00:18You
00:19Any stranger
00:19I got offered a teaching position you and I could live together
00:27Sir, I can't. One sec.
00:30Did my boyfriend return?
00:32Uh, no.
00:37Do you know how many people are reported missing each day in France?
00:43I know where Tom got off the train.
00:46There was a door in the conductor's office.
00:48Oh, the conductor is in the compass now. This is all getting quite dramatic.
00:51His name is Marie Chirou. He was hiding something I could tell.
00:54The police are either useless or corrupt.
00:57Tread carefully, Miss Monroe.
00:59You know Tom better than anyone.
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London.
01:08You probably know more than you realize.
01:12It's a sign I rose, Finch.
01:14Reminds me of you.
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at this.
01:50What's that?
01:51Well, it's pottery.
01:54Maybe Greek.
01:56It's probably been here for hundreds of years.
01:58It's so beautiful.
02:03Here.
02:06No, you keep it.
02:08Why?
02:10During those nights when you're in one far flung corner of the earth and I'm in another,
02:15I want you to think of me with the same wonder and tenderness as you do when you look at
02:18that piece of clay.
02:19We're too weary hearts
02:21Yeah.
02:26If you love me, let me know
02:35Once the moon should take a bow
02:41Maybe you'll find the world
02:49Maybe you'll find the world
02:50But now you'll find it.
02:51Maybe we're to you or the other?
02:51Yeah.
03:01Bye.
03:02Yeah, yeah.
04:49Hi. This is Tom Parker.
04:59Alice?
05:00Yeah. Hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have? You know Tom?
05:07Yes, of course. We used to work together in the field before I became a suit.
05:11I'm sorry.
05:14I'm sorry.
05:26I'm sorry.
05:34They're the fifth in the field for Jordan.
05:36We can route calls through here so you don't have to pay international charges but...
05:41I know he's coming here after vacation so there's no need for him to call him before.
05:45We encourage our people to take a complete break
05:49when they're on holiday, and especially Tom,
05:53after what he's been through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:12Okay. I'm going to tell you this, but...
06:16When Tom comes back all happy and healthy,
06:19I'd prefer if you kept me out of it, okay?
06:20Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik,
06:35just eight years old,
06:36and he lived in one of the camps
06:39where things were already hard,
06:40but that night it got even worse.
06:42His mom went into labor alone in the middle of the night.
06:47She was very sick, had no one to help her,
06:49so Malik ran for four miles
06:52all the way to where the SOS team was staying,
06:55and got Tom to drive them to the hospital.
06:59The baby was delivered safely,
07:01but the mother's condition kept getting worse.
07:04So, with his mom's sake, Malik dropped out of school,
07:08scavenging for food.
07:11He tried to take care of his family,
07:13and...
07:15Man, Tom saw what was happening.
07:18And Tom being Tom, he promised Malik
07:20that if he went back to school,
07:22he would make sure his family was taken care of.
07:26But...
07:28Unfortunately...
07:32Bandits raided the camp.
07:35They took women and children
07:38no one knew who had survived.
07:42And...
07:42Tom was obsessed.
07:44He spent weeks searching for Malik and his family,
07:50and...
07:52Eventually they found him.
07:56The boy alongside his...
07:59his mother and sisters
08:00in a mass burial pit
08:0210 clicks outside of the camp.
08:08We all have our breaking point,
08:09and that was Tom's.
08:11At least I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor.
08:16We tried to give him support.
08:17But something in him had shifted.
08:20Yeah?
08:21He disappeared.
08:22Sometimes for days.
08:23There have been discussions
08:24to take him out of the field.
08:25He wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back
08:32from what happened.
08:41Sorry, I...
08:42I...
08:43You didn't know any of this?
08:45No.
08:47I...
08:48I just don't understand
08:49why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity
08:59for a thousand lifetimes.
09:01Sometimes it just gets unusual.
09:04He just seems so normal in Paris.
09:06But maybe that dose of normality
09:08was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow,
09:12then soon.
09:13I'll call Jordan
09:14and if he contacts anyone there,
09:16I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
09:30Yeah.
09:40Yeah.
09:47No.
09:58No.
10:00No.
10:47Hello?
10:48Hey, Helen. It's Alice.
10:50Hello, Alice. Has your boyfriend returned?
10:53No, he hasn't.
10:55But does the name Orly mean anything to you?
10:58Is it a place in Marseille? It could be a person...
11:01Orly? Where did you find that?
11:05I was looking in Tom's notebook, and it's... it was in there.
11:08Orly?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really. I was just on a Post-it note.
11:18Okay.
11:19Leave it with me. I will look into it.
11:51How do you know it's a boat?
11:53Oh, I don't. It's a hunch.
11:57Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats
12:07to pretend those women are central to their lives.
12:11And then...
12:13they run away to the sea with their buddies.
12:16And here's...
12:20Aurélie.
12:29Anyone here?
12:31Bonjour.
12:33Hello?
12:34There's someone?
12:34Yeah?
12:35Mom, what are we going to do?
12:39What the heck?
12:40What?
12:41Oh, every good journalist carry them.
12:45Oh, my God.
12:46Keep lookout.
12:48Yeah.
12:48Yes.
12:51Yes.
12:56I can't.
12:57I can't.
13:05I can't.
13:12Ah...
13:14I don't know.
13:51I don't know.
14:32I don't know.
14:35I don't know.
14:36I don't know.
14:36I don't know.
14:38It's Uncle Brian.
14:39He's in London.
14:42What were you gonna tell me about that?
14:45I was wondering what you'd notice.
14:47He may be useless with cars, but he could talk a dog of a meat truck.
14:51Good dog.
14:52Good dog.
15:09Good dog.
15:10Yeah, I came as soon as I could.
15:12Hi.
15:15Yeah, I spoke to Jordan.
15:18You were right?
15:20Tom did make a call on Thursday morning.
15:24And?
15:24He wanted to be put through to one of his colleagues.
15:32Alistair is no easy way to say this.
15:33No, I met her actually.
15:38That woman that you're...
15:42Were they...
15:46Are they...
15:48It's really not in my place to speculate.
15:50Come on.
15:58He's not thinking rationally.
16:07So, what happens now?
16:12My God is he will show up somewhere.
16:14Or makes contact with someone in the next 48 hours.
16:18And then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around in my say.
16:30If he turns up, you'll be the first one to go.
16:33Okay?
16:35Great.
16:38Alistair, I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for Ma.
16:50Yeah?
16:51If you need anything at all.
17:38Then, alright, let's start with what I got back –
17:38If you have patience.
17:38I'll fit in here.
17:38How much can I want?
17:46Do your absolutamente need to explore a link?
18:35Who is that?
18:37I invited him.
18:41Hi.
18:42Hi.
18:42Tom.
18:44Rafik.
18:47You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
18:57Sisters, one day we will be free, fighting, violence, people crying in the streets, when the angels come above, falls
19:16down and spread their wings like dove.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:24I kind of want you to show me your world.
19:31My...
19:38Yeah, this is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafik?
19:51Yeah, why?
19:53I think your job is safe.
19:57Whoa.
19:59What?
19:59Really?
20:00Mm.
20:01Come on, let's go.
20:05Come here.
20:08Wow.
20:09Yeah.
20:11This was built by the Neboteans.
20:15Oh, so what's that, 9th century?
20:174th century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:20Cool.
20:22Did you say the Neboteans?
20:24No.
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's where I went wrong.
20:29Yeah, sure.
20:30You know, it actually flourished due to trade routes, incense, spices, silks, and of course
20:35it's gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, entire infrastructure was basically
20:47destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Is that interesting to you?
21:02Very.
21:34He's going back.
24:00Excusez-moi.
24:02Excusez-moi.
24:04Excusez-moi.
24:05I need help.
24:06Please.
24:07Hello.
24:10Hello.
24:12Hi.
24:13I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:17I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33I don't.
24:33He was the conductor on a train I took recently and I need to tell you.
24:37Yeah.
24:38I'm sorry.
24:38When was it?
24:39I can't just give out his address.
24:42You understand?
24:43Yes, of course.
24:45Okay.
24:47Sorry.
24:54We actually slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant
24:59with Maurice's child.
25:01I need to speak to him right now.
25:11What's he saying?
25:16Oh, yeah.
25:16I'm sorry.
25:17I'm sorry about my colleague, sorry.
25:19But, of course, I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:24Yeah.
25:25Yeah.
25:26Yeah.
25:55He's coming.
25:57Oh.
26:05Stop!
26:06Stop!
26:06Stop!
26:29Oh
26:34My baby, what are you doing?
26:36I lost you, it's what the hell?
26:38Come on, you won't talk to me.
26:39I promise you won't be like mine.
26:42Alex, 20 minutes.
26:44Let me 20 minutes.
26:4620 minutes?
26:4620 minutes, you're not known for 2?
26:492, you're a dick.
26:49Don't get it.
26:51Back up.
26:55Get out of my way.
26:57Oh, you're sitting there?
26:58Tranquille.
27:00It's okay.
27:02You're going to get hurt.
27:04It looks like she hasn't had it.
27:06Yeah, it looks like.
27:08It's like this.
27:09Why don't you trust me?
27:14How are you doing now?
27:15What are you doing now?
27:19Look at me.
27:25Look at me.
27:27Come on.
27:29Come on.
27:29Come on, come on.
27:30Come on, come on.
27:31Come on, come on.
27:32I call the police.
27:32Oh, you hear me?
27:35Are you sick?
27:35Come on, let's go!
27:37It's a mess.
27:38It's a mess.
27:39I'm in your head.
27:39I'm in your head, I told you.
27:40You can't speak again once again?
27:42I call you.
27:43Look at me.
27:44I call your mother.
27:48Yes, I call you.
28:01You're locked.
28:02The door is open, look.
28:05I'll be close.
28:06Yes, you're locked.
28:07I'm in my head.
28:10You're locked down.
28:12You're locked.
28:39Hello, Mr. Giroux.
28:43Hello, Mr. Giroux.
28:56Hello, Mr. Giroux.
29:23Hello, Mr. Giroux.
29:50Hello, Mr. Giroux.
29:52Hello, Mr. Giroux.
30:10Hello, Mr. Giroux.
30:17Hello, Mr. Giroux.
30:39Hello, Mr. Giroux.
30:41Hello, Mr. Giroux.
30:53Hello, Mr. Giroux.
30:59Hello, Mr. Giroux.
31:02Come on.
31:02We're going to go.
31:02We're going to go.
31:04We're going to go.
31:04We're going to go.
31:06We're going to go.
31:11We're going to go.
31:54Okay.
31:56Okay.
31:57Okay.
31:58Okay.
32:07We're going to go.
32:44We're going to go.
32:48We're going to go.
32:49Okay.
32:50We're going to go.
32:50We're going to go.
33:06We're going to go.
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