- 2 days ago
Frederic Henry (Gary Cooper), an American driving ambulances for the Italian Army during World War I, falls for British Red Cross nurse Catherine Barkley (Helen Hayes), to the displeasure of jealous commanding officer Major Rinaldi (Adolphe Menjou), who transfers Catherine to a different hospital out of spite. But after Frederic is injured on the battlefield, he is evacuated to Catherine's new hospital in Milan, and the star-crossed lovers begin their romance anew.
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Short filmTranscript
00:02:08Driver, stop.
00:02:09What job is in there?
00:02:10Why do you want to stop?
00:02:12The man up there, he's bleeding to death.
00:02:15Can't stop.
00:02:17Not here.
00:02:18Brakes won't hold.
00:02:31The man up there in the middle of the road.
00:02:34You don't want to do it.
00:02:34I can't stop.
00:02:34It's going to fall.
00:02:34Yes.
00:02:39This is off.
00:02:39It's going to die.
00:02:44You don't want to do it.
00:02:49It's going to fall.
00:03:06Orderly! Orderly!
00:03:19And just as guilty as a soldier would be who deserted his post under fire.
00:03:24Now, in making an example of you, I...
00:03:33I beg your pardon, sir. I have some wounded outside. I'm looking for the...
00:03:36Oh, yes, yes, yes. You want the Italian unit. We're the English here, you see.
00:03:40Yes, number 207.
00:03:42They're in the other wing. Moved in today.
00:03:44Yes, out that way. Straight ahead.
00:03:47Thank you, Major.
00:03:48Yes.
00:03:53Shh.
00:04:22What's the girlfriend been doing?
00:04:28Typical male conceit.
00:04:38I think they're going to send her back home.
00:04:40That's a dirty shame.
00:04:41She'll be disgraced.
00:04:42It's regulations.
00:04:44At least they might let her have her baby here.
00:04:45If they send her back now, all her friends will know.
00:04:48And her family.
00:04:49She's only herself to blame.
00:04:51This is war, Fergie, and she loved him.
00:04:57Shhh, here they come.
00:05:03Well, is it necessary for us all to be here at one time?
00:05:07Get back to your posts.
00:05:09You will be packed and ready to leave within the hour.
00:05:16Molly.
00:05:20Can I help you pack?
00:05:22I guess so.
00:05:24If you want to.
00:05:25Why, of course I want to.
00:05:29Good girl.
00:05:30I beg your father.
00:05:31I say she's the only human being in the whole lot of us.
00:05:37I'm sorry.
00:05:38Miss Barclay appears to sympathize with one who has disgraced the uniform we all wear.
00:06:01Baby.
00:06:02Rinaldi.
00:06:04Federico.
00:06:04Get away.
00:06:05You're filthy.
00:06:06You Anglo-Saxons.
00:06:08You're not to clean yourself.
00:06:10Did you bring me some good cases, baby?
00:06:11Did you have trouble finding us?
00:06:13No.
00:06:13How do you feel?
00:06:14Is there going to be an offensive?
00:06:15There's no...
00:06:15Were you on the fire?
00:06:16Madonna, but I worried about you.
00:06:18Yes.
00:06:19I can see how much you've been worrying.
00:06:20Seven operations today, baby.
00:06:22And one of them was beautiful.
00:06:25I took the heart out.
00:06:27It lay in my hand and it beat like this.
00:06:31You should have seen it.
00:06:32It was lovely.
00:06:34Soon Rinaldi will be the best surgeon in all the corps.
00:06:37Then in all the army.
00:06:39And someday in all of Italy.
00:06:41Why not in all the world?
00:06:42Why not?
00:06:45You will like it here, baby.
00:06:47What sort of a town is this?
00:06:48Any girls?
00:06:49Many beautiful English nurses.
00:06:51No, I mean girls.
00:06:53Girls too.
00:06:53A house full of them.
00:06:55Another Villa Rosa?
00:06:56Some of them have never been to the front before.
00:06:59Perhaps.
00:07:00But the nurses are much nicer.
00:07:01The most beautiful is Miss Barclay.
00:07:04I am in love with her.
00:07:06Does she know it?
00:07:07Not yet.
00:07:08Have you any money?
00:07:10Yes.
00:07:10Lend me fifty lire.
00:07:12What for?
00:07:13I want to make on Miss Barclay the impression of a man of sufficient wealth.
00:07:17All right.
00:07:18You are my great and good friend and financial protector.
00:07:21You're an ass.
00:07:22And now we will eat and drink and I will take you to meet Miss Barclay.
00:07:26But you must make for me a good impression upon her.
00:07:29What?
00:07:29Now listen.
00:07:30But you must.
00:07:32And you can have a nurse too.
00:07:34There is another one named Miss Ferguson.
00:07:36She is also very, very nice.
00:07:37No.
00:07:38No?
00:07:41First we will eat and drink.
00:07:43And then we will go and see the girls who have never been to the front before.
00:07:47Yes?
00:07:50Yes.
00:08:01You know what an American is.
00:08:04Yes.
00:08:05What is it?
00:08:08She doesn't know.
00:08:11Well, I am an American.
00:08:13Then what are you doing here?
00:08:15Drinking mostly.
00:08:17You like the uniform.
00:08:19Wrong.
00:08:21I like their language.
00:08:23Then what were you doing in Italy?
00:08:26Studying.
00:08:28Studying what?
00:08:31Architecture.
00:08:33You know what that is?
00:08:35Yes.
00:08:36What?
00:08:39You see.
00:08:41She doesn't know.
00:08:45Neither do I.
00:08:46No.
00:08:47You got too much wine.
00:08:48It's filthy wine.
00:08:50It takes the enamel off your teeth and leaves it on the roof of your mouth.
00:08:54Where was I?
00:08:55Architecture.
00:08:57Oh, yes.
00:08:58Look.
00:08:59I'll explain.
00:09:02This, my dear, is called an arch.
00:09:09Iaaaaaag.
00:09:17Diese men are not the heroine
00:09:18Aaaaag!
00:09:18That AÃda!
00:09:19Oh, my God!
00:09:54The arch, my dear, is perhaps the oldest of architectural devices.
00:10:00Arch. Architecture.
00:10:03The very word will tell you how inextricably the two are one.
00:10:08In a word, my dear, architecture is the most ancient of the arts,
00:10:13just as yours is the most ancient of the professions.
00:10:18You better put your shoe on or you'll get cold feet.
00:10:24If you please, I'd like to go now. The air raid seems to be over.
00:10:29Catherine!
00:10:31Catherine!
00:10:33Catherine!
00:10:33Here I am, Fergie. I'm coming.
00:10:35Oh, I'm worried.
00:10:37Oh, do you think I've been blown away?
00:10:40I didn't know what to think. Nobody saw where you went.
00:10:42Who's that man?
00:10:44Oh, I don't know. Some lunatic. Come on.
00:10:54There he is.
00:10:57What if we take the mountains to the north?
00:10:59Behind them are more mountains, and behind those, more yet.
00:11:02Can we take them all?
00:11:03Only if the Austrians stop fighting. One side the worst to stop.
00:11:08Stop? It'll go on forever.
00:11:10Like him.
00:11:21The priest wants the Austrians to win the war.
00:11:24Oh, no, no. It is not true.
00:11:25But you don't want us to attack.
00:11:27If we must have war, I suppose we have to attack.
00:11:31Oh, but so many die that way.
00:11:34But what is death to a Christian?
00:11:48Don't encourage him, Fergie.
00:11:51Oh, Frederico.
00:11:52Oh, you are back safe.
00:11:54Hello, Father. I am so glad.
00:11:55The priest prayed for you, Frederico.
00:11:57Every time you go up, he does the same.
00:11:59Oh, I pray for you all.
00:12:01You are late, baby.
00:12:02How is it up there?
00:12:03Quiet.
00:12:03You nearly missed the party.
00:12:05But it is very dull.
00:12:07But Miss Barkley is here, and her friend Miss Ferguson.
00:12:10The one you will like.
00:12:12Come.
00:12:17Miss Barkley, uh, permit me to present to you my friend and war brother, Lieutenant Henry.
00:12:23He has just returned back from the front.
00:12:25How do you do?
00:12:27How do you do?
00:12:28And this is Miss Ferguson.
00:12:32How do you do?
00:12:33How do you do?
00:12:35She begins again, that fellow.
00:12:37Quick, let us go into the garden.
00:12:58Now, you stay here.
00:13:00I will find something for us to drink.
00:13:03Asti, grappa, vermouth.
00:13:05Which do you like?
00:13:06All of them.
00:13:07Then you shall have all of them.
00:13:08Let's go.
00:13:26Nice out here.
00:13:27Isn't it?
00:13:32We seem fated to bump into each other in the dark.
00:13:36I'm sorry about that.
00:13:37I mistook you for someone else.
00:13:39So I gathered.
00:13:41I'd been drinking.
00:13:42I gathered that, too.
00:13:45Mad?
00:13:46No.
00:13:48You're an American, aren't you?
00:13:50Yes.
00:13:51Well, then what are you doing in the Italian army?
00:13:53Well, it's not really the army.
00:13:55It's very odd, though.
00:13:56Why'd you do it?
00:13:58I don't know.
00:13:59Why did you?
00:14:00Oh, I joined up in England.
00:14:03Besides, the boy I was engaged to had gone across.
00:14:11Where is Miss Ferguson?
00:14:13Why don't you go see?
00:14:15Yes, do bring her out, Captain Rinaldi.
00:14:29Have some?
00:14:31Thanks.
00:14:35He's sore.
00:14:36What for?
00:14:37Because I'm here with you.
00:14:39Women prefer him, as a rule.
00:14:46Shall we take a walk?
00:14:49Yes, let's.
00:14:53Where is he now?
00:14:55Who?
00:14:55The boy you're engaged to.
00:14:58He's dead.
00:14:59Oh.
00:15:00He was killed in the Somme.
00:15:02Were you engaged long?
00:15:04Eight years.
00:15:05We grew up together.
00:15:07Why didn't you marry?
00:15:09I didn't know what the war was like then.
00:15:12If I had it to do over again, I'd marry him.
00:15:15Or anything.
00:15:24When I joined up, I remember having this silly idea that he might come to the hospital where
00:15:28I was, with a saber cut, I suppose, and a bandage around his head, shot through the shoulder,
00:15:35something picturesque.
00:15:36This is the picturesque front, not France.
00:15:39He didn't have a saber cut.
00:15:42They blew him to bits.
00:16:13He didn't have a saber cut.
00:16:14He didn't have a saber cut.
00:16:14He didn't have a saber cut.
00:16:15He didn't have a saber cut.
00:16:15He didn't have a saber cut.
00:16:16He didn't have a saber cut.
00:16:17He didn't have a saber cut.
00:16:18He didn't have a saber cut.
00:16:21He didn't have a saber cut.
00:16:28He didn't have a saber cut.
00:16:31what are you thinking about now about whiskey what about whiskey about how nice it is and you're nice
00:16:46too no why not no don't yeah no please I'm sorry did I hurt you it's all right I'm dreadfully
00:17:02sorry really
00:17:04I just couldn't bear the nurse's evening off aspect of it it's quite all right I don't mind at all
00:17:13poor man you see I've been leading a funny sort of life besides you're so very beautiful
00:17:22you don't have to talk a lot of nonsense I said I'm sorry
00:17:27we could get along couldn't we you're sweet no I'm not yes you're a dear
00:17:38I'd be very glad to have you kiss me now if you don't mind
00:18:20you are looking for someone have you seen Miss Barkley
00:18:23Miss Barkley didn't she go out there with you with me no no no but just a little while ago
00:18:33I thought I saw her go out to the garden gate with the lieutenant Henry she went out with an
00:18:37officer
00:18:38alone well perhaps I was mistaken you know it is quite dark out there oh she wouldn't do that
00:18:44no no I am sure I was mistaken where is she then
00:18:53you're a grand girl I'm a crazy girl
00:18:57what to stay out here it's nice isn't that enough
00:19:09it's nice I suppose that has to be enough for people who are living as we live
00:19:14back home I courted you and sent you flowers out here you're crowded all into one hour
00:19:21isn't that the way it's got to be out here look
00:19:29tomorrow morning I've got to go up to the front again and if a shell got me and you never
00:19:35saw me
00:19:35again then we'd both be sorry that we'd been so formal and waited
00:19:44besides what's there so fine in putting it off dragging it out giving me your lips tonight
00:19:50no your throat tomorrow no no wait no please no
00:20:01Catherine
00:20:04Catherine
00:20:09thank you good night thanks for the lovely concert
00:20:11I hope you are not worried about Miss Barclay
00:20:14it's not like her to disappear this way
00:20:16well perhaps she felt ill and went home alone
00:20:18perhaps good night come go come
00:20:31why didn't you tell me it doesn't matter if it had to happen I'd rather it were like this
00:20:37I couldn't know in a church yard under the stars well why not why not there's a war on
00:20:45and tonight who cares and tomorrow who knows
00:20:51what did you say your name was stop it
00:20:57if you knew how I was back home you'd see the funny side of it
00:21:05please stop it
00:21:13oh
00:21:15we blame everything on the wall but that's rot
00:21:19it's something in our cells
00:21:25the lady sat in the public square and mourned her lost innocence
00:21:32don't be sorry
00:21:35i'm not
00:21:37i love you
00:21:42oh darling
00:22:06did you have a nice uh time baby
00:22:10you made the progress with her eh
00:22:12we're friends if that's what you mean
00:22:14i mean uh was she nice to you practically speaking
00:22:19shut up
00:22:19i am a man of extreme delicacy but was she
00:22:23rinoli
00:22:24will you please shut up
00:22:26if you want to be a friend of mine shut up
00:22:27i am your best friend and your war brother
00:22:31then shut up
00:22:35miss barkley prefers you to me that is very clear
00:22:39but miss ferguson is very nice too
00:22:44you like her
00:22:46no
00:23:18but you of all people
00:23:21a lot of geese that's what you are
00:23:23silly geese stuffed with bunk about woman's part in the war
00:23:28we must bring solace to the men who fight sacrifice ourselves give ourselves
00:23:35if you've known him for a long time or been in love with him but you only met him tonight
00:23:41how long must you know a man before you can love him
00:23:45are you pretending to be in love with that man
00:23:48i think i am fergie
00:23:51i must be
00:23:53or it couldn't have happened
00:23:57you're just another conquest him one in a hundred
00:24:01you'll probably never see him again
00:24:05he said if he'd met me back home
00:24:07he'd have courted me sent me flowers but now
00:24:15i suppose i won't ever see him again
00:24:37he said if he'd met me for a long time
00:24:45oh baby
00:24:47good luck
00:25:31Turn back.
00:25:32Back?
00:25:32Yes, back.
00:26:05I want to see Mr. Barkley.
00:26:06She's on duty.
00:26:08Wait.
00:26:09You can't go in there.
00:26:33Hey, why did we come back here?
00:26:35The tenant knows what he's doing.
00:26:37Please.
00:26:38What's wrong, Borelli?
00:26:39Don't we ever get started here?
00:26:40We've got plenty of time.
00:26:41Hold it.
00:26:44I thought you started.
00:26:45What are you doing here?
00:26:46We come back, signor Capitano.
00:26:48Tenente, he forgot something.
00:26:49Oh.
00:27:12You're all right, aren't you?
00:27:15Yes, I'm all right.
00:27:17I came to, I thought, you see, I'm going to be away for a while, and I didn't want you
00:27:27to think that I'd just gone away.
00:27:30No, I...
00:27:32What I mean is, I'd hate to have you feel that, that it wasn't important to me about, about us.
00:27:43I don't exactly know how to say it.
00:27:46You said it very nicely, dear.
00:27:50No, I don't mean...
00:27:53You mustn't feel...
00:27:54Will you be gone long?
00:27:56No.
00:27:58Only a few days.
00:27:59There's going to be a show above, up above Plava.
00:28:01Nothing much, I guess.
00:28:02A show?
00:28:04You'll be careful, won't you?
00:28:05I won't get hit.
00:28:08Hold it.
00:28:15Here.
00:28:18It's a St. Anthony.
00:28:25They say a St. Anthony is very useful, to guard you from harm.
00:28:30I'll take good care of them.
00:28:38I wish I could kiss you.
00:28:56He is my friend and a good soldier.
00:28:58I do not like to see him lose his head over a woman.
00:29:01Aren't you exaggerating a bit?
00:29:03I think not.
00:29:05Couldn't we send her back to the base, Major?
00:29:06No, if you could send her away, it would simplify everything.
00:29:10We could perhaps send her to Milan.
00:29:13Excellent, my dear Major. Magnificent.
00:29:14No wonder the English are first in diplomacy.
00:29:22What did you say her name was?
00:29:32We won't get anything else to eat once the attack starts.
00:29:35This is all they'd give me.
00:29:38Starting to eat at an end?
00:29:39No, we'll all eat together.
00:29:41Come on, sit down to it.
00:29:43Come on, get some.
00:29:45Come on, get some.
00:29:45Come on.
00:29:48Come on, get some.
00:29:49Here, look at this.
00:29:50This is better than you.
00:29:52Here, take it.
00:29:53Here.
00:29:53Oh, boy.
00:29:54Here.
00:29:55Another bean.
00:29:56Here.
00:29:57Take it.
00:29:58All you want.
00:29:58Good night.
00:30:01Here, take some cheese.
00:30:02Let's go.
00:30:03You can try some other.
00:30:05Wash it down with wine.
00:30:07télez.
00:30:09Who goes to the attack?
00:30:27Tarsaglieri.
00:30:29If nobody would attack, the war would be over.
00:30:46That's a big one.
00:30:48420. No, 305. Sounded like a Skoda to me.
00:30:52Skoda? That's what I say.
00:31:00I was playing with you all.
00:31:13How do you work?
00:31:15Terente.
00:31:16Anybody hurt?
00:31:18My leg.
00:31:22Hold on my leg.
00:31:24You'll like it, Terente.
00:31:28It was a scorer, a gun.
00:31:30Easy now.
00:31:30Watch out.
00:31:33Vescerations of the skull and possible fracture of the skull.
00:31:37Multiple superficial wounds of the left and right thigh,
00:31:41left and right knee, and right foot.
00:31:44Profound wounds of right knee and foot incurred in line of duty.
00:31:48Antitetonus, please.
00:32:02Come on, lift them up a little more.
00:32:03All right, go ahead.
00:32:05Please.
00:32:19Hurry, hurry.
00:32:22How do you feel, baby?
00:32:26Rinaldi, what are you doing here?
00:32:28Bonello telephoned to me.
00:32:30The Major gave me permission to come.
00:32:33No one shall hurt you, baby.
00:32:35I won't let them.
00:32:36No butcher is going to touch my wall, Prof.
00:32:39Only Rinaldi can take you and never hurt you.
00:32:42You must forgive me, baby, for talking so much,
00:32:44but I am very moved to see you badly wounded.
00:32:48How did it happen?
00:32:50I will see you are decorated for bravery.
00:32:51Perhaps we can get you the medaglia d'argento,
00:32:54but surely the bronze one.
00:32:55Did you carry somebody on your back?
00:32:56I didn't carry anybody.
00:32:58I couldn't move.
00:32:59Surely there was something heroic.
00:33:00Tell me what you did.
00:33:02I was blown up, eating cheese.
00:33:08Don't worry, baby.
00:33:09I will fix you so that you are as good as new.
00:33:11You will see.
00:33:12Every day I learn to do things smoother, quicker.
00:33:15Soon, very soon, you will be walking again.
00:33:20I brought a present for you.
00:33:22You will find it under your blanket next to your heart.
00:33:25It is a bottle of brandy, baby.
00:33:26Very good brandy.
00:33:28The infantry captured it from the Austrians on San Gabriele.
00:33:32I have another surprise for you.
00:33:34Take a deep breath.
00:33:36Where do you think you will go from here?
00:33:38To the Italian hospital where they have the male nurses with the beards?
00:33:41No.
00:33:43I will arrange everything with my friend, the British Major.
00:33:46You will go to Milan, to the beautiful Miss Barclay.
00:33:51That makes you happy, eh?
00:33:53Think of Rinaldi.
00:33:55Left all alone with the war.
00:33:56No one to make fun of.
00:33:58No one to lend him money.
00:34:00While you...
00:34:01While you were in Milan with the beautiful Miss Barclay,
00:34:05making love in Milan to the chaste Miss Barclay.
00:34:31Look out for the step.
00:34:54Why do you stop?
00:34:56I am the superintendent.
00:34:57May I have your medical papers, please?
00:34:59They're in my coat, in the button-down pocket.
00:35:04Take him up those stairs, down the corridor.
00:35:06His room is the one at the end.
00:35:08You show them, Giulio.
00:35:10Who are you?
00:35:13I'm the porter, Signor Tenente.
00:35:15Come, follow me.
00:35:27Now, Signor Tenente, we must lift you off the bed.
00:35:30All right, but keep my legs straight.
00:35:32De si, Signor Tenente.
00:35:37Anything more, Signor Tenente?
00:35:38Get me some brandy.
00:35:40No, it is not allowed, Signor Tenente.
00:35:42Wasn't I wounded, fighting for the glory of Hitler?
00:35:45You'll find some money in my pocket.
00:35:47As you wish.
00:35:54So, it's you.
00:35:55Ferguson.
00:35:56Is Catherine here?
00:35:57As if you didn't know.
00:35:58I believe that's why you got wounded.
00:36:00Where is she?
00:36:01You ought to be still.
00:36:02Here's your chart.
00:36:03I must take your temperature.
00:36:05Does she know I'm here?
00:36:07Under the arm, please.
00:36:18Hello, darling.
00:36:19Catherine.
00:36:22You're lovely.
00:36:23Are you badly hurt?
00:36:24You're lovely.
00:36:26Oh, my poor darling.
00:36:27It's your leg, isn't it?
00:36:27You're the loveliest thing I ever saw.
00:36:29Oh.
00:36:34I have to go now, darling.
00:36:35I can't stay.
00:36:36You'll come back?
00:36:37Later, but we'll have to be awfully careful.
00:36:38You've got to come back.
00:36:39Oh, well, when I can.
00:36:41Tonight.
00:36:41I'll try.
00:36:44Somebody's coming.
00:36:46Tonight.
00:36:53I'll take that thermometer now.
00:36:59Good gracious.
00:37:01Pitch the doctor.
00:37:03It's a miracle you're not delirious with such a fever.
00:37:07I haven't got any fever.
00:37:08Stay quiet, please.
00:37:10It's not what you think.
00:37:37I've brought you a few little things, and this is mosquito netting, and this is a bottle
00:37:41of vermouth.
00:37:42You like vermouth, huh?
00:37:44And these are English papers.
00:37:46Thank you, Father.
00:37:47It's very good of you to come.
00:37:49Oh, but I mustn't stay long.
00:37:50They warned me not to tire you.
00:37:52You seem very tired yourself.
00:37:54I am tired, but I have no right to be.
00:37:56You have the war disgust.
00:37:57Oh, but I hate the war.
00:38:01I don't enjoy it.
00:38:02But you do not mind it.
00:38:03You do not see it.
00:38:05Oh, you must forgive me.
00:38:06I know you are wounded.
00:38:07That was an accident.
00:38:09Still even wounded.
00:38:10You do not see it.
00:38:11I can tell.
00:38:12I do not see it myself, but I feel it a little.
00:38:16Come in, Kath.
00:38:20Oh, don't go yet, Father.
00:38:21It's still early.
00:38:22You are sure?
00:38:23In the operation in the morning, he should rest.
00:38:26Oh, he's strong.
00:38:26He has such a lovely temperature.
00:38:28It's always normal.
00:38:30I'm very proud of his temperature.
00:38:31Maybe all our children will have fine temperatures, too.
00:38:34Our children will probably have beastly temperatures.
00:38:38Don't mind us, Father.
00:38:39We're in love.
00:38:41I know.
00:38:42I could see it in your faces.
00:38:45You are a groove, don't you, Father?
00:38:48You spoke of children.
00:38:53This, too, is the war.
00:38:54Without the war, you would live married in God's grace.
00:39:00Is it not so?
00:39:06And you?
00:39:10Well, I...
00:39:11I hadn't thought about it like that, but...
00:39:14Yes, I suppose so.
00:39:36Father, are you?
00:39:38Is that the marriage service?
00:39:58Of course, you realize, Father, that army regulations prevent us from marrying.
00:40:04They send Catherine home.
00:40:20Poor Catherine.
00:40:22Such a crazy marriage.
00:40:23At least I'm in white.
00:40:27No orange blossoms.
00:40:29I can smell them.
00:40:32No organ music?
00:40:33I can hear it plainly.
00:40:49It was a foolish notion, perhaps.
00:40:53I have not the right to say you are married.
00:40:56Yet it has made me happy to do this.
00:40:59For now, from my heart, I can say I bless you in his name.
00:41:02Thank you, Father.
00:41:05Goodbye, and be happy, both of you.
00:41:07Thank you, Father.
00:41:10Give my regards to the mess.
00:41:12I will.
00:41:13And get well soon.
00:41:15I will come again the next time I am in Milan.
00:41:18Goodbye, my dear.
00:41:19Goodbye.
00:41:19Goodbye.
00:41:26Is Miss Barkley here?
00:41:29Uh-uh.
00:41:31No.
00:41:33No.
00:41:45Shut the door.
00:41:47I can't.
00:41:48Please, darling.
00:41:58We mustn't.
00:41:59Your operation is in the morning.
00:42:01It's our wedding night.
00:42:03Oh, darling.
00:42:07You'll have to take your oil.
00:42:09Castor oil?
00:42:10No.
00:42:10You don't take it from me.
00:42:11I'll take anything from you.
00:42:13Darling.
00:42:14If you stay.
00:42:17Oh, darling, darling.
00:42:20I want what you want.
00:42:21There isn't any me anymore.
00:42:22Just what you want.
00:42:24You're sweet.
00:42:31Don't I make a lovely wife?
00:42:34Such a lovely wife.
00:42:39Feel our heart beat.
00:42:41No wonder my heart beat.
00:42:44I'm mad about you.
00:43:57That's the opera I made my debut in, at the Scala.
00:44:01They threw benches at it.
00:44:03That's a lie.
00:44:04Yes, they did.
00:44:05I threw six benches myself.
00:44:06That's not funny.
00:44:14Oh, now he's offended.
00:44:15You'll get over it.
00:44:16That's his sore spot.
00:44:17We always tease him.
00:44:19You don't care whom you hurt.
00:44:20Now, don't you get mad, too.
00:44:22Catherine and I were thinking of asking you to our wedding.
00:44:25Where'd we get?
00:44:26You'll never get married.
00:44:27We will.
00:44:28No, you won't.
00:44:29We'll fight before you'll marry.
00:44:31Oh, we never fight.
00:44:32You've time yet.
00:44:32We won't fight ever.
00:44:33You'll die, then.
00:44:35Fight or die.
00:44:37That's what people do.
00:44:38They don't marry.
00:44:39Why, Fergie.
00:44:41Don't.
00:44:42I'm not crying.
00:44:46Maybe you'll be all right, you two.
00:44:49Watch out.
00:44:49You don't get her in trouble.
00:44:51I won't get her into trouble.
00:44:52You better not.
00:44:53Or I'll kill you.
00:44:56Why, Fergie.
00:44:58What is the matter with her?
00:45:00She doesn't like me, that's all.
00:45:02Oh, no.
00:45:03She just likes me more.
00:45:11Are you on night duty tonight?
00:45:14Yes, but you won't care.
00:45:15You'll go right off to sleep.
00:45:16You wait and see.
00:45:20Darling, how many other girls have you ever loved?
00:45:24None.
00:45:25How many, really?
00:45:26None.
00:45:28How many have you, um, how you say it, loved?
00:45:35None.
00:45:35You're lying to me.
00:45:37Of course.
00:45:38Oh, that's right.
00:45:39You just keep right on lying.
00:45:40That's what I want you to do.
00:45:43Were they pretty?
00:45:45I've never been with anyone.
00:45:46That's right, darling.
00:45:49What were they like?
00:45:51I don't know anything about it.
00:45:53You're just mine, that's true.
00:45:55You've never belonged to anyone else.
00:45:57I don't care if you have, though.
00:45:59I'm not afraid of them.
00:46:00Only don't tell me about them.
00:46:02You never told them you loved them, did you?
00:46:04No.
00:46:05I knew you wouldn't.
00:46:08Oh, darling, I do love you.
00:46:09Don't kiss me.
00:46:11Right here in the street?
00:46:12Yes.
00:46:27I'll go in first.
00:46:41So, what is this, if I may ask?
00:46:44What was in it?
00:46:46That's Kimmel.
00:46:48That's the best kind.
00:46:49It comes in those bear-shaped bottles from Russia.
00:46:51And these.
00:46:53That's brandy, wine, and whiskey.
00:46:56And I've been pitying you for being wounded.
00:46:59Pity is something that is wasted on you.
00:47:02If you're so anxious not to go back to the front,
00:47:04I should think you'd try something more intelligent.
00:47:06Not self-inflicted alcoholism.
00:47:09What?
00:47:09I said alcoholism.
00:47:11And I also say that I'll see your convalescent leave is cancelled.
00:47:16You'll go back to the front tomorrow night.
00:47:42Have I time for a drink before the train leaves?
00:47:44For the front?
00:47:45Yes.
00:47:45About 20 minutes, senor Capitano.
00:47:46Right.
00:48:17It's a fine room, a lovely room.
00:48:20It's all right.
00:48:22The red plush is just the thing.
00:48:24Those mirrors are very attractive, too.
00:48:27People who go in for advice seem to have very good taste about it.
00:48:31You're a grand girl.
00:48:33Oh, darling.
00:48:37I wish you could do something really sinful.
00:48:40Everything we do seems so innocent and right.
00:48:43You're a fine, simple girl.
00:48:45I am a simple girl.
00:48:47Nobody but you ever realized it.
00:48:49At first, I thought you were a crazy girl.
00:48:51I was a little crazy at first.
00:48:57Was that your train?
00:48:59Maybe.
00:49:00It makes up a turn.
00:49:01But it stays in the station here till time to leave.
00:49:05There's really lots of time.
00:49:11But at my back I always hear
00:49:14Times-winged chariot hurrying near.
00:49:17I know that poem.
00:49:18It's by Marvel.
00:49:20Only it's about a girl who wouldn't live with a man.
00:49:30Listen.
00:49:38It's only the rain.
00:49:39I hate the rain.
00:49:41I like it.
00:49:43I'm afraid of the rain.
00:49:45Afraid?
00:49:46Why?
00:49:47I...
00:49:48Oh, well, perhaps it's silly.
00:49:50What?
00:49:50Tell me.
00:49:51No, don't make me.
00:49:52Tell me.
00:49:54All right.
00:49:56I'm afraid of the rain because sometimes I see me dead in it.
00:49:59No.
00:50:01And sometimes I see you dead in it.
00:50:04That's more likely.
00:50:05Oh, now, darling, don't say that.
00:50:12That is your train.
00:50:15Times-winged chariot.
00:50:23I'll come with you, hmm?
00:50:25No, please.
00:50:26I don't want you...
00:50:27Not at the station.
00:50:29All right, darling.
00:50:31How often will you write?
00:50:32As often as I can.
00:50:33Do they read your letters?
00:50:34They can't read English enough to hurt any.
00:50:36Well, I'll make them very confusing.
00:50:38But not too confusing.
00:50:40Oh, I should have got you a going-away gift.
00:50:42A whistle to make you feel better in the dark.
00:50:44Or a sword.
00:50:45I'm sure we could get a used sword very cheap.
00:50:47Swords aren't very useful at the front.
00:50:49Oh, I see.
00:50:50They get in the way of your legs when you're running.
00:50:52They might be useful at mess, though.
00:50:57I'm afraid I have to start, darling.
00:51:02I hate to leave our fine house.
00:51:04So do I.
00:51:07We never stay settled very long in a home, do we?
00:51:11We will.
00:51:13I'll have a fine home for you when you come back.
00:51:17Say, I'll come back to Catherine.
00:51:21I'll come back to Catherine.
00:51:30I'll always come back.
00:51:36Maybe this time you'll be hurt just a little in the foot.
00:51:40Or the lobe of the ear.
00:51:41Oh, no, no, no.
00:51:41I want your ears just the way they are.
00:51:43Your feet have been hurt already.
00:52:01I'll be right back.
00:54:19Well, what would be the good? It would only worry him. He'd have to go anyway.
00:54:22Aren't you going to tell him?
00:54:23Well, not yet. I may write him from Switzerland.
00:54:28You're a fool.
00:54:29Here, signora.
00:54:30Here, on track 3.
00:54:32Thank you. But what's the hurry? Why tonight?
00:54:34I couldn't go back to that hospital.
00:54:36I couldn't stand it, not with him gone.
00:54:38But you'll be all alone in Switzerland.
00:54:39Don't worry, Fergie. I'll be all right.
00:54:44You're not afraid of anything, are you?
00:54:46Only of going back to that hospital.
00:54:49Don't scold me, Fergie.
00:54:54I'll carry it.
00:54:55Number 9.
00:54:57Frisago binario numero 3.
00:55:00Reza via la velo binario numero 4.
00:55:03Aren't you a binario?
00:55:32I've always told you I was a crazy girl.
00:55:35I couldn't bear my land with you away, so I've chucked the war and come to live in this little
00:55:39Swiss town as near as possible to the Italian border and you.
00:55:43And darling, it's an adorable place. I'm going to be very happy here. I've taken a suite...
00:55:52suite in the best hotel and I'm fairly wallowing in luxury. The bed is ampere and fit for an empress.
00:56:01There's a maroon velvet carpet, ankle deep, and a bathroom. Oh, darling, the bathroom.
00:56:06It's of black marble with silver fittings.
00:56:10I've just dined in state at my sitting room window, from which there is a divine view of the lake
00:56:17shimmering in moonlight.
00:56:31I'm an awful liar, darling. It's not really a nice place at all. It's mean, cheap, and horrible, but it
00:56:39doesn't matter where I live, because I don't really live at all when I'm not with you.
00:56:45Oh, darling. What I really want to tell you is that I shall lie awake in the dark and cry,
00:56:55because you're not here.
00:56:56I'm lonely and frightened. And I love you both.
00:57:15Hurry, baby.
00:57:16Why?
00:57:16Time to go.
00:57:17Go where?
00:57:18But I told you before, to the Villa Rosa. New girls, everybody's going.
00:57:22Not me.
00:57:23But you must. It will be a fine party. And besides, I said you would go.
00:57:26I can't. I've got to write some letters.
00:57:30Oh, to that little, every day more letters. You might as well be married.
00:57:35That's my business.
00:57:36Oh, baby, how you have come back to me. Serious like a shopkeeper with a liver.
00:57:43Where is my war brother who used to get drunk with me and go to the Villa Rosa every night?
00:57:48Leave me alone, will you?
00:57:51Why? Isn't she just a girl?
00:57:54Keep her out of this.
00:57:56Sacred subject.
00:57:58Believe me, baby, sacred subjects are not good for soldiers.
00:58:03Why don't you be like me? All fire and smoke. And do nothing inside.
00:58:09Come on, baby. You're drunk.
00:58:11Stop it.
00:58:11Of course I am drunk. You come with me and you will be drunk, too.
00:58:15Come on, baby.
00:58:17Oh, I am sorry. Now you must come. There is no more ink.
00:58:22Get your hands off me and get out.
00:58:30I am sorry.
00:58:30Poor baby.
00:58:31Tomorrow I will get you drunk and I will take out your liver and I will put you in a
00:58:35good Italian liver and make a man of you again.
00:58:51You're going out, Signor Capitano?
00:58:53Yes, why?
00:58:55The mail just came, Signor Capitano.
00:58:57You censor it.
00:58:58Signor Capitano.
00:59:00The officers?
00:59:01Mail, too?
00:59:05Very well.
00:59:07Come on.
00:59:07Come on.
00:59:19Are you going to open them, Signor Capitano?
00:59:21No.
00:59:22I'm going to hurry.
00:59:41Send this one back.
00:59:42Yes, Signor Capitano.
00:59:44I do not like to see him lose his head over a woman.
00:59:47Yes, Signor Capitano.
01:00:11And today, my letters came back.
01:00:13Every one I'd ever written her.
01:00:14Came back?
01:00:15Just marked return to sender.
01:00:17Person unknown.
01:00:18Well, that's very strange.
01:00:2032 letters.
01:00:21She never got one.
01:00:22Well, that's why she never wrote you.
01:00:24No.
01:00:25She'd have written me anyway.
01:00:26Something's happened to her.
01:00:28Have you tried to...
01:00:28I can't get any information at all.
01:00:31I've got to go and find her, myself.
01:00:33Now, can you?
01:00:34I'm going to Milan.
01:00:36I'll find her.
01:00:36But aren't all leaves of absence forbidden
01:00:38since that battle in the north began?
01:00:40I'm going anyway.
01:00:41Well, that's desertion.
01:00:44I don't care.
01:00:45I'm going.
01:00:45You'll be caught.
01:00:46Oh, you mustn't do this, Frederico.
01:00:48Yes, I must.
01:00:50That's what I wanted to tell you, Padre.
01:00:52What does this war mean to me anymore?
01:00:54What does anything mean but finding her?
01:00:56But, Frederico, consider the...
01:00:58I can depend on you, Padre.
01:01:04Say goodbye to Rinaldi and the others for me.
01:01:07When are you leaving?
01:01:08Now.
01:01:08While they're at dinner.
01:01:10And by morning, when they miss me,
01:01:11I'll be halfway to Milan.
01:01:13If they ask me what...
01:01:14What did I say, I...
01:01:15Anything you like.
01:01:17Goodbye, Padre.
01:01:19Goodbye, Frederico.
01:01:21May the Lord bless and preserve you.
01:01:53God bless you.
01:01:54Good night.
01:01:57Good night.
01:02:09Good night.
01:02:20Hey, my love-clock.
01:02:22I love you, Jeffrey.
01:02:22Good night.
01:02:25The End
01:02:55The End
01:03:27The End
01:03:55The End
01:04:30The End
01:04:41The End
01:04:47The End
01:04:56The End
01:05:00The End
01:05:09The End
01:05:17The End
01:05:24The End
01:05:32The End
01:06:03The End
01:06:15The End
01:06:27The End
01:06:55The End
01:07:18The End
01:07:47The End
01:08:13The End
01:08:24The End
01:09:01The End
01:09:16The End
01:09:45The End
01:09:48The End
01:10:28The End
01:11:01The End
01:11:20The End
01:11:57The End
01:12:26The End
01:12:29The End
01:12:31The End
01:12:32The End
01:12:44The End
01:12:57The End
01:12:58The End
01:12:58The End
01:13:03The End
01:13:40Is there any mail for me yet?
01:13:42Ah, madam.
01:13:43Yes, yes, today there are letters, many letters.
01:13:46How many?
01:13:47Oh.
01:13:48Twenty, madam.
01:13:50Twenty.
01:13:50Oh, that was worth waiting for.
01:13:51What?
01:13:55Oh.
01:14:29It is up the lake.
01:14:30And across.
01:14:32About 35 kilometers.
01:14:33I'll make it.
01:14:34At the frontier there will be sentries.
01:14:36I know.
01:14:37And you will have to watch out for the patrol boats.
01:14:39I will.
01:14:39If it blows too hard you will...
01:14:40I won't drown.
01:14:44Have you enough money?
01:14:46Here.
01:14:49Won't you need it?
01:14:50There must be a Villa Rosa at Porto Danone.
01:14:53Always the same girls until they become like old friends.
01:14:56Like war comrades.
01:14:57Take it, baby.
01:14:58Please.
01:14:58Please.
01:15:00You're a good egg, Renin.
01:15:01No.
01:15:02I am not a good egg.
01:15:04I am a fool.
01:15:07But if I had understood how you felt about her...
01:15:10Good luck, baby.
01:15:28Ciao, baby.
01:15:37Shall I get a new cylinder, Doctor?
01:15:39It is a new cylinder.
01:15:42Oh, I wanted so to have this baby and not make any trouble.
01:15:47And now I'm all done.
01:15:51All gone to pieces.
01:16:14She is losing strength fast, Doctor.
01:16:16There's no use.
01:16:17I'll have to operate.
01:16:21That was lovely.
01:16:25Frederick.
01:16:27Darling.
01:16:33You mustn't worry, Alex.
01:16:36I'm not going to die now.
01:16:41I got past the place where I was going to die.
01:16:48Aren't you glad?
01:16:50Of course you're not going to die.
01:16:52You mustn't think about it.
01:17:15I'm not going to die now.
01:17:35I'm not going to die.
01:17:35I'm not going to die now.
01:17:36Is she going to be all right?
01:17:37Are you the husband?
01:17:38Yes.
01:17:39She kept calling for you all night.
01:17:41It would have been better if you'd been here.
01:17:42I'm sorry.
01:17:43Is she in danger?
01:17:44Oh, she's very weak.
01:17:46You don't suppose I can see her now?
01:17:47Later, later.
01:17:48It won't be long.
01:18:29She can't die.
01:18:33Did you call?
01:18:39No, I didn't say anything.
01:19:02Not yet.
01:19:06Is she all right?
01:19:07I hope so.
01:19:08The baby?
01:19:09The boy, but he was dead before she ever came in here.
01:19:12Oh, but she'll be all right.
01:19:15That's not in my hands any longer.
01:19:20Better go across the street and get yourself some breakfast.
01:19:23You'll notice if you need it.
01:19:25It will be some time before she can see you.
01:19:47There's nothing there, dog.
01:19:48That's not in my hands.
01:19:49I'm sorry.
01:19:55There's nothing there.
01:19:58Well, there's nothing there.
01:20:00I'm sorry.
01:20:02But I mean, the boy looks to me too.
01:20:20you've had children what was it like i beg your pardon what did you say
01:20:27nothing some coffee please and a brioche
01:20:41it's in the papers italy has won thank god it's over this is the beginning of the end
01:20:48but it'll be a long time before they can rebuild what's been destroyed in the early morning hours
01:20:54of november 4th the austro-hungarian supreme command accepted by radiogram the armistice conditions
01:21:02laid down by general badolio don't let her die oh god please don't let her die
01:21:13i'd do anything for you if you don't let her die you took the baby that was all right but
01:21:21don't let
01:21:21her die please please dear god don't let her die
01:22:04i knew he was coming when i went under i knew he was here
01:22:15you won't tell him will you tell him what then i'm going to die
01:22:24no you won't tell him thank you doctor have i learned
01:22:43no
01:22:44don't you see i have to know enough
01:22:56let him come in
01:22:59no wait
01:23:02could i could i have my bag first
01:23:16oh such a mess
01:23:24no
01:23:24he never liked me to be pale
01:23:37you can go in now
01:23:54oh
01:24:03i'm fine
01:24:03you're all right
01:24:04i'm fine
01:24:06did you worry about me
01:24:09i came as soon as i found where you were
01:24:12Poor darling. Let me look at you.
01:24:19You're wet and tired.
01:24:22Sit down, darling. Here.
01:24:31You're going to be all right, Kath.
01:24:41Do you want me to do anything, Kath?
01:24:44Can I get you anything?
01:24:46No.
01:24:48Just talk to me.
01:24:50Tell me you haven't stopped loving me.
01:24:53You know, I couldn't stop.
01:24:56I like to hear you say it, though.
01:24:59I'll never stop loving you.
01:25:01Never?
01:25:03Not even if I died?
01:25:09Never.
01:25:14You'd never do our things with any other girl
01:25:16or say the same things, would you?
01:25:19Never.
01:25:21I want you to have other girls.
01:25:24I don't want them.
01:25:27That's right, Dad.
01:25:28I don't want them to have other girls.
01:25:29I don't want them to have other girls.
01:25:34Try to...
01:25:35Try to sleep, Kath.
01:25:42When I get Will...
01:25:45We'll...
01:25:46We'll take a little house in the mountains.
01:25:50We always plan the house of our own, remember?
01:25:54I'll get you a fine house.
01:25:57And we'll live in it until the war's over.
01:26:02And then you'll go back to America and be a splendid architect.
01:26:07We'll be married all over again.
01:26:09In a church.
01:26:11In a church.
01:26:16Oh, darling.
01:26:18I'm going to die.
01:26:20Don't let me die.
01:26:22Take me in your arms.
01:26:24Hold me tight.
01:26:25Don't let me go.
01:26:28It's dark out there and lonely.
01:26:30I don't want to leave you anymore.
01:26:32I've been alone so much.
01:26:37You can't die.
01:26:38You're too brave to die.
01:26:45You're a fine girl.
01:26:47A brave girl.
01:26:49Yes.
01:26:51I am a brave girl.
01:26:54Whatever happens, you'll not be afraid.
01:26:57I'll not be afraid.
01:26:59We've never been apart.
01:27:01Really.
01:27:02Not since we met.
01:27:04Not since we met.
01:27:05And never can be.
01:27:08Never parted.
01:27:09In life and in death.
01:27:12Say it, Kath.
01:27:14In life and in death.
01:27:17We'll never be parted.
01:27:21You do believe that, don't you, Kath?
01:27:25I believe it.
01:27:29And I'm not afraid.
01:27:30I'm not afraid.
01:27:57I believe it.
01:28:19Peace.
01:28:23Peace.
01:28:35Peace.
01:29:00Peace.
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