasn't already mine.
03:55It's my house, too, remember?
03:57I decorated it.
03:59Yeah, I know.
04:01I'm still paying the bills.
04:06Close the door!
04:14Morning, Susie.
04:16Hi.
04:16Good morning, Mrs. Barriger.
04:19Here you go.
04:21Can you please not broadcast the fact that I've forgotten my scripts?
04:24Okay, well, I have to get back.
04:26I'm waiting for the call from Carol.
04:28Mm-hmm.
04:29The call about the publishers.
04:31The bidding war on my book.
04:33Where's the pen?
04:34What pen?
04:35My parker, so I can make notes.
04:37What?
04:37This is a rehearsal, Lizzie.
04:38I have to make notes about my character.
04:40You say you're a writer.
04:41Can you please write things down if you can't remember them?
04:43I don't know why Tony even asked you to do Mr. Night's Dream.
04:46You're not an actor.
04:46Tony asked me to do this because I am the face of Corinna.
04:49I mean, Lizzie, for once, could you please at least try and be supportive of my career?
04:56I can't feel sorry for being married to that.
05:06Methinks, mistress, you should have little reason for that.
05:09And yet to say the truth.
05:11Oh, we're rehearsing.
05:12Sorry, I forgot my notes.
05:15Methinks, mistress, you should have little reason for that.
05:18And yet to say the truth, costume is saying nipples or no nipples.
05:24Nipples.
05:26Charles says nipples.
05:28It's like fucking Piccadilly service in here.
05:29I know.
05:30I'm sorry.
05:30Please continue.
05:31Well, I've lost it now.
05:32I'll try and find him.
05:36I'm the most beautiful creature you ever saw.
05:40There he is.
05:41Methinks, mistress, you should have little reason for that.
05:44And yet to say the truth, reason and love keep little...
05:47Sorry, Charles, but Andrew needs the mattress.
05:50For fuck's sake.
05:51Please.
05:55Brilliant.
05:57Absolutely brilliant.
05:58Sorry.
06:00Sorry.
06:01Sorry, Charles, sorry.
06:02Actually, Charles, what do you think about going a bit further with this scene, sexually speaking?
06:08Yes.
06:08I think less is more, don't you, Charles?
06:11I think we imply, not do.
06:15Okay.
06:15Well, I'll leave this in your capable hands, Charles.
06:18But, um, just say the word.
06:20And I will happily oblige.
06:23Dittery!
06:29Excellent work, everyone.
06:34Charles, you'll make sure I don't look foolish up there, won't you?
06:38Darling, you've never looked foolish a day in your life.
06:41I'm serious, Charles.
06:43I'm not as...
06:44I'm not as young as I once was.
06:47My darling, your beauty
06:48is like a Shakespearean sonnet.
06:52Perfectly composed
06:53and eternal.
06:58But the big problem is,
07:00does anyone really give a fuck about poetry?
07:03It's not just about poetry, is it?
07:05It's about power and fate,
07:07patriotism and love.
07:09And sex.
07:10But we wouldn't actually get to see any sex.
07:12No, but it'll be described by the sexiest man in England.
07:16You know, Maude Garnon and Yates
07:18had an unbridled passion
07:19unlike anything we've ever seen before on television.
07:22Describing all its lurid details.
07:24Every kiss, every fuck,
07:27every tortured moment of unrequited love.
07:33Great.
07:34Well, as long as you keep the tash
07:35and you don't skimp on the sex,
07:38you've got yourselves a Channel 4 commission.
07:40How soon can you deliver?
07:42Hello, Clara.
07:44What are these reprobates trying to sell you?
07:46Not trying to fob you off at the Beeb's sloppy seconds, are they?
07:49I doubt the Beeb could have handled what these two are selling.
07:51If you need a reference for Cameron,
07:53be sure to let her know.
07:54I'm terribly sorry, Tony, but we're all booked up.
07:57Oh, no, we aren't staying.
07:59No, I'm just picking up Clara.
08:00We're going to the White Elephant.
08:02Have you booked your seats
08:03to see your lovely wife in the show yet?
08:07Not yet.
08:08Hurry up without you.
08:09They're going like hotcakes.
08:11She's a great talent.
08:12I'm surprised you didn't notice her
08:14when she was under your nose this whole time.
08:17Or was she generally on top?
08:22Declan?
08:25Nice to see you, Clara.
08:27We'll send over a budget next week.
08:29How is the boyfriend?
08:31Is it fun being shacked up
08:32with a man who has fucked everyone?
08:35As I say, practice makes perfect.
08:38Great little business with you, Clara.
08:44You were a silly boy
08:45letting those two slip through your fingers.
08:47Oh, I didn't let them go.
08:49I pushed them out.
08:51Shall we?
08:54That was a deliberate ploy to sabotage us.
08:57Didn't work, though, did it?
08:58We got the fucking commission.
09:01We did, didn't we?
09:03Turns out we're a pretty good team.
09:05A fucking A team.
09:07So, Tony Shakespeare, we should go.
09:09We need to go.
09:10What? No, no, no, no, where?
09:11You might.
09:12No.
09:13We showed Tony that we don't give a shit
09:15about his petty tactics.
09:16We're bigger than that.
09:22Gertrude, Gertrude, Gertrude, Gertrude.
09:32Gertrude, come.
09:39Uh, good crop this year?
09:41Yeah, tons of it.
09:42Just get it all in before it rains.
09:47Oh.
09:50Uh, Mummy's back.
09:52Tony's hired her for a Midsummer Night's Dream, so...
09:55Oh, Christ.
09:56After all of my mess,
09:57I can't imagine Declan's very happy about that.
09:59No, no, he's not.
10:02He's horribly worried about Venturer already.
10:05Yeah, well, I should probably, uh,
10:07probably crack on.
10:11Gertrude!
10:11Go on.
10:12Gertrude, come.
10:13Go on!
10:14Come!
10:17Oh, Gertrude, just...
10:21I'm out.
10:23I'm not doing that anymore.
10:28I can't believe how well everything is going.
10:32This Shakespeare's gonna be such a hit.
10:35I feel like we should celebrate.
10:37Well done, you.
10:39Oh.
10:43Oh, God!
10:45Oh.
10:45No.
11:00Ah...
11:01Ah, oh.
11:03No.
11:05No, no, no.
11:06No.
11:06So don't�...
11:11Oh, my God, that was Archie.
11:13He says he's going to pull his sticky and wants me to come over while his parents are at the
11:17play.
11:19It's Mummy's big day.
11:20I know, but I really like him, Dougie.
11:25Do you think she'd mind?
11:29I'll cheer loudly enough for the both of us.
11:31No, Mum!
11:41Oh, well, to what do I owe the pleasure?
11:47Um, funny thing, really, I was, um, I bumped into the chief whip who suggested that perhaps
11:56I should run for your seat in the by-election.
11:59Congratulations.
12:02That's, that's wonderful.
12:04Oh, you're off?
12:05Yeah, I'm going to head to the priory first.
12:07I think you should come.
12:07I think it'd be good.
12:08Show Tony how little effect he's had on you.
12:11I would rather be eaten alive by red ants than going to a Shakespeare put on by Tony.
12:16We'd be together.
12:17Sorry.
12:18No can do, I'm afraid.
12:19I hope it's a categorical disaster.
12:22Enjoy.
12:30She leant against the gate, her thighs pricked red from the nettles.
12:35Angus stepped towards her, his handful of dock leaves.
12:39He dragged them slowly up her leg and under her skirt, the wet sap of the leaf joining
12:44Cecily's ecstasy.
12:45Right, Fred, Fred, we're off.
12:48I want to get there nice and early so we can get a good seat.
12:51Good idea, Mousie.
12:52You have a lovely time.
12:53I don't understand why I have to go if Daddy doesn't have to.
12:56Because Daddy doesn't want to give Tony Baddingham the satisfaction.
12:59Daddy is old enough to make his own bad decisions.
13:01Right, come on out.
13:02Bye, Dad.
13:03Bye, son.
13:04I don't want anyone thinking that we're not cultured.
13:06And remember, Fred, Fred, do not take off your trunks.
13:10I'm not having whatever swims in and out the end of your thingy floating up to the top.
13:13I'm too old for another baby.
13:15I don't think it works that way, my love.
13:17I don't care.
13:18Just don't do it.
13:20Right, out.
13:23Come on.
13:49Do you think he's expecting us, Tina?
13:52Do it.
13:52Well, I think you should only do it with someone who really loves you and who you love.
13:58I wish I'd voted for someone special.
14:01I should probably give him a blowjob, though, shouldn't I?
14:02Oh, God.
14:04How do you give him a blowjob?
14:05I thought you'd done everything.
14:06No, I've hardly done anything.
14:10Talia said that Toby's come tasted of salty orange juice.
14:17What if he thinks I'm shame?
14:18He doesn't think you're shame.
14:19What if he gets to know me and then realises I'm shame?
14:22You're not shit.
14:23You're amazing.
14:24Just be you.
14:26You're the best.
14:28Bye.
14:30Bye.
14:31Bye.
14:41Bye.
15:16What the hell are you doing here?
15:18Why aren't you with your mother?
15:20Mummy doesn't want me to see you.
15:24Please, can I come and live with you, Daddy?
15:26Please.
15:28What time did you set off?
15:30Before breakfast.
15:31You must be famished.
15:33I swapped one of my rosettes for a pack of Tamsin's opal fruits.
15:36Aha, breakfast of champions.
15:41Oh, come on then.
15:42I'll be good.
15:42Let's get you home.
15:43This won't.
15:45I really want to.
15:57Do you want to?
16:01I'm so sorry, Archie.
16:02I'm not sure I'm ready.
16:03Oh, I'm so sorry.
16:04Hey, don't be silly.
16:05It's fine.
16:06I'm in no rush.
16:07I love just hanging out with you.
16:12I've got Barbarian the Ultimate Warrior, if you want to play that.
16:16Yeah.
16:19What are you after?
16:20Come to get my suit for the performance.
16:23I didn't think you were coming.
16:25If Tony wants to put on a show for me, I am more than happy to watch.
16:29Ah, you think he only hired me to piss you off.
16:33Your words, not mine.
16:34God, can you not see how petty you're being?
16:38Can you not see how naive you're being?
16:41Came to see you in a play, did he?
16:43Tony, of all the actresses in the world, it was you who had to be his Titania.
16:48He didn't know I was going to be playing Nora.
16:51He was blown away.
16:52He offered you a slice of fame and you grabbed at it with both hands like a hungry child.
16:58He doesn't give two shits about whether you're good or not.
17:00It works for him either way.
17:02Maud O'Hara, wife of rival Declan O'Hara in Carinium smash hit.
17:06Declan O'Hara's wife bombs in Carinium production.
17:09I'm exposed regardless.
17:11He's destroyed Rupert.
17:13Now he's coming after me.
17:14You think Tony expects me to fail?
17:16I don't think he cares.
17:19Great.
17:21Well, let's hope I prove both of you wrong.
17:25Now, if you wouldn't mind fucking off, I would like to get ready in peace.
17:30Yeah.
17:52I remember that dress.
17:54I was at a garden party with Melise when the housekeeper called.
17:57Where is she?
18:02Um, she's still asleep.
18:04Is it okay if we leave a bit longer?
18:05She was horribly tired, poor thing.
18:07Uh, I suppose.
18:09The place looks good.
18:11I see Cameron has been allowed a vase.
18:13Must have been quite the uphill battle.
18:15Well, she's very persuasive.
18:17Better at it than I was.
18:19Well, I wouldn't say that.
18:21After all, my drawing room is pink.
18:26You know, Tabitha has been bullied.
18:28No.
18:30She didn't mention it.
18:31She had a fist fight at Pony Club defending your honor.
18:38That's my girl.
18:39When are you going to learn that your actions have consequences?
18:42I didn't know I was being taped.
18:45It wasn't my fault.
18:46But you did sleep with all those women.
18:48I didn't know I was expected to live like a monk.
18:51And you remember, we're not married anymore.
18:52No one expects you to be celibate.
18:54I just think acting like an okay guy would have been enough.
18:58I don't have to answer to your strict moral codes anymore, Ellen.
19:00But I still have to answer to yours.
19:04Do you know what the moms at school think of me now?
19:07I am the slut that had a foursome with Rupert Campbell Black and his friends.
19:14Your behavior bleeds over the rest of us.
19:18Your life contaminates ours.
19:24I have spoken with a lawyer.
19:29I am seeking 100% custody.
19:32Please, please don't.
19:34Don't do this.
19:36I'll die.
19:37Without them.
19:38You see them once a month, at best.
19:40You'll be fine.
19:41Well, I won't let you take them.
19:43Well, you won't have any choice.
19:44I doubt you'll have much credibility in court with your recent track record.
19:50I am so sorry that your parents never looked after you.
19:54But I won't leave my children to the same fate.
19:58If you can't protect them, I will.
20:03Now I would appreciate it if you went and got Tabitha.
20:29I saved this door before you.
20:36Thank you, sweetheart.
20:58Charles, Maud's in makeup, but she doesn't seem quite right.
21:04I'm sorry.
21:05I've tried to talk to her, but she's having a total...
21:06Daisy, okay, I will handle it.
21:08Thank you for letting me know.
21:12She looks okay to you, doesn't she?
21:14If by okay, you mean deranged, as if she could snap at any moment.
21:18Jesus, just stop jabbing at me.
21:22Someone's nervous.
21:24That's good.
21:26No.
21:27I shouldn't have come in.
21:29I have to go home.
21:30I can't be here.
21:31What are you talking about?
21:32You can't leave.
21:33You're the lead.
21:34I know why Tony hired me, and I will not be used.
21:38No.
21:38You're amazing.
21:39You're wonderful.
21:40Don't move.
21:41I'll be right back.
21:44Daisy?
21:45Yes, Charles?
21:46Doesn't that sort of look like the sea?
21:47Yeah, that's what it does.
21:49Please, fetch Mrs. O'Hara a whiskey and find Lord Battingham now.
21:53Okay.
21:56Give me five minutes.
21:58Five minutes.
21:59Deep breaths.
22:00Maud, in and out.
22:04You two did.
22:08Fifteen minutes until curtain call.
22:10Wonderful to see you, Monica.
22:11Yes.
22:12Hello, Monica.
22:12Thank you so much for coming.
22:14I wouldn't miss it for the world.
22:15Oh, such a joy to combine culture and community.
22:19I couldn't agree more, Reverend Penny.
22:22Cranium really has gone above and beyond.
22:29Great to see you, Lady Gosling.
22:30Well, you too.
22:33Surprising.
22:34You've come out en masse, it seems.
22:37No Freddy with you tonight?
22:38No, he's not as much into the bard as I am.
22:41He's absolutely cuckoo about the new swimming pool.
22:44Honestly, I can't tear him away.
22:48Makes my skin itch just being in the Cranium building.
22:51Take the higher ground.
22:53Exactly.
22:54Can we swap?
22:55I've already had two pints and I'm going to need a piss.
22:57Oh, yeah, sure.
23:03Apparently, the four men that mow have their shirts off.
23:06I fucking love Shakespeare.
23:08Deglan's in the audience.
23:10He looks extremely uncomfortable.
23:12Very good.
23:13You're batting him.
23:13You're batting him.
23:14Mrs. O'Hara is refusing to go on.
23:22Okay, everyone out.
23:23Oh, um, Emmy hasn't been finished yet.
23:25Out!
23:26Yeah, we'll just go.
23:27Okay.
23:34I know why you hired me.
23:37And I won't do it.
23:38I won't be made a laughingstock.
23:40All right, let's sit down.
23:41No.
23:42Come on.
23:44We'll have a talk.
23:51The problem is, she's just not a professional.
23:54We're all here to do a job.
23:55And, uh, as we actors always say, the show must go on.
24:02Isn't that right?
24:04Excuse me.
24:05I can't do it.
24:07I can't remember my lines.
24:08I don't know what I'm doing.
24:10You're doing what you were born to do.
24:12You could do this in your sleep.
24:13Declan says you don't care if I'm any good or not,
24:15because either way, it reflects badly on him.
24:19Oh, Christ, what a terrible thing to say to one's wife.
24:22There is no chance in hell you'll be bad.
24:24You're an entirely authentic performer, Maud.
24:28It's as if you've lived it all before.
24:30So this isn't a ploy to get a Declan?
24:34Well, I'll admit that watching your husband squirm is the cherry on top.
24:38But I'm a businessman.
24:39I don't make bad decisions.
24:42I hired you because you are bloody good at what you do.
24:46You were the best person for the job.
24:48It's just flattering me.
24:50You're just pandering to my ego.
24:52No, I'm not.
24:53I have no interest in producing anything that isn't exceptional.
24:58I don't fail.
25:00Like, if this is a disaster...
25:02It's not going to be a disaster.
25:03It's going to be brilliant.
25:05If you don't trust yourself, trust me.
25:08I am so confident in your performance.
25:11I want you to come in and audition for me for the lead in the next series of Four Men
25:15Went to Moe.
25:17She's the lady of the manor.
25:18A rich, posh English bitch on heat.
25:22You'll have all four men's hearts and cocks in the palm of a hand.
25:28If that doesn't prove how confident I am in you, I don't know what does.
25:37The ox has therefore stretched his yoke in vain.
25:41The plowman lost his sweat, and the green corn hath rotted ere his youth had tamed a beard.
25:49The fold stands empty in the drowned field, and crows are fatted with the murren flock.
25:58The nine men's moris is filled up with mud.
26:03I'll tell you all that to make.
26:04And the green maces in the wanton green for lack of treatment are indistinguishable.
26:11Camera one, push in.
26:13...now with him or Carol blessed.
26:16Therefore the moon, the governess of bloods pale in her anger,
26:22washes all the air that rheumatic diseases do abound.
26:27What's this play about?
26:29It's about the fragility of being in love, how easy it can happen with the wrong person,
26:32but how that same haphazardness makes the triumph of true love all the sweeter.
26:36And thy fair virtue's force, for force doth move me on the first view to say, to swear,
26:47I love thee.
26:52I love thee.
26:59I love thee.
27:02Why do you see you in love?
27:13Why do you see you in love?
27:19I love thee.
27:26How do you see you in love?
27:28Come joy, come joy, come joy.
27:32How do you see you?
27:41Ladies and gentlemen, we will now have a short edition by a selection of freshman year.
28:03James, your bottle was marvellous. Would you like a club?
28:08Give this to her for me, will you?
28:40Lizzie, what are you doing here?
28:41I'm so sorry, I know I shouldn't have.
28:48Oh, you're reading my book.
28:51I am. Went to WH Smith's, there you were.
28:55There was a pitting war on my new novel.
28:57Well, the chapters I read about Letty and Ferdy.
28:59Yes.
29:00They liked it so much they've given me a two-book deal.
29:03Carol, my agent, is over the moon.
29:06You know, I've made more money today than I've earned in my entire life.
29:09Just wanted to tell you first.
29:11That's bloody brilliant.
29:16You're bloody brilliant.
29:27You're bloody cooking.
29:27You're bloody-
29:30You're bloody-
29:45You're ugly.
29:48I'm a bummer.
29:49You're bloody-
29:49And you're a bummer.
29:53You're bloody-
29:54You're ugly.
29:55Though I went through some nights
29:58Consumed my shadows
30:01I was crippled emotionally
30:07Somehow I laid it to the heartache
30:10Yes, I did
30:12I escaped
30:16I found my way out of darkness
30:19I kept my faith
30:20I knew the day
30:21Kept my faith
30:23When the river was deep
30:25I didn't fall
30:27When the mountain was high
30:29I'd still be in need
30:32When the valley would low
30:34He didn't stop me
30:36Ladies and gentlemen, please take your seats
30:38The performance is about to resume
30:42Fuck!
30:47Probably got lost, poor lamb
30:51Well, the public must have
30:57And cue curtain
31:00Okay, cue music
31:04I wonder if...
31:06I can't find James
31:07I've looked everywhere
31:08He's not in Studio 2
31:09He said he'd be there
31:10Jesus Christ, we can't carry on without Bottom
31:13What the hell are we going to do?
31:15Here comes my messenger
31:17How now, my spirit
31:19What night will you stop
31:22About this water
31:23Great
31:25Charles
31:32Where's your sister?
31:34Maybe she's doing a poo
31:43Oh my God
31:50I was worried you might drown
31:53What a wonderful way to die
31:59Dad!
32:03Dad!
32:05You alright, my angel?
32:07What are you doing home?
32:09Mummy hates me
32:10Of course she don't hate you
32:11She loves you
32:12How did you get home?
32:13I walked
32:14Cut straight across Frogsmore Field
32:16What, all that way?
32:17Well, you should have called me
32:19I would have picked you up
32:19I did
32:21It just rang and rang
32:23Mum thinks I look awful
32:24She says I'm an embarrassment
32:26You're beautiful, baby
32:27You know that Mummy says silly things
32:29Sometimes
32:30She adores you
32:31She'd kill for you
32:32You know that
32:32Well, if she is right
32:33There was a boy I liked at the stables
32:35But he said I was weird
32:38Well, then he's not for you
32:41Not everyone fancies everyone
32:44Love can be cruel like that
32:47It's about chemistry
32:49And lucky timing
32:52I wish someone loved me
32:53The way you love Mum
32:58It will, baby
33:01It will
33:02I won't tell Mum
33:03About your skin need if I'm
33:05It'll be our little secret, yeah?
33:09Let's go and get some ice cream
33:10Come on
33:32Unkiss thy ears
33:35Monsieur Cobweb?
33:37Good monsieur
33:38Get you your weapons in your hand
33:41And kill me
33:42A red kid in Pumblebee
33:44On the top of the sea
33:45You think it's James Verrick
33:46Playing bottom?
33:47No, that's definitely Charles
33:49Do not fret yourself too much
33:51In the action, monsieur
33:53And good monsieur
33:54Have a care the honey bag
33:57What the fuck is going on?
33:59I think he's rather good
34:00A honey bag
34:08Bravo! Bravo!
34:11Bravo!
34:21Oh, yeah
34:22Done, darling
34:23Thank you
34:23Thank you
34:24Thank you
34:25Come on
34:26Come on
34:27Come on
34:28Come on
34:28Come on
34:37Your mum was ace.
34:39Oh, she was, wasn't she?
34:40So why'd you look like someone just ate your last roll-up?
34:43I thought the play was a little depressing.
34:44How's it depressing? It's all about true love.
34:48And a love potion that can make you forget everything.
34:51And fall in love with the wrong person.
34:55Girl, you need a tequila and a cock in you right now.
34:57Come on, we're going into town.
34:58I should probably wait for my mate.
35:00Fuck off.
35:01Life's short.
35:02We're never going to be this hot again.
35:05Come on.
35:07Woo!
35:09Well done, darling.
35:11Well done.
35:11You were incredible.
35:14Don't be silly.
35:15It was a tour de force.
35:17Right. Well done, Charles.
35:19Congrats, darling.
35:20You're a much better bottom than James.
35:26Don't cry, it went so well.
35:32Mummy died this morning.
35:35What?
35:36I got a call from the nursing home to say that she died just before dawn.
35:39Didn't think Tony would be too impressed if I didn't come in.
35:42A lot resting on today, you know.
35:46I'm so sorry.
35:50An orphan boy at 40.
36:03Are you decent?
36:06Oh, Gerald, did you tell him our news?
36:11No, what news?
36:13We've set a date for the wedding.
36:14March the 5th.
36:19Oh.
36:24Charles's mother died this morning.
36:27Oh, Charles, I am sorry.
36:29Poor her.
36:31Poor you.
36:33Enbit really is frightful.
36:36Come on, Gerry.
36:37Let's let him dry his eyes.
36:39One doesn't want to appear tear-stained in public.
36:41We'll see you upstairs at the party.
36:43Stiff drinks all round.
36:44Doctor's orders.
37:09Why, why, you are a lucky sod, Declan.
37:12Maudie was superb.
37:13A fine filly indeed.
37:15Rarely was a masterpiece.
37:17Who the hell let Declan and his reprobates up here?
37:19Mother Goose, apparently.
37:22Oh, you really bought the bard alive tonight, Tony.
37:26The Scottish plane is my favourite, but this is proving a close second.
37:30Yes, wasn't it good?
37:32Well, I'm sorry my Fred Red couldn't be here.
37:34He's absolutely gaga about the new swimming pool.
37:38Everything smells of chlorine.
37:39You'll excuse me.
37:41Lady Gosling.
37:43Congratulations, Tony.
37:44Yes, yes.
37:45It was honestly the kind of thing I would have expected to see at Stratford-upon-Haven.
37:49Well, of course, it's exactly what we at the Ministry of Culture are looking to promote.
37:53I saw the announcement of your new position, Mr. Stratton.
37:56Lovely news, isn't it?
37:57We're so proud to be back in government, aren't we, darling?
37:59Indeed.
38:00Mrs. Thatcher's been so clever to recognise Paul's talents.
38:02Oh, Whitey, don't you think it makes sense to invite Paul to join the board at Carineon?
38:08Ah.
38:09You're quite right.
38:12Would you like to join Paul?
38:14Well, 1987 is turning into quite the banner year.
38:19Yeah, used to hopefully topping it off with a boy in December.
38:23Yeah.
38:24Ah.
38:27Yes, I must just say hello to Lizzie.
38:32What happened to James?
38:34Oh, well, he wasn't that bad.
38:36No, James didn't come on in the second half.
38:39Nobody knows what happened to him.
38:41Charles filled in.
38:43Oh.
38:44Perhaps you ought to go and look for him.
38:46And you might think about toweling off your hair first.
38:50Smell a little of chlorine.
38:55Between you and me, I thought your titania at school was far more exciting.
39:00That was a long time ago.
39:02I remember.
39:13Um, Daisy, isn't it?
39:16Ah.
39:18Lovely to see you looking so well.
39:25Oh, sorry.
39:26You OK?
39:27Yep.
39:28You don't look OK.
39:30It's just been a very long day.
39:34James.
39:36James, darling.
39:38It's me.
39:40Oh, God.
39:41James?
39:43Oh, James.
39:45What happened?
39:46Oh.
39:48James.
39:49James.
39:51Oh.
39:52Oh.
39:53I think I knocked myself out.
39:54Oh, darling.
39:56Oh.
39:57Did they have to cancel the play?
39:59No, darling.
39:59So sorry.
40:03What, they did it without me?
40:04Yes.
40:05So sorry.
40:06Oh, don't be silly.
40:07It's not a fool.
40:08You saved me like you always do.
40:11Because you're a saint.
40:12I don't deserve you.
40:22All right, Kev?
40:22All right.
40:23Two shots on a snake, right?
40:25What do you want?
40:27Uh, yeah, a shot, two, please.
40:29Tequila.
40:29Best love potion known to man.
40:31How was the show, then?
40:32Bunch of posh wankers prancing about.
40:34Pretty decent rendition, to be honest.
40:36Don't be jealous, Kev.
40:37One day your prince will come.
40:44One for each of us.
40:47What?
40:48What are you doing?
40:49I'm sticking the music up.
40:50And by the night we got the money on the back.
40:54Cold crocodiles.
40:55Oh, hey, oh.
40:56I snapped the teeth on the cigarette.
40:58For the types of Lubex, say.
41:01Oh, hey, oh.
41:03Oh, hey, oh.
41:04Oh, hey, oh.
41:07I want to walk like an Egyptian.
41:21The blonde waitresses take their trays,
41:24spin around, and they cross the floor.
41:26They've got the moves.
41:28Oh, hey, oh.
41:29You drop your drink, then they bring you more.
41:31All the school kids so sick of books,
41:33they're like the plug in the middle band.
41:35When the busser rings,
41:37oh, hey, oh.
41:38They're walking like an Egyptian.
41:40All the kids in the marketplace say,
41:42oh, hey, oh, hey, oh.
41:46Oh, hey, oh, hey, oh.
41:49More like an Egyptian.
42:04You were incredible.
42:06Oh, you felt so, did you?
42:08Well, how kind.
42:09How kind to drink?
42:10You know, it was just like watching with the old days.
42:13I want you to come to Ireland with me.
42:16Imagine if you, me and you.
42:18It'll be our homecoming.
42:20You want me to go with you?
42:21To do what?
42:23To be by my side.
42:24Oh, to be by your side.
42:26Because I thought we were done supporting each other, Declan.
42:29I mean, didn't you just come tonight to watch me fail?
42:32No, I was angry.
42:34I shouldn't have said what I said, all right?
42:38You were amazing in there.
42:40Please, love.
42:43Please come with me.
42:44No!
42:45I don't think so.
42:47I don't want to sit around watching you work.
42:51Unfortunately, I'm going to be quite busy because Tony, uh...
42:55Tony wants me for the new series of Four Men Went to Mow.
43:00Are you joking?
43:01No.
43:02Because he believes in me, even though you clearly don't.
43:06That is not true, and you know it.
43:08Well, you've never done anything to help my career.
43:10All you've ever done is hold me back.
43:15Let's talk about this at home.
43:17The cast are going out for a drink.
43:19I've booked a room at the Cotchester Hilton, so...
43:22Don't bother waiting up.
43:31We'll see you at the Cotchester Hilton's, so...
43:37We'll see you at the Cotchester Hilton's, so...
43:39Oh, dear.
43:40She goes to the Cotchester Hilton's.
43:42Oh, dear.
43:43Oh, dear!
43:44Thank you!
43:44Oh, dear!
43:52Thank you!
43:54Red Balloon's come on!
44:01What's going on here? Is it someone's birthday?
44:03I don't think so.
44:04Shelley and Taggy kicked it off.
44:06Taggy?
44:29Oh, are you all right?
44:31I'm a bit drunk. I think I need to go home.
44:33All right, well, I'll drive you. Okay?
44:35Yeah.
44:37Sorry.
44:39Have you seen Shelley?
44:40No.
44:41Have you seen Domi?
44:42No.
44:45Where?
44:46I'm heading off, Shelley.
44:48Come on.
44:49Oh, see, Taggy.
44:51Oh.
44:53Oh.
44:53Oh.
44:54Oh, I'm heading off, Shelley.
44:55It's not like you to drink. Is everything all right?
44:57It's poor Bottom.
45:01Everyone else falls in love and he just goes back to being sad old Bottom.
45:06I think I'm Bottom.
45:08You are not Bottom.
45:10I mean, you have a fabulous Bottom.
45:13But you're not Bottom.
45:15Anyway, who's to say that Bottom doesn't meet somebody wonderful the day after the play?
45:20Hmm?
45:22There's always tomorrow, Taggy.
45:47Where's Mummy?
45:49They had a fight.
45:52She's staying in Cochester.
45:53Well, then go and get her.
45:55Just tell her you love her.
45:56Tell her what she wants to hear.
46:00Why are all men so bloody useless?
46:26Oh.
46:28Hello.
46:29Hello.
46:33Hello.
46:35Hello.
46:41Oh, my gosh.
46:43Gosh.
46:44Yes.
46:45Sorry.
46:48Um, was Sharon okay?
46:51Yeah.
46:52She didn't see anything.
46:55I felt so guilty.
46:57I said I'd buy her this field and build her around stables.
46:59Oh.
47:02Which...
47:03Yes, we can't keep doing this.
47:07Too many people will get hurt.
47:11Yeah.
47:15Gosh.
47:21I suppose we're lucky we had it even for an instant.
47:26Yeah.
47:32Goodbye, Freddie.
47:36Goodbye, Lizzie.
47:40Goodbye, Lizzie.
47:53Bye.
47:58Mother disappeared gradually from my life and for that I am grateful.
48:05I'm not sure I could have withstood her disappearing all at once.
48:13Who will I put the Christmas cards up with now?
48:18Who will I tell when I've got good news?
48:25My friends.
48:28Thank you all so much.
48:31I can't tell you how much this means to me.
48:43Look, Declan, I know I've left you and Venture in an awful mess, but I'm going to make it up
48:49to you.
48:56Sure.
49:04Manta?
49:08I told you you could do it.
49:15Are we waiting for anyone?
49:19No.
49:21Just us.
49:24Would you like me to read anything?
49:27I was hoping, perhaps, we could improvise.
49:33Huh.
49:37Would you like me to do the English accent?
49:41Why not?
49:44You know the first rule of improvisation is you can't say no to anything.
49:50Is that right?
49:51Would you like to see me do anything in particular?
49:55There are lots of things I want to see you do.
49:59You know, I actually dreamt of doing some things in front of you the other night.
50:03Oh, really? What was that?
50:05There were some very bad things.
50:07Ah.
50:08I seem to remember...
50:11It started...
50:14Something...
50:16Like this.
50:19And then...
50:21What was it?
50:24Oh yes.
50:27What?
50:41I
50:42Who?
50:50Well
50:52We'll do the best peace
51:05We'll do the best peace
51:29We'll do the best peace
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