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Continue the adventure in PMS Chapter 07: The Man in the Meteor – Classic Sci-Fi Mystery Adventure. As the mystery deepens, strange events surrounding a mysterious meteor lead to new discoveries, unexpected dangers, and intriguing questions that challenge everything the investigators thought they knew.

Blending classic science fiction with suspenseful mystery, this exciting chapter delivers thrilling encounters, fascinating clues, and vintage storytelling that captures the imagination. Follow the investigation as secrets unfold and the truth behind the meteor becomes even more mysterious.

A must-watch for fans of classic sci-fi serials, retro adventures, and timeless mystery stories.
Transcript
00:08The End
00:32Oh, my God.
01:07Oh, my God.
01:46And we took Professor Crandall to the hospital, but he died without regaining consciousness.
01:49Too bad.
01:51Now, we never will learn the reason for his strange behavior.
01:54An autopsy showed that he died of an overdose of a chemical known as curava.
01:59Curava?
02:00Never heard of it.
02:01It's a rare chemical that affects the brain tissues, causing madness and then death.
02:07If we could find the source of this curava, it might lead us directly to the purple monster.
02:12Yes, Craig is checking on that now.
02:17What did you find out, Craig?
02:19Well, curava's handled locally by the pharmacy supply company.
02:22They've had only one customer.
02:24A certain blind man uses it occasionally diluted as an eye wash.
02:28I've already tried to contact the doctor who wrote the prescription, but I haven't been able to locate him.
02:32Why don't we check on the blind man, Craig?
02:34Oh, that's a good idea, Sheila.
02:35Would you mind taking care of it?
02:37He's an organ grinder named Tony.
02:39He usually hangs out around 5th and Elm Streets.
02:42While I'm at Crandall's inquest, suppose you go down and see what he can tell you.
02:45All right.
02:52Is your name Tony?
02:54Yes, it is.
02:56I understand you've been using a chemical solution for your eyes.
02:59Something known as curava.
03:02What about it?
03:03I'm merely interested in locating the doctor who prescribed that treatment.
03:07Oh, his name is Morley.
03:09He lives at 859 Pine Street.
03:18Thank you, miss.
03:57T calling HQ.
03:59T calling HQ.
04:03This is HQ.
04:04Go ahead.
04:05Some girl was just here and she was trying to pump me about the curava.
04:08So I sent her to Logan's place on Pine Street.
04:12Good.
04:13We'll be there before she is.
04:15Get in touch with me if anything else happens.
04:17Right.
04:20Must be that Leighton girl snooping around.
04:22Very likely.
04:23If it is, when she comes to Logan's place, you'll walk right into our hands.
04:27Come along, Garrett.
04:43Go ahead.
04:46Come on.
04:48Come on.
04:50Come on.
04:51Come on.
04:52Come on.
04:54Let's go.
04:54Come on.
04:55Come on.
04:55Come on.
04:56Come on.
04:57Come on.
04:57Come on.
05:25Oh, my God.
05:41The electric eye is ready for a test.
05:43Good. Let's see how it works.
05:45That pan contains a small charge of explosive,
05:48wired to the electric eye mechanism.
05:50The powder will be set off by an electrical impulse transmitted to the relay box.
05:55Proceed with the demonstration.
06:02Watch the door. The girl may be along any moment.
06:08The power beam is on now.
06:09That establishes a contact between the electric eye lenses mounted in this door frame.
06:14Watch what happens when I walk through the door and break the contact between the lenses.
06:30Okay. Excellent. This should prove invaluable to me.
06:37The girl's coming.
06:40Let her in.
06:52Come in, Miss Layton.
06:59Straight ahead.
07:06The purple monster.
07:09I should have suspected this was a trap.
07:11Well, you can't know everything, lady.
07:12But she knows some things we'd like to know.
07:16Sit down.
07:22I understand you've shown an unusual interest in Curava.
07:26Just how much do you and Foster know about it?
07:29I'm not talking.
07:31I believe you'll change your mind.
07:34Tie her up, Garrett, while she thinks it over.
07:37I'd advise you to let me go.
07:39Craig Foster will never stop searching until he finds me.
07:43Well, he may not find you alive.
07:46You're sure that a young lady hasn't questioned you about it?
07:49Nobody has spoken to me all day.
07:52Well, thanks anyway.
07:55Thank you, sir.
08:35T, calling out seven.
08:37T, calling out seven.
08:40I just had another visitor.
08:42A young fellow.
08:43He was asking about that girl.
08:45Foster.
08:46What'd you tell him?
08:48Well, I told him that...
08:51Officer, I ain't done nothing wrong.
08:52Yeah, a blind man recognizing a policeman just comes natural to him.
08:56Grab that hand organ, officer.
09:01They got him.
09:03What about this Tony?
09:04How much does he know?
09:06The wavelength and the radio call number of our hideout.
09:09Not the location.
09:10We can change the wavelength.
09:11Anything else?
09:12The address of this place.
09:14Will he talk?
09:15Under enough pressure, he might talk.
09:22Come on, out with him.
09:23Who were you talking with on that radio?
09:25I tell you, I don't know.
09:26I've never seen him.
09:27Look, mister.
09:28The men you're involved with have several murders to answer for.
09:30You better remember that.
09:31You might be seriously implicated.
09:35All right.
09:36His name is Garrett.
09:37Where can I find him?
09:39He's at a small house at the edge of town.
09:42859 Pine Street.
09:44Take this man in for further questioning.
09:45I'm going to that house.
09:55Foster's probably on his way here right now.
09:57So you'd better connect the electric eye mechanism to those cases of explosives.
10:01So when Foster steps into the room, he and the girl both will be blown to bits.
10:05But I've spent much building this machine.
10:07And now you want me to blow it up.
10:09It's better than leaving it here for Foster to find.
10:11We certainly don't have time to move it, so get busy.
10:45Let's go.
10:46Let's get out.
10:49Hold it.
10:58Where's Sheila Layton?
10:59How do we know?
11:01Let's take a look in that other room.
11:31Let's take a look in that other room.дел
11:42Oh, my God.
12:02Oh, my God.
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