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00:00:27Satsang with Mooji
00:00:30Go, go, go, go, go!
00:01:00Come on, come on, come on, come on, come on, you can make it, you can make it, I promise.
00:01:06Brett, how much further?
00:01:07We'll just get to the top, come on.
00:01:09I'm tired.
00:01:14Here.
00:01:16We're nearly there. Wait till you see the view.
00:01:20Up here.
00:01:22Whoa.
00:01:23You up?
00:01:24Yeah.
00:01:25I get you.
00:01:28Oh, my God, you're right, it's gorgeous up here.
00:01:32Oh, we should have brought a blanket or something.
00:01:35Brett, I said we should have brought a blanket.
00:01:41Brett?
00:01:49Brett?
00:01:54Brett, for God's sake!
00:02:02Brett!
00:02:03Brett!
00:02:03Brett!
00:02:08I don't know.
00:02:33I don't know.
00:03:07I don't know.
00:03:34I don't know.
00:04:05I don't know.
00:04:34Luke.
00:04:35How are you, Simon?
00:04:38I suppose I shouldn't be surprised, it's you.
00:04:42Likewise.
00:04:49And who found it?
00:04:51Two kids at the festival.
00:04:53They fell into a crack in the ground.
00:04:56Took the police nearly a week to find them.
00:04:59What happened?
00:05:01The boy was killed instantly.
00:05:03The girl spent five days in pitch darkness with his corpse, but she died just after they found her.
00:05:09God help her.
00:05:10Are you ready for the shot on the side?
00:05:12Yeah.
00:05:16Right?
00:05:17Yeah.
00:05:38The gun got on the side.
00:05:55Oh, my God.
00:06:28Oh, my God.
00:06:32Michael.
00:06:34Michael.
00:06:38Michael, stop it.
00:06:46Oh, my God.
00:06:48Oh, my God.
00:06:51Stay there.
00:06:52Don't move.
00:06:54Oh, my God.
00:07:02Don't move.
00:07:04Don't move.
00:07:05Don't move.
00:07:06You've got an accident.
00:07:07Don't.
00:07:08I'm going to call an ambulance.
00:07:10Don't try and move.
00:07:12Don't move.
00:07:24Don't move.
00:07:38Don't move.
00:07:59Don't move.
00:08:02Don't move.
00:08:06Don't move.
00:08:07Don't move.
00:08:07I'm going to walk away and leave her.
00:08:09We'll look after her.
00:08:11Oh, this is awful.
00:08:12I don't even know her name.
00:08:14It's Cassie Grant.
00:08:21back up
00:08:31the christ figure has his back to the church
00:08:34it does doesn't it it seems to be the wrong way around
00:08:41this is a very significant discovery luke
00:08:46yes i know
00:08:51i'm surprised you came to me simon sansevera was a long time ago
00:08:56two years to be honest you weren't my first choice
00:09:07the building itself is brick and stone
00:09:09opus reticulatum roman this church was built in the first century
00:09:18and the altarpiece
00:09:22yes
00:09:23the altarpiece was carved at around about the same time
00:09:27it's unusual a crucifixion shown from behind the cross
00:09:30never seen that before
00:09:33it's going to deteriorate
00:09:35how fast
00:09:37i'll need to get a monitoring system in as soon as possible
00:09:40how soon can you start
00:09:43as soon as i can get a team together
00:09:47professor kirkman i'd prefer you to work alone at this stage
00:09:51we feel that the fewer the people from outside the church
00:09:55concerned with the conservation work
00:09:58the better
00:10:00as long as it's still under our jurisdiction
00:10:03we'd like to make our own analysis
00:10:05calmly quickly and without any fuss
00:10:10and no journalists
00:10:13we'll cooperate in every way professor
00:10:16we'll provide everything that you require
00:10:23you sure about this
00:10:25it's the least i can do really
00:10:27i've got more room than we know what to do with
00:10:28you can stay as long as you need to
00:10:35you don't remember why you were coming to ashby wake
00:10:39no
00:10:41i must know people here
00:10:44i'm sorry
00:10:45it's all a bit fuzzy
00:10:48dr byworth said you might be a bit confused to begin with
00:10:53while ashby's a small place
00:10:54someone's bound to recognize you
00:10:58michael's quiet
00:10:59yes
00:11:01how did you know his name
00:11:03you must have said it
00:11:05of course
00:11:08we're here
00:11:20this is emma
00:11:27hi emma
00:11:28i'm cassie
00:11:29hi
00:11:34wow this is an incredible house
00:11:36we bought it a year ago
00:11:38just after we were married
00:11:39oh
00:11:40i'm a stepmom
00:11:42still got loads to do to me
00:11:49you have so many beautiful things
00:11:51that's simon my husband
00:11:53he's the expert
00:11:53now just be comfortable
00:11:58i'll make some tea
00:12:00i'll make some tea
00:12:00i'll help you
00:12:14i'll help you
00:12:26i'll help you
00:12:39i'll help you
00:12:54i'll help you
00:12:56i'll help you
00:12:56i'll help you
00:13:11So what about this girl?
00:13:13Cassie?
00:13:15There really wasn't anything else I could do.
00:13:18Oh, God, Simon, I thought I'd killed her.
00:13:22God, that must have been awful.
00:13:25Oh.
00:13:28I was petrified.
00:13:29I thought she was dead.
00:13:33I don't know what I would have done.
00:13:38Thank God we can help her out.
00:13:41She's lost almost all her things.
00:13:45At least we can give her a bed.
00:14:13Hello.
00:14:14Hello.
00:14:15Good morning.
00:14:16How are you feeling today?
00:14:17Much better.
00:14:20I hope you don't mind.
00:14:21The kids said they were hungry, so I thought I'd make them breakfast.
00:14:25I'll show you where everything is.
00:14:27You shouldn't be doing this.
00:14:29I don't mind.
00:14:32Is Mrs. Grose here yet?
00:14:34I meant to be in Oxford for a meeting.
00:14:40Well, I can help your kids to school.
00:14:42It's okay.
00:14:44I'd like to.
00:14:47You don't know where it is.
00:14:49Well, Emma can show me.
00:14:54Hey, Michael.
00:14:55How do you like your eggs?
00:14:56Scrambled or sunny side up?
00:14:58These are not talking.
00:15:00Or do they do something weird here in England, like mix them with jelly?
00:15:23Bye.
00:15:25Bye.
00:15:26Bye.
00:15:30Bye.
00:15:31Bye.
00:15:40Bye.
00:15:41Bye.
00:15:42Bye.
00:15:42Bye.
00:15:43Bye.
00:15:43Bye.
00:15:44I'm so sorry.
00:15:45Excuse me.
00:15:55Bye.
00:16:01Bye.
00:16:15Hello.
00:16:15Bye.
00:16:16Thanks.
00:16:16crucifixion and he came to England immediately afterwards. With the spear
00:16:21that wounded Christ on the cross, yes. And? And he built a church in Glastonbury.
00:16:30The first-century Roman church. Almost certainly this one.
00:16:39It's possible. It's probable. So when we look at this
00:16:44altarpiece, we know what we could be looking at.
00:16:50A record of the crucifixion of Christ by someone who was there.
00:17:15Addition! Addition! We all fall back!
00:17:19Because they're in the edges, eating by the cup. Addition! Addition! We all fall back!
00:17:51I saw two people in town who look kind of familiar to me.
00:17:59I think they recognized me, but, um, I had no idea who they were.
00:18:05Happens to me all the time. Headaches?
00:18:09No.
00:18:12Anything else?
00:18:17Well, when I saw those people, I don't know, everything went kind of strange.
00:18:25I don't think you have anything to worry about. You've had a jolt. It'll take time to settle down.
00:18:33All right?
00:18:39Yeah. Thank you.
00:18:52Hello.
00:18:55How did you find that?
00:18:57That this is yours? You wrote this?
00:18:59Yes.
00:19:01The Forensics of Faith.
00:19:04It's about my work.
00:19:06I thought you were stored art.
00:19:08I do. And work out where it comes from and whether it's authentic or not.
00:19:13Which causes a lot of trouble.
00:19:15Keeps me busy, though.
00:19:16Too busy.
00:19:19It's been a godsend, Cassie, haven't you here with us?
00:19:21Oh, it's great being here. With the kids. They're really, really sweet.
00:19:29Have you been a nanny before? Or an au pair?
00:19:32I don't think so.
00:19:35Do you remember anything about your family?
00:19:39No. Not yet.
00:19:42I'll have a glass of that.
00:19:44Sorry.
00:19:48How long have you lived here?
00:19:49A year.
00:19:50Emma was born in Ashby Wake and she was nine when we moved in here.
00:19:54We just thought it'd be a great place to make a fresh start.
00:19:58The kids had had such a difficult time.
00:20:01Michael was only four when his mother died.
00:20:05I'm sorry.
00:20:07She'd been ill a long time.
00:20:10It's been terrible for Michael.
00:20:12He's really had a struggle.
00:20:15It's so hard having to watch him suffer.
00:20:39It's so hard.
00:20:41And the genius of the hero who was like...
00:20:41...is not a bad guy.
00:20:43It was just a bad guy.
00:20:43It's so hard that he was good at me.
00:20:43That's what I'm stuck.radio
00:20:44a bad guy and I knew the goddamn guy is not the guy. I can't let
00:20:44you go. He's a bad
00:20:44guy. He wants to be
00:20:45a bad guy. He wants to have
00:20:46a bad guy. I never got him.
00:20:51He wants to have a
00:20:52bad guy. He wants to be a
00:20:57I don't know.
00:21:42I don't know.
00:21:53I don't know.
00:22:26Are you all right?
00:22:31I know you.
00:22:33Don't I?
00:22:34You don't remember, do you?
00:22:37No, no, I do.
00:22:40Outside of the school.
00:22:42Exactly.
00:22:51So whereabouts in the States you're from?
00:22:54Um, the Midwest.
00:23:00I'm staying with the family here.
00:23:05I was actually hit by a car a few days ago.
00:23:09You were an over?
00:23:12Yeah, I'm fine, obviously.
00:23:15Um, I just got a little concussion.
00:23:18Poor you.
00:23:19It must have been a terrible shock.
00:23:28Are you staying in Ashby Wake?
00:23:30At Lime Court.
00:23:31It's on the outskirts.
00:23:33Big place.
00:23:34Cornfields.
00:23:35Yeah, yeah, that's it.
00:23:42Do you live around here?
00:23:44I haven't decided yet.
00:23:48I mean, I do love it.
00:23:50The West Country.
00:23:52I'm looking after someone's place up on Stookley Hill.
00:24:01The report shows unusually low acid and high salt levels in the soil.
00:24:05Mm-hmm.
00:24:07This might be damaging the walls.
00:24:09Yes, I know.
00:24:10Look, I wrote the report.
00:24:12What's really interesting is that the soil was brought here about 1,200 years after the church was built.
00:24:19You didn't put that in the report.
00:24:20The church was buried, deliberately, around the time of the Black Death.
00:24:29Come on, Luke.
00:24:31We've known each other a long time.
00:24:33Why are you trying to keep this place under wraps?
00:24:38Look, there are things we don't understand yet.
00:24:43If the church was deliberately buried, there must have been a reason.
00:24:50I don't know.
00:25:03Bye.
00:25:04Bye.
00:25:05Bye.
00:25:09Bye.
00:25:11Bye.
00:25:16Oh, my God.
00:26:04Michael.
00:26:31Michael?
00:26:36Michael?
00:26:42Is that you?
00:26:45Were you crying?
00:26:49Can't you sleep?
00:27:00It's a very good dog.
00:27:04Like the one that barks outside.
00:27:10You've heard it, haven't you?
00:27:16And the children?
00:27:20Have you heard them, too?
00:27:26It's okay.
00:27:30There's nothing to be afraid of.
00:27:41Mrs. Grubbs?
00:27:44Do you know anyone around here who has a, um, pit bull kind of dog?
00:27:50What sort of a pit bull?
00:27:52I don't know, um, it's kind of caramel-coloured, that really big head.
00:28:00I've seen it here on the grounds.
00:28:02I haven't seen a pit bull like that round here for a long time.
00:28:06Where are the children? This is nearly done.
00:28:10What was Michael and Emma's mother like?
00:28:12Caroline.
00:28:13Oh, she was lovely.
00:28:15Lovely mum.
00:28:17It's not my place, I know.
00:28:20But it didn't help Professor Kirkman re-marry in so soon after.
00:28:25Yeah, must have upset them.
00:28:27Not as much as moving here.
00:28:29They shouldn't have bought this place.
00:28:32Would you mind calling them in?
00:28:37Michael!
00:28:38Emma!
00:28:40You're not holding it straight.
00:28:48No!
00:28:52Michael?
00:28:53Michael?
00:28:54Michael, it's okay.
00:28:56It's okay.
00:28:57It's okay.
00:29:01A journalist has been phoning the bishop's office.
00:29:04We can't have people talking to the press.
00:29:06No.
00:29:07You think it was me?
00:29:10No, no, of course not.
00:29:12Yes, you do.
00:29:14Well, was it?
00:29:16Ah!
00:29:21You still think you were right, don't you?
00:29:26About Sansevier.
00:29:29All I did was tell the truth.
00:29:31As you saw it.
00:29:33Actually, what you did was undermine the faith of thousands of people.
00:29:36People who'd been taught to believe that a piece of wood, a sacred relic,
00:29:40a piece of 19th century driftwood, was a fragment of the Holy Cross.
00:29:44Which they believed was sacred.
00:29:48Luke, I'm only interested in the facts.
00:29:51Oh, I know.
00:29:53I know.
00:29:54I know.
00:29:58No, thanks.
00:29:59Well, what we have here is authentic.
00:30:03This deserves to make the headlines.
00:30:04This is probably the earliest crucifixion we have.
00:30:08That's not what it is.
00:30:13Aristobulus, bishop of the Britons, wrote a series of letters.
00:30:17He was in Glastonbury, wasn't he?
00:30:19First century.
00:30:24Aristobulus mentions the church founded by St. Joseph of Arimathea,
00:30:27and in the same letter, there's a sort of postscript that quite a few scholars have puzzled about.
00:30:36But they came only to see, from the east and from the west, from the city and from the plain.
00:30:45They came not in holy reverence to the Lord, but in lust.
00:30:58You're Latin's better than mine.
00:31:03They came only to see.
00:31:07Not in holy reverence, but in lust.
00:31:13That's what I think the bas-relief is about.
00:31:17There have always been people, all through the ages, who came just for the spectacle.
00:31:23The people who knitted by the guillotine during the French Revolution.
00:31:28The crowds who turned up for the hangings at Newgate Jail.
00:31:32The people who camp outside American prisons when they're going to throw the switch.
00:31:36Yes, but it's still a crucifixion scene.
00:31:39It may be unorthodox, but...
00:31:41No, it's not just a crucifixion.
00:31:45It's not about Christ, Simon.
00:31:51It's about the people who came to watch.
00:31:59Thank you, Vicar.
00:32:00Thanks for having me.
00:32:01Thank you very much.
00:32:18Michael?
00:32:20Sweetie?
00:32:26It's okay.
00:32:28It's okay.
00:32:29He can't hurt you.
00:32:30He's...
00:32:35Come on.
00:32:37Come on.
00:32:38Let's go.
00:32:41Let's go.
00:33:04Look at my face.
00:33:07Michael!
00:33:08Michael!
00:33:13I want to let anything happen to you.
00:33:15Okay?
00:33:17I promise.
00:33:18I know what.
00:33:19I'm not going to let anything happen to you.
00:33:22Oh, I promise.
00:33:24I'm okay.
00:33:25I'm so sorry, Dan.
00:33:27I just...
00:33:28I didn't know who else to talk to.
00:33:30Cassie, what is it?
00:33:32Oh.
00:33:33For the past few days, I've been having these...
00:33:38I don't even know what to call them.
00:33:41Visions.
00:33:43Hallucinations.
00:33:47I see these horrible things.
00:33:51And then later, I'm not even sure if I just imagine them.
00:33:57Well, you were run over by a car.
00:34:00But what I see is so real.
00:34:03I'm afraid I'm having premonitions.
00:34:06Premonitions?
00:34:07What about?
00:34:09I don't know.
00:34:12Well, do you know what they mean?
00:34:14I don't know.
00:34:15I don't know.
00:34:16F***.
00:34:16How can I know what's going to happen if I don't even know what has happened?
00:34:22Hey.
00:34:25I'll help you.
00:34:30I feel so alone.
00:34:33You're not alone, Cassie.
00:34:37You're not alone.
00:34:55I was alone.
00:34:58You're not alone.
00:34:59You're not alone.
00:35:00You're not alone.
00:35:01I don't know.
00:35:02I don't know.
00:35:03You're not alone.
00:35:07Me too.
00:35:12I don't know.
00:36:27What are you doing?
00:36:32Can I help you?
00:36:37Can you tell me who owns this car?
00:36:40Why do you want to know?
00:36:42I'd like to buy it.
00:36:44It's not for sale.
00:36:46It belongs to one of my mechanics.
00:36:48Is he here?
00:36:50No.
00:36:53Well, can we get his telephone number?
00:36:55No.
00:36:56He's not on the phone.
00:36:57Okay, then his address.
00:37:04Tyne Cottage.
00:37:06Longridge Road.
00:37:09His name's Argyle.
00:37:25I love you.
00:37:27Okay.
00:37:37I love you.
00:37:38I love you.
00:37:40I love you.
00:38:03Oh, my God.
00:38:11Jesus.
00:38:14So that's the dog?
00:38:17Yeah, that is the dog.
00:38:31You know, in England, we call this breaking and entering.
00:38:35I'm not going to break anything.
00:39:04God, look at this stuff.
00:39:05It's sad.
00:39:39Oh, God.
00:39:40I know these people.
00:39:53Dan, I know these people.
00:39:55That's my doctor from the hospital.
00:40:04Come on, let's go.
00:40:13That's Lincourt.
00:40:30In the 60s, Lincourt was a children's home.
00:40:33A church home.
00:40:38The staff was accused of molesting the kids.
00:40:41So what's new?
00:40:44Come on, Cassie.
00:40:45I really think we should get out of here.
00:40:46Jesus Christ, they were all involved.
00:40:49They were all in on it.
00:40:51All these guys.
00:41:02Everyone must know.
00:41:04The whole town must know.
00:41:09That's him at Lincourt.
00:41:13He must have lived there.
00:41:19Oh, my God.
00:41:21Dan.
00:41:22Dan, it's Michael.
00:41:26He has a picture of Michael.
00:41:29Why does he have a picture of Michael?
00:41:31I don't know.
00:41:32Come on, let's get out of here before he comes back, eh?
00:41:37Wait, wait.
00:41:39Wait.
00:41:39Wait.
00:41:41Wait.
00:41:42Wait.
00:41:44Wait.
00:42:00My God, Dan.
00:42:02Wait, you saw that place.
00:42:04That guy is obviously insane.
00:42:06Well, all I saw was a sad, f***ed up life.
00:42:08We're going to the police.
00:42:10And tell them what?
00:42:11That he's been taking snapshots of Michael?
00:42:13Yes.
00:42:14And what about all those other pictures?
00:42:17He must see himself as a kid in Michael.
00:42:19He wants to get rid of him.
00:42:21Wipe out his past.
00:42:22And in one of my...
00:42:25Premonitions.
00:42:26Yes.
00:42:27In one of my premonitions,
00:42:28I saw Michael with half of his face blown off.
00:42:32But you can't go to the police and tell them that.
00:42:35Well, we have to do something.
00:42:40Jesus.
00:42:42Okay.
00:42:46Why don't we find out a bit more?
00:42:49Before we do anything drastic.
00:42:53And all that happiness is so simple to be shattered.
00:42:56Jeffy went with him on his last political journey.
00:42:59In Dallas, he was welcomed to Texas by state government...
00:43:04There, too, was the vice president, Mr. Lyndon Johnson, who is a Texan.
00:43:08In that state, the democratic government is not popular.
00:43:12But the Kennedy charms seem to be as effective as ever.
00:43:15With the motorcade...
00:43:38It was closed down after all the fuss.
00:43:40It was just abandoned.
00:43:42Then Mrs. Kirkman bought it and did it up.
00:43:45Did you ever come here?
00:43:46Did you know the priest that was in charge?
00:43:49Look, it doesn't matter now, does it?
00:43:51It's all over now.
00:43:53Nobody wants it all raked up again.
00:43:55It just seems like someone should have known what was going on here.
00:43:58Cassie, nothing was ever proved.
00:44:01There were rumours, yes.
00:44:03It was wicked.
00:44:05Dreadful.
00:44:07But it's over.
00:44:13But safety standards have changed since those early days.
00:44:18Controversy over the precautions taken...
00:44:21Let me...
00:44:29We're unashamed and frequently posed for the cameras.
00:44:33How many met this fate can never be known?
00:44:36How many met this fate can never be known?
00:45:01He's dangerous.
00:45:02I think he wants revenge.
00:45:05Revenge, right.
00:45:06On whom?
00:45:07I don't know.
00:45:08The people that hurt him.
00:45:11Possibly the whole town.
00:45:13The whole town?
00:45:15He's obsessed with this kid that I look after.
00:45:18Michael.
00:45:20Now, why would he want to harm this kiddie?
00:45:22I don't know.
00:45:24Because of his childhood.
00:45:25The way he was hurt.
00:45:27Okay.
00:45:28Now, I don't suppose you've got a name for this gentleman.
00:45:32Frederick Michael Argyle.
00:45:34Fred?
00:45:37Look, miss, I don't think you have to worry about Fred.
00:45:39Everybody in Ashby Waiten knows Fred.
00:45:41And you think he's funny.
00:45:43Jesus Christ, what is wrong with you people?
00:45:46Look, miss, I'm afraid that without any action...
00:45:48official evidence, it's very little we can do.
00:45:52Great.
00:45:53Thanks a lot.
00:46:00And from the 19th century, this male figure on the right.
00:46:05The detail of his face.
00:46:09The figure on the bas-relief.
00:46:12And in this picture, we're looking at the figure of the older woman in the background.
00:46:18There's the detail of her face.
00:46:24And again, the identical face on the bas-relief.
00:46:29We must bury it.
00:46:33Isn't that rather drastic?
00:46:39I've been in turmoil.
00:46:40I think we all have.
00:46:43ever since the discovery was made.
00:46:46And we grieve for those two poor young people.
00:46:50But these findings come as no great surprise to the scholars among us.
00:46:56You're not the first, Luke,
00:46:58to recognize that these figures appear again and again
00:47:01that scenes of human tragedy.
00:47:04It has been documented
00:47:06by certain churchmen.
00:47:08And we mustn't respect the fact
00:47:11that the church has been buried once before.
00:47:14Why?
00:47:15Bishop, forgive me.
00:47:17Burying the church,
00:47:18even tearing it down brick by brick,
00:47:20isn't going to stop these tragedies from happening.
00:47:22Indeed it is not.
00:47:25Nothing on earth can do that.
00:47:27But we can prevent that place
00:47:29becoming a center of superstition and fear.
00:47:34If people become obsessed
00:47:38with evils that might occur,
00:47:42they neglect the present good
00:47:44that they should do.
00:47:48Can you handle matters
00:47:50with Professor Kirkman?
00:47:53Yes.
00:47:54So I'll drive up to see him
00:47:56first thing tomorrow.
00:48:03Frederick Michael Argon.
00:48:05Fred?
00:48:07Everybody in it.
00:48:09He's the picture of Michael.
00:48:11Why is he the picture of Michael?
00:48:12Now why would he want to harm this kiddie?
00:48:14He wants to get rid of...
00:48:16Look, miss,
00:48:16I don't think you have to worry about Fred.
00:48:19Fred?
00:48:31Don't.
00:48:33Don't.
00:48:35Don't.
00:48:35Don't.
00:48:36I'll teach you, Argyle.
00:48:37You won't run away again.
00:48:38I saw you always trying to make trouble up to Argyle.
00:48:42Please, please, don't!
00:48:46It wasn't!
00:48:48Please, don't!
00:48:50Try that again in a hurry!
00:48:57Help!
00:49:09Michael?
00:49:11Michael?
00:49:17Deep breath.
00:49:19Okay.
00:49:20Oh.
00:49:21It's okay.
00:49:22I heard voices.
00:49:25Oh, no, sweetie, I heard them too.
00:49:30What's going on, Michael? What's the matter?
00:49:32No, he was having a bad dream.
00:49:34It's all right.
00:49:36Come on, you go up to bed. It's just a storm.
00:49:37It's all right. Come on.
00:49:38It's all right. Let me take him.
00:49:41It's okay, Michael. Michael, you go with Marion.
00:49:44Okay.
00:49:51Michael, get these out?
00:49:54Yeah.
00:50:06Simon, where are these photographs from?
00:50:10They're just my work.
00:50:13You have to tell me, where are these pictures from?
00:50:18They're from an altarpiece.
00:50:20Bass relief I've been working on.
00:50:24But I've seen these people.
00:50:26What?
00:50:27In Ashby Wake.
00:50:30No, they're from a work of art.
00:50:32A very old work of art.
00:50:34I've seen these people in your town.
00:50:36What are you talking about?
00:50:39This one.
00:50:44This one.
00:50:47That's enough.
00:50:52Just go to bed, would you, Cassie, please?
00:51:06Oh, my God.
00:51:08Oh, my God.
00:51:30I'm sorry.
00:51:32Give me a minute.
00:51:34Oh, my God.
00:51:37Let me take the call.
00:51:39I won't let you go.
00:51:42You're Höre.
00:51:45Oh, my God.
00:51:50Don't let you go.
00:51:52Oh, my God.
00:51:53Let me take a second.
00:51:54Hey, I'm sorry.
00:52:22CHOIR SINGS
00:52:53CHOIR SINGS
00:52:56CHOIR SINGS
00:52:56Now, ladies and gentlemen, your friend and his, the mayor.
00:53:00I just wanted to say I'm delighted to be here
00:53:03and it gives me great pleasure to declare the Aspie Wake Fair open.
00:53:12CHOIR SINGS
00:53:14Wait for me!
00:53:16Come on, silly.
00:53:17Come on.
00:53:19I'll reach me.
00:53:29Yes, certainly.
00:53:33Thanks.
00:53:36Bye.
00:53:44Luke Fraser's been killed in a car accident.
00:53:49Simon.
00:53:54He's on his way to see me.
00:53:58The car's sun-assaulted and it was instantaneous, apparently.
00:54:02Oh.
00:54:08Um...
00:54:10I'd rather go.
00:54:13The bishop wants to see me.
00:54:16Will you be here?
00:54:17Come on.
00:54:32Come on.
00:54:37Oh.
00:54:39Oh.
00:54:40Oh, my God.
00:55:31I'm grateful for your promptness, Professor Kirkman.
00:55:39It's a terrible blow.
00:55:41Luke was a remarkable man.
00:55:44Yes.
00:55:45Yes.
00:55:48There are things I think you should see.
00:55:54Arestobulus called them the gathering, the people who came to the crucifixion not to worship
00:56:00or to comfort, but to watch.
00:56:09Yeah.
00:56:12From the East and from the West they came not in holy reverence but in lust.
00:56:18Indeed.
00:56:20There's always been a tradition in the church that the gathering was cursed, cast into the
00:56:27outer darkness and that its members were doomed to be the spectators of mankind's suffering
00:56:33forever more.
00:56:36The first world war, detonation of the first atomic bomb.
00:56:52I've shaken your faith, Professor.
00:56:58No, I don't have a faith.
00:56:59Your faith in scientific rationality.
00:57:04Ah.
00:57:09You got a phone?
00:57:12Yes, go.
00:57:18I know.
00:57:19I know where these people are.
00:57:24They're here now.
00:57:25soar I go.
00:57:31Cassie, look at me!
00:57:35Look at my legs!
00:57:40Look at me!ODE
00:57:44THERE IS TOMM 곳. Tell us
00:57:54miraculously we could do good them to find a cat. She's
00:58:14Mrs. Groves, can you watch them for a minute?
00:58:21Well, I don't know.
00:58:22Mrs. Groves, this is really important.
00:58:24Please?
00:58:32Cassie!
00:58:33Where are the children?
00:58:35They're over there with Mrs. Groves.
00:58:36What's going on?
00:58:37Simon said we were in danger.
00:58:39You're just going to have to trust me.
00:58:40You've got to get the kids out of here.
00:58:42I've got to get the kids out of here.
00:59:14Shit!
00:59:19Hey!
00:59:21No.
00:59:24Please.
00:59:45It's okay.
00:59:49It's okay.
01:00:13Hello, stranger.
01:00:29Hello, stranger.
01:00:53Hello?
01:00:57Hello?
01:01:04Hello?
01:01:06Cassie.
01:01:08Stay the f*** away from me.
01:01:10What?
01:01:12Who are you?
01:01:14What are you talking about?
01:01:17I'm talking about a sculpture that was made 2,000 years ago.
01:01:21I saw pictures of it last night.
01:01:24I saw you.
01:01:26You were in them.
01:01:30Yes.
01:01:32Yes?
01:01:35What the hell does that mean?
01:01:38Who the f*** are you?
01:01:40You shouldn't have gone to the police, Cassie.
01:01:43I tried to warn you.
01:01:45They might have gotten away, and I couldn't allow that to happen.
01:01:50There was an officer here.
01:01:53Where is he?
01:01:56Right behind you.
01:02:02Oh, Jesus.
01:02:04Jesus Christ.
01:02:09Hello?
01:02:13Come on, Frederick.
01:02:14You've been to the fair.
01:02:20A crucifixion on the hill.
01:02:23We went to watch.
01:02:25But we were punished.
01:02:27Unfairly, in my view.
01:02:30It's a natural thing to be curious.
01:02:33You knew about Argyle this entire time.
01:02:36So did you.
01:02:38What are you talking about?
01:02:40I'm not going to hurt you, Cassie.
01:02:43I'd never do that.
01:02:47You know something's going to happen.
01:02:49That's why you're still here.
01:02:53You're one of us, Cassie.
01:02:56You've just forgotten.
01:03:01All those years ago, we were condemned to come back and watch.
01:03:06And that's what we did.
01:03:09But as time has passed, we've found we can be of use.
01:03:14We can make sure that things are in place for what's inevitably going to happen.
01:03:20That nothing gets in the way.
01:03:22But it's pathetic.
01:03:24It's obscene.
01:03:25Watching people suffer.
01:03:27Getting some kind of thrill out of it.
01:03:30No, there's no thrill.
01:03:34We can't stop what's going to happen, Cassie.
01:03:41F*** you, Dan.
01:03:43There's nothing you can do, Cassie.
01:03:46I want you to meet Dr. Byworth, who is presenting the prizes.
01:03:50A big welcome to Dr. Byworth.
01:03:53Thank you very much, Mr. Mayor.
01:04:02Thank you all.
01:04:04Well, it's a great welcome to be here, as always.
01:04:07And it's been another excellent turnout this week.
01:04:12Can you have a please?
01:04:18Uh...
01:04:41Hey, hey, can you help me?
01:04:43Please, can you help me push this?
01:04:45Yeah, of course.
01:04:46Please, around the back, please.
01:04:47Okay.
01:04:48Okay.
01:04:49I've got to start.
01:04:52Are you ready?
01:04:53Yeah.
01:04:54Right.
01:04:54It goes to Miss Caldwell.
01:05:00Is the engine going to start?
01:05:02Run faster.
01:05:03Straighten her up.
01:05:05You've got to let out the clutch.
01:05:06You're going to hit the wall.
01:05:07To the right.
01:05:08Stand to the right.
01:05:09To the right.
01:05:10Jesus Christ.
01:05:12Run, get away.
01:05:13She's laying all right.
01:05:15Run, run, run.
01:05:17Run.
01:05:17Come on, there's a ball in the truck.
01:05:20Run, run.
01:05:24Congratulations.
01:05:24!
01:05:32You're ready.
01:05:38I'm going to go.
01:05:41Come on.
01:05:42Yeah.
01:05:50Oh, my God.
01:05:52Oh, my God.
01:05:53Yeah.
01:05:53Oh, my God.
01:05:54Oh, my God.
01:06:21you're a little late you missed it I'm
01:06:24sorry if I ruined it for you you haven't you've seen it Cassie you know
01:06:29what's coming he's ticking off his list he's on his way to kill Michael now
01:06:34Michael's on a train to London I think you'll find that Michael's at Lyme
01:06:39court with Emma
01:06:43Cassie don't touch me it won't make any difference
01:07:05Marion where's Marion
01:07:07Cassie is that you I can't get Simon the train was cancelled but I thought we'd be
01:07:11safe here there's a man Marion
01:07:15Michael
01:07:19Michael
01:07:21Cassie take Michael
01:07:23Marion go
01:07:25take Michael go
01:07:30run run come on
01:07:36into the field
01:07:45did you see Marion
01:07:47you
01:07:49you
01:07:49you
01:07:49you
01:07:58you
01:08:04you
01:08:07you
01:08:08you
01:08:08you
01:08:11you
01:08:21you
01:08:27you
01:08:39you
01:08:40you
01:08:41you
01:08:43you
01:08:46you
01:08:47you
01:08:54you
01:08:55you
01:08:56you
01:08:59you
01:09:00you
01:09:01you
01:09:03you
01:09:04you
01:09:04you
01:09:04you
01:09:04you
01:09:04you
01:09:05you
01:09:05you
01:09:33Look out.
01:09:54Look out.
01:10:05Mayan?
01:10:06Oh, God.
01:10:07Oh, God.
01:10:08I'll call an ambulance.
01:10:09The children.
01:10:10I'll be okay.
01:10:11Get the children.
01:10:12Oh, Christ.
01:10:13Get the children.
01:10:14I'll be okay.
01:10:41I'll be okay.
01:10:48I'll be okay.
01:10:50I'll be okay.
01:11:02I'll be okay.
01:11:14I'll be okay.
01:11:26I'll be okay.
01:11:31I'll be okay.
01:11:38No, no, no, no, no, no.
01:12:03No, no, no, no, no.
01:12:32No, no, no, no, no.
01:13:10No, no, no, no, no.
01:13:27No, no, no, no.
01:13:45No, no, no.
01:13:52No, no, no, no.
01:14:07No, no, no, no.
01:14:25No, no, no, no.
01:14:56No, no, no, no.
01:15:30No, no, no.
01:15:53Cassie.
01:16:16No, no, no, no.
01:16:25No, no, no.
01:16:29No, no, no, no, no.
01:17:10Cassie.
01:17:15No, no, no, no.
01:17:43No, no, no.
01:18:19No, no, no, no, no.
01:18:40No, no, no, no, no.
01:18:54No, no, no, no, no, no, no, no, no.
01:19:15No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:19:50Bye-bye.
01:19:53Bye-bye.
01:20:15Bye-bye.
01:20:54Bye-bye.
01:21:16Bye-bye.
01:21:51Bye-bye.
01:22:24Bye-bye.
01:22:54Bye-bye.
01:23:26Bye-bye.
01:23:52Bye-bye.
01:24:23Bye-bye.
01:24:45Bye-bye.
01:24:47Bye-bye.
01:24:58Bye-bye.
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