Lo Que Queda De Ti

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6 weeks ago

Lo Que Queda De Ti

Transcript

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00:19:58Look at my first piano.

00:20:00Wow.

00:20:01Tia, this is what I do in the resi.

00:20:03Really?

00:20:03Yes.

00:20:04That's nice.

00:20:07Ay, the Olor's letters.

00:20:10They don't smell, eh?

00:20:13Hello, Sara.

00:20:14Today Fede has given me a flower in the patio.

00:20:18What is that?

00:20:19I'm a little girl with my sister and my father.

00:20:23Buah.

00:20:25And our first compositions.

00:20:28Madre mía, pero si allí teníais para un disco.

00:20:30Qué vas, eran todas malísimas.

00:20:32Oh, nuestras revistas.

00:20:33No me puedo creer que todavía las guardes.

00:20:35Aquí hay de todo.

00:20:40Exclusiva, Gary Halliway es de Huesca.

00:20:43¿Quién es Ana María Hidalgo?

00:20:45Nada menos que la madre de la líder de las Spice Girls,

00:20:47nacida en el vecino pueblo de Estadilla.

00:20:50Hoy entrevistamos a su prima Cillas,

00:20:52que nos habla de su relación con la Spice Peli Roja.

00:20:55Tía, cómo no lo currábamos.

00:20:59Debería haberme dedicado al faranduleo.

00:21:00Pues sí, te pega.

00:21:01Te pega mucho.

00:21:04Sí.

00:21:07Entrevista exclusiva a Pedro el Panadero.

00:21:09Ostras.

00:21:11Cuánto tiempo.

00:21:15¿Qué es?

00:21:18No jodas, esto tiene que estar caducado.

00:21:21Bueno, pues mejor, así probamos algo nuevo.

00:21:24Bueno, ¿no?

00:21:26Sí.

00:21:28Estás tan loca como tu padre.

00:21:32Así.

00:21:34Era un bicho raro como tú.

00:21:43Aquí todos son marionetas, pero él pensaba diferente.

00:21:46Por eso me caía bien.

00:21:58¿Tú conoces a una veterinaria extranjera que hay por aquí?

00:22:01Tina, la alemana.

00:22:02Sí, esa.

00:22:02Sí.

00:22:04¿Sabéis dónde vive?

00:22:05Sí, en el camino del picadero, la única casa que hay.

00:22:12¿Sabes qué?

00:22:12Sí, sí, sí, lo sé, lo sé.

00:22:14Vale, vale.

00:22:28Sara.

00:22:31¿Qué?

00:22:35Nada, que te he echado de menos.

00:22:38¿Qué va?

00:22:38Que sí.

00:22:39¿Qué va?

00:22:39Mucho.

00:22:40No.

00:22:42Toma, anda, que me está subiendo.

00:22:43¿Ves cómo me caduca?

00:22:45Es que esto...

00:22:45Está bueno.

00:22:46Sí.

00:23:04Mañana irá mi padre a por las guías del matadero.

00:23:06Vale.

00:23:07¿A cuántos vais a llevar?

00:23:10Esta vez, 123, creo.

00:23:12Sí.

00:23:13Guau.

00:23:14Ya, bueno, es Navidad.

00:23:16Ya se sabe.

00:23:17Ya.

00:23:18Ya, bueno, pero os va bien el negocio, ¿no?

00:23:20Sí.

00:23:23Habíamos idea de ampliar parideras.

00:23:25Así que el trabajo, ¿verdad?, no nos falta.

00:23:27Lo que nos falta es tiempo.

00:23:31El otro día le propuse a su padre probar con cerdos ecológicos.

00:23:35Me miró como si fueran hippies.

00:23:36¿O no?

00:23:37A ver, mi padre, a su edad, ya no está para muchos experimentos.

00:23:41Yo creo que tu padre nunca ha estado para muchos experimentos.

00:23:43Bueno, déjalo.

00:23:46Déjalo.

00:23:49Habíamos pensado poner aquí las parideras, en el campo.

00:23:52Vale, pero vamos que te pagaremos como si fuera un arrendamiento.

00:23:55No me dices, no me tenéis que pagar nada a mí.

00:23:57Bueno, ya hablaremos.

00:24:00Vamos a dejar que hablo de animales, que la vamos a aburrir a la pobre.

00:24:04Mejorábamos de tu disco, ¿no?

00:24:05Eso es lo que es mucho más interesante.

00:24:07¿Ya tienes las canciones?

00:24:09Casi todas, sí.

00:24:10En Mardo lo grabamos.

00:24:14¿Y qué?

00:24:15¿No te vas a adignar a tocarnos una?

00:24:16Eso, ¿eh?

00:24:17Que soy tu hermana y no he escuchado nada.

00:24:19Ya te vale.

00:24:20Claro.

00:24:25¿Eh?

00:24:37El perro de mi vecina es una cosa singular.

00:24:41No hay criatura tan gorda, no puede ni caminar.

00:24:45Se le sale ya la brasa por delante y por detrás.

00:24:49Y mi vecina la loca no lo saca a pasear.

00:24:53Pesa más de 80 kilos, no puede ya ni ladrar.

00:24:58Los gatos del vecindario lo creen un oso polar.

00:25:02¡Uh, uh, uh, uh!

00:25:06¿Qué tonta?

00:25:08Hostia.

00:25:36Baaah!

00:25:42Baaah!

00:25:45Baaah!

00:25:48Baaah!

00:25:50Baaah!

00:26:01Baaah!

00:26:03Baaah!

00:26:06Baaah!

00:26:11Baaah!

00:26:14Baaah!

00:26:16Tata?

00:26:21Baaah!

00:26:27Baaah!

00:26:34Baaah!

00:26:41Baaah!

00:26:42Baaah!

00:27:07Baaah!

00:27:08Baaah!

00:27:10Baaah!

00:27:14Baaah!

00:27:25Baaah!

00:27:27Baaah!

00:27:28Baaah!

00:27:31You have talked to some veterinarian?

00:27:33If it's Pablo Contina, we're not going to cure him.

00:28:0315-200-00609.

00:28:06I'll give you the crotal if you want.

00:28:08Vale, thanks.

00:28:20Sara, we're very liable with the Navidad of the Puerto de las Cerdas.

00:28:24I'll charge you, don't worry.

00:28:26Vale, thanks.

00:28:3118-20.

00:28:35¿Tienes?

00:28:35Sí.

00:28:39¿Que les doy dos veces al día?

00:28:40Sí.

00:28:41Vale.

00:28:49He pensado que podríamos pagar a un pastor con la pensión de papá.

00:28:53¿Para qué?

00:28:53Para que cuida a las ovejas.

00:28:56No quiero venderlas, tata.

00:28:58Sara, a mí también me da mucha pena.

00:28:59Es que no me da la vida, en serio.

00:29:0213-400.

00:29:04Además, que no nos va a dar pensión de orfandad.

00:29:06Que esto no es como con mamá.

00:29:07Ya no somos unas crías.

00:29:29Hola.

00:29:30Hola.

00:29:30Soy Sara, la hermana de Elena.

00:29:31¿Ah?

00:29:32Encantado de conocerte.

00:29:33Igualmente.

00:29:34Hola, Simón.

00:29:36¿Qué pasa?

00:29:39¿Tienes el volante?

00:29:40Sí.

00:29:42Vale.

00:29:4420, ¿no?

00:29:45Sí.

00:29:45Muy bien.

00:29:49Toma, me vas a echar una firma...

00:29:53Aquí.

00:29:54Vale.

00:29:58Muy bien.

00:29:59Muchas gracias.

00:30:00Gracias a ti.

00:30:01Hasta luego.

00:30:03¡Adiós, Simón!

00:30:04Hasta luego.

00:30:04¿Me puedes acercar a un sitio?

00:30:06Si no, está muy lejos, sí.

00:30:07Está muy cerca.

00:30:13¡Adiós!

00:30:41¡Adiós!

00:30:42¡Adiós!

00:30:43¡Adiós!

00:30:44¡Adiós!

00:30:45¡Adiós!

00:30:48¡Adiós!

00:30:50Es muy buena.

00:30:52Ya, montando desde los cuatro años.

00:30:54¡Buah, ya ves!

00:31:03¿Verdad con tu padre que empezó a sacar las historias?

00:31:06Sí.

00:31:06Eso te llevamos.

00:31:07En efecto, los animales de pasto en la regeneración de los montes.

00:31:11Muy suyo.

00:31:12Sí.

00:31:19Pensaba que ya sabías algo de mí, el otro día.

00:31:23¿Cuánto llevabais juntos?

00:31:25Pues años y medio.

00:31:27¡Guau!

00:31:28No, no, nunca me hablo de ti.

00:31:32Le he dado vergüenza presentarnos a sus novias.

00:31:35¿Eran muchas?

00:31:36¡Qué va!

00:31:37Si las espantaba todas con sus rarezas.

00:31:40Menos a mí.

00:31:45Ella siempre decía,

00:31:46y mire pañas la de una oveja negra.

00:31:48Y se llama Sara.

00:31:49Mira a quién fue a hablar.

00:31:51Tenía muchas ganas de verte.

00:31:53Me dijo que si no venías, iré a Nueva York.

00:31:56A uno de tus conciertos.

00:31:58De sorpresa.

00:32:07Ahora vengo.

00:32:17Ahora vengo.

00:32:22ChIP.

00:32:25Nadie.

00:32:25Ahora vengo.

00:32:26¡Del.

00:32:37Ya la propvedad.

00:32:40No, no, no.

00:32:42No, no, no.

00:32:42Ya la propvedad.

00:32:43Esco.

00:32:44No, no, no.

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00:57:37PIANO CONTINUAL

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00:57:42Where are you going?

00:57:44Cebada?

00:57:44Only cebada?

00:57:46Yes.

00:57:47Mix it with corn.

00:57:48It will help you better.

00:57:50Okay.

00:57:55Look.

00:57:57These grains of cebada.

00:57:58Yes.

00:58:00They are empty because they don't eat well in large quantities.

00:58:03In corn, that's not what happens.

00:58:06So they will be stronger against infections.

00:58:09Jana!

00:58:10Be careful!

00:58:12Come out!

00:58:13It doesn't exist!

00:58:15Here, your father did everything.

00:58:18Restaurants and canisteries are customers and all the other suppliers.

00:58:22Aliments, bayas, vegetables, albanillería.

00:58:27These are the corn.

00:58:28Do you call them?

00:58:29Okay.

00:58:36Where do you stay?

00:58:39I don't know.

00:58:41I don't know.

00:58:42What is this?

00:58:44It's the old YouTube.

00:58:46What?

00:58:46Mm-hmm.

00:58:59It made me a lot of sense that it was in vinyl.

00:59:02I always said it was better.

00:59:04It was very anacronic.

00:59:06It's true.

00:59:16What?

00:59:30It's like Sarah.

00:59:34Thanks.

00:59:36Do you remember a lot of him, so imprevisible?

00:59:42No, no, no...

01:00:03Vale, Vas bien. Sigue recto.

01:00:08Okay, let's take care of the table a little bit more.

01:00:21¿Restaurante Villaguara?

01:00:23Hello, I'm Sara Vescos, from the Cordero Ecológico of Javasta.

01:00:27Yes, I love for that, to tell him that from now I'll take care of it.

01:00:51Come here to town.

01:00:52Yes, we know what happened.

01:00:52I'm going to take care of it all and I'm going to leave you alone.

01:00:53How do I go, take care of it?

01:00:54You're welcome.

01:00:54Good luck, we're welcome.

01:00:54Alright, let's wait for the full bucket.

01:00:56Good luck, too, guys.

01:00:56Okay, let's wait.

01:00:57I'm gonna take care of it, man.

01:00:57T trace it off of the vessel.

01:00:58It's just fine.

01:00:58I'm not gonna take care of it.

01:00:59I'm going to leave you alone.

01:01:00I'll be there.

01:01:00I can't wait to sleep.

01:01:01I can't wait, but he's going to be conditions first.

01:01:18Please.

01:01:37I don't know.

01:01:50In the field, the meteorology is a very important factor.

01:01:54It hurts the neck of looking up to the sky.

01:02:19I don't know.

01:02:36I don't know.

01:02:38Do you have it?

01:02:39No, wait.

01:02:52I think I have it.

01:02:53Okay.

01:02:54Now you have to put the head and the back to the front.

01:02:56To the back.

01:02:58But...

01:02:58How?

01:02:59It's like taking the head from the back to a pool.

01:03:01It's a medicina.

01:03:02Muévalo con cuidado para que las patas no rasquen el útero.

01:03:05No puedo, no puedo, no puedo, no puedo, no puedo, no puedo.

01:03:07Sara, si lo haces, como te estoy diciendo, va a salir solo.

01:03:11No vas a hacerle daño.

01:03:13Vale, espera.

01:03:42¿Ya?

01:03:44Sí.

01:03:45Espera.

01:03:55Very good.

01:03:57Very good.

01:04:10¿Ya está?

01:04:12¿Lo ves?

01:04:13¿Sabes una cosa más?

01:04:15¿La oveja está bien?

01:04:16Sí.

01:04:17Sí.

01:04:27¿Tú qué haces aquí todavía?

01:04:29¿Vas a tirar por tierra todo lo que has hecho en Nueva York o qué?

01:04:32Mira que me encanta que estés aquí, pero la estás cagando.

01:04:34No te he pedido opinión, Rebeca.

01:04:36No necesito que me la pidas, soy tu amiga y te la doy.

01:04:43Ese tío no cambia, lleva toda la vida igual.

01:04:45Mira, no.

01:04:46Ni ese tío ni nadie.

01:04:47Aquí no cambia nada, Sara, ya lo sabes.

01:04:48Oye, vale, joder.

01:04:49Encima de que te acompaño a fumar, eso tampoco cambia, ¿eh?

01:04:53Hola.

01:04:54Buenas.

01:04:55Hola.

01:04:58Hola.

01:04:59Tu abuelo no hace más que preguntar por tu padre.

01:05:01Y el otro día casi se le escapa a la hija de Fina.

01:05:02La paramos de milagro.

01:05:04Es que ya no sabemos qué decirle.

01:05:07¿Por qué no vas a verle?

01:05:08Ya iré.

01:05:09Ya.

01:05:09¿Pero cuándo?

01:05:10Porque tu abuelo es muy listo y nota que pasa algo.

01:05:12Chicas, partida de fútbol y nos necesitamos.

01:05:14Ahora vamos.

01:05:15Venga, va a que sesiones lentas.

01:05:16Que sí, que ahora vamos.

01:05:19Es que ponte en su lugar.

01:05:20A ver, ¿tú querrías no saberlo?

01:05:37Ay, tramposa, que eso no va por ahí.

01:05:39Dale, dale, dale.

01:05:49Desde el París más underground nos movemos hasta Nueva York.

01:05:54El joven guenista Pat Proll, un hijo prodigio del famoso club de Jazz Corner Club.

01:06:00En la cavidad a los artistas más emergentes de la Gran Manzana.

01:06:03Les dejo con Pat y su tema Melting Rocks.

01:06:13Los artistas más emergentes de la Gran Manzana.

01:06:36Los artistas más emergentes de la Gran Manzana.

01:06:47Mira, al pie.

01:06:49¡Prupa!

01:06:56¡Prupa!

01:06:57¡Prupa!

01:07:01¡Prupa!

01:07:04¡Prupa!

01:07:06This.

01:07:07This?

01:07:08Yes, yes.

01:07:2719,400.

01:07:29Number...

01:07:31006,02.

01:07:35...

01:07:42...

01:07:47...

01:07:48...

01:07:49...

01:07:50...

01:07:51...

01:07:54...

01:07:56...

01:08:09...

01:08:11...

01:08:12...

01:08:13...

01:08:14...

01:08:15...

01:08:16...

01:08:25...

01:08:26...

01:08:27...

01:08:28...

01:08:29...

01:08:30...

01:08:31...

01:08:32...

01:08:33...

01:08:34...

01:08:35...

01:08:36...

01:08:38...

01:08:39...

01:08:40...

01:08:45...

01:08:46...

01:08:47...

01:08:48...

01:08:49...

01:08:50...

01:08:51...

01:08:52...

01:08:53...

01:08:54Let's go.

01:09:01Thanks.

01:09:01See you later.

01:09:09That's going to be the faena.

01:09:11Come on, Elena.

01:09:12Look at you.

01:09:32Let's go.

01:10:03Let's go.

01:10:20Cordero de Jabasta, digame.

01:10:24Rebeca, te puedo llamar luego, que estoy liada.

01:10:31¿Qué dices?

01:10:32¿Qué pasa?

01:10:33¿Eh?

01:10:34¿No me lo vas a decir a mí?

01:10:38Te he llamado en cuanto lo he visto. No sé qué le pasa.

01:10:41Yayo.

01:10:43Yayo.

01:10:54Mira, que han salido unas ovejas en el periódico.

01:10:57Mira.

01:11:02Yayo, es que he estado muy liada. No he podido venir antes. Lo siento.

01:11:12Es que papá está con mil cosas, pero no tardará en venir.

01:11:15No, no, no.

01:11:16Nada más.

01:11:17Nada más.

01:11:18Tranquilo, vamos al cuarto, ¿eh?

01:11:19Venga, venga.

01:11:20¿Qué ya habéis dicho?

01:11:21Nosotras nada.

01:11:22Ha venido mi hermana.

01:11:23Vino esta mañana.

01:11:24Me dijo que tu padre había tenido un accidente y que estaba en el hospital.

01:11:27Te lo acaban de decir. Te juro que no tenía ni idea.

01:11:29Podríais haberla llamado.

01:11:30Esa es la suya, Rebeca. Yo ahí no me meto.

01:11:32¡No!

01:11:33¡No!

01:11:36¡No!

01:11:37¡No!

01:12:08¡No!

01:12:09No!

01:12:10¡No!

01:12:12¡No!

01:12:15¡No!

01:12:17¡P Rights!"

01:12:20¡ anywhere!

01:12:22¡No!

01:12:24¡No!

01:12:25¡No...!

01:12:42Oh, my God.

01:12:57Brrpa!

01:13:02Brrpa!

01:13:05Esther!

01:13:14Brrpa!

01:13:40Brrpa!

01:13:43Brrpa!

01:13:45Brrpa!

01:13:48Brrpa!

01:13:59I don't know what to do.

01:14:19No!

01:14:24Perdona. Perdona.

01:14:26No es horario de visitas aún.

01:14:28Perdona.

01:14:29Te he dicho que no es horario de visitas.

01:14:31No puedes subir.

01:14:32Este bracete por aquí.

01:14:34Oye.

01:14:35A ver, dame el otro.

01:14:39Vamos.

01:14:40Oye.

01:14:42Le he dicho que no pasará.

01:14:43Vale, vale.

01:14:43Déjala, déjala.

01:14:48Lola.

01:14:52Lola.

01:14:54Lola.

01:14:56Lola.

01:14:57Lola.

01:14:58Lola.

01:15:00Lola.

01:15:01Lola.

01:15:02Lola.

01:15:07Lola.

01:15:10Lola.

01:15:16Lola.

01:15:54you

01:19:17Hola, Sara.

01:19:17Hola, Andrés. ¿Cómo estás?

01:19:19Bien. ¿Y tú?

01:19:21Mejor.

01:19:22Ya le hablo.

01:19:23¿Quieres pasar?

01:19:24No hace falta. Es un segundo.

01:19:26Vale. Ya llamo a Elena.

01:19:28Gracias.

01:19:41¿Pasa algo?

01:19:42No, no.

01:19:43Quería darte esto.

01:19:48Me marcho.

01:19:51¿Cuándo?

01:19:52Pasado mañana.

01:20:00¿Vas a grabar el disco?

01:20:03No lo sé.

01:20:05Tengo que hablar con Emma.

01:20:06¿Tampoco?

01:20:08Un poco.

01:20:09Bueno, normal, ¿no?

01:20:11Ya.

01:20:15Es una buena venta.

01:20:17Sí.

01:20:29Gracias.

01:20:32Gracias.

01:20:34Gracias a ti.

01:20:36No.

01:21:17Let's go.

01:21:18Yeah, yeah.

01:21:20Let's go.

01:21:29Well.

01:21:30Well, Germán, thank you.

01:21:38Well...

01:21:39Buen viaje.

01:21:40Muchas gracias.

01:22:21No hace falta regalo.

01:22:25Hasta verano.

01:22:51Sara.

01:22:52¿Qué?

01:22:55¿Qué?

01:22:59No.

01:23:06No.

01:23:11No.

01:23:13No.

01:23:14No.

01:23:20¿Qué?

01:23:22Oh, my God.

01:23:56Let's go.

01:23:57Pon esta.

01:24:10Hola, queridos oyentes.

01:24:12Nos despertamos un día más en Radio Estrella FM.

01:24:16Con la suerte de tener en nuestros estudios a una de las grandes sensaciones del pop actual, Justin Timberley.

01:24:24Hello, Justin.

01:24:25Hello.

01:24:25Con tu nuevo single, Grimey a nivel, has conseguido un disco de oro, un Grammy, y tu gira ha sido

01:24:31todo un éxito de venta.

01:24:33¿Cómo te sientes después de tanto éxito?

01:24:35So, why is Tigris so fantastic?

01:24:38Can you give the bar so kind of steak for the menu?

01:24:41Y Justin dice que es todo un olor este éxito y cariño del público y espero que se mantenga.

01:24:47Gracias, Tara.

01:24:49¿Qué es lo que este single está dedicado a tu pareja Britney Spears?

01:24:55Dice Justin que solamente son habladurías.

01:24:58Esta canción habla sobre una infidelidad.

01:25:00¿Nos puedes decir entonces quién te rompió el corazón?

01:25:03Dices a porno-brook.

01:25:04Porno-brook.

01:25:04Dice Justin que si seguimos hablando de este tema, se cancelará la entrevista.

01:25:09Bueno, Justin, no hace falta que te pongas así, no te enfades.

01:25:12Confident over.

01:25:13Dice que este tema no se dotan.

01:25:20Dice Justin que sí.

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