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LegalDramaDaily
  • 22 hours ago
Corte 2023
Transcript
00:01:59No, sí.
00:02:01Pero, ¿qué decís?
00:02:02Por favor.
00:02:04Búscala.
00:02:04Dale, ma.
00:02:05Te dije que no.
00:02:06¿Qué te cuesta?
00:02:08Me cuesta.
00:02:09Me cuesta porque ya estoy llegando tarde.
00:02:11Terminala.
00:02:12¿Y ahora?
00:02:12No, mamá, me acordé.
00:02:13Está en el auto.
00:02:14Terminala.
00:02:14Dale, es un segundo.
00:02:15Voy al auto y vuelvo.
00:02:17No puedo.
00:02:17No puedo.
00:02:18Me tengo que ir.
00:02:18Dale, ma.
00:02:19Te dije que no.
00:02:20Señora.
00:02:20No, mamá, por favor.
00:02:21Siempre hace lo mismo.
00:02:24No se olvide que hoy viene el plomero.
00:02:26Bueno, sí, sí, Celia.
00:02:27Sí.
00:02:53No, no te puedo ir a buscar al colegio.
00:02:55Te dije que no, basta.
00:02:57Cuando digo que no, es no.
00:02:59Bueno, ahora lo busco.
00:03:23No, no, no, no, no.
00:03:48No, no, no, no.
00:04:01No, no, no, no.
00:04:31No, no, no, no.
00:04:56No, no, no, no, no, no.
00:05:03No, no, no, no, no.
00:05:06Y niñez bien pude.
00:05:08No te preocupes.
00:05:09Estaba todo el mundo.
00:05:12Mucho dile, mucho pro.
00:05:15Epa.
00:05:17And there was the vice.
00:05:19And they made me a report.
00:05:22Well...
00:05:23Yes.
00:05:25How are you doing?
00:05:26Are you ready?
00:05:27I want this.
00:05:32Crotante of hongos.
00:05:34And a mineral water for me.
00:05:37Okay.
00:05:41Yes.
00:05:43These potatoes,
00:05:45do you have anything like that?
00:05:47No, nothing like that.
00:05:51Well...
00:05:52Do you have anything raw?
00:05:55No, they are cooked.
00:05:56And from the house's favorite.
00:05:59They can make without salt, right?
00:06:01Yes, yes.
00:06:02Yes, yes.
00:06:03Yes, without salt.
00:06:05Well, without salt.
00:06:06No, no, no.
00:06:07Do you want salt?
00:06:11Yes.
00:06:13Yes.
00:06:17Ah.
00:06:21It was Miguel Vázquez.
00:06:24And?
00:06:25He loved my work.
00:06:26Yes.
00:06:27Yes, yes.
00:06:29He told me that he had a role for me in his next movie.
00:06:33So, I thought I'd call the next week.
00:06:35Really?
00:06:35Yes.
00:06:36I'm happy.
00:06:37Yes, I'm happy.
00:06:38Yes, I'm happy.
00:06:39You're out of all that.
00:06:42Yes.
00:06:42Yes.
00:06:43Well, yes.
00:06:43Yes, yes.
00:06:46You're going to get where you want.
00:06:52And you, how are you?
00:06:55I'm alive.
00:07:07Yes, yes.
00:07:08A big deal.
00:07:09I know you can help me in the view of it.
00:07:17Yes.
00:07:18Yes.
00:07:22Yes, yes.
00:07:23Ah, yes.
00:07:24Yes, yes.
00:07:25The interview was a bit premature,
00:07:25That yes, yes, yes.
00:07:26Do you want to continue working together or not?
00:07:28Yes.
00:07:32For me, yes.
00:07:36For me, at this moment, it's important to have a project like this.
00:07:43Well, the story is also mine.
00:07:48Yes, of course.
00:07:49You have to see how the tsunami survived, right?
00:07:55Yes.
00:07:56Yes.
00:08:01Did you see that...
00:08:04...I'm tired.
00:08:06Yes.
00:08:07Yes, yes.
00:08:08Yes, yes, yes.
00:08:09It's better.
00:08:09Four kilos only.
00:08:11Ah.
00:08:12What are the corticoids?
00:08:16What are you doing?
00:08:17What are you doing?
00:08:19Ah, good.
00:08:21What are you doing?
00:08:21What are you doing?
00:08:23What are you doing?
00:08:23What are you doing?
00:08:24Yes, yes.
00:08:26Ah, good.
00:08:27Yes, they were very good.
00:08:28Look.
00:08:30I think I'm a little bit old.
00:08:31What are you doing now?
00:08:40Yes, they're even next.
00:08:43Yes.
00:08:46Yes, yes, well, it's the last control moment, right?
00:09:00Yes, yes.
00:09:01I remember.
00:09:01I want to listen to you and...
00:09:05Nothing, they're coming and they're peaceful.
00:09:15Well, this...
00:09:16Well, I'm sorry.
00:09:21I want to talk a little bit about how I was feeling...
00:09:26I was feeling frustrated.
00:09:29But, no, no, no, no, no.
00:09:30You have to take a little bit of forgiveness.
00:09:33Well...
00:09:33The forgiveness is already done.
00:09:35Well, it's not bad that you came from Son de Paz.
00:09:37No, but you're bad.
00:09:45Enjoy it.
00:09:59Wow.
00:10:08It's so good.
00:10:23Well...
00:10:26This...
00:10:26I was being...
00:10:28I was being taken care of myself.
00:10:33This...
00:10:33And, well...
00:10:35You were fired.
00:10:37What's your fault?
00:10:39Look, I was honest with myself because for me,
00:10:43the fidelity doesn't exist.
00:10:44I mean, all men do it.
00:10:49The issue is that you don't have to have been told.
00:10:52And if you're told, it's because you've reviewed it.
00:10:58But you've got all the relationships with your lies.
00:11:02Well, for me.
00:11:04You've got all the opportunities.
00:11:07What are you doing?
00:11:09What are you doing?
00:11:10You've done enough for me to become a miracle.
00:11:13That's why it's over.
00:11:36What am I doing?
00:11:43What am I doing?
00:11:44What am I doing?
00:11:44What am I doing?
00:11:45What am I doing?
00:11:48Well...
00:11:48What am I doing?
00:11:48That's why you grew up.
00:11:51That's why you were up from the weight.
00:11:58Wait, wait, wait.
00:11:59Wait, wait.
00:12:02Wait, wait, wait.
00:12:13She dropped it.
00:12:19It's the only one.
00:12:21It was in another country, right?
00:12:26If I had all this happened,
00:12:31it wouldn't have meant anything.
00:12:36And the chat with you live here?
00:12:38Beautiful, beautiful.
00:12:40I love you.
00:12:41No, no, no, you're changing the words of context.
00:12:45That was a nice chat.
00:12:48No, no, no, no.
00:12:49I don't tell you anything about other people who don't know you.
00:13:05You also lied?
00:13:08You were reading me a chat,
00:13:11and you didn't tell me anything.
00:13:15What did you want?
00:13:17What did you want to demonstrate?
00:13:20I wanted to give you the opportunity to tell me the truth.
00:13:31You didn't know what to say.
00:13:36Oh, no, I didn't know you.
00:13:43It's not my fault.
00:13:50No, no.
00:13:52You said?
00:13:53Of course, you recognized that he was a chatist.
00:13:55No, no, no, nena.
00:13:57I was going to get rid of everything.
00:13:58I was going to get rid of all the chats.
00:13:59And you were going to get rid of the head.
00:14:00What do you say?
00:14:01You're a sorete.
00:14:07Do you accept what he said to you, Vanille?
00:14:10You're not going to recognize anything.
00:14:12I would have to have had to get rid of the first day that you meant.
00:14:15What did you do?
00:14:19We have a Bub knots.
00:14:21What, what, what, what, what, what?
00:14:24What thought?
00:14:25What advice?
00:14:26That love..
00:14:27The love, the love,
00:14:28If you, if you were being you and you were in love with Mily,
00:14:32Why do you say this?
00:14:35Listen to what you are saying,
00:14:37Listen to what you are saying..
00:14:38Thursday.
00:14:39I was following you constantly watching.
00:14:40Nothing.
00:14:41We want you or not?
00:14:43We didn't have a contract.
00:14:44What contract?
00:14:45Is the love that matters?
00:14:47What contract?
00:14:48We didn't have a contract.
00:14:49But you were looking at me on Facebook.
00:14:52And there's one outside, and there's one inside.
00:14:54And in the outside, you don't have to put yourself in there.
00:14:57Nene, nene, what do you have to do?
00:14:59Your Facebook, my uncle, is my inside.
00:15:02And you didn't feel any guilt, right?
00:15:05When you look at me on Facebook, you didn't feel anything.
00:15:07And you didn't feel any guilt when you got another one.
00:15:19Okay.
00:15:21Me equivoqué.
00:15:23Fui infiel.
00:15:26Che.
00:15:28Acceptá que vos me estuviste vigilando.
00:15:31Acceptálo.
00:15:31Porque por eso pasó.
00:15:33No puedo creerlo.
00:15:35No puedo creerlo.
00:15:37No puedo creerlo.
00:15:38No puedo creerlo.
00:15:39No puedo creerlo.
00:15:40Perdón.
00:15:42¿Cuál es el problema?
00:15:44¿Quién me engañó?
00:15:45¿O que yo lo descubrí?
00:15:47Che, estás...
00:15:47No, pará.
00:15:48Podés tranquilizarme.
00:16:06¿Un contacto?
00:16:07¿Sí?
00:16:12No puedo creerlo.
00:16:15No puedo creerlo.
00:16:41I don't know.
00:17:07I don't know.
00:17:36I don't know.
00:18:06I don't know.
00:18:26I don't know.
00:18:38I don't know.
00:19:18I don't know.
00:19:23I don't know.
00:19:29I don't know.
00:19:37Max, sí, sí, quédate tranquilo.
00:19:42Dale.
00:19:44Sí, dalo por hecho.
00:19:48Besote.
00:20:04Buen día.
00:20:06Buen día, ¿cómo estás?
00:20:11¿Viste que el lunes tenemos que entregar las correcciones a Max?
00:20:15Bueno, se me ocurrió que podemos escribir juntos todo el fin de semana y hacer todo lo que nos gusta
00:20:24sin hablar de lo que pasó.
00:20:26¿Qué te parece?
00:20:27¿Qué te parece?
00:21:07She's like crazy, wandering around.
00:21:10Yes.
00:21:12She comes to the...
00:21:14To the caballeriza.
00:21:15To the caballeriza.
00:21:16Yes.
00:21:16She sees the peticero.
00:21:18Yes.
00:21:18At this point, Claudia is coming out badly.
00:21:21No?
00:21:22The peticero la vio a ella cabalgar.
00:21:26Yes.
00:21:26Le parece mal lo que hizo.
00:21:28Le dice, escuchá.
00:21:33Señora, eso es un caballo, no es un Mercedes.
00:21:36Ven.
00:21:39Entra la caballeriza.
00:21:41Ella.
00:21:42Sí.
00:21:42Y empieza a llorar eufóricamente.
00:21:44¿Y el peticero?
00:21:45La ve, piensa que por lo que él le dijo, ya está.
00:21:47Listo, señora.
00:21:49No es para tanto.
00:21:51Siente ese.
00:21:55Tome un poquito de cinebra.
00:21:57Le va a ser bien.
00:22:00Gracias, gracias.
00:22:03Le ve el pie.
00:22:06Señora.
00:22:08Mire lo que tiene ahí.
00:22:11Permiso.
00:22:14Y le agarra el pie, le baja, le saca la bota, la media, le ve el pie, le ve el
00:22:20pie, le
00:22:21le ve la sangre, le agarra la ginebra, le saca la sangre.
00:22:25Ay.
00:22:25Esa lo es esa.
00:22:28Ay.
00:22:28Ay, Gervasio.
00:22:31Esto no puede salir de aquí.
00:22:33No se preocupe, señora.
00:22:36No tengo a quién decirse, no.
00:22:39Se va.
00:22:41Dice que se va, pero se queda.
00:22:44No.
00:22:45Eso se queda.
00:23:11No tengo a quién.
00:23:12No tengo a quién.
00:23:13No tengo a quién.
00:23:25No tengo un pincón.
00:23:32Lo acabó.
00:23:49hello amor how are you, good? yes, yes, yes, yes, yes, I bought a
00:23:58frutilla. ¿Venís a cenar a casa hoy? Ah, ¿y mañana te viene mejor?
00:24:12Ah, bueno, ¿y cuándo decís que nos veamos?
00:24:23El miércoles.
00:24:30Ah, eh, bueno, che, ¿pasa algo?
00:24:42Dale, dale, sí, ¿venís a casa?
00:24:50Ah, bueno, no sé, ¿dónde, dónde querés ir?
00:24:58Dale. ¿Vale?
00:25:02Ok.
00:25:06Chao.
00:26:38No, no, no.
00:26:44Para mí es un error ir.
00:26:47No, no, por favor. A ver.
00:26:50Le vamos a dar miedo con esto.
00:26:55¿Qué tenemos? Bien.
00:27:03Por acá.
00:27:05Permiso, ¿eh?
00:27:10Ahí va.
00:27:11Y vas y le decís que le pedís perdón y que lo querés mucho, ¿sí?
00:27:18¿Qué?
00:27:27Patética.
00:27:38¿Qué haces?
00:27:39¿Cómo va?
00:27:40Bien.
00:27:40Ah.
00:27:42Te mandé un mensaje.
00:27:43Sí, sí. Dejé el celular en mi casa.
00:27:46Ah.
00:27:47¿Qué hora es?
00:27:48Eh, falta un minutito para hablar, ¿no?
00:27:51Lo tomo ya y me quedo tranquilo.
00:28:00Porque yo te mandé un mensaje pensando en que yo iba a llegar después y, bueno, al final llegué antes.
00:28:17Vamos a ver qué hay.
00:28:19¿Cómo estuvo?
00:28:20¿Qué hay?
00:28:21Sí.
00:28:22¿Bien?
00:28:23¿Bien?
00:28:24¿Bien?
00:28:26¿Bien?
00:28:30Ahí vengo.
00:28:49Ahí voy.
00:28:50Ahí te ponemos.
00:28:52Sí, decime, ¿cómo estás? ¿Todo bien?
00:28:54Un agua a mediar con gas.
00:28:55Bueno, perfecto.
00:29:04Bueno, perfecto.
00:29:30Necesito pedirte perdón.
00:29:34Sí, te dije.
00:29:36Te dije cosas horribles.
00:29:40Cosas que no siento.
00:29:43Que nunca le dije a nadie.
00:29:45Que no creo.
00:29:49Eh...
00:29:50No sé.
00:29:51Me sentía impotente frente a todas tus explicaciones.
00:29:57Sí.
00:29:58Y...
00:29:58Bueno, quizás, quizás yo quería que sientas lo que yo sentí.
00:30:06Y bueno, estuve pensando mucho.
00:30:08Estaba muy triste.
00:30:10La verdad es que estuve muy triste.
00:30:12Y bueno, te quiero pedir perdón.
00:30:16Y que sepas que yo te perdono.
00:30:35Bueno, yo necesito aclarar la separación.
00:30:42Que no me traigo.
00:30:52Y es cierto, como vos decís, que yo miné el campo, pero a mí este impasso me confunde.
00:31:04and I can't anymore with my vulnerability.
00:31:08But...
00:31:15I need to think about it alone.
00:31:21I need to think about it alone.
00:31:25I need to think about it alone,
00:31:27I need to think about it alone,
00:31:28I need to think about it alone.
00:31:29What are you doing?
00:31:30What are you doing?
00:31:34I'm not saying futurology.
00:31:38Just now...
00:31:38Just now that I've been thinking about it,
00:31:41giving us all the opportunities...
00:31:43...and transform what happened to us.
00:31:47The Friday night when we were talking about it,
00:31:49I knew you were going to think about it.
00:31:52But I heard you.
00:31:55If you didn't want to hear me,
00:31:56I would have sent you a letter.
00:32:00Well...
00:32:01...I'm giving you a look at it.
00:32:05Guys...
00:32:05...
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00:47:36Good, good.
00:47:49Why did you start to erase all the messages?
00:47:52I erase it because I knew I was reading the chats.
00:47:56That's why I erase it.
00:48:01You're going to recognize that you had a hysterical chat.
00:48:05A ver, chicos.
00:48:07Bien.
00:48:09Perfecto.
00:48:10Julia, más de acá.
00:48:13Más dolida.
00:48:15Más sentida.
00:48:15Escuchá lo que te está diciendo.
00:48:16Descruzate de piernas.
00:48:18Dale, vamos.
00:48:20Más vulnerable, me querés decir.
00:48:21Exacto, más vulnerable.
00:48:23Vamos.
00:48:44Perdón, ¿podemos empezar?
00:48:46¿Podemos empezar de vuelta?
00:48:47Dale, dale.
00:48:48Sí, así está bien.
00:48:50Nada más tenía las piernas cruzadas.
00:48:52Sí, sí.
00:48:53Qué boluda, qué boluda.
00:48:54Vamos otra vez, vamos.
00:48:54Ya, ya.
00:49:04¿Y por qué empezaste a borrar todos los mensajes?
00:49:08Borraba porque sabía que me estabas leyendo los chats.
00:49:11Por eso borraba.
00:49:13Por eso.
00:49:17No me ibas a reconocer que tenías un chat histérico.
00:49:21¿Eh?
00:49:21Todos los chats borraba.
00:49:23Todos.
00:49:24Además, sabía que me estabas leyendo.
00:49:25Me estabas quemando la cabeza.
00:49:27¿Qué fue la cabeza?
00:49:29No, Julia.
00:49:30¡Sorete!
00:49:32Julia, escuchame.
00:49:33Déjame, déjame un segundito.
00:49:35Mirá, mirá.
00:49:36Mirálo un segundo.
00:49:38Ahem.
00:49:42Sí.
00:49:43Sí.
00:49:44Así heto.
00:50:13Do you know what? I think my character is well focused on the guion.
00:50:17I think it's something you need to do there and solve everything.
00:50:20We'll take five, Manu.
00:50:22Fantastic.
00:50:22That's fantastic.
00:50:28That's my mother who can't walk.
00:50:32Calm down, calm down. The problem is not Julia.
00:50:36What? What do you say?
00:50:38The problem is in the guion.
00:50:41Do you know how much I've invested in this?
00:50:45I also put it in place.
00:51:02Listen for a minute.
00:51:05Don't interrupt, please.
00:51:07What happens if she enters the bar,
00:51:10sees him,
00:51:11and happens completely opposite to what he thought he would have happened?
00:51:14Can't we go through?
00:51:17Yes, sir.
00:51:17Yes, sir.
00:51:18No, no, no, no.
00:51:19No, no, no, no.
00:51:32We'll see you again soon.
00:51:33Bye.
00:51:33Bye.
00:51:35Bye.
00:51:36Bye.
00:51:37Bye.
00:51:49Hello, Vane. I'm going to go to class.
00:51:52As we stay and work with Desbarrancada, I'm not going to eat.
00:51:57Tomorrow I have to wake up early.
00:51:59Well, a hug.
00:52:26Hello, Vane. How are you?
00:52:29Hey, I hope that well.
00:52:32Well, a pesar de Joaco.
00:52:34We saw the Saturday night and told us that he ended up with the relationship.
00:52:38A me, a lot of the current situation.
00:52:41Well, actual, although everything seems lost,
00:52:45always can happen a miracle, right?
00:52:48And if no, no there's bad that for well no come, nena.
00:52:52Well, for sure.
00:52:54Arriba.
00:53:05I'm going to get to bed.
00:53:06I'm going to get to bed, you know.
00:53:07Just in bed.
00:53:08A me, a half a lap-lap.
00:53:10Yes.
00:53:11Yes.
00:53:28Thank you, I'm going to get to bed.
00:53:29Thanks, though, Vane.
00:53:41Hey, how are you?
00:53:48I can't do it today.
00:53:52Venite el jueves y cenamos y hablamos de desbarrancada.
00:53:59Venite a las nueve.
00:54:02Chao.
00:54:14Firma un relato para dignificar su accionar equívoco.
00:54:19Preocupado y ocupado con lo que los demás van a pensar.
00:54:24No veo cómo salvarlo.
00:54:29Él está atravesando lo que llamamos retracción narcisista.
00:54:34Está legado a sí mismo.
00:54:37Su frágil estado de salud le cambió el paradigma
00:54:40y no le permite pelearla como lo pudo hacer otras veces.
00:54:44Es tanto a lo que se tiene que enfrentar que no le queda resto.
00:54:47Claro, como que para mí es amor y dinero
00:54:51y para él es salud, amor y dinero.
00:54:55Y por eso, como un bebote,
00:54:58tenía la intención de que vos lo aceptes incondicionalmente con todo.
00:55:03Incluso en haberse acostado con otra mujer.
00:55:07¿Por eso decís que yo lo dejé?
00:55:10¿Porque no quise aceptar su cambio de término, su ruptura de trato?
00:55:15No, no. No pudiste.
00:55:18Otras mujeres pueden con eso, vos no.
00:55:21Y no, para mí aceptarlo sería torturio.
00:55:26¿Qué interesante es tu lealogismo?
00:55:31¿Que no se dice torturio?
00:55:32Si vos lo describís así, así es para vos.
00:55:36Y sí, para mí es una mezcla de tremendo y mortuorio.
00:55:45¿Cuál será el beneficio de elegir tipos rotos, no?
00:55:48O sea, esperaba.
00:55:50¿Qué interesante es tu leal a la otraiveredad?
00:56:01¿Cuál será el beneficio de la muerte?
00:56:03¿Cuál será el beneficio de elegir?
00:56:03¿Cuál será el beneficio de elegir?
00:56:04Vamos a hacer que asegúrate de elegir tu tremendo y refleja.
00:56:04Vamos a las cinco.
00:56:04Lo.
00:56:04Lo.
00:56:04Lo.
00:56:05Lo.
00:56:12Lo.
00:56:12I'm sorry.
00:56:35It's good.
00:56:39it's a lot of dialogue.
00:56:43I think she should be more relaxed.
00:56:49I mean,
00:56:53more exposed.
00:56:56And she
00:56:59has to react
00:57:02or she has to gritar to her or she has to gritar to her.
00:57:08But that's what happened.
00:57:11But we're talking about the short film.
00:57:13Ah, yes, yes, we're talking about the short film.
00:57:16I think the short film is a change of rhythm at the end.
00:57:19The reality doesn't have any value in fiction.
00:57:23Menos mal.
00:57:25Because the two guionistas that I consulted
00:57:28do not see a way of saving you.
00:57:31You're like a bulldog, like a son of a bitch.
00:57:34Ah, very good.
00:57:36Well, I'll call you the disgrace of Joaco.
00:57:40Ah, no.
00:57:42No, no, no, no, no, no, no.
00:57:45No, no, no, no, no.
00:57:45No, no, no, no, no.
00:57:50You're going to go.
00:57:55Remember that?
00:57:59It's okay, sweet.
00:58:21You're not...
00:58:23You're good, Martín, right?
00:58:25Very good, Martín. Excellent.
00:58:29Se adaptó bien.
00:58:32El registro...
00:58:33El registro, bien. También entendió.
00:58:35Como que entendió y está muy copado con el laburo.
00:58:37Mira qué bueno.
00:58:39Sí.
00:58:44¿Leíste la escena de Desbarrancada?
00:58:47La 86. ¿Te la mandé?
00:58:50Sí, sí.
00:58:51¿Y? Está buenísima.
00:58:54Sí. No sé.
00:58:55Sí.
00:58:57¿Qué?
00:58:58Me pareció un poco ingenuo.
00:59:02¿Ingenua?
00:59:05Sí.
00:59:06Pensá.
00:59:07El tipo es un hombre súper poderoso.
00:59:10Que está en su oficina con dos prostitutas y una ya tiene un pecho afuera.
00:59:18Sí, pero bueno, para...
00:59:20Digo, años 77, Carlos, insaciable de poder, magnate, es impotente.
00:59:26Tiene una mujer que es una...
00:59:27Sí, ya sé, ya sé.
00:59:28Les pedimos juntos.
00:59:29Pero...
00:59:29Está en su oficina.
00:59:32O sea, con dos prostitutas.
00:59:34Bueno, nada.
00:59:34Que están entregadas.
00:59:35Que están bien bolas.
00:59:36Bueno, sí.
00:59:37Pero para Carlos, eso es moneda corriente.
00:59:39Es medio bolas.
00:59:40¿Moneda corriente?
00:59:41¿Un tipo que está en su oficina con dos putas?
00:59:43Esa moneda corriente.
00:59:45Para mí, el tipo lo calienta algo más morgo.
00:59:48No sé.
00:59:50Yo me imagino...
00:59:52Al tipo sentado en un sillón.
00:59:56Con un vaso de whisky en la mano.
01:00:00Una de las putas en bolas con un cinturón negro al que tiene agarrado dos pijas.
01:00:09Una en la concha y otra en el culo.
01:00:13Pará.
01:00:13Pará, pará.
01:00:14La otra está también en bolas con unos tacos.
01:00:20¿Qué hace?
01:00:21Le baila contra el vidrio.
01:00:22Ay, ya entendí.
01:00:23Y mientras...
01:00:24Bueno, bueno, pero esperá.
01:00:25Mientras la otra lo está...
01:00:26Lo están mirando de afuera.
01:00:28Porque a Carlos, ¿qué es lo que más le gusta?
01:00:29Es humillar a las mujeres, ¿qué?
01:00:32Que ya entendí.
01:00:33Que ya entendí.
01:00:34Que ya está.
01:00:35Que ya entendí.
01:00:36Te estoy diciendo que ya entendí.
01:00:37Ah, bueno, bueno, sí.
01:00:38Pero es que estoy en medio del proceso creativo.
01:00:40Y vos estoy hablando y vos me interrumpís como que no puedo pensar.
01:00:43Bueno, sí, pero...
01:00:43Está bien, pero hablás.
01:00:43Hablás y me complicás la cabeza.
01:00:45Pero lo hago siempre.
01:00:46Está bien, lo hacés siempre, pero ya no es como siempre.
01:00:48Ya no es como siempre.
01:00:50Por eso, justamente.
01:01:02Pero está muy buena.
01:01:06Está buena.
01:01:09Bueno, hagámosla como siempre.
01:01:11Si te estás...
01:01:11No.
01:01:12No, no.
01:01:13Me la estuviste explicando, Vane.
01:01:15Escribí la voz.
01:01:16Tiene más lógica eso.
01:01:17¿Pero qué te pasa que estás así de agresivo?
01:01:19¿Qué agresivo?
01:01:20Estás re agresivo.
01:01:21Me estás tratando mal desde que...
01:01:23Desde que...
01:01:23No sé, desde que te fui a buscar.
01:01:25No, no, no.
01:01:26Sí, sí.
01:01:27Escuchame, te cocino rico.
01:01:29Te regalo un tecito que te gusta.
01:01:31No sé, te traigo hasta tu casa.
01:01:32Sí, ¿me trajiste para qué?
01:01:33Para...
01:01:33Para increparme.
01:01:35No.
01:01:36Te traje porque llovía.
01:01:37Ya no llueve.
01:01:39¿Ves que me tratás mal?
01:01:42A ver.
01:01:44¿Estamos trabajando en tu casa?
01:01:47¿Sí?
01:01:48¿Estamos trabajando largo?
01:01:50¿Estamos trabajando tu corto?
01:01:54¿Sí?
01:01:55Sobre nosotros.
01:01:56¿Sabés por qué se copó, Martín, con el proyecto?
01:01:59Porque yo le hablé maravillas de vos.
01:02:03No sé, pero...
01:02:05Creás una distancia artificial que es insoportable.
01:02:08Y bueno, sí.
01:02:09Y sí, sí.
01:02:10Estamos en...
01:02:11En...
01:02:12En un momento...
01:02:13Diferente.
01:02:17O sea, nosotros ya no somos novios.
01:02:20Y tampoco somos amigos.
01:02:26Este...
01:02:27Es así.
01:02:29Entonces digo, yo...
01:02:30Vos...
01:02:31Yo no sé nada de tu vida y vos...
01:02:33No sabés nada de mi vida.
01:02:36Es así.
01:02:48Tenés que empezar el duelo, Vale.
01:02:53Vos no me amás más.
01:02:55No me deseás más.
01:02:57No.
01:03:02Te creo.
01:03:04Pero entonces...
01:03:05Hace mejor que no nos veamos por un tiempo porque a mí me hace mal.
01:03:08Bueno.
01:03:26Te ha empañado el vidrio.
01:03:54Créeme, sacaste un lastre encima...
01:04:00What's that?
01:04:02I don't know.
01:04:08What's that?
01:04:09Is it a fire?
01:04:11A fire.
01:04:13A mega fire.
01:04:15Well, let's go.
01:04:18Let's go.
01:04:19No, what's going on?
01:04:21We're doing it.
01:04:22It's a big fire.
01:04:25It's a giant fire.
01:04:27With all the lead that you have there.
01:04:29Can we?
01:04:30Oh, my God.
01:04:32Mega fire.
01:04:32The big fire.
01:04:35Okay?
01:04:41Look at this.
01:04:42Look at this.
01:04:45It's a fire.
01:04:46It's a fire.
01:04:47I can't believe it.
01:04:47It's good.
01:04:51Wait.
01:04:52Wait.
01:04:52I have to tell you something.
01:04:55I'm going to tell you something.
01:04:58I'm not a big one.
01:05:00I'm never a big one.
01:05:01I'm never a big one.
01:05:04I'm not a big one.
01:05:06When I'm not a big one, I'm not a big one.
01:05:16Martin, the actor that he does of Joaco,
01:05:19insisted on that he never loved him
01:05:20and that for that he was able to do what he did.
01:05:24But I explained that that is the maximum capacity
01:05:27of his character.
01:05:33So you insist on seeing him.
01:05:36He said that Nietzsche spoke of the false consciousness.
01:05:42What he did, Joaco, is...
01:05:44is...
01:05:46a bitch.
01:05:47But you say that he did me?
01:05:49Yes.
01:05:51It was emotional.
01:05:53And you were lost,
01:05:55leaving the dirty dishes for you to wash your hands.
01:06:01Let's go.
01:06:08Infectiblemente,
01:06:10she is the protagonist.
01:06:19Well, girls, at 8 am I'm back.
01:06:26Ah.
01:06:27Yes?
01:06:28Hello.
01:06:28It's a delivery for Valencia.
01:06:30Yes.
01:06:39Oh, that's...
01:06:40Thanks.
01:06:40After....
01:06:40...
01:06:57I have to...
01:07:03It would've been...
01:07:04Going to 29 and 30 seconds.
01:07:04At 14?
01:07:21Good morning, everybody.
01:07:24Good morning.
01:07:24Good morning.
01:07:26Good morning.
01:07:29Now you're going to see.
01:07:30Now you're going to see.
01:07:30Now you're going to see.
01:07:31Ajustense los cinturones porque vengo con un montón de cambios.
01:07:35Hola.
01:07:35Hola.
01:07:36Gracias, servito.
01:07:37Hola.
01:07:38Hola.
01:07:40¿Qué tal?
01:07:41Escúchame, para empezar, sacate el vestido verde.
01:07:45¿Van, eh?
01:07:46¿No?
01:07:47Está buenísimo.
01:07:48Todo fuerte.
01:07:51Esa.
01:07:52Eso.
01:07:53Manu, ¿no corres?
01:07:54Esa, esa.
01:07:55Sí.
01:07:56Es el corte.
01:07:58Sí.
01:07:59Sí.
01:07:59Sí.
01:08:29Mamá.
01:08:30Mamá.
01:08:30What?
01:08:32It broke.
01:08:33Oh, no, wait.
01:08:36Wait.
01:08:38This has a system.
01:08:42Let's see.
01:08:45Oh!
01:08:45Oh!
01:08:55Oh!
01:08:58Oh!
01:09:20Perdón.
01:09:32Oh!
01:09:39Oh!
01:09:40.
01:09:41.
01:09:41.
01:09:42.
01:09:44.
01:09:47.
01:10:00.
01:10:01.
01:10:02.
01:10:02Cámara.
01:10:04Hecha.
01:10:06¡Vamos!
01:10:07¡Vamos!
01:10:09¡Viva!
01:10:12¡Ay!
01:10:14¡Qué bueno!
01:10:18¡Qué gracia!
01:10:21¡Qué gracia!
01:10:22¡Qué gracia!
01:10:31¡Qué gracia!
01:10:33¡Qué gracia!
01:10:34¡Qué gracia!
01:10:35¡Qué gracia!
01:10:38¡Qué gracia!
01:10:40¡Qué gracia!
01:10:42¡Qué gracia!
01:10:44¡Qué gracia!
01:10:45¡Qué gracia!
01:10:47¡Qué gracia!
01:10:50¡Qué gracia!
01:10:52¡Qué gracia!
01:10:57Lone Star Ranger, are you heading this way?
01:11:06If you are, I hope you know that you can stay.
01:11:15My friends, are you in Denver?
01:11:20Are you smiling out there?
01:11:23Is this because you've lost what you've got away from me?
01:11:34The birds ain't singing and the snow ain't stopping the things.
01:11:44Lone Star Ranger, the sky ain't clearing.
01:11:54Lone Star Ranger, my thoughts ain't disappearing.
01:12:03Lone Star Ranger, are you heading this way?
01:12:13Mom said, you've been looking for me.
01:12:22I say it's over and you can't do nothing for me.
01:12:33Lone Star Ranger, you've been dead since yesterday.
01:12:42Lone Star Ranger, I'll expect you here on Sunday.
01:12:51Lone Star Ranger, I'll expect you here on Sunday.
01:13:17Lone Star Ranger, I'll expect you here on Sunday.
01:13:43Lone Star Ranger, I'll expect you.
01:13:47Waiting on the mountain
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