Skip to playerSkip to main content
RomanceTales
  • 6 hours ago
Euphoria Season 3 Ep 4
Transcript
00:03Are we gonna find any drugs in your vehicle?
00:05No, sir.
00:07People love to argue about the truth.
00:13Some say it's just the facts.
00:18Others say it's what's right.
00:22Some even claim there's no real truth at all.
00:25Just opinions.
00:28The funny thing is...
00:32Well, we may disagree about what the truth is.
00:41We all know when we're telling a lie.
01:01This is all the K-9 unit found.
01:06You seem surprised.
01:07Nope, not at all. I told you guys I wasn't lying, so...
01:10Where are you coming from and where are you going?
01:12You know, it's, uh, it's funny. I was actually headed to a wedding.
01:15At 10 p.m.?
01:16Yeah, well, I was headed back.
01:17What do you mean, back?
01:19Yeah, I was at the wedding earlier.
01:20Why did you leave?
01:21I was a friend. It was like an emergency thing.
01:23What kind of emergency?
01:25She wasn't invited to the wedding, you know?
01:27So it was like a whole thing and...
01:28I don't really want to get into the details, but yeah.
01:31What is your relationship with Lori?
01:38Um, is that the, uh, the monotone lady?
01:40The monotone lady?
01:41Yeah, she, like, talks like this.
01:43So you do know her?
01:44I mean, like, not like that.
01:46Know her, kind of.
01:47So you and Lori don't call each other?
01:49No. Oh, God, no.
01:50Have you ever been to Mexico?
01:55Um...
01:55Nope. Nope.
01:58Never been.
02:00Is it nice?
02:02Some parts.
02:03So if I had a photo of you in Mexico,
02:06would you say it wasn't you?
02:08Me?
02:09In Mexico?
02:10But you say never been.
02:11You have a photo of me?
02:12So it's not you.
02:13In Mexico.
02:14Yes.
02:14I'd have to see the photo then.
02:15I don't have it.
02:16So it's a hypothetical scenario.
02:17Well, I can tell you with absolute certainty
02:19that I have never been to the moon.
02:20Have you been to the moon?
02:21I've never been to the moon.
02:22Are you sure? Positive.
02:23Well, if somebody comes and say they have a photo of you in the moon...
02:25It wasn't me.
02:25Why not?
02:26Because I've never been to the fucking moon.
02:28Makes sense.
02:29So far.
02:30So if I had a photo of you in Mexico,
02:32what would you say?
02:34Well, like, we're in Mexico.
02:36So you've been to Mexico?
02:37I mean, like, I've been to the border.
02:39I drive for Uber and Lyft.
02:41Oh, but you've never driven into Mexico.
02:42I mean, I may have gotten lost or turned around or some shit.
02:45You know, like, I used to be an addict.
02:46It gets fuzzy sometimes.
02:48But you will remember if you drove 20 or 30 minutes into Mexico.
02:51Absolutely.
02:56You said you didn't have a photo?
02:58I lie.
02:59Do you remember meeting this guy?
03:02I mean, I don't...
03:03He's a cartel member.
03:04His name is Uno.
03:05He'll praise a club 20 minutes from the border.
03:07I don't know what this is, but I...
03:08Post statement to a federal agent.
03:1018 U.S.C. 1001.
03:11Five years in federal prison.
03:14So you guys can lie to me, but I can't lie to you?
03:16Correct.
03:17That seems fucked up.
03:18Apparently, we have different definitions of what constitutes fucked up.
03:40We also lied to you when we say we didn't find any drugs in your car.
03:44Recognize this?
03:50Yeah.
03:51This is 20 years in federal prison.
03:53And federal inmates don't get parole.
03:54We know who you work for and what you've been doing.
03:56We know the family you've trafficked has killed people.
03:58For each death we can link to you, it's an additional 20 years.
04:01You may never see the light of day again.
04:04Look at me.
04:06I can see it deep down that you're a good kid in a bad situation.
04:09Our job is to take the drugs off the street.
04:11Because too many lives have been destroyed.
04:14Wouldn't you agree?
04:16Yep.
04:17So this can go two ways.
04:19We can either take you into federal custody.
04:21Or you become a confidential source and help us take these people down.
04:25Oh, fuck.
04:27The fuck is accurate.
04:29If you want to turn her curse into a blessing, I will say this is your opportunity.
04:39And that is how I became a snitch.
04:46They swapped out the drugs for sugar pills and laxatives.
04:50Told me to stay cool and they'd be in touch.
05:01Give me a little twirl.
05:02Get it, get it, get it, get it.
05:04What do you think of that booty?
05:06It's all right.
05:08Could be a bit juicier, huh?
05:09We don't want to scare off the whites, though.
05:11In my mind, I'm picturing a tasteful tush.
05:14You know?
05:14Commercial.
05:15Classy ass.
05:16Mm-hmm.
05:16Bitch, you look like shit.
05:17Hey.
05:21Me?
05:21Ain't nobody else in here looking like shit.
05:23Oh, sorry.
05:24I was just a little hungover, that's all.
05:27I'm gonna need you to smile.
05:30Not you.
05:31You.
05:32Oh, me.
05:32Again.
05:33Sorry.
05:33Are you hungover or fucking retarded?
05:35I'm just confused.
05:36Bile, bitch.
05:37Oh, yeah.
05:40Ever see those fucking pearly whites?
05:42Ah!
05:42Ah, that's what I'm talking about.
05:44Now that's a fucking smile.
05:46Come on to Sammy Davis Jr.
05:47Let me see that thing.
05:51You know why you're fucking smiling?
05:53No, sir.
05:54Because I gave that bitch, Lori,
05:58a taste of her own medicine.
06:03You know, I got a feeling that's the last fucking pickup you'll ever do.
06:06Then who are we buying from them?
06:08You think there's a fucking shortage of dealers in L.A.?
06:10Not in this L.A., partner.
06:14Right.
06:17So I'm in the mood to celebrate.
06:19Yeah.
06:21Luckily, I got me a newfound friend, Kitty.
06:23Come on over here, baby.
06:25Look at that.
06:30And Kitty likes to dance.
06:34Who's gonna do a lot of that money when you start me?
06:38The beach can dance?
06:39You're from Kansas.
06:40Cut us some slack.
06:43What is Kansas?
06:56You look like a deaf warm dog.
07:00Yeah, I think it's just like a tummy thing.
07:05You plan on taking that off?
07:07Hm?
07:13Okay, so what happens when they find out the drugs are fake?
07:15I assume they will call Lori and ask her to correct the mistake.
07:18Okay, but aren't they just gonna blame me?
07:20Why would you swipe out the drugs?
07:22It's not like you're a snitch.
07:30I also installed an app on my phone.
07:35We added a new number under your mom's contact.
07:37Tap it, and the ball goes hot.
07:40Can I just keep it in my pocket?
07:42It can get muffled.
07:43It's better in the open.
07:46Isn't that suspicious?
07:47Sometimes.
07:47Sometimes not.
07:53You guys are gonna give me a fucking heart attack.
08:07I can, uh, pack it.
08:09No need.
08:09Start up.
08:39The toe is a metaphor.
08:42What?
08:43The toe.
08:45It's a metaphor.
08:47You know, I thought that I'd lost it forever.
08:49But we were smart.
08:51And we put it on ice, and we took it to the hospital,
08:54and they were able to put it back on.
08:55What's the metaphor?
08:57When you break something, you gotta pick up the pieces.
08:59Right?
08:59You gotta be real careful with it.
09:01And you gotta glue it back together.
09:07So the toe is us?
09:10In a way.
09:12The toe's never gonna be the same.
09:14How do you know?
09:16Because the doctor said so.
09:18He said the toe will never feel the same.
09:20I think you're misinterpreting the metaphor.
09:22No, the metaphor doesn't mean what you want it to mean.
09:25You can look at a scar as a sign of weakness,
09:27or you can look at it as a strength.
09:29Okay, so now you're changing the metaphor.
09:31No, I'm not.
09:32First you said that we're the toe,
09:33and now you're saying we're the scar.
09:34Are you an English teacher?
09:36I'm talking about our relationship.
09:38When I look at my toe, it motivates me to build back better.
09:42Everything you built is made on a lie.
09:44Not everything.
09:45Some things, yeah.
09:47No, just our relationship, this house, our finances, your business.
09:55You didn't say our love.
10:01How much do you owe this guy?
10:03Somewhere between a little and a lot.
10:05What's the number?
10:07You know, it depends on the interest.
10:09You know, how quickly we can pay this guy.
10:09What's the number, Nate?
10:10You know, a million-ish.
10:19I feel sick.
10:20I am going to fix this.
10:22You have to keep faith.
10:23In what?
10:24Me.
10:25Us.
10:26Our life.
10:30The fairytale's over.
10:39What does that even mean?
10:43Cassie called the one person who could actually help her.
11:02Where are you going?
11:07To work.
11:25Thanks.
11:26This is something about your look.
11:29Okay.
11:48Hi.
11:49Hey, what are you doing?
11:51Uh, just working.
11:53Nice.
11:53Okay.
11:54Well, I have a really cool opportunity that I think you might be good for.
11:58You interested?
11:59Really?
11:59At an art show, maybe two to three hundred people will see your work.
12:03But Ellie Knight's average is seven million a week.
12:05What?
12:06That would be life-changing.
12:08I mean, thanks for getting it done today, by the way.
12:09Thank you so much for thinking of me.
12:11It's just right up here.
12:13The character, Oceana, is inspired by George Seurat.
12:15So, we were thinking sort of a Sunday in the park picnic kind of feel.
12:19Okay.
12:20Yeah, like the women with umbrellas thing?
12:22Well, you don't need to copy anything.
12:24Like, it should feel distinct.
12:26Okay.
12:27Yeah.
12:27Sure.
12:27Basically, do whatever you feel.
12:29It'll be great.
12:30I have to go.
12:31Bye.
12:41This is Cassie.
12:42Hi.
12:44The goal is to take her from the suburbs to the city.
12:48Cool.
12:59Of course.
13:15I'm alone.
13:17I don't know.
13:17I'm really gonna walk away.
13:17I'm really going for the rest, and if she wants to take her.
13:18The goal, she wants to take her if she wants to take her.
13:25To be a place to take her, she's in love for her.
13:44There. Right here, on the wall.
13:48You can center it, please.
13:54Yeah.
13:54We have an emergency.
13:57What kind?
13:57It's hard to explain.
14:09Has your friend lost their mind?
14:10I don't know. It's insane.
14:12It's not like there's one penis. There's 14. What were you thinking?
14:15I told her to paint a picnic.
14:17Does this look like a picnic? I don't know what happened.
14:19I don't think my character would paint something like this.
14:22I agree completely.
14:22Did you say George Sorot?
14:24Yes.
14:24Women with umbrellas?
14:25Yes.
14:26Children sailing boats?
14:27Yes.
14:27Is she trying to sabotage the show?
14:28No, of course not.
14:29Who in their right mind would paint something like this?
14:31It's insane.
14:32Well, she's...
14:33What?
14:33Trans.
14:34Jesus Christ, Lexi.
14:35We're gonna have to handle this.
14:37Delicately.
14:40Hey, I think I'm outside.
14:41Yeah, we're on set. Just come in.
14:42Okay.
14:56So nice to meet you.
14:58Nice to meet you, too.
14:59Yes, thank you so much.
15:00Thanks for having me.
15:01Very talented.
15:03So, I don't know if Lexi told you, but this is a network show, which means that we have
15:09to answer to standards and practices.
15:10Ugh, and they are like the censors.
15:12Okay.
15:13Uh-huh.
15:15The penises are too much.
15:18How many peni do you want me to get rid of?
15:20Let's say all of them.
15:22Like paint clothes over them?
15:23That could work.
15:24Or you could make them into bread loaves.
15:26Bread loaves.
15:27To stay in theme with the picnic.
15:30And, uh, I'm just like struggling with how many limitations there are?
15:34The only limitation is we have to get rid of the penises.
15:37Okay.
15:37But the breasts are okay.
15:40Let's just get rid of the nudity in general.
15:42Put some clothes on them.
15:44Blankets.
15:45You know, I'll leave that to the interpretation of the artist.
15:48How long do you think that'll take you?
15:50Like a couple hours.
15:51Just punt the scene.
15:52We'll move it till next week.
15:54Thanks.
16:19I'm so sorry.
16:21I feel horrible.
16:23Well, that makes sense.
16:25Mistakes happen.
16:26Some are just more expensive than others.
16:29I know.
16:31Do you?
16:32Because I'm not sure that you do.
16:34We lost an hour and a half of shooting.
16:37Fifty-six thousand dollars.
16:40I have to hold stage nine for another week.
16:43That's Grips Electric Rentals.
16:45Your failure to communicate.
16:49What do you think that costs us?
16:51Fifty-six thousand dollars?
16:52No.
16:54It's a hundred and ninety-one thousand dollars.
17:03Don't be a net negative, Lexi.
17:06I won't.
17:07Okay.
17:10No, thank you.
17:14Close the door.
17:39Close the door.
18:07I'm so sorry.
18:08My perfect little guy.
18:16How do you want to deal with this?
18:19I want to kill them all.
18:21But I don't know if that's painful enough.
18:31The reason you're walking free is so you can set up a buy.
18:35What the fuck do you want me to do?
18:36He killed her bird.
18:37They're never going to do business together again.
18:38Hey, we got no use for you.
18:40We might as well put your ass in prison.
18:42Listen, what if I can set up a buy with a different dealer?
18:46What dealer?
18:51Lexi had agreed to let Cassie stay at her place for a while.
18:53Yeah, put your chin up.
18:55Close the abs up.
18:56I need a smile.
18:57Come on.
18:57You're happy to be here.
18:59Your turn.
19:01Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
19:03Can you turn that back on?
19:04I don't know why it went off.
19:06We'll just turn it back on.
19:07What a great idea.
19:08Wait, hold that pose.
19:09When she gets the ball working, I'll pose.
19:11I just feel like you're worth more than your body.
19:13My body's worth a lot.
19:15Man, these girls are out here making millions.
19:17Who?
19:17Well, like Bad Baby.
19:19Bad Baby?
19:20Yeah.
19:21She was on Dr. Phil.
19:22She cussed him out and got super famous.
19:23Then when she turned 18, she made an OnlyFans
19:25and made like 53 million in a year.
19:2853 million?
19:29We're not making his epilepsy.
19:31This is the business world of today.
19:32I mean, if I do this...
19:44I need to get some drugs.
19:46You relapsed?
19:47No, no, it's not for me.
19:47Don't worry.
19:48Is this blower ever gonna fucking work?
19:50I don't know.
19:51I'm not a gardener.
19:52Wait, I thought you were clean.
19:53I am.
19:53It's not for me.
19:54It's for my boss.
19:55Okay, well, what kind of drugs do you need?
19:56Coke, Molly, heroin.
19:58Heroin?
19:59For your boss?
20:00Or for you?
20:00No, not for me.
20:01And I don't have time to explain this shit.
20:02Is this machine really important?
20:04Yes.
20:04I need hair movement.
20:05It brings energy to the shot.
20:06Listen, Maddie, you can just give me the contact
20:07and I'll do rest.
20:08Well, I don't feel comfortable helping you get drugs.
20:10Okay, but it's not for me.
20:11My hair is not what sells, okay?
20:13It's my body.
20:13And my body doesn't need wind.
20:14It needs a photographer.
20:16Do you guys hear yourselves right now?
20:18Like, what is wrong with you people?
20:21You're looking for drugs.
20:22You're selling your body on your porn site.
20:24And you're like some internet pimp.
20:30It's sad.
20:31And it's pathetic.
20:32And it's really disturbing, honestly.
20:34Oh, Jesus.
20:35Who would have thought we would have come here?
20:36Can you shut that fucking thing off?
20:38It's so annoying!
20:39Yes!
20:40Yes, yes, yes, yes.
20:43Yeah, yeah, yeah, yeah.
21:04Nathaniel Jacobs, son of Suttler's Corp.
21:08Nate knew this was definitely his last chance.
21:17I believe everything happens for a reason.
21:21The discovery of these endangered flowers on my land happened for a reason.
21:28It was a sign.
21:30And in all my excitement and passion for the elderly, I had overlooked the greater meaning
21:37of the Sun Settler mission.
21:39God said to Adam,
21:41For dust you are, and to dust you shall return.
21:45This is a fundamental human truth known all too well by our senior citizens, so I'd like
21:50to propose a new design for Sun Settlers.
21:53Imagine our hospice wing, where families can gather in the final days of their loved ones' lives
21:58and look out at a beautiful garden of white fritillaries.
22:01These flowers should not be dug up and moved.
22:05No, we should move around them with an elegant curve design done by our A-plus architecture team.
22:12Motion denied.
22:13When the environmental studies come back, we can discuss.
22:17Motion denied for now.
22:21I have put my entire life on the line for this.
22:24Motion's denied.
22:25Every penny I have?
22:28My marriage is in shambles because of you.
22:32Sorry, is this a personal thing, Bill?
22:34Do you have a personal problem with me, Bill?
22:36Is that what this is?
22:37I don't.
22:38Are you trying to ruin my life?
22:40What do you want from me, Bill?
22:42Well, tell me, what do you want from me?
22:44You want me on my hands and knees begging you to give me my life?
22:48Is that what you want?
22:50Sir, your time is out.
22:51I'll do it.
22:53We have other people waiting.
23:03Here it is.
23:07I'm begging you, Bill.
23:09I want my hands and knees.
23:11I'm begging you.
23:12I'm trying to do a good thing.
23:14This is a good thing, Bill.
23:15This is a good thing.
23:16This is good.
23:17Okay, that's enough.
23:18This is good for the world.
23:19Mr. Jacobs.
23:21Please just let me see this through.
23:22I can't be back.
23:23Mr. Jacobs.
23:23This is a good thing.
23:24I'm trying to do a good thing, Bill.
23:28For the last time, motion denied.
23:33Sir, just get your things together and pack them up.
23:36You can go.
23:39Let's take a five-minute recess.
23:49Cassie had pawned her wedding ring, took the cash, and invested it in herself.
24:01As Nate would always say, it takes money to make money.
24:07Do you accept cash?
24:10It just so happened, her new place was across the pool from Lexi.
24:21A raise.
24:22A dollar.
24:23And that's a hundred dollars.
24:24You didn't hear from Lori yet, did you?
24:25Not a little bull peep.
24:27Hey, on a scale to one to ten, how sad you think that bitch Lori is?
24:31Like an eleven?
24:32Well, like a hundred and eleven.
24:33He was a beautiful bird.
24:35You said that like he didn't kill his ass.
24:37I didn't want to, but I was told to.
24:39This nigga lookin' at me like he lookin' at the damn pair.
24:43Call phone.
24:44Call phone.
24:46Oh, shit, we got a three-hander!
24:49Nice.
24:49So, uh, when we run low at the club, where am I supposed to pick up from?
24:53Goodbye with you, little lady.
24:55And focus on this hand right here.
25:03I was just, uh, I was just thinking because, you know, I still have my connects in, in Mexico.
25:08And, uh, I could always like, do a pickup and then sell at the club.
25:12Bet 175.
25:14I mean, we could make a lot of money.
25:16You, you could make a lot of money.
25:17Y'all just a little too fuckin' rich for my blood.
25:24Call.
25:26Didn't you say you wanted to get out of that world?
25:28Now you ass wanna get back in?
25:31Let's see the time.
25:33I-I was just thinking that, that's all.
25:40You know, something don't add up.
25:43Bet 200.
25:45Why in the fuck would you ask me something so catastrophically dumb?
25:49I don't know, I don't know.
25:51Nah, see, you didn't just think it, you thought to say it.
25:54And then you said it.
25:57So I'ma need a much better explanation, the motherfuckin' I don't know.
26:01I'm sorry, I shouldn't have overstepped.
26:04Nah, that don't cut it.
26:10I just figured like at the club, the more people that do drugs, the more money they spend, you know.
26:15Are you gonna call?
26:16Or not?
26:17Nah.
26:19See, you hiding something.
26:22No.
26:23Why the fuck are you sweatin'?
26:25I just know I have a good hand, that's all.
26:29Call.
26:30I've seen that look before.
26:33See, you got that look in your eye.
26:36Like a motherfuckin' rat.
26:38Trying to figure out where it's gonna go next.
26:42Yeah.
26:44Where you gonna go next?
26:51Let's see the river.
26:52Shut the fuck up, nigga.
26:57You've been using it again, ain't you?
27:08Uh, yeah, I had a slip-up.
27:27Check.
27:30Call in.
27:32Ooh, shit got real.
27:34Call.
27:39Oh!
27:40Fuck!
27:41You been settin' that shit up the whole time?
27:43Let me make one fuckin' thing clear to you.
27:47You fuck with hard drugs.
27:49They like you to wind up killing your black ass.
27:54Got it.
27:55What'll happen again?
27:58Damn, Bishop.
28:00Well, you got BTA.
28:01Belt to motherfuckin' ass!
28:16Andrel's not coming back?
28:18No, doesn't at all.
28:20She run away from rehab.
28:22Disappear.
28:22Damn.
28:24It's sad.
28:27But light goes on.
28:33This is yours.
28:36I dreamed about the H-Bomb.
28:39Where the bomb went off and I was caught.
28:42I was the only girl on the ground.
28:46The first time.
28:49I was the last time.
28:50Where the bomb went off and I was on.
28:52I was the only girl in town.
28:55I was the only girl in town.
29:00I was the 15 minutes.
29:03I wiped the game down the same as the one girl in town.
29:10Well, I killed all the garbage, but all the money is gone.
29:24It's almost like Angel knew she was never coming back.
29:30And just like Tish, everyone would soon forget.
29:49Maddie told Cassie to put on her best outfit.
29:51She was gonna introduce her to some friends.
29:58The stash was running low, and I was running out of time.
30:09You look good, bitch.
30:14Sir, let's go.
30:34This is Brandon Fontaine's house. He's got 20 million followers.
30:38The goal is simple. Get him to post a video if you're looking hot.
30:44Get him! Get him! Get him! Get him!
30:48Get him! Get him!
30:51Get him! Get him!
30:56Get him!
31:00Who knows if the DEA would even protect me?
31:14Get him!
31:21All he cares about is pussy.
31:23You're gonna tempt him with pussy. You're not gonna give him pussy.
31:26The moment you do, he'll never speak to you again.
31:29Don't trust these girls. These bitches are dogs. Stray dogs.
31:32And they're looking at you like a fucking Pomeranian. The cute new bitch.
31:36Just stay sharp. Stay focused. Let's fucking win.
31:40It feels like we're going to war.
31:44Come on.
31:44Let's just get wasted.
31:48Ash...
31:49Why does...
32:01Um...
32:20So what would you like?
32:46So what would you like to do?
33:13So what would you like to do?
33:32So what would you like to do?
33:57So what would you like to do?
33:59So what would you like to do?
34:29Oh, who's your best friend?
34:30Maddie Cress?
34:31She's like a manager to all these super famous actors.
34:34Yeah, I know Maddie.
34:35I love Maddie.
34:36Is she here?
34:38Uh, she's...
34:41She's somewhere.
34:48You guys want to have some more fun?
34:49I have some Coke.
34:51Oh my God, I love Coke.
34:52She loves Coke.
34:54All right, come on.
35:45How's she doing?
35:46Are you making the money's worth?
35:47Yeah.
35:56Make yourself at home.
35:58Casa es su casa.
36:00I can't believe you actually live here.
36:02It's dope, right?
36:03How long have you guys known each other?
36:05Mm, forever.
36:07Wait.
36:09Does Maddie rep you?
36:11Yep.
36:12That's weird.
36:32Come and get it.
36:36Did you test this?
36:37It's my usual plug.
36:38It's fine.
36:39Are you sure?
36:40Yeah.
36:41Okay, no, sorry.
36:42I don't want to die or anything.
36:44I love my life too much, you know?
36:47Um, you're not going to offer it to me first?
36:50I thought you were a gentleman.
36:57Hades first.
36:59You're welcome.
37:25Do me.
37:30Right here, right here.
37:31Right there?
37:32Right there.
37:32I think it's my turn.
37:34His turn.
37:34My turn, baby.
37:35My turn.
37:36Your turn.
37:39Yo, smile.
37:41Get the fuck off here.
37:45Oh, I like it, too.
37:47He really likes it.
37:52I can't open the door.
37:53I need to get in there.
37:57I think it's my turn.
38:00Oh, I got it.
38:03You're a fucking crazy bitch, aren't you?
38:05Fucking wild.
38:06You're no good.
38:07I'm no good.
38:10I'm dealing with a locked door here.
38:13Oh, fuck.
38:14Oh, fuck.
38:21Oh, fuck.
38:25I have to go viral.
38:31I need to get some water.
38:33Okay.
38:34Good?
38:37Oh, no.
38:40She's sick.
38:40She's faking.
38:42She's faking.
38:44She's faking.
38:45Oh, fuck.
38:48I want to fuck your booze out.
38:49Really?
38:50Really.
38:51Really.
38:52Right now?
38:52Right now.
38:58Hey, Brandon, who's your new friend?
38:59Yo, yo, yo, yo, yo, yo.
39:01It's just me, Cassie, and that's my handle.
39:14Hey.
39:21I'll help you.
39:26Do you have any more ketamine?
39:30You doing okay?
39:33Okay.
39:35Those guys,
39:37did I...
39:38did they hurt you?
39:52Um,
39:53you know,
39:53I saw what happened.
39:57Are you sure you
39:58want to be doing this?
40:01Just like,
40:01are you being forced?
40:07I'd like to dance.
40:37I'd like to dance.
41:03I'd like to dance.
41:05You good?
41:07Yeah.
41:08Just, uh,
41:09making a phone call.
41:14Fuck.
41:29Speak English.
41:32She asked it if someone was forcing her to work here.
41:36I mean,
41:37I'm not far you.
41:38I don't trust this bitch.
41:39I don't trust this bitch.
41:39I don't trust this bitch.
41:44I don't trust this bitch.
41:51I don't trust this bitch.
41:52I don't trust this bitch.
41:55I don't trust this bitch.
41:57I don't trust this bitch.
41:58I don't trust this bitch.
41:59I don't trust this bitch.
41:59I don't trust this bitch.
41:59I don't trust this bitch.
41:59I don't trust this bitch.
41:59I don't trust this bitch.
42:00I don't trust this bitch.
42:03I don't trust this bitch.
42:06I don't trust this bitch.
42:19Hey.
42:24I, um, I just forgot my phone.
42:33I let you break one of my rules.
42:40Nobody enters my office alone.
42:53I don't know why she's calling you.
42:54Must be important.
42:59Do you mind if I...
43:09Mom?
43:09Listen very carefully.
43:10Pretend I'm your mom.
43:12Ask me about grandma.
43:13Oh.
43:14What did you say about grandma?
43:16Your compromise.
43:17The girl in there just told your boss that she thinks that you're a snitch.
43:19You gotta find a way to discredit her.
43:26Okay.
43:33Well, I'm glad she's okay.
43:36Love you too.
43:40Close the door.
43:41We need to talk.
43:54You got their attention.
43:55Now you gotta keep it.
44:01No, I think it's very clear what the fuck is happening here.
44:03Because this Spanish hood rat is jealous of you.
44:06Hood rat.
44:06Hood rat.
44:08Hood rat.
44:09That's what you are.
44:09You're a liar.
44:13You're a liar.
44:14I don't know what you're saying.
44:15I don't know what you're saying.
44:25What are these?
44:26Yeah, I got lights.
44:27Pull out the red carpet, motherfucker.
44:32Okay, okay, okay, okay.
44:33Hey, so you're saying you never spoke to Kim?
44:35No, I fucking...
44:36I spoke to her, but I just said, like, you know, are you okay?
44:39Which is my job.
44:40Is it not?
44:41Look after the girls, right?
44:43Bullshit.
44:43Look, if you want to believe this fucking drug addict, that's up to you.
44:46We gotta fight in that locker room.
44:47Yeah, I gotta fight right now for you and your friends, you know?
44:52I didn't steal no fucking drugs.
44:54Okay, okay, let's open up the fucking locker then.
44:56Because I know what the fuck I saw.
44:57Yeah, go check it.
44:58Yeah, go check it.
44:58Yeah, go check it.
44:59One of you bitches is lying.
45:00What?
45:01She's probably the bitch that's my thing.
45:03She's the one the fucking snake ass now, Brayson.
45:05I'm the one who's lying.
45:05That's hilarious.
45:06What?
45:06I don't...
45:08Whoa, whoa, whoa!
45:09I wouldn't do that, motherfucker!
45:10They just see you.
45:11Hands!
45:11Hands!
45:11Hands where I can see them!
45:14Now, I imagine you got a safe in here.
45:17You have any fucking idea who you robbing?
45:19Well, that's the exciting card.
45:21I hope in that safe I'm dead.
45:23You die here or you die later don't seem like a fucking tough decision to me, boy.
45:26You kill me, you never get that shit open.
45:32Then shoot the girls.
45:36Come here.
45:42Oh, look.
45:44Two birds, one stone.
45:46You got five seconds, boy.
45:47Five!
45:48Four!
45:49Three!
45:51Keep praying, baby!
45:52Two!
45:53You're a cold, motherfucker.
45:55One.
45:57Oh!
46:01Oh!
46:03Oh!
46:05Oh!
46:06Oh!
46:08Oh!
46:08Oh!
46:09Oh!
46:16Did you hear that?
46:18What?
46:21A big bang?
46:23No.
46:29No.
46:33What have we got to do to convince you to open the safe?
46:38How about we blow off that donkey dick?
46:47It's either your balls or the motherfucking safe, man.
46:50What's it gonna be, Doc?
46:53Uh-uh.
46:54Behind the painting.
46:56What's that?
46:58It's behind the painting.
47:00That wasn't so hard now, wasn't it?
47:02Open it.
47:04It's all I'm getting.
47:10Come on.
47:26Proceed.
47:28Looks like you shit your drawers.
47:48Are we looking?
47:50Jackpot.
47:53No.
47:54No.
47:55No!
47:55No!
47:56No!
47:57Oh shit!
47:58Fuck, out of this!
47:59No!
48:00Why the fuck, he is in?
48:03No!
48:04No!
48:04No!
48:04No!
48:07Yo, Bishop, I think we need to get him to the hospital, man.
48:09He can wait.
48:10Rewind the footage.
48:12Hey.
48:15They need a pickup truck.
48:17This woman on the plates.
48:21Hey, yo, man, come on.
48:22Come on.
48:23Stay up, bro.
48:26There are no plates.
48:27Can you see anyone's face?
48:30They're messed up.
48:31Even the driver?
48:38I think I got it.
48:40What do you see?
48:42It's a woman.
48:44She has gigantic lips.
48:52You know her?
48:55It's a girl named Faye.
48:58She works for Lori.
49:03You know that you are.
49:07I am holding back to me.
49:11I am holding back to me.
49:12I am holding back to me.
49:13I am holding back to me.
49:14I am holding back to me.
Comments