A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man who claims he can prove that monsters are indeed real.
Runtime: 1h 29m
Starcast: Ray Wise, Adam Green, Will Barratt
Director(s): Adam Green
#Comedy #Drama #Fantasy, #Horror #Mystery #Sci-Fi #Thriller
Subscribe and share to support free movie.
Runtime: 1h 29m
Starcast: Ray Wise, Adam Green, Will Barratt
Director(s): Adam Green
#Comedy #Drama #Fantasy, #Horror #Mystery #Sci-Fi #Thriller
Subscribe and share to support free movie.
Category
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Short filmTranscript
00:00:29I'll be right back.
00:00:37I've been interested in monsters my entire life, since I was old enough to watch TV.
00:00:43I was never really scared by them, I just liked them as characters, like they were my
00:00:51Mickey and Goofy.
00:00:52I'm really into monsters just as an escape, you know, it gives you something to put your
00:00:58fears on.
00:00:59I was in a mental hospital for a few weeks when I was about 14 or 15, I was diagnosed
00:01:03with depression and anxiety, and I didn't know why I was sick.
00:01:07What really helped me escape my reality was these things that I was influenced by as a
00:01:12kid, which was watching horror movies and drawing these monsters.
00:01:15I have been a monster, I always will be a monster, and after I'm dead, I will be a dead
00:01:20monster.
00:01:21Somehow I got to see Frankenstein, which I looked at many, many, many, many times, and there
00:01:26was a certain humor to Frankenstein and a certain niceness.
00:01:30I always wanted the monster to live.
00:01:33I grew up in Only Childs, so they were my friends.
00:01:35I lived with my imaginary friends, is what I think provided the background for what I
00:01:40do in my acting role.
00:01:41And I think a lot of it was just as visceral as really ugly things, really frightening
00:01:48things, holding my attention more than beautiful and pretty things.
00:01:51We like the costumes, we like the character designs, we like the underdogs, the misunderstood
00:01:57antiheroes, because they explore different parts of humanity that aren't often explored.
00:02:02There are all kinds of things that if we hadn't been introduced to them, we'd call them monsters.
00:02:07There are monsters everywhere.
00:02:08You know what the real monsters are?
00:02:10It's friggin' insects.
00:02:11They got claws, they got antennas, they got multiple eyes, they got pincers, and they walk
00:02:16sideways at times.
00:02:18That's a creature.
00:02:19People don't walk sideways.
00:02:20That's stupid.
00:02:21I feel kind of strange, but I think that some monsters could be real.
00:02:25I think monsters exist everywhere where we can't see.
00:02:28I think behind that chair, just because I can't see it, there's something there.
00:02:31If they did exist, they'd exist somewhere where man doesn't live.
00:02:35They couldn't be out in the open, people would shoot them.
00:02:38You would find them buried deep in the world.
00:02:41Tromaville, which is a very small town in New Jersey.
00:02:44It doesn't matter because if you're terrified of them, they exist.
00:02:50When we do find monsters and when these things do come up from the ground or ascend upon us,
00:02:56I just want to be there to be like, I told you so.
00:03:01What is this?
00:03:17What is this?
00:03:18What is this?
00:03:18How much would this happen?
00:03:20What is this?
00:03:20I think, I want to be a little bit better.
00:03:21It's only one that goes away.
00:03:22I like to have this.
00:03:23It's a little bit better.
00:03:25I should never go away.
00:03:25It's just a little bit better.
00:03:27It's only a little bit better.
00:03:30I'm going to be a little bit better.
00:03:31just do this with graphics no just keep going i've made movies like frozen the hatchet franchise
00:03:38spiral i have a tv series called holliston with that comes a very loyal and cult fan base
00:03:47stop i feel like a big enough douche and you keep laughing at me you get to meet some
00:03:52very unique people like uh people will mail stuff this victor crowley maquette that somebody made
00:04:00this fan's underwear this bottle of pills that somebody sent really cool stuff like like artwork
00:04:08that people will make for us um which is awesome there was this this one guy uh william decker
00:04:15i wish that i had thought to be shooting this the moment that this stuff first arrived uh but
00:04:23say it okay all right william decker claims in all seriousness that he's found monsters
00:04:32and he wants me to tell his story to the world is that good enough i think we should hire
00:04:39an actor to
00:04:40play you
00:05:05i'm so excited
00:05:06and she could explode i could explode perhaps
00:05:16i love holliston i have tattooed holliston tell me what's on your arm i think
00:05:21it's very scary for you diaries and frankenstein spiral frozen yeah i consider myself to be an
00:05:27kind of a great fan i have a really cool relationship with my fans and i think that that's because
00:05:36like when i was first starting out you know when you're making an independent movie you don't have
00:05:42marketing or advertisements you know so you really got to do it yourself and and put yourself out there
00:05:47so people know about you and know about your movie and after a while though like the more movies you
00:05:53make and the more people there are that want a piece of you it just kind of starts to i
00:05:58don't know
00:05:58i guess take its toll now the ones who do get through are the ones who actually take the time
00:06:04to write like a physical letter to my fan mail address and that's huge you know when someone's
00:06:09going to take the time and write you a long letter or send you i don't know like drawings art
00:06:15fan fiction sometimes really personal stuff i mean that it's awesome so i oh sorry hold on it's the
00:06:22wife hello hey how are you good where you at um i am with will hi will hi riley do
00:06:35you know when
00:06:35you're going to be home um i don't know five or six i think um we're going to go sit
00:06:43down with the guy
00:06:43now seriously oh you guys are idiots you guys are idiots here we are at the residence of mr william
00:06:52decker i'm sorry detective william decker the monster hunter guy i've already come here twice
00:07:00before to sit down with him and the last time i asked him if he would be cool with us
00:07:04putting him
00:07:05on camera he didn't say no you people know that i have to talk about this to anyone oh no
00:07:12that's like
00:07:13standard on on everything that we do everybody i didn't realize there'd be so many here well you
00:07:17want it to look good right i mean it's got to be professional which actually does can you just
00:07:23hear my here and my eyes good and is this side good or is this no this
00:07:31you sure because i
00:07:35i'd love to roll are you ready take one
00:07:40my name is william decker i'm a retired police detective i'm 61 years old and i live in southern
00:07:49california i'm chatsworth i have lived here for the last four years um now i know you've already told
00:07:56me this but just for the sake of the cameras basically what you're saying is that you've discovered
00:08:03a world underneath our own world where monsters live every generation there are born children who are
00:08:17different and these different children are given cruel labels like monsters freaks rejects
00:08:28and these children reach a certain age and they disappear nobody knows where they go and what's worse
00:08:36they don't even care that they vanished but i do
00:08:42i do see these children they don't die they're not even far away from us they're right next to us
00:08:52but they
00:08:53exist in their own world i call it the marrow some 100 yards beneath the surface of the earth exists
00:09:06a metropolis that mirrors ours in very many respects life goes on down there there are marriages and births
00:09:18and divorces and deaths and friendships and creativity they can be free okay so why don't we kind of start
00:09:30at the
00:09:30beginning let's talk about your childhood and tell me a little bit about growing up well i was born um
00:09:38into a i guess you could say a lower middle class family in nashua new hampshire i was a latchkey
00:09:45kid i didn't have any brothers and sisters and uh i didn't have any real friends to speak of
00:09:51so i uh i had to occupy myself there was a special spot that i always went to
00:09:59and it was an old lumber company you know that sold board feet you know lumber and it was all
00:10:06closed down
00:10:07and locked up and the buildings there would be my fortress be my castle you know and i used to
00:10:13uh
00:10:14i used to defend my fortress against the invading barbarian hordes i had a hell of an imagination
00:10:22i bet you bet yeah um it was rather late in the evening as i remember and i was late
00:10:32for supper and
00:10:32i knew my mom was she was going to kill me so i came running out of the main building
00:10:35where i played
00:10:36primarily and and as i came out into the yard i i saw a man standing by an old wood
00:10:45pile as i drew closer to him
00:10:56where am i
00:11:01i'm looking at his face
00:11:05and it doesn't look human no he had a he had a mouth like a serpent's mouth it was
00:11:13sort of pointed and and he had real thin lips and uh splayed over the bottom lip was uh
00:11:21i swear to god a forked tongue and then when he blinked his eyelids closed from the sides not
00:11:30horizontally up and down i was like
00:11:34i'd never seen anything like that before in my life it terrified me did he say anything to you no
00:11:41he
00:11:41didn't say a word he just looked at me hard and then he jumped behind the wood pile and i
00:11:50and i ran
00:11:50around the corner of the wood pile he was gone just gone he just vanished he's disappeared one second
00:11:58gone the next gone vanished so did you ever tell anybody about it like your mom or your dad no
00:12:06and
00:12:06they wouldn't believe me anyway they would have thought i was some kind of a nut you know the
00:12:10overactive imagination on on their boy you know probably would have thought i was schizophrenic or
00:12:19something you know yeah uh and i felt that way sometimes too talking to my imaginary uh friends
00:12:27in the woods and i never saw him again i did see others though oh yeah other serpent monster men
00:12:37not serpent men i just saw other different ones okay so like a variety i i never got as close
00:12:44to any
00:12:45of them as i did that first one but if i hid in one of the buildings till it got
00:12:51dark and i looked
00:12:53into the woods i'd see their shapes moving through the woods and there were big ones lumbering and there
00:13:03were little ones that were darting in and out i saw their shapes i saw them well anyway after about
00:13:10three months uh i shot some footage there oh you got you got footage of the the monsters no it
00:13:17was daytime
00:13:18i couldn't get any footage of them so what did you get well i found what i believed to be
00:13:28the entrance to their hiding place the marrow the marrow
00:13:40so what do you think it's not bad first day right no it was good make it more comfortable
00:13:45thank you tell him not to touch that he's not those are our core it's those are our chords it's
00:13:50fine
00:13:50what do you guys think 10 minutes to get out of here took me 30 years to get all this
00:13:53stuff together i don't
00:13:54want to ask 10. yeah it's a lot of stuff a lot of stuff what i really wanted to ask
00:13:58though is um wait
00:14:00wait wait what's that behind you oh yeah what do you got in there oh it's a storage room it's
00:14:05a storage
00:14:05room can we see what's inside i'd rather you didn't it's a big it's a big mess okay all right
00:14:12hey
00:14:17hey adam yes come here coming
00:14:26all right looking good thank you uh the corn's a little burnt though that's not the corn's fine
00:14:38hey wolf hey riley why are you filming it's a documentary adam told me i had to film dinner
00:14:45why so out of everybody in the world he picked me and you're not afraid that this guy's some kind
00:14:51of psycho no i mean not not really i want to go on record as saying that this might be
00:14:57the worst idea
00:14:58you guys have ever come up with uh i think both of us would agree with that what if it
00:15:02was real i mean
00:15:03haven't you always wished that something like this was real no no uh unicorns angels i don't know
00:15:11hipster ghosts like beetlejuice the beetlejuice yeah really yeah beetlejuice you want beetlejuice to be
00:15:17real why would i want scary monsters to be real because this guy doesn't think monsters are scary he
00:15:25thinks monsters are misunderstood yes yes and uh-huh and that's what this guy decker is all about right
00:15:33seriously this guy is such a character when you see the stuff we've already shot with him you're
00:15:38you're gonna love him he's gonna be your new best friend in the world like he's gonna you're gonna
00:15:42be friends with him on facebook and you're gonna follow him on twitter he's gonna be in your favorites
00:15:49no definitely not play xbox with him
00:15:54i mean basically this corn is awful you burnt it like it's fine you know it's fine just eat it
00:16:02the
00:16:03whole thing could be awesome or it could all be but either way like we're not gonna know unless we
00:16:08do it you know even if the whole story is total it's gonna be really funny how are you even
00:16:14okay how
00:16:14are you going to finish the next season of your tv show i'll figure it out this is this is
00:16:21just a
00:16:22side project and how does krishna feel about this um she's um she's okay with it she's she's better
00:16:30than okay with it because she's a supportive wife please don't get hurt i don't want to have to call
00:16:35your mom and have to tell her that uh adam got uh stabbed by some crazy fan because he decided
00:16:42he
00:16:42was going to go off into the woods hang out with him all night long
00:16:48my mom would understand okay you're rolling yeah okay i'm rolling so you know you know what i'd really
00:16:56like to do though um i mean i'm i'm ready to go so i think it'd be nice if i
00:17:00got a shot of the car
00:17:01pulling up and you guys getting out and making it look like a movie the car
00:17:04point why is why do we need the car cinematic it's going to look nice you know you get the
00:17:08car pull it in cinematic it's come on come on just get in the car and just go one more
00:17:13time just one
00:17:13more time please
00:17:23christ
00:17:27all right so how far in are we actually going here
00:17:33there's a cemetery right up ahead uh-huh we go about 100 yards past that that's the entrance to
00:17:40the marrow so nobody minds that you've come out here it's a public place right but the sign at the
00:17:50entrance says that the park closes at dusk so it's a public place
00:17:58it doesn't matter because anything off that main road is closed after sundown no i i understand that
00:18:03but we're literally just going to go take some pictures at magic hour you know like dusk and then
00:18:08we're going to leave right away so okay as long as you're out of here before it gets dark
00:18:12can i ask why it's such a problem if we're here once it's dark because the park closes at dusk
00:18:20okay but like specifically has anything like have you like personally ever seen anything the park
00:18:26closes at dusk ah okay i get it now thank you very much has that guy given you trouble before
00:18:33yeah
00:18:34several occasions he's given me trouble watch out watch your step okay
00:18:45it's right up there what is the address to the marrow while we're here you have to do as i
00:18:53say
00:18:53all right you listen to me and you do as i say i've never brought anyone else up here before
00:18:59and it's crucial that we just observe and not try to interact come on i just if i can't
00:19:08do you understand what i'm trying to say to you i do understand but i can't understand will
00:19:12understood all right come on
00:19:17you know the times that i've been this close
00:19:23they've discovered that i found out about them and they moved on i don't want that to happen here
00:19:27so you stay with me and you stay quiet when i tell you to be quiet you got it will
00:19:33got it yes sir all right come on
00:19:43so now what now
00:19:58so how many nights a week do you come out here and like hang out in creepy cemeteries by yourself
00:20:06i try to come out every night every day that's a lot of nights yeah well i don't sleep all
00:20:14that much
00:20:14so why not i hear you i'm actually i'm not much of a sleeper myself but we're in production on
00:20:23the tv
00:20:23show i'll go i'll do 20 hour days 22 hour days my wife can't stand it it's just i'm like
00:20:31a zombie
00:20:32hmm well why is it like that what's your love life like you've never mentioned uh
00:20:40uh is there a mrs decker out there was there i know i know mrs decker
00:20:49and there used to be a long time ago but so what happened
00:20:57just not worked out there are considerable differences how about you well what's your story huh
00:21:03character i'm married i've been married married 16 years yeah yeah and i have two kids at home
00:21:12you got kids i have two boys yeah they're a lot of fun how old's cole now cole's 12 12
00:21:2012.
00:21:20yeah sammy's gonna be 10. wow 12 and 10. yeah they tear my house up
00:21:28i envy you they are a lot of fun i love them yeah
00:21:39some nights i'll see several of them coming to and from that area right there
00:21:48going back and forth in the woods another nights i'll see just maybe one
00:21:56and a whole bunch of nights where there's no activity at all you just never know you never
00:22:01know what you're gonna get
00:22:05listen i mean if i don't get any lights out here
00:22:09i'm not gonna be able to see anything you can't see anything not really i mean i can see like
00:22:16three
00:22:16feet in front of you but that's it what what about if you use night vision well i mean we
00:22:22could use
00:22:22night vision but i mean i hate it i think it makes everything just kind of look like green crap
00:22:28okay well i'd rather it look like what quiet turn off that light silence what all right right straight
00:22:41ahead look
00:22:42where you see will
00:22:45no i can't see well let your eyes adjust for a second and you'll see it it's right there right
00:22:51in front of
00:22:52us what there's nothing no look look look look look look one of them just moving very slowly over to
00:23:00the
00:23:00right see will turn on the camera light oh don't don't don't you turn on that light
00:23:05don't turn on the camera light i don't have a shot
00:23:10okay he's gone
00:23:15went back down
00:23:19he went back down will
00:23:25look look look just moving very slowly over the right see will turn on the camera light oh don't
00:23:34don't put your turn on that light i'm turning the camera light i don't have a shot
00:23:41okay okay he's gone
00:23:45make a great radio show did you raise the brightness oh yeah all the way all the way it's as
00:23:51bright as
00:23:51it goes as bright as it goes there's nothing do it again do it again do it again all right
00:23:55look
00:23:57one of them just moving very slowly over to the right see will turn on the camera light oh don't
00:24:03put your chocolate light awesome good work
00:24:12anyhow tell me about it
00:24:16now this one here i call vance vance vance yes you see with the sack over his head his face
00:24:24painted on it
00:24:26why vance because that's what i wanted to call him
00:24:29uh now the ants here he never ventured more than a few feet outside the cemetery
00:24:37but uh the several occasions that i observed him i saw him lead uh some
00:24:44other rejects down into the marrow so my guess is old vance is a
00:24:51well he's a kind of a gatekeeper or guardian you know and he guides the new citizens down into their
00:24:57new
00:24:58world and and then he guards against any interlopers you know did you did you paint that you know that's
00:25:06really good i i had it i had another artist do it for me i commissioned it how close is
00:25:13that then to
00:25:14what you saw would you say that's pretty close you know it's a pretty good representation i'd um
00:25:20i would say probably on a scale from one to ten about eight and a half nine yeah that's that
00:25:26this
00:25:26is vance and what why the bag or then do they all do that do they wear no no no
00:25:32well some of them wear
00:25:33masks uh others like vance wear a bag um why is that i suppose uh vance wears it because what's
00:25:42underneath
00:25:42that bag would be a little too much to take probably you know i i i i've never seen it
00:25:50uh under the bag
00:25:51but uh i'm sure it's a trip you know and then others wear masks uh to disguise perhaps certain
00:26:00deformities and and so they could just be all all around us at any time then is what you're saying
00:26:04well
00:26:05not anytime no uh there are certain times of the year that it's more conducive for them to be around
00:26:11like for instance halloween one of the few times they do fit in well i'm i'm a i'm hugely into
00:26:20halloween myself uh spiritually that's the time of year when the spiritual world is closest to our
00:26:26world and they're you know around us and i don't know i don't know anything about the spiritual but
00:26:30it's it's kind of like it's no it's not at all like it this is not a spiritual world these
00:26:35people are
00:26:36real they just happen to be different okay yep sorry now this one this creature here
00:26:45is a conjoined creature they're like siamese twins they're joined
00:26:50right up in here the upper spine and the torso and does this one have a name
00:26:55this one is called i call it frog and huck
00:26:59frog and huck frog and huck yeah and you you painted the the same guy painted this one no no
00:27:05my
00:27:05son i'm sorry dude wait wait you never mentioned uh uh you notice along their bodies no no no no
00:27:12this
00:27:12is really important though i'm curious you can't see any eyes anywhere on their body you've never
00:27:16mentioned a family i totally see it but i would love so my my guess is that they see by
00:27:22a kind of audio
00:27:23sensory sight um rather like bats you know like bat sonar that kind of thing wait wait i'm sorry what
00:27:32did you hear that are you picking that up stay concentrated and focused wait please i'm totally
00:27:37focused in fact i really would love to talk to you a little bit more about the whole use of
00:27:44lights
00:27:44non-use of lights that's not up for discussion all right no lights ever lights scare them away
00:27:52do you understand i explained that to you before lights scare them away no lights no i i totally
00:27:57i totally get it however though i i mean all of this these theories your stories photographs pictures
00:28:04drawings it doesn't it's not gonna hold up do you not do you not believe me that's not that's not
00:28:12what
00:28:12do you believe yes well how about this i really really want to believe how about that
00:28:21i mean i want to believe so wicked bad in this i mean that's why i'm doing this that's why
00:28:28i'm here
00:28:28following you and and doing i'm i can tell you my wife thinks i'm crazy for for doing this you
00:28:34have
00:28:34any children uh no not yet that's not it's this is it's not really the priority right now we've only
00:28:43been
00:28:43married like three it's just three years or so that explains a lot
00:28:50okay um how about this eventually we are we're gonna need to have some
00:28:59monsters in our monster documentary right
00:29:08how's the night vision working for you it's uh
00:29:12it's pretty good i mean i can i can see a lot further but i mean it's still it's like
00:29:18a whole
00:29:19green it looks like it looks like a sex tape
00:29:26kill it
00:29:31what you see those two trees
00:29:34what what trees are trees right straight away from us in a forest there's nothing but a big tree on
00:29:38the
00:29:38right okay there's one right behind it
00:29:44he's not moving but it's there
00:29:47what look don't stay still he might be watching us he may have seen us already
00:29:53look look look you see him moving huh you see him
00:29:59no yeah wait i see something yeah but it kind of looks like a tree branch
00:30:11okay do you see anything
00:30:16oh god he's right here in front of us now
00:30:19no i don't i don't i don't see it turn turn it on tell the light no no no no
00:30:23no turn on the light if
00:30:23it's here i want to see it turn off that light turn on the light
00:30:30all right
00:30:36what the hell was that
00:30:37we're done we just saw something we're done we're done
00:30:46all right so uh camera's rolling tell me about what we saw today
00:30:52well basically my boy decker finally delivered and we got a what i can only think is a monster
00:31:03on camera and it's undeniable it was there we have the footage and i am psyched because this is
00:31:12you know i all right i'll be totally honest for for a brief moment i was starting to think okay
00:31:17the
00:31:17guy is completely crazy and we've wasted our time which still could have been funny for something but
00:31:22but we saw it and it was real and it was awesome yep don't you uh don't you think it's
00:31:27a little scary
00:31:28though why it's scary why are you gonna be such a pussy it's not scary just because something
00:31:33doesn't look like us or uh or look like everybody else doesn't mean that it's scary i mean my whole
00:31:39life i've only wanted to see like a real monster you know like when i was little i'd look under
00:31:44my
00:31:45bed i'd look in the closet not because i was afraid because i wanted it to be real you know
00:31:50i mean it's just you know think about think about victor crowley you know what victor crowley
00:31:56actually kills people
00:31:59victor crowley's not real
00:32:12stop it stop it if that's a makeup job it is a damn good makeup job is all i'm saying
00:32:18right
00:32:20well right i'm just going off the footage because i wasn't there but my gut is telling
00:32:25me that you guys are messing with me we're not messing with you look i tell you got to shut
00:32:29up
00:32:29how about that you believe this you're a believer i believe yes i well okay how about this i don't
00:32:35necessarily believe him but i believe this yes i've always wanted to believe this haven't you always
00:32:40wanted this to be look at you you have a whole sleeve of of horror stuff and you're not more
00:32:45excited
00:32:45by this haven't you always wanted this to be real i mean i don't know about this like aliens making
00:32:52aliens aliens who cares about aliens this is monsters this is monsters what if what if this
00:32:57guy's conspiracy theories are all true right and he came to us with this and we're the ones who are
00:33:01getting it right but maybe we'll make some of our money back for filming this it's always money with
00:33:06you why is it always going to be about money i'm just saying can it tell me about the i
00:33:09go oh that's
00:33:10kate hey hey boys how are you hey kate good thank you for coming over what's with the camera uh
00:33:16we're
00:33:16just part of the thing yeah we're just doing a thing thank you for coming so late sure first first
00:33:21you get you have to see this okay so all right what are you showing me wait wait wait we've
00:33:24been
00:33:24shooting we've been shooting this documentary okay uh this guy contacted me yes it's a documentary
00:33:30and very fancy it's i think that's fancy it's just another makeup you had on in the interviews
00:33:35it's a for it's a formal sit down interview you'd have some makeup on yeah okay but you just play
00:33:41this for just watch this watch this watch this play the tape
00:33:56so what am i looking at what wouldn't you what are you looking at the monster did you not just
00:34:01see what's it for it's it's not for anything it's it's it's it's act it's we play it again
00:34:07play it again watch watch closely look at this really look at it go go go
00:34:14it does look pretty cool but you can't really see it that well well it's who made it nobody made
00:34:26it
00:34:26that's the whole point it's real we actually shot we were in a cemetery up in chatsworth yes and it
00:34:32wasn't porn no i guess that's worth this like a porn i know that no i'd like to see that
00:34:39part
00:34:39if you know there's no part of this if anybody should be excited by this it's you if anyone knows
00:34:47monsters it's you look at that look at the neck the thin neck the huge head how could you even
00:34:51do
00:34:51that as an appliance on somebody you want my real opinion yes it looked really good thank you i mean
00:34:58no not thank you because it's not it we didn't do it looks really good but it's you need to
00:35:03light
00:35:03it better it's terrible will oh come on it wasn't lit that's the whole point yes that's exactly right
00:35:10no it's actual footage actual footage yes found footage oh boy that hasn't been done before no no no no
00:35:18come on nobody's gonna want that anymore will you shut up no it's not found footage it's it's it's
00:35:25it's footage footage no it's it's i'm so let down right now well what else you got to look at
00:35:32there we have we have we have tons we have so much we've actually got nothing else
00:35:42what you did could have destroyed decades of work have you been back to our spot since okay and yes
00:35:53i have and thank god they haven't gone yet but they're moving around with a lot more caution
00:35:58you know they probably chopped up our little incident to a random sighting and they don't fear
00:36:03for their discovery or that their entrance is in jeopardy in any way but okay all right but
00:36:08um i i totally hear i want this to work so badly i really do but by the same token
00:36:15you brought us
00:36:17into this to shoot stuff okay and if we can't if we can't shoot stuff then there's no there's no
00:36:26story
00:36:26right there's nothing so help me here yeah yeah well that's why i brought you over here today is there
00:36:34any way that we can shoot and not be so completely intrusive yes uh uh will and i have been
00:36:43talking
00:36:43about that a lot uh and will why don't why don't you tell tell mr decker our uh plan go
00:36:51ahead me yeah
00:36:54do it um okay well uh here's what we talked about um so we set up um a fake street
00:37:01light if you will
00:37:02out there a light that's just maybe could play for a street light we turn it on during the day
00:37:07we do
00:37:07all this during the day so no one is disturbed we set up a street light out there turn it
00:37:12on and leave
00:37:13it on it's just on it's on all the time then we take some small cameras and we rig them
00:37:20to the trees
00:37:20we have a few cameras in the office they're so small like you wouldn't even they're little tiny
00:37:24cameras they're so small and we we rig them to the trees and just let them roll let them roll
00:37:29nobody
00:37:29goes out there starts and stops them nothing no lights on the cameras nope there's no lights on
00:37:34the cameras how bright is that light that you already have on it's not it's not it's not bright
00:37:38it's not bright it's like yeah like on a scale of one to ten i'd say it's it's really soft
00:37:43and nobody
00:37:44turns it on it's already on nobody's going to disturb anybody with this with what we want to do no
00:37:50no
00:38:10okay so we got five cameras now yeah we're pointing here at the mound we're pointed there at the
00:38:20cemetery and if you look up there well hung that street light looking thing it looks almost identical
00:38:27to the ones that they have hanging in the front of this place so completely unobtrusive but now we
00:38:32have light now we can see things if that cemetery light makes them suspicious it won't why honestly
00:38:39i'd be more worried about it making that park ranger dude suspicious but hopefully he thinks that
00:38:44you know like maintenance came out and replaced it or something i don't know but i'm honestly i'm kind
00:38:50surprised that you haven't thought of this before i have didn't work fantastic
00:39:09actually i think it would be better if we didn't have the music while we're actually recording the
00:39:13interview because the music makes it hard to edit with it's my favorite tune who who is this i don't
00:39:24know
00:39:30during my decades of research i've i have discovered over 40 different species going to and from the
00:39:39marrow and that's just from the half dozen or so entrances that i've found a half dozen or so now
00:39:47are they
00:39:47always out in the woods or near a creepy cemetery sometimes in the woods sometimes in a cemetery and
00:39:55sometimes in other places
00:40:00the ihop
00:40:07why would they have a marrow entrance where there's an ihop they like pancakes
00:40:17pancakes everybody loves pancakes
00:40:27pancakes of course
00:40:36i don't want to lose it
00:40:37anyway yeah that one uh entrance in arizona i i couldn't really identify i mean i monitored the
00:40:43situation for several months but i couldn't pinpoint where the entrance was
00:40:49however the entrance here in southern california is the most defined entrance i've ever seen i don't
00:40:56want to lose it because you give them enough reason down there to suspect that they've been
00:41:01discovered and they'll just move on i don't know if they move underground from one metropolis to another
00:41:05but you'll find the entrance sealed like there was nothing ever there and i i would like to think that
00:41:12the you know the metropolises underneath are connected in some way you know like all the different
00:41:19areas because i mean i'm looking at that map and i mean there's a it's all over the country and
00:41:25so you
00:41:25feel that they're all connected underground i think that's quite possible yes but i don't have any hard
00:41:32evidence of course to substantiate that so look at this most of the subjects are painfully shy
00:41:42painfully shy in fact one that i observed in salem massachusetts that i call umbrella umbrella
00:41:49umbrella short for umbrella there she is right there you notice the umbrella covers up her head
00:41:57entirely you can't see her face yep but she does have the body of a normal human female and a
00:42:05very
00:42:05attractive one i might say you know in fact i saw her interacting with a human interacting how like a
00:42:13human a human saw saw that i saw umbrella in salem massachusetts pick up a drunk college boy outside of
00:42:24a
00:42:24bar in an alley pick up like uh like flirted with like took took him home like what do you
00:42:33mean by
00:42:33picking up what does pick up mean to you well that's that's what it means but that's what i mean
00:42:39okay but i would imagine she picked him up for some sort of sexual escapade okay okay now but if
00:42:44i got
00:42:45picked up they walked away they disappeared i tried to follow them why wouldn't he say something to
00:42:49somebody though if what what what is wrong with you why can't i ever just tell you something and you
00:42:55listen because i want to cut through it and i don't i mean again it's another painting you don't have
00:42:58a
00:42:59picture you don't have a photograph now you're telling me somebody i'm telling you what she did
00:43:02she picked up this drunk college boy she went off with him i don't know what happened i tried to
00:43:07follow them i lost them that's it so then then what what happened then after about three weeks
00:43:16a body washed up by a river in danvers the body of the boy well nobody really knew i mean
00:43:26uh there wasn't much there to be able to identify all his entire jaw was gone no dentition the hands
00:43:34were gone the feet were gone just a lump of flesh not very identifiable now the case is still open
00:43:41you
00:43:41you know it's unsolved but i bet my pension that it was that boy in every society
00:43:53there are the deviants the bad seeds
00:43:59the ones who are pure evil you're saying that something from the marrow killed somebody and these
00:44:13things are dangerous not all of them but some of them perhaps
00:44:27uh i think we're good okay today can we stop yes forget the fact this guy is just a complete
00:44:35psycho
00:44:36which is a given but now he's showing us these like images of these things that may or may not
00:44:42exist
00:44:42right and now he says they're killing people i don't understand what we're doing yeah i mean
00:44:48you you were there you saw it you can't deny what we saw well i mean i can't say that
00:44:53i saw a real
00:44:54monster look at the movies we've done right like think about that all the makeup effects that we put on
00:44:59the screen the visual effects wait wait wait after all the movies we've done you mean to tell me that
00:45:05you can't tell the difference between foam latex or silicone and what we actually saw right in front
00:45:11of us i'm just saying it's possible you know that's all it's it's it's possible what that there's
00:45:18monsters no that this guy's a total freakazoid guys listen i mean i'm not i'm not actually working
00:45:26on this this whole monster project but what i am working on is a little show called holliston
00:45:32um i'm a little concerned adam do you have any scripts they're almost ready i am there we start
00:45:39production in like two months and i will get it done i don't want to just you know i don't
00:45:45want to
00:45:45say stop what you're doing and write holliston but um i really need you to stop what you're doing and
00:45:50write holliston okay if if i swear to god if you had been there and you saw this you would
00:45:57be just
00:45:57as fired up as we are and you would be like okay the other stuff can wait and you don't
00:46:02think it's
00:46:03dangerous you don't think you could get hurt listen it was fun when it started you know running around
00:46:08the woods chasing this psycho guy around it was fun but now sarah's telling us we're putting the show on
00:46:13hold um which means we're putting our careers on hold and i i mean i talked to krishna about it
00:46:19she's not
00:46:19really happy about this whole thing oh no you know what not to be a dick but i don't care
00:46:26what
00:46:26your wife thinks why doesn't she write the next season of the show it'd probably be better stop stop
00:46:32all i'm saying is that an amazing opportunity just dropped right into our laps and now you're saying
00:46:41you want to quit no no no no no i'm not saying i want to quit i'm just saying that
00:46:44we just need to
00:46:45control it better we need to get done we need to get done not quit okay adam like honestly do
00:46:53you 100
00:46:53percent believe this guy and his whole monster thing i i 90 percent i 90 percent believe well 90
00:47:05percent that's a lot of percent all right that's number five uh i'm sorry could you please wait
00:47:16because we need to shoot you when you analyze the footage so just wait till we get back please so
00:47:21you're you're sure that camera two is in this tree yeah i'm sure and we have one three four and
00:47:29five
00:47:30definitely two uh maybe it fell out no uh what about you mr decker see anything over there no i
00:47:45don't see
00:47:45a thing nothing um well looks like we lost camera two come on we got to get out of here
00:47:54yep
00:47:57i will pay you back
00:48:01wait a minute i got something hmm yeah come here look look well oh come here come here come here
00:48:11dude dude come here come here did i tell you
00:48:18dude that is awesome i've never seen one like that before really no
00:48:23oh my new species huh you want to name it me but no no yeah you do it it's that's
00:48:32your thing all
00:48:32right all right i'm i'm gonna call him little bigfoot
00:48:37little little bigfoot yeah he looks like a bigfoot doesn't he
00:48:41yeah i mean if if bigfoot was a real thing and if anyone knew and seen it
00:48:46what about what about something more original you know like what about um derringer do you want to
00:48:52name it no you all right then little bigfoot new species
00:49:02you don't like derringer
00:49:06okay stop it stop it okay so that was
00:49:10what four hours four hours four hours and then
00:49:16whatever that thing is crawls out of the hole and walks away so you honestly want to try to tell
00:49:23me
00:49:23that decker had some dude just wait underground for four hours only to get up and walk away for our
00:49:30cameras
00:49:32you got me you got me
00:49:37three two one we've now caught our second monster on camera and
00:49:46mr decker seems to think that it's a new kind of species which is all kinds of
00:49:51of the state what kind of bad i'm going to in a second i just i have to do my
00:49:56recording about the
00:49:57second monster or else it's going to drive me nuts and then i'll be talking about monsters
00:50:03i'm late you're cute seriously though you need to sleep i'm going to
00:50:12in three two
00:50:15so
00:50:16so
00:50:26so
00:50:49so look at that I mean the teeth the eyes it's amazing right yeah very nice who does your
00:50:54creature okay that's the best part nobody it's real this is this is real footage that we got
00:51:02there was this guy who he wrote me a letter through my fan mail and he had this whole theory
00:51:07that like
00:51:08you know when people are born deformed or whatever like where do they go you know you don't just see
00:51:12them walking around I mean unless you're at a horror convention like this but it's you know
00:51:17but he says that they they've all retreated underground and that's where they live and
00:51:21so we've been making this documentary following him you're reminding me of the cycle of a guy
00:51:28uh he has a name like uh Davis Darren Decker that's it uh uh Mick would you come over here
00:51:37for a second
00:51:39Adam hey how are you good to see you Adam is working with Decker the monster hunter oh no
00:51:47I know I'm not I wouldn't I wouldn't you he's harassing you now no I talked to him once
00:51:53I found the marrow that guy please he's been after me Tom and Carpenter and Guillermo Landis every
00:52:02horror director in the business he's been bothering us really antagonized everybody for years trying to
00:52:08get us to buy the movie rights to his stupid story he's a real basket case yeah no I totally
00:52:17I just
00:52:19have been working with him I couldn't tell I wouldn't say working with him what are you stupid no I'm
00:52:26sorry that
00:52:27was rude but are you I guess sort of I guess anyway your creature work is great regardless of who's
00:52:34doing
00:52:34it how's your next movie coming uh which which one I don't know it's just what you say I'm trying
00:52:41to be
00:52:41nice good luck good luck have a good signing and whatever you're shooting I'm not signing the leads
00:52:47thank you all right so uh are we gonna talk about it he said right up front that he's tried
00:52:58numerous
00:52:58ways to get this story out there okay so yeah it was embarrassing that I didn't know that he'd already
00:53:06been to everybody else okay like but what am I is that what you want is that you want me
00:53:10to say I'm
00:53:11embarrassed I feel stupid no but look when we get back the next time we talk to him I'll ask
00:53:17him point
00:53:17blank who else have you brought this story to and you know we'll see what he says yeah we'll see
00:53:24you think
00:53:25he's gonna be truthful about that so one thing that I've been meaning to ask you is why why reach
00:53:42out to a genre filmmaker with this like why go to somebody like me who does what I do I
00:53:48tried the
00:53:49authorities I tried the press I was even on a couple talk shows nobody wanted to hear it
00:53:55they all treat me like I was a nut you know so I thought you know a filmmaker who had
00:54:03a built-in
00:54:04audience and who could capture and tell the story convincingly and properly properly that would be the
00:54:15way to go you know okay but then why not go to somebody bigger like an even more established you
00:54:22know why why me you work outside the machine I like that so you never reached out to somebody
00:54:34else before me you never went to anybody was it straight to me nope just you that's me so there
00:54:41were a couple of interesting things that happened while you guys were gone I think you're gonna like
00:54:45this so we'll start on camera four here we're looking right at the marrow and here comes Decker 1 30
00:54:51in
00:54:51the morning with a bag and a flashlight right this is where it gets really weird he walks over to
00:54:59camera
00:55:00three looks right at it and turns it off why would he shut I don't know goes over to camera
00:55:13one again
00:55:15right at it patient all right what I want to know though is if he shuts off all the cameras
00:55:22like what
00:55:22does he not do you think we're not gonna see that in the footage but he doesn't turn off camera
00:55:28four
00:55:29so either doesn't know how to work the cameras he doesn't know how many are up there whatever
00:55:35he's back at the hole signaling something it looks like and if we get in close he starts pulling
00:55:41something out of the bag and I don't know what's in the bag maybe you guys can help me out
00:55:45what is
00:55:46that just an old man talking a hole in the ground no what's in his hand it's I know what
00:55:52that is it's
00:55:54a it's a spoon so what is he doing he's taking dirt was he taking samples out of the I
00:56:01mean he's like
00:56:01he's digging down there and then he puts it in his back no no no he's taking something out of
00:56:10was he
00:56:10feeding feeding one of them I can't see I can't see I can't see in there's no definition such low
00:56:18light sensors that he's feeding something or he or he thinks he's feeding something okay then what else
00:56:28what else I mean after that fast forward a little bit he packs up his stuff yeah yeah yeah stands
00:56:34up
00:56:36walks back over turns cameras on yep camera one comes on sets it up clear as day he has to
00:56:44know
00:56:44we're gonna see that so is this here's a question is this on purpose did he want us to see
00:56:50that
00:56:51because I'm I'm kind of waving and signaling again okay awesome what else anything else this one's a
00:57:01little weird the very next night four o'clock in the morning camera one yeah I'll zoom in so you
00:57:11can see here he is sitting on the edge of the marrow he's like and I have no idea what
00:57:21he's doing but
00:57:21he's sitting here for about a minute and a half two minutes he's he's touching something in there
00:57:28what is he petting petting one of them I don't think he's petting him what is oh my god wait
00:57:41he's crying he's crying
00:57:49I didn't know what to make of it he's like sobbing
00:57:54I mean the only other thing I'm doing is just catching up on cemetery footage just hours of
00:57:58cemetery footage this guy it's like it's like he's sick you know like he he chooses the weirdest
00:58:10things to lie about well isn't isn't the lying just enough to stop this whole thing no no it's not
00:58:16why
00:58:16do you have to keep saying that we need to stop it it's not enough I don't care about him
00:58:19lying that's
00:58:20irrelevant did you tell Josh about the other night what happened the other night nothing happened
00:58:23the other it turns out that this Decker guy has gone to every single Hollywood director with the
00:58:27story who else did he go to it doesn't matter it that's semantics what matters isn't isn't him okay
00:58:34it's it it's where he can take us because I know I know I sound crazy to everybody but my
00:58:40whole life
00:58:40since I was a little kid I have prayed for this to happen to me I have prayed for this
00:58:44to be real and
00:58:46and now I've I've seen it and and for better or for worse this lunatic is the guy who can
00:58:52bring me
00:58:52to it and okay I know you guys are gonna say I'm trying to make excuses for him and I
00:58:58swear to God I'm
00:58:58not but this is just a theory I have I think that this is some sort of psychosis like this
00:59:03whole thing
00:59:04I think that like his kid died or something and this is why when we were in the cemetery and
00:59:10you
00:59:10mentioned your kids he was all over you about your kids right and then when we were doing our one
00:59:15of
00:59:15our interviews with him he was showing me paintings of the monsters and and I asked him about him
00:59:21like oh well who painted that and he and he said my son thank you yes and then when I
00:59:27try I'm like
00:59:27oh wait son he was all like oh no we didn't want to go there anymore now he's feeding something
00:59:32in a
00:59:33hole something that's probably not there maybe he's imagining it or this is where it gets a little
00:59:38weird maybe he thinks his kid is down there his kids one of them oh boy okay I know it's
00:59:45crazy but
00:59:45if if we could just find one person one person to vouch for him a family member a neighbor just
00:59:51somebody who actually knows this guy in his in real life not the life that he's presenting to us I'd
00:59:57feel
00:59:57so much better because then I would know is he crazy is he is he mentally ill is it is
01:00:02it all a hoax and I'm just a
01:00:04sucker you know but you like you google him and he has no digital imprint on the internet whatsoever
01:00:10there's literally nothing about what Boston he was a police he was a police detective so what no
01:00:21the original package that he sent me the original letter it says he was a he was a former Boston
01:00:26police detective we can go talk to them we're not going to Boston we're going to Boston awesome no we're
01:00:33going to Boston right now we're going to Boston because I spoke to a guy at the Boston Police
01:00:46Department but they wouldn't answer any of my questions over the phone but the guy did say he
01:00:51would give us like 15 minutes so what I want to do is I want to sit down I want
01:00:54to find out more about
01:00:57when Decker worked there like maybe there's people that still know him and like especially if he's talked
01:01:03about the marrow and all this stuff before I think we're going to get some really some cool stuff
01:01:09great I don't know it seems like a waste of time to begin all right well you know what nothing
01:01:17else
01:01:17we get to go home to Boston when's the last time you got to go to Boston like what like
01:01:21three years
01:01:21ago four years ago no I was in Boston two weeks ago shooting a cable ad I don't need to
01:01:27go back
01:01:27there well you don't have to shoot a cable ad while you're there so great I've been with the Boston
01:01:56Police Department now for 24 years and I don't ever recall working with this gentleman no what
01:02:02department did he say work with uh he didn't specify that well then I suggest you have him contact us
01:02:09and as you can understand I can't get into the surface records of a former police officer with a third
01:02:15party no I understand that totally I just I guess okay to clarify that no what you're saying is that
01:02:22to the best of your knowledge a William Decker has never worked here at the Boston Police Department that
01:02:29I know of no just because one guy that we talked to didn't know him doesn't mean that it's alive
01:02:36you
01:02:36heard what the officer said even if he didn't know something he's not allowed to tell us anyway so he
01:02:41can tell us if he worked there I mean clearly the guy's never worked there you don't know that that's
01:02:47according to one officer when we get home let's go back out there to the spot but just just me
01:02:55and
01:02:55you know Decker so that way if this is like a hoax and he's putting stuff on for us he
01:03:01won't even know
01:03:01that we're there just us right just so we can freak out again and tell us how much we're compromising
01:03:06he's working and quit not if he doesn't know
01:03:17is this it yeah I know where we are just just park it okay cool all right let's do a
01:03:24quick in and
01:03:24out okay I don't want to be here all night well I just want to see the spot without him
01:03:28here that's
01:03:29all wait how do you just twist the dial on the side you can get that yep that's it got
01:03:34it
01:03:37all right let's do it do you hear that was that your footsteps no I stopped all right let's do
01:03:52it
01:03:54it's freaking hot tonight yeah it's wicked flackin warm dude it's mighty oh whoa whoa you good you
01:04:02good yeah yeah yeah trees well I told you no more uh no more ski lifts at night right so
01:04:08this this
01:04:09isn't that bad this is like home it's the woods you know what's funny though what is that during the
01:04:14day it's like oh I'm in the forest but then at night it's like I'm in the forest like it's
01:04:18really scary
01:04:19all right and there it is okay so all right let me do my intro all right well sweaty um
01:04:33a little
01:04:34shiny I'm too bad all right okay okay in to camera right yep here we are at the entrance to
01:04:42the marrow
01:04:43or at least what Decker claims to be the entrance to the marrow no okay hold on oh my god
01:04:51I thought
01:04:52that was you do you smell that we realize we're in a cemetery right and uh there's dead bodies all
01:04:59around us um uh I've stuck I've stuck my head in worse I actually went to Hofstra for four years
01:05:07so
01:05:08all right hold on okay wait a minute you realize we're in a cemetery yes your head in a hole
01:05:16I know
01:05:16that I know that but I gotta see hello monsters yeti yeah dude okay here's one thing I will say
01:05:32though
01:05:32is I don't know if you can see it but when you when you go down it curves around oh
01:05:37my god dude it's
01:05:39got me it's got me nothing really no jackass come on can we get out of here you're no fun
01:05:47all right
01:05:50well good I'm glad we did that now we know that we have lots of footage of a crazy guy
01:05:56who should
01:05:57probably be committed rambling around about nothing we have a hole in the ground over here
01:06:02we have lots of old gravestones and we have a dude who was probably one of Decker's friends
01:06:07who jumped out at us wearing nothing but a Halloween mask which is good whoa dude sorry
01:06:14dude dude seriously help me help me please please please I'm not joking I'm not joking oh
01:06:22something something took my boot it grabbed me at least you still have your foot no I'm serious
01:06:28something something it took my boot you mean like a root or something no no something like
01:06:34like it it didn't hurt but it like it took my boot off of my foot bullshit fine you know
01:06:45what here hey
01:06:46uh dude can you do me a favor really quick and just reach in that hole and um and then
01:06:51grab my boot for
01:06:51me please you want me to get your boot yeah come on do it there's nothing in there all right
01:06:57all
01:06:58right do it it's pretty deep it's uh you know what no it's your boot you get it oh oh
01:07:10okay yeah
01:07:12there you go you know what um I was gonna throw these boots out when I got home tonight anyway
01:07:19because they're old and they smell so I don't even need it and you're gonna walk home in your sock
01:07:25I am gonna walk home in my sock but what about the snakes so snakes what about the spiders oh
01:07:34oh spider
01:07:34what dude oh she's such a dick fine go get your boot I'll get my boot I'm gonna get out
01:07:41of here
01:07:42if something happens to me seriously and don't do that thing where something grabs you again
01:07:51I would never do the same gag twice have you seen hatchet two go on give me a second
01:08:10go on I'm going I'm going I'm going
01:08:19I can't reach it I can't reach it wait wait wait okay hold on
01:08:39got it what the hell are you two doing what have you done what have you done nothing nothing
01:08:46we were just getting some shots without you out here potentially orchestrating what do you mean
01:08:52orchestrating I can hear you a half a mile down the goddamn road you have no right to come up
01:08:57here
01:08:57no but it's honestly something down there just totally took my boot I told you we needed to
01:09:02be discreet I warned you we could scare them away I warned you some of them were dangerous
01:09:10public place we have every right to be here if we want to that was really stupid that was stupid
01:09:15it's not stupid don't don't film this now no I'm not I'm not recording no you know what was stupid
01:09:21no listen to me you know what was stupid was the other day when we took you out to coffee
01:09:25and I asked
01:09:26you point blank have you sent this stick to anybody else and what did you say I said that I
01:09:31took it to a
01:09:32multitude of places before I brought it to you no no no no no I asked you point blank didn't
01:09:38I I asked
01:09:38him point blank I said have you sent this to any other directors in Hollywood and you said no just
01:09:45you just you just me that's what you said and it's not adding up at this point it's never gonna
01:09:51add up
01:09:52if they move away because of your meddling our meddling yes you're meddling no we're trying to tell a story
01:09:58here because you know what like what if what if it was real I want to believe in it he
01:10:03wants to believe
01:10:03in it and I've sunk a lot of my time and a lot of of his money into this so
01:10:08far and honestly it feels
01:10:10like like Linus waiting for the great pumpkin to arrive or something and for all we know this is
01:10:15just a bunch of your buddies running around and in like Halloween costumes for our cameras maybe I
01:10:19don't need the two of you involved in this anymore all right but let's take this conversation over to
01:10:23the road so we don't make the situation any worse than it is no we're not taking one more step
01:10:28until you admit that you've been lying about about what haven't you lied about about everything
01:10:35monsters the marrow if your name I don't even know who you really are my personal life is my business
01:10:40you understand it's my business we have been up front with you since day one you know exactly what
01:10:51the hell was that I don't know I don't know what it was but it brushed against my feet it
01:10:54went over
01:10:54there turn off that camera light they're watching us
01:11:42guys
01:12:03did you get it did you see it I got it it came right at me here here here take
01:12:06this
01:12:06well well come on I'm coming I'm coming let's go give me one second yeah I want to see it
01:12:11I want to see
01:12:22come on man let's go we gotta go now damn it they're coming they're coming come on shut off that
01:12:31light
01:12:32shut it off come on go
01:12:36what is it drive around it drive around it
01:12:42what the hell
01:12:50shut up let's go let's go let's go let's go
01:12:54let's go let's go
01:12:56what the hell
01:13:05oh
01:13:07oh
01:13:07oh
01:13:13oh
01:13:14Oh, my God!
01:13:16Oh, my God!
01:13:18Oh, my God!
01:13:22Oh, my God!
01:13:24Oh, my God!
01:13:27Oh, my God!
01:13:31Oh, my God!
01:13:32Oh, my God!
01:13:33Oh, my God!
01:13:35Has that ever happened before?
01:13:36No, never to that extent.
01:13:38I mean, I've been followed once,
01:13:40I've been chased a couple of times,
01:13:42but I don't have an outright attack like that.
01:13:45What I've done?
01:13:46Okay, hold the phone here.
01:13:47First of all, you have not been straight with us
01:13:49since day one, okay?
01:13:51Starting with the fact that you never worked
01:13:53for the Boston Police Department.
01:13:54What?
01:13:54You never worked!
01:13:55Yes, I did!
01:13:56We went and met with them,
01:13:57and they've never even heard of you!
01:13:59I was a private detective!
01:14:01Private, you imbecile!
01:14:02Don't you understand English, huh?
01:14:03You speak English?
01:14:05I understand it enough to know
01:14:07that you would at least have been affiliated
01:14:08with their division in one way or another,
01:14:10but no!
01:14:11They've never even heard of you!
01:14:12You know, I trusted you, Adam.
01:14:14I brought you into one of the greatest discoveries
01:14:15of all time.
01:14:16Don't point your finger at me!
01:14:17You're going screw me!
01:14:18I'm not screwing!
01:14:18Why are you screwing me?
01:14:19Because I don't know if it's bullshit or not!
01:14:21Why couldn't you listen to me?
01:14:22Because I didn't want to spend five more months
01:14:24running around looking at sketches
01:14:26and looking at drawings
01:14:27and listening to your psychobabble, okay?
01:14:28Oh, listen to you, man.
01:14:29You sound like all those other assholes.
01:14:31You're too blind to see what's going on around you.
01:14:33What are you going to see?
01:14:33You're going to see?
01:14:34Oh, I saw.
01:14:36I saw something through it.
01:14:37I don't know what it was.
01:14:37Do you know what it was, Mo?
01:14:38Yeah.
01:14:39So what was it?
01:14:40Back me up here!
01:14:40For what?
01:14:41Back me up!
01:14:42I'm going to go.
01:14:43I'm going to go inside.
01:14:45Okay, no, no, no, no.
01:14:46They know we found out about them, Adam.
01:14:48They know we found them.
01:14:51They're going to move.
01:14:52They're going to close up that entrance.
01:14:54And I'm going to lose him!
01:14:55And I'm not going to lose him!
01:14:56Who?
01:14:57Who's him?
01:14:57This is my last chance.
01:14:59I'm not going to blow it!
01:15:00Who is him?
01:15:00Just tell me the truth about one single thing.
01:15:03Okay, how about this, Mr. Decker,
01:15:05if that's even your name?
01:15:06What about the fact that you went to every director
01:15:08in Hollywood before you came to us
01:15:10with this project, right?
01:15:11I was like the absolute last choice,
01:15:13and I asked you,
01:15:14boy, play the weird coffee,
01:15:15and you lied to me about that too!
01:15:17Bullshit! Bullshit! Bullshit!
01:15:18Bullshit! Bullshit!
01:15:19Okay, it's 1.30 in the morning.
01:15:21I think the best thing to do right now,
01:15:23we were just attacked.
01:15:24Let's call the police.
01:15:25How about that?
01:15:26No!
01:15:26No police.
01:15:27No police.
01:15:28No police.
01:15:29If they've moved, then I'll dig.
01:15:30I'll dig down.
01:15:31That tunnel's still there.
01:15:32I'll dig.
01:15:32And then you can call the police.
01:15:34You can call anybody you want.
01:15:34You can call the whole goddamn world.
01:15:35I don't care.
01:15:36Just get out of here now.
01:15:37Go on.
01:15:37We can't.
01:15:38Do we even have lights in the car?
01:15:39I gotta plan.
01:15:40I gotta plan this.
01:15:42I gotta plan it.
01:15:44Get out.
01:15:44Go on, get out.
01:15:45No, I'm not gonna get out,
01:15:45because if you're going down there,
01:15:46then I'm going with you,
01:15:47and I'm seeing this through.
01:15:48All right.
01:15:48We need lights from the office.
01:15:50We need two more cameras.
01:15:51Listen to me for a second.
01:15:56I'll meet with you here at sunrise.
01:15:57You and Will, all right?
01:15:59Sunrise.
01:15:59Then you can shoot any goddamn thing you want.
01:16:01You can shoot as much as you want, all right?
01:16:03I don't care.
01:16:04Shoot whatever you want.
01:16:05Okay, so Sunrise here.
01:16:07We have two cameras at the office.
01:16:08Yes, Sunrise here.
01:16:09Now go, please.
01:16:10You're coming with me.
01:16:11You're good with this, right?
01:16:12Don't puss out on me on this.
01:16:14Get out.
01:16:14Get out!
01:16:15I'm gonna get out.
01:16:16Get out, Will.
01:16:17Where do we meet you exactly?
01:16:18Here, here, at sunrise.
01:16:19Right here at sunrise.
01:16:20Right here at sunrise.
01:16:21We will be back.
01:16:22Get out of here, goddammit!
01:16:23I can't think!
01:16:31Maybe we should just go.
01:16:33I find it hard to believe he overslept.
01:16:37Mr. Dicker!
01:16:48Excuse me.
01:16:49Excuse me.
01:16:50Excuse me.
01:16:50Excuse me.
01:16:50Hello.
01:16:50Sorry.
01:16:52I'm trying to reach the guy that lives there, your neighbor.
01:16:55No one lives there.
01:16:56No, no.
01:16:57The guy, the old guy, William Decker.
01:16:59The guy lives there.
01:17:00No one lives there.
01:17:05Okay, I'm sorry.
01:17:06I'm sorry.
01:17:07I'm sorry.
01:17:07I'm sorry.
01:17:10I'm sorry.
01:17:11So, according to Decker's neighbor, this place has been empty for a year.
01:17:16Wait, so nobody lives here?
01:17:17No one's supposed to live here.
01:17:22No, no, no.
01:17:23What do you know?
01:17:23No, no, no.
01:17:24Mr. Decker!
01:17:28Are you kidding me?
01:17:33What, you just skipped town?
01:17:38What?
01:17:39Look, look, look.
01:17:42Oh, man.
01:17:43You know what?
01:17:44No, we should just go.
01:17:45We should...
01:17:46Dude, no, no.
01:17:46Come here.
01:17:47Come here.
01:17:47Man.
01:17:49Ugh.
01:17:51Dude.
01:17:54Ugh.
01:17:54What the...
01:18:00Is that...
01:18:01Is that shit?
01:18:04What are you...
01:18:06It smells so bad.
01:18:08What the...
01:18:09What did he have?
01:18:13Ugh.
01:18:14Can we go?
01:18:15Yeah, did you get all this?
01:18:16Did you see all this?
01:18:17Aw, man.
01:18:18Let's go.
01:18:19Please, can we just go?
01:18:19Oh, God.
01:18:20Okay, okay, okay, okay.
01:18:22Come on.
01:18:23Dude, where are we going?
01:18:24Where do you think we're going?
01:18:25We're going after him.
01:18:26Oh, hell no.
01:18:27I'm not going down that hole.
01:18:28We're not going in the hole.
01:18:29Will you just come with me?
01:18:30No, I'm not even going back there, man.
01:18:31We're not going back there!
01:18:32Just get in the car.
01:18:33Trust me.
01:18:38Come on.
01:18:40Seriously, can we please just call the police?
01:18:43Mr. Decker!
01:18:48Oh, come on.
01:18:49No, no, no, no.
01:19:13Okay, final recording in three, two.
01:19:18So it's been a little over a month since we last heard from Decker.
01:19:27And I've tried calling, but his number just rings.
01:19:32And about, I don't know, two weeks ago, it switched over to one of those, this number has been disconnected
01:19:38messages.
01:19:40But last week, our missing camera, camera two, was delivered to me.
01:19:55And, uh...
01:19:58And, uh...
01:20:03And, uh...
01:20:21Do we go to Decker?
01:20:29Do we go?
01:20:31Do we read that man?
01:20:33Who was off?
01:20:35No?
01:20:45Do we need to shoot them?
01:20:48But I'm Sir Jeff, he's like a man.
01:20:48There's...
01:20:49Go on.
01:20:49Go on.
01:20:50There's a feels like he wasiese in.
01:20:51Let's go.
01:21:21Let's go.
01:21:51Let's go.
01:22:01My name is...
01:22:08My name is William Decker.
01:22:11If you're seeing this, I need you to understand that I was wrong.
01:22:23There's no such thing as the marrow.
01:22:26There are no monsters.
01:22:30Don't follow me.
01:22:32Don't believe my work.
01:22:34Stay away!
01:22:40There's no such thing as monsters.
01:22:43Monsters are not real.
01:22:45Monsters are not real.
01:22:47No!
01:22:47No!
01:22:48No!
01:22:49No!
01:22:49No!
01:22:49No!
01:22:50No!
01:22:51No!
01:22:52No!
01:22:52No!
01:23:00No!
01:23:05No!
01:23:06No!
01:23:08No!
01:23:09No!
01:23:11No!
01:23:13No!
01:23:16No!
01:23:18No!
01:23:24No!
01:23:27No!
01:23:29No!
01:23:30No!
01:23:32No!
01:23:34No!
01:23:43No!
01:23:46No!
01:23:49No!
01:23:50No!
01:23:52No!
01:23:54No!
01:23:55No!
01:23:56No!
01:23:58No!
01:24:00No!
01:24:01No!
01:24:06No!
01:24:12No!
01:24:13No!
01:24:15No!
01:24:16No!
01:24:18No!
01:24:18No!
01:24:19No!
01:24:20No!
01:24:20No!
01:24:21No!
01:24:22No!
01:24:22No!
01:24:23No!
01:24:23No!
01:24:24No!
01:24:25No!
01:24:27No!
01:24:28No!
01:24:29No!
01:24:30No!
01:24:30No!
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