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00:00Lent?
00:00Despite what I do, we don't enjoy hurting people.
00:08Don't hurt him.
00:09What the hell is this?
00:10Just leave us alone, please.
00:12When someone tells you what they are, you have to listen.
00:14And what is he?
00:16Retired.
00:17I came here to offer him a job.
00:19My friend you met last night, he's disappeared.
00:48You were saying Flint's your bodyguard?
00:51Yes.
00:51He protects me and he's loyal.
00:53Hard to find these days.
00:55No kidding.
00:56I didn't marry my husband for his looks.
00:58What else can you tell us?
00:59Is he a family?
01:00Friends?
01:01I don't know anything but his personal life.
01:03I know his address.
01:05Are we here to talk about the fact that he turned into some kind of sand monster?
01:10What I know, she knows.
01:13It started about six months ago.
01:15Slow at first.
01:17But it's been getting worse.
01:19And he never remembers when it happens?
01:22Oh, he always remembers.
01:23Unless he gets clubbed in the head with an iron girder.
01:27That's it?
01:27He turned into sand.
01:29That's it.
01:29It was sand, right?
01:30It just seems like kind of like a big deal.
01:32So do you have any clues as to what's causing this to happen?
01:35You haven't given us much to go on.
01:37Isn't that what the money's for?
01:39You're an investigator.
01:41Investigate.
01:43You know, an artist doesn't just paint with air.
01:45He needs a canvas, brushes, paint.
01:47Do you think I'm withholding from you, Mr. Riley?
01:50What if I said I did?
01:51I'd ask why you thought that.
01:52I'd say a lifetime of experience.
01:54With clients.
01:55With...
01:55women.
01:58As fun as this little game is, I'm afraid I have other business to attend to.
02:02Get to painting, Mr. Riley.
02:13What do you think?
02:14I think you might need a cold shower.
02:17I think I might need one.
02:21But you're right.
02:22I think she is hiding something.
02:24All the fun ones do.
02:26I'm gonna check out Flint's apartment.
02:28Why don't you go down to the...
02:30Bureau of Criminal Records?
02:31Yeah.
02:32Been a while since we've had a real case.
02:34But it ain't been none long.
02:38You gotta accentuate the positive feeling.
02:44Find it the negative and latch on to the affirmative.
02:49Don't mess with mystery in between.
02:52You gotta spread joy up to the maximum.
02:57Bring the gloom.
02:59Down to the minimum and have faith.
03:02Amen.
03:03A pandemonium lovable to walk upon the scene.
03:09Amen.
03:16Gonna meet a new supplier at the docks tomorrow.
03:20Canadian.
03:22You didn't tell me that.
03:23I'm telling you now.
03:26It's not smart for you to go out in public
03:28till we know who tried to take you out.
03:30I'll go where I want.
03:31With all due respect, you don't pay me what you pay me
03:34for my charm or disposition.
03:36You pay me to keep you alive, and I'm telling you
03:38it's a bad idea.
03:40If you dying benefited me, I would have done it myself
03:42ten years ago.
03:43But I know what I'm good at, I know what I'm not,
03:46and I need you to stay alive and in power.
03:49So pretty please, with cherries on top,
03:51let me go down to the docks ahead of you,
03:53and once I make sure everything's kosher,
03:54you can waltz on in and show everyone
03:56the brightness of your feathers.
03:59Are you finished?
04:03The problem is not that the guy is out there.
04:05The problem is that they thought they could take me out at all.
04:09Ever since the spider disappeared, things have been comfortable.
04:13Maybe someone's thinking that I got complacent or soft.
04:18Maybe you're one of them.
04:21Thinking you could take me out?
04:24If you could set yourself on fire like Addison,
04:26then you'd better have a shot.
04:28Imagine controlling that kind of power.
04:32You know, Flint goes missing right after.
04:36She's been acting strange lately.
04:38You know, if those two things are related,
04:41go look for Flint.
04:47And when the boys find our P.I., Riley,
04:51bring him straight to me.
05:08The colors fading from the photograph.
05:10I could tell the story, but still you wouldn't know the half.
05:15This love was brought to life from shards of glass.
05:18When you kiss me, there's a shifting in the sea via a tone.
05:22Can't escape the madness, baby, magnetism.
05:26Run away, but something pulls me back into it.
05:29Lately, I've been staring at a broken mirror.
05:32Needing someone to come out.
05:36Hey, lover.
05:39I need someone to save me now.
05:42For all the pain I suffer.
05:46And the heavy one that weighs me down.
05:49Cause now I'm always sweet.
05:53It's been tried to taste.
05:55But you can be my saving grace.
05:58If you want to change the happiness of patience,
06:02In just a negative situation.
06:02Not me believing.
06:03Not me believing or mirroring.
06:12Be great...
06:12Even like Hos ...
06:12I give you my responsibility.
06:13I love you Jesus...
06:16My son.
06:16Don't be successful.
06:17Did you hear the tragedy.
06:17He crossed my self Kate hey I found a decisive sweating
06:19Why did you see him?
06:48Great.
07:02Hi, this is Robbie Robertson calling.
07:04Mr. Robertson, how many times do I have to tell you you're never getting your old job
07:08back?
07:09Listen, I don't know if Walters has seen my article in the Gazette, but I just...
07:12Mr. Robertson, there's no point in the conversation.
07:14What I'm saying is I just need to sit with him.
07:17That's all.
07:17Mr. Robertson, please.
07:18Mr. Robertson, I'm going to hang up now.
07:21I'm on to something truly sensational.
07:23It's the biggest story in years.
07:25There hasn't been anything this big since the Spider.
07:30I promise it'll be worth his while.
07:36I'll see what I can do.
07:45Look, Marco.
07:47Got a delivery.
07:49Anybody home?
07:50Oh.
07:50Go, come, come.
07:52Run!
08:08Tom!
08:37Oh, man.
08:49It's Winston silverman wants to talk to you
09:07Check the bedroom
09:49Check the bedroom
10:02Nice place.
10:05Yeah, a bit fancy for my taste.
10:08And I got a pretty good idea why.
10:11Why?
10:13Let's go.
10:14You think he got a new lady?
10:16Is that why he ain't coming to poker lately?
10:25If you're a fool and you don't know where to go to,
10:29why don't you go where fashion sits?
10:33Puttin' on the red...
10:35Janet, it's been a long time.
10:37I thought you might have wised up with Whitapish.
10:39Oh, no, not me, Hank.
10:41Sad to report. I'm dumb as ever.
10:45Mom was sitting outside.
10:46I didn't know if I belonged to anyone.
10:48Hm.
10:53You know my wife made me quit eating these.
10:56Okay, well, in that case...
10:58I...last I checked, you ain't my wife.
11:02Name?
11:02Flint Marco.
11:04All right.
11:05Right back.
11:06Don't you dare touch that bag.
11:07It ain't a bribe if I don't get to eat it.
11:11Janet, good to see you.
11:13Oh, hey, Charlie, how you been?
11:18Quite the record, our Mr. Marco.
11:20Grew up in Brooklyn.
11:22Working class.
11:23Came back with no prospects.
11:24Small crimes, then bigger ones.
11:26Arrest, arrest, arrest.
11:29Now an enforcer for...
11:31Silverman.
11:32That Winston guy showed up while I was at Flint's.
11:35You hid in the closet?
11:36I hid in the closet.
11:39Mo Sargon.
11:41Didn't you fight there too?
11:43Yeah.
11:44It was one of the biggest battles of the war.
11:46There were a million of us there.
11:47Hold on.
11:48Is that...
11:49Addison.
11:50Looks like they were in the war together.
11:52Is that what Cat is hiding from you?
11:54I bet she knew that Flint had a friend with superpowers.
11:57Oh, I know.
11:58What I don't know is why she didn't tell me.
12:00Probably thought you wouldn't have taken the case.
12:02She would have been right.
12:02Very good.
12:04Yeah.
12:13Alright.
12:14Welcome.
12:18Thank you guys.
12:20Cheers.
12:20Cheers.
12:26Cheers.
12:28Cheers.
12:39I don't think I've ever heard that one.
12:41I wouldn't think so.
12:43It's an original.
12:47Visited Flint's apartment today.
12:51This mean anything to you?
12:53I knew he was in the war.
12:55Hard to believe he was ever so young.
12:58What about this guy?
12:59You see him?
13:00This little guy right over here?
13:01You ever come around the alcove, visit Marco?
13:06Can't say I've ever seen him.
13:08His name's Addison.
13:12He's the guy that burned down Silvermane's mansion.
13:15He's dead now.
13:16So is the P.I. that shot him.
13:19What can I say?
13:21The world's a dangerous place.
13:27You're pretty cool under pressure.
13:28I wasn't aware I was under any.
13:30Why don't you tell me Flint worked for Silvermane?
13:32Would you have taken the case if I had?
13:33I don't like surprises.
13:34I'll remember that when your birthday rolls around.
13:40The deed is under my name, but it's no secret.
13:43Silvermane owns this place.
13:44And Flint's a good way to protect his investment.
13:47And you.
13:48And me.
13:50You see, this club lives and dies on people walking through that door because they want
13:54what I give them.
13:59You trying to get me, Mr. Riley?
14:01Get you?
14:03Understand me.
14:04Seems you got my number.
14:06I've learned a lot of them over the years.
14:08Oh, want one for every Tom, Dick, and Harry?
14:11Hmm.
14:12You're interesting.
14:13Oh, yeah?
14:14How's that?
14:15Oh, the other night when we met, you called yourself a coward.
14:18But I think you're braver than you let on.
14:21Oh, you're good.
14:23In an obvious sort of way.
14:25I'm as subtle as the situation requires.
14:28You see, I have business with Silvermane and I have business with you, Mr. Riley.
14:32One has nothing to do with the other.
14:34Now, have I said enough for you to keep the money you came here to return?
14:38Or have I misjudged you?
14:40No, I'll keep working the case.
14:42Not because I'm brave.
14:45Why, then?
14:45Uh, a singer's got to know all the numbers.
14:49Maybe a detective just got to know all the answers.
15:15Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:27no, no, no, no, no, no, no, no, no, no, no
15:53It's Tai Chi yeah that's right it's Tai Chi it's it's good it's good for
15:59breathing and relaxation I recommend it. I don't have the slightest clue what
16:06you're talking about. We don't care either.
16:16I'm a toaster really. Gosh I shouldn't have thrown it so hard.
16:30Come on let's go for a ride.
16:42You mind telling me why I'm here? Silverman wants to see you. I figured that I'm asking you why.
16:48We're not really the why guys. Maybe you wouldn't be here if you didn't try ripping the boss off.
16:53Ah Donegal. I didn't have anything to do with this little scheme I actually try to talk him out of
16:59it.
16:59Like I said the boss just wants to talk. I've got no idea who hired Addison to burn down your
17:04boss's house.
17:05You don't know nothing huh? Double negative but we'll set that aside for now.
17:09My point is I'm not much of a detective. Yeah then you got nothing to worry about.
17:12Just like Donegal right? Yeah just like Donegal.
17:16By the way I am sorry about the nose. Me? That was him.
17:27Get out!
17:36Where'd he go? Check the side.
17:45Boss ain't gonna like this. Yeah he wanted us to bring him in.
17:50Get back.
17:52Tough ass.
18:02Times are tough all over.
18:04But the true measure of a city is in how it responds to the hard times.
18:09And this isn't Topeka or Kalamazoo.
18:12This is New York. We're gonna link arms and stand strong against the rising tide.
18:20What's the headline here?
18:25Desperate Morris delivers dud.
18:28I'd go with quadruple M. Mayor's missive misses Mark.
18:33Man I wouldn't trust Hudson to do my laundry. That man's gonna beat Morris by ten points.
18:37Sometimes you just want a different brand of snake oil.
18:40So, uh, you gonna explain your face?
18:44Let's just say you should lay off the Addison reporting.
18:49Silverman?
18:49He's on a war path about Addison.
18:52He wants to know what's coming after him. So tread lightly.
18:56I'm not the one with the face that looks like hamburger meat.
18:59I've counted with those guys before.
19:01As the man with the mask and the goggles. New York's beloved hero of the hour. Not as Ben Riley.
19:08You know what? Give me that.
19:09I'm making a declaration right now.
19:12That's right.
19:14If I'm re-elected, you can say goodbye to prohibition.
19:18Man knows his audience.
19:19As God is my witness, you'll never go thirsty again!
19:25Look, all I'm saying is, you're in it with Silverman now.
19:28The choice is to suit up or die.
19:31Why be time to tango again?
19:32Maybe you'd be doing the city a favor in the process.
19:35Oh, come on, Robbie. Enough of that.
19:37You know what I'm doing after this?
19:38What?
19:39Being beautiful.
19:40And working the Addison story.
19:43I don't publish, I don't eat, my friend.
19:48I've been thinking about the Canadians.
19:51You gonna let me handle it?
19:53Nah, I'll do it.
19:56Plan stands, but...
19:58Go ahead of me.
20:00Scout it out.
20:05Huh.
20:07Well, I think it's stylish.
20:09What do you take, Winston?
20:12I'm not one for fashion.
20:13But the whole thing is a little...
20:17tired.
20:17Now, Winston.
20:19Have you got a gripe at her?
20:22No, I just think there's better thing to spend time on than dressing up dolls.
20:27Well, there's fashion and there's taste.
20:30Box it up.
20:31You like it too, right?
20:33Honestly, I think it's...
20:35Yeah, yeah, it's perfect.
20:55Excuse me, ma'am.
20:56I'm looking for the Addison's.
20:58Excuse me, ma'am.
21:10I'm looking for the Addison's.
21:10Mrs. Addison?
21:12That seems, yes.
21:12No.
21:14No.
21:25No.
21:43Who are you?
21:49Hey, brother.
21:50Don't hey, brother, me.
21:52I asked you a question.
21:54You sure did.
21:55And seeing as you are a very large and angry man,
21:59I'm going to answer.
22:01Looking for Vera Addison?
22:03You know who she is?
22:04Why do you want to know?
22:05Well, I am a reporter working a story on James Addison's death.
22:10I wanted to talk to his widow.
22:16Jimmy's dead.
22:19Oh, I'm sorry.
22:20You guys were friends.
22:23How did he die?
22:25Well, there was an explosion.
22:29Standard Oil Depot.
22:31Why are you writing about him?
22:33Well, before he died, he burned down the wrong house.
22:36Whose?
22:38Silverman.
22:47I think it's time for you to leave.
22:49Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
22:50Hmm.
22:51Addison didn't just take it upon himself to burn down the house of the most dangerous man in the city.
22:56Someone paid him to do it.
22:57Now, look, he was your friend, so I'm guessing he wasn't a bad guy.
23:01He was sick.
23:02And these days call for men to use their sicknesses to get by until their sicknesses eat them alive.
23:07Hang on.
23:08What do you mean he was sick?
23:09I don't know who hired him.
23:12But yeah.
23:14His wife, mate.
23:15And do you know where I can find her?
23:17Try the Jeffrey Hotel.
23:19She always went there when they came in some money.
23:20And when she came back, the money was gone.
23:24Go figure.
23:26Oh, thanks.
23:28I'll be here a visit.
23:33I told you.
23:35He hardly comes to the office anymore.
23:37I can't remember the last time I saw him.
23:39Well, maybe this will show your memory.
23:42Please, stop telling you the truth.
23:46For your sake, I hope so.
23:49We'll be back.
23:55We'll be back.
24:05Janet.
24:07Did they hurt you?
24:09No, not this time.
24:11But they said they'd be back.
24:13Then they would have gone to my head.
24:16They kept saying that I'd end up like Donagall.
24:18That if I didn't tell them where you were, he and I'd be crossing the river six together.
24:24What does that mean?
24:26It means Donagall's dead.
24:29Silverman killed him.
24:31But I'll take care of it.
24:33Ever since Ruby died, I've been waiting for you to get it back together.
24:36Back to the man I know is buried somewhere inside you.
24:40Five years.
24:43And this is how it ends.
24:46Janet.
24:47Go home.
24:48Get some rest.
24:49You'll feel better.
24:50And I'll call you when it's safe.
24:52Yeah, I'm going to go home.
24:56But I am not coming back.
24:58I care about you, Ben.
25:00So deeply.
25:03But not enough to die for you.
25:06Janet.
25:09Janet!
25:10Janet!
25:15Janet!
25:16Janet!
25:16Janet!
25:17Janet!
25:17Janet!
25:17Janet!
25:18Janet!
25:33Janet!
25:34Janet!
25:34Janet!
25:34Janet!
25:39Janet!
25:41Janet!
25:42Janet!
25:42Janet!
25:44Janet!
25:44Janet!
25:44Janet!
25:46Janet!
25:47Janet!
25:59Hiya. I'm Pete with maintenance. Sorry about the leak. It'll be no problem. I'll just...
26:03Gosh, the unit downstairs. Big mess. Water. Water. Everywhere.
26:07What's going on?
26:08Something about a leak?
26:09You know, I like what you've done with the place. Although, if you move the table over by the window,
26:13you really get that sunset glow at dinner.
26:15I told you that.
26:16I'm sorry. Have you been here before?
26:18I am familiar with the unit, yes. Bathroom's that way.
26:21Mm-hmm.
26:40Well, don't just stand there and say something.
26:43Um, sir, what exactly are you fixing?
26:47Oh, yeah. John, I found the issue. You've got a busted Jerry basket. It's a misalignment of the mission joint.
27:18Excuse me. What's happening in there?
27:21Bit of an existential crisis, if I'm honest.
27:25About my toilet?
27:45I don't think that guy was a plumber.
28:09It says it to the left.
28:12Thanks for your trouble.
28:15Thanks for the dollar.
28:19Mrs. Addison?
28:24I didn't order anything.
28:26My name is Robbie Robertson. I'm a reporter.
28:29Hold on, hold on, hold on, hold on now. I just, I just want to talk.
28:33You have three seconds to get out of here or I'm going to scream.
28:36Then I don't think you want a white woman screaming about a black man trying to force his way into
28:39a hotel room?
28:42Actually, I got a hunch that you wouldn't want the city's most ruthless gangster knowing that the money someone paid
28:48your husband to kill him was being spent on lobster and designer clothes.
28:55So go ahead and scream, honey, unless you want me to do it. I got a pretty deep voice. It
29:00really carries.
29:01Hmm.
29:24So that's it?
29:25What do you mean?
29:26No tears? I just told you your husband died.
29:30People grieve in different ways.
29:34You already knew.
29:37James was a lot of things, but not the type to cut and run.
29:41When he didn't come home that night, I figured he was never coming home.
29:45When did he start setting fires?
29:46Six months ago. Suddenly discovered he had an innate talent for it.
29:50Who hired him for the silver main job?
29:53Just because I didn't scream doesn't mean I'm an open book.
29:57As far as I'm concerned, James dug his own grave and now he's lying in it.
30:17This place feels horny then.
30:20That's cause it is.
30:24Speaking of ghosts, Jimmy Addison's dead.
30:29What?
30:31When?
30:32A couple days ago, some reporter came around asking about him.
30:36Wanted to know who hired him to kill Silverman.
30:42You didn't know.
30:43If I'd known, I would've stopped him.
30:54Flynn.
30:55You don't look so good.
30:58It happened again.
31:00Changed completely this time.
31:03Never changed back.
31:04Yeah, not all the way.
31:07It's like the Doc said.
31:10Our clocks are ticking.
31:13Faster and faster now.
31:15Everything we went through.
31:20We deserve better, you and I.
31:23Let's get out of here.
31:24You can crash at my place.
31:27Better for us to stick together right now.
31:31Yeah.
31:33You have to check every crate?
31:35Is it cause we're Canadians?
31:37Yeah, it's cause you're Canadian.
31:38No.
31:39Boss doesn't trust anyone.
31:40Myself included.
31:42The place still runs this town.
31:45Shipping's good, boss.
31:46Ready for you to come.
31:48All right.
31:49I'm on my way.
32:23What is that?
32:31Hey, go check it out.
32:32Go.
32:33Go, go, go, go, go, go.
32:36He's on the roof.
32:43Shoot him.
32:55Aw.
33:15Where'd he go?
33:18Where'd he go?
33:28Come here.
33:33Oh, God.
33:35I feel the one out of both.
33:38Guess you do.
33:39Huh?
33:42Huh?
33:42Huh?
33:43Huh?
33:43Huh?
33:45Huh?
33:45Huh?
33:46Huh?
33:46Huh?
33:47Huh?
33:47Huh?
33:48Huh?
33:49Huh?
33:50Huh?
33:53Not at all.
33:54No.
33:55No, by all means.
33:56Out of the car.
34:07Whoa, whoa, whoa.
34:08Not another step.
34:27It's been a while.
34:29You've done well without me around, haven't you?
34:32I just know you did hit jobs now.
34:34Do you mind if I ask you, who hired you?
34:36Nobody hires me.
34:37I'm here because of Ben Reilly.
34:40Reilly the Flatfoot?
34:41Yeah, that's right.
34:43I owe him a favor.
34:44Sorry, where are my manners?
34:45Do you want a drink?
34:46No.
34:47I want you and your gums to lay off Reilly.
34:50He doesn't know who tried to kill you,
34:51and roughing up his secretary isn't going to change that.
34:55So, I leave the gums you alone, and that's it?
34:58Because you know, back in the day,
34:59you really couldn't leave me alone, could you?
35:02I don't think you're listening to me, Silverman.
35:05This is your only warning.
35:07If you mess with Reilly, or any of his people,
35:11I will kill you.
35:35If you mess with Reilly, or any of his people,
35:37I'll kill you.
35:38I'll kill you.
35:39I'll kill you, sir.
35:43I'll kill you, sir.
35:59I'll kill you.
36:04Hey, sir.
36:04Reilly?
36:05This you? This your doing?
36:07What are you talking about?
36:09Did you stop Silvermane's car?
36:11Well, you heard about that, huh?
36:13Yeah, well, I got some bad news for you.
36:14Cops had an ambush set up for Silvermane at the docks.
36:17Someone gave them a tip about a booze exchange.
36:19Someone tipped off the cops about a Silvermane booze exchange?
36:22Yeah, they're rounding up about a dozen of his guys right now.
36:24Cops were all set to catch the man himself in the act,
36:27but Silvermane never showed.
36:28Do they know why he didn't show?
36:31No, don't worry.
36:31Police got word that someone stopped Silvermane from coming.
36:35They don't know it was you.
36:36Shit, gotta go.
36:38I ain't trying to die in no phone booth.
37:05What the hell did I just do?
37:20What the hell did I just do?
37:25Well, you can cry me a river.
37:30Cry me a river.
37:33Cry me a river.
37:34Cause I cried a river over you.
37:43Now you say you're sorry.
37:48What the hell did I just do?
37:49For being so untrue.
37:55So what?
37:57Just cry me a river.
38:00Cry me a river.
38:04I cried a river over you
38:11You drove me, you drove me out of my head
38:20While you never shed a tear
38:27Remember, I remember all you said
38:33Told me love was too lovely
38:35And told me you were through with me
38:40And now you say you love me
38:47Well, just prove you do
38:53Go on and cry a river
38:57I'd like to see you cry a river
39:03Cause...
39:04Cause...
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