- 12 hours ago
Category
🎥
Short filmTranscript
00:02If you see Lady Mumby, we must make sure she got her invitations.
00:06And keep an eye out for anyone theatrical.
00:08Dare I ask why?
00:09I've hired actors for this evening's centrepiece.
00:12After speeches, two actors will perform scenes from Romeo and Juliet.
00:15How wonderful.
00:16Ah.
00:17Was they?
00:18Yes, and they were two hours ago, and the whole ball will be ruined if they don't appear.
00:22Thought it might be improved.
00:25What is this engaging post-time?
00:27It's the quad for poker.
00:28It's all the rage in Bohemia.
00:30Yes, well, I'm not sure the gent can report victory across the latest Eastern European dance places.
00:34That's why I drew very clear instructions.
00:37Yes, almost too clear.
00:39Belle, you've been truculent all morning.
00:41I know you'd rather be doing unspeakable horrors in a morgue, but could you please try and act like a
00:45normal lady?
00:46Just for me, just for tonight.
00:50Bye.
00:52I'll try.
00:54For you.
00:55And then you can go back to being, well, you.
01:00Lovely.
01:03Tell me about your special dance.
01:05It's a square dance, but twice as fast, so you have to hang on tight to your partner.
01:10Very, very tight.
01:11And who do you hope to dance with?
01:13Oh, just Phineas.
01:15In love again.
01:16Yes, but with Phineas it's different.
01:18I actually want to eat his cheeks.
01:19That's how fond I am of him.
01:20Oh, I need this night to be perfect for him, so can you please...
01:23I understand.
01:24Good.
01:25And I just need someone for you to dance.
01:26Oh, no, I really need...
01:28Inspector.
01:29My sister was just looking for a dance party.
01:31No, I really want to do it.
01:32Because she's a very normal lady.
01:35Well, you are coming to the ball.
01:37I wouldn't miss it.
01:39But I'm afraid I don't dance.
01:41Oh, the stick.
01:44Well, that's a pity.
01:45Quite.
01:46Anyway, I must keep hunting for my lovely thespian.
01:50See you tonight, Inspector.
01:51No, wait.
01:51Fanny!
01:56Lady Bill, may I have a word?
01:58Certainly.
01:59Which one?
02:12I found this at the scene of a suspected criminal incident.
02:16Anne?
02:17May I ask if you recognize it?
02:19It's not mine.
02:21No, of course.
02:22You being forbidden from practicing surgery.
02:26But someone used it in your father's carriage.
02:29Someone with access to scalpels
02:30and a modus operandi
02:32that includes surgeries outside the hospital
02:34and the law.
02:37It seemed to be left in a hurry
02:38next to a bloodstain.
02:42Is the governor aware
02:43that you're trespassing on his property?
02:46I investigated his carriage.
02:48A carriage bestowed upon him
02:50by the Queen herself.
02:52I take upbridge at your notion
02:54that my father uses sovereign gifts
02:55to engage in acts of mutilation.
02:58That is not my intention.
03:00What's that on your finger?
03:03The scalpel cut me.
03:05Quite the coincidence
03:06to find a bloodstain
03:07at the same time you cut yourself.
03:09Are you questioning
03:10my investigative skills, Lady Bill?
03:11No.
03:12I'm quite certain of them.
03:17Hmm.
03:18Keep that wound clean
03:19or it'll get infected.
03:22Oops.
03:23I gave you medical advice.
03:26Do you wish to arrest me?
03:49How often have these symptoms
03:51presented themselves, Lady Munby?
03:52It varies
03:53but more recently
03:54four times a week.
03:56Has anything changed
03:57circumstantially?
03:58I lost my husband recently.
04:01My condolences, Mum.
04:03Cassandra found her father
04:04when he passed.
04:05She fainted
04:06and hit her head
04:07and since then
04:07the fits have been worse.
04:10May I?
04:10Miss?
04:11And how do the fits present?
04:13Does she fall?
04:14Muscles jerk?
04:16Foaming at the mouth
04:16that sort of thing?
04:17No, no.
04:18She has visions.
04:20Visions?
04:21I can see a little sad boy.
04:23Say hello, sad boy.
04:26You see that?
04:28By the window.
04:30His tummy hurts.
04:31That's why he's always sad.
04:34What's he look like?
04:37He's small.
04:39Sailor suit.
04:41She's been so looking forward
04:43to the Governor's Ball tonight
04:44but do you think
04:45she can still go?
04:48Pubescent hysteria.
04:49Nothing more.
04:50No, I disagree.
04:51I suspect epilepsy.
04:52Epilepsy?
04:53She isn't having anything
04:54undescribed as fits.
04:56I think her visions are fits.
04:58She's just lost her father.
04:59She wants attention
05:00and you're playing into her hands.
05:02I suspect the blood of the head
05:03has made her underlying epilepsy worse
05:05and the visions are a symptom.
05:06It's fanciful, Dawkins.
05:08It's cerebral, Sneed.
05:10Or perhaps it was indeed a visitation.
05:14That's Codswallop, Prof.
05:16Mm-mm.
05:17Bell would know how to fix this.
05:19Lady Bell is neither here
05:20nor a doctor.
05:22But I am.
05:24And in my view,
05:25there's no need for further treatment.
05:27Cassandra can go to the ball.
05:29It'll probably do her
05:30and the mother good.
05:31No, you're wrong, Sneed.
05:33And you're on parole.
05:34So go and disimpact Mr. Gouger.
05:37His bowels have been
05:37stopped up for a week.
05:42Are you all right, Prof?
05:44Yes, I'm all right.
05:46Thank you, Dawkins.
06:07I know I did not receive
06:09my morning beetroot
06:10and pilchard sandwich today.
06:12It's not your sandwich, Frank.
06:13Oh, ho, ho.
06:15That's hurtful.
06:17What's fish and beetroot
06:18ever done to you?
06:19Nothing.
06:20I have just evacuated
06:21a man's bow.
06:22Oh.
06:22You'll be doing that for me one day.
06:24It's highly unlikely.
06:27Oi, slow down.
06:28Where are you off to?
06:28I need to get a message
06:29to Bell somehow.
06:30Oh, no, you bloody don't.
06:31Why not?
06:32Because you are
06:32poking the reaper
06:33in the eye with that.
06:34I need her advice
06:35on an underlying
06:35cerebral disorder.
06:37I'll give you
06:37an overlying cerebral disorder
06:39if you don't blink him.
06:39Stop it.
06:40We've got more
06:40pressing matters to deal with.
06:42What?
06:43I've got a prime toff
06:44who is practically
06:45weeping at the thought
06:46of our land,
06:47but he can't get his bank
06:48to release a very
06:49sizable down payment
06:50without citing a land grant.
06:52How sizable?
06:53£500.
06:57Bloody hell.
06:58Well, how do we get
06:59a land grant?
07:00I've got fleshy
07:00fencing up a forgery,
07:01but I don't think
07:02it's up to snuff.
07:03Come and have a look.
07:06All right.
07:07But quickly.
07:07Yes, yes, quickly.
07:15What's that supposed to be?
07:17A land grant.
07:19Yeah.
07:19Land?
07:20We've only got one L.
07:22We're not in Wales.
07:23We're not in bloody Wales,
07:24are we?
07:25What's that, Flashback?
07:28It's a carrot tree.
07:29Christ, I know.
07:30Biscuit.
07:31Well, this will never
07:32get past the toffs.
07:33I mean, look at it.
07:33It looks like a bloody
07:33child's drawing.
07:34Well, big words
07:35for someone who can't write.
07:36I can write better
07:37than you can draw, mate.
07:38Go on, then.
07:39All right, Flashy.
07:40Keep your kicks on.
07:41You're a man of many talents,
07:42but this clearly ain't one of them.
07:43This whole thing stinks.
07:45Not you too, Tim.
07:47No, Fagin's plan.
07:48What's wrong with it?
07:49Haven't you lot
07:50stolen enough from us?
07:51Now you're nicking
07:52fake land.
07:53We're not nicking,
07:54we're bluffing.
07:55Not yours to bluff with.
08:00Timmy!
08:01We need to get a real land grant
08:02for him to copy.
08:04Yeah.
08:05Well, unless you've got one
08:06stashed in your cranny,
08:07I don't know where
08:07we're going to get in.
08:08Government house.
08:09Oh, stop thinking
08:09with your trails or heels.
08:11I'm not.
08:11Yes, you bloody are.
08:12Well, you ain't getting
08:13in there tonight, Dodge.
08:14There's a ball on.
08:16Oh.
08:18Which means it'll be
08:19ripe with marks
08:20for our endeavours.
08:21No, there ain't no point, Fagin.
08:23I usually seek my girls in
08:25for the toffs,
08:26but this is invitation only.
08:28There'll be guards everywhere.
08:29Only silver snuffers allowed.
08:31Yeah, well, sod that.
08:32We're going.
08:33No, you're not going
08:34anywhere near Cheekybones, S.
08:36You might as well
08:36whistle for the hangman
08:37and ask him to do you a favour.
08:39Fagin, come on.
08:40Dodge, no!
08:42We're drawn thin
08:43tonight, gentlemen.
08:45As a vice regal function,
08:46no one enters
08:47the governor's ball
08:47without one of these invitations.
08:50With a killer afoot
08:51in the elbow,
08:52Government House
08:52mustn't revel
08:53at the people's expense.
08:56So divide your forces.
08:58And Brammer,
09:00I do not wish
09:01to see the elbow underserved.
09:03Understood, sir.
09:04You'll be at the ball
09:05very soon.
09:07Yes.
09:08Pursued to protocol.
09:10That sounds delightful
09:11for you, Inspector.
09:12Hope you enjoy
09:13the champagne
09:14while the boys and I
09:15are out in the mud.
09:26There are two pathways
09:27for you, Sergeant.
09:29You can withdraw
09:30your previous comment,
09:32or I can demurge you
09:33and have you reassigned
09:33to Van Demen's land tonight.
09:37I hear the prisoners there
09:38eat each other
09:39when the supplies are thin.
09:41But perhaps you'd prefer that
09:44rather than doing
09:45your bloody duty here!
09:50Withdrawn.
09:51Withdrawn what?
09:55Withdrawn, sir.
09:57Carry on, Bramwell.
10:02Another body with a blue
10:03stitching, Inspector.
10:06Add more men to your detail.
10:10Sir.
10:38Ben Darnas.
10:39In case you need to play,
10:40A place to sleep.
10:42Noble work helping the dead to rest.
10:46May I see the body?
11:17Thank you, sir.
11:24There we go.
11:26That all right?
11:28That should make it feel better.
11:31Here.
11:32Take this, and then put it on again tonight.
11:36All right?
11:36Here. Try to keep the dirt out if you can.
11:39Here we go.
11:43Hello again.
11:46Lady Belle, your visits to Devil's Elbow concern me greatly.
11:49I fear for your safety.
11:51Yes, well, the benefit of standing out like a peacock
11:53is that I display the protection of Government House.
11:56The young woman was killed here last night.
12:01I'm very sorry to hear it.
12:05There's something else.
12:07I lost someone I cared for in a slum.
12:10And I propose to do it again.
12:16That's why you wear the mourning blacks.
12:21You remind me of her.
12:23She too had a heart for charity and a disregard for danger.
12:28So I hope you'll forgive me if I seek to protect you.
12:32You have my sympathy, Inspector.
12:35I don't need to be protected.
12:49What about a hot air balloon?
12:51We can fly over the walls and into the ball that way.
12:53No.
12:54I think it might be a touch noticeable if we land a giant gas bag in the Governor's Rose Garden.
13:00Um, you could pretend to be dead, Fagin.
13:02We could carry you inside a coffin.
13:03Yes, it's a goodly notion of pootie, but I think there might be enough stiffs there already.
13:07Also, no!
13:09Putting me in a box.
13:10I can't think of anything worse.
13:11So come on, how are we getting inside?
13:13We're not getting inside, you and me.
13:15We ain't going anywhere.
13:17Wench!
13:19Victuals for two weary travelling actors.
13:24Don't call me wench again, and I'll wear your suite mates for earrings.
13:36Let's run the balcony scene, Miltie.
13:40This soire is miserably parochial, but it is!
13:43Miltie's for a governor.
13:45Yes, yes.
13:46Rabiot and Juliet.
13:49Act two, scene.
13:50Me, me, me.
13:51Two.
13:52One light, three on the window breaks.
13:56And I, and I, and I shall appear and thundering.
13:58A pair of pilchards.
14:01No, no.
14:03Our solution has just presented itself.
14:06Tonight, the parts of Romeo and Juliet will be played by...
14:12Flashy and a pootie.
14:14What?
14:15Now listen.
14:15We nicked their costumes, Flashy and a pootie put them on,
14:18get inside, let me in, then when you're snatching the land grant,
14:22I'll be flogging more turf to the boozed-up toxic.
14:25All right, where does that leave me?
14:27It leaves you at home.
14:28No, but I can't talk Shakespeare.
14:30You don't need to, it's just a disguise.
14:32You'll be in and out before you can say to me or not.
14:34Two.
14:36Hey, any questions?
14:38I thought that was the question.
14:39What?
14:40Bloody well coming.
14:41No, no, no, no chance, Prince Chalmers.
14:44No, come on, think about it, Fagan.
14:45You can't just steal the clothes off these actors' backs, can you?
14:48They'll need sedation and that requires...
14:51Doctor.
14:52Yeah.
14:52I don't want to knock them out.
14:54Doesn't seem right.
14:55All right.
14:56You drug the actors outside, then you scarper quicksmart.
15:00You do not go anywhere near Fencyskirt
15:02when half the constabulary are going to be there with a noose
15:05when the twig you're lurking.
15:06All right.
15:08Pine understood.
15:09What, really understood?
15:10Yes.
15:11I'm not a fool, Fagan.
15:12I know, it's far too dangerous for me to be there, really.
15:34This miserable whining coward sneaking about on the wind sucking the blood of every poor
15:38Kobe just trying to do a bit of honest criminality.
15:41Makes you want to spit.
15:44I'm quite amazed mosquitoes don't just burst into flames when they first try your blood,
15:47Fagan.
15:47The amount of cork wine and vinegar you swill.
15:50But you two shut your winch holes, there they are!
15:55Here you go, sir.
15:58Pochi, come on.
16:01Wherefore are those?
16:02Right here.
16:03Yes, marvelous.
16:04And then I'll seize you by the pussy.
16:05Oh, and then I will...
16:06Oh, well then.
16:07You, are you the, are you the actors?
16:10Actors?
16:10We are the truth tellers, the dream weavers, the lyricists of legend.
16:17Yes, yes, we are the actors.
16:20Could you tell us where to find our green room?
16:23Green room?
16:23We must warm our voices, limber our loins ere we tread the boards.
16:27Oh, the green room.
16:29Yes, yes, it's this way.
16:34Come on, come on.
16:36Turn the radio on.
16:38It's Friday night and I won't be long.
16:40Gotta do my hair, put my makeup on.
16:43It's Friday night and I won't be long.
16:45Till I hit the guns blow, hit the guns blow.
16:48I got all I need.
16:50No, I ain't got cash.
16:52I ain't got cash.
16:54I ain't got cash.
16:54I got you, baby.
16:56Baby, I don't need dollar bills.
16:59Have fun tonight.
17:00I love two bills.
17:02I love two bills.
17:04Good evening.
17:08Good evening.
17:09Good evening.
17:10Pleased to meet you.
17:11I love two bills.
17:27Fanny, who else have you invited?
17:29All the landed gentry of the region and the nearly landed.
17:32How are we?
17:32And Inspector Boxer.
17:33Although I'm not sure if he's landed or not.
17:36Landed?
17:36Not.
17:37Well, he will be when he inherits his uncle's title.
17:39Where's Phineas?
17:41Do you think he's forgotten, Bill?
17:42I just want everything to be perfect for funny Uncle Dickie.
17:46It's tremendously kind of you all.
17:48Oh, nonsense.
17:50Lift the spirits.
17:55Yeah, just the way old Billy Wobblestick pictured it.
17:59I feel a bit bad leaving them like that.
18:01Do you think they'll be comfortable?
18:02I wouldn't have thought so,
18:04given that they're half naked and tied to each other, no.
18:07The amount of ether I've given them,
18:08they'll have the best night's sleep of their life.
18:10Yeah, I suppose.
18:12Maybe we can get them a pillow or something.
18:14Yes, yes.
18:15An old building of a four-posted bed, if you like.
18:17Stop mithering about the actors and do what you came here to do,
18:19which is get me a land grant.
18:21A new scuttle of hand.
18:22Go on.
18:23Right, yes.
18:24Good luck.
18:26Break a leg.
18:39Funny, that family's still in mourning.
18:41It's a terrible faux pas to invite them to a party.
18:44Oh, no, I hate faux pas.
18:46Ada, lovely to see you.
18:47Do you think my faux pas is why Phineas hasn't come?
18:49Mum, my actors are missing, too.
18:51No, dearest.
18:52It'll all be here.
18:54Meow.
18:56Meow.
18:59Phineas?
19:00Oh, Lady Fanny.
19:01You look wonderfully radiant.
19:05Shall we?
19:11God bless you.
19:11Yeah.
19:35Bye-bye.
19:38Yes, you took your time.
19:41Can you try running in heels?
19:47Come on, Flashy.
19:48Yeah, yeah.
19:57Thanks, Flashy.
19:58I owe you one.
19:59Just don't get killed, or Fagin will tell me you to soup.
20:03Lovely to meet you.
20:05Good evening.
20:06Welcome.
20:07Hello.
20:09Yes, welcome.
20:10Good evening.
20:12Yes.
20:14Good evening.
20:16Very well.
20:17Welcome.
20:18Yes, yes.
20:19Good evening.
20:22Good evening.
20:24Lady Belle, I think.
20:26Hello, Inspector.
20:29Are you enjoying yourself?
20:31Not really.
20:32I'd rather be upstairs with a good book.
20:34Which?
20:35Aeschylus.
20:37Theoristia.
20:37Yes.
20:38In Greek.
20:39Obviously.
20:41May I escort you inside?
20:44Yes, all right.
20:48I enjoy a party.
20:50It warns my heart to see people in the throes of shared sorority.
20:54That's why I do my job.
20:56To keep the darkness out.
20:58Your attention, please.
21:00It's time for tonight's affair.
21:02A demonstration of the quadril poker.
21:07Shall we?
21:09You don't dance.
21:10Except you have prayer about regulum and cassavis non-excepters.
21:12Exception proves the rule.
21:14Yes, her friend says the rule.
21:15Well, it won't work without four couples.
21:21If it's too fast, we can stop.
21:23That's all right.
21:24Although I feel I'm out of practice.
21:29But perhaps we skip the limit.
21:31Excellent.
21:32Oh, it's an oasis.
21:34It's lush meadows, rainforests, sparkling lakes.
21:38I wouldn't be surprised if the very trees didn't grow money.
21:41And it is arable.
21:43It is devilishly arable.
21:44I've tasted the grass myself.
21:46And it's got this sweetness to it that'll keep your sheep all nice and plump.
21:50And your pockets prosperous.
21:52Oh, gentlemen, what's it to be?
21:54Well, as soon as we've seen the land grants, Mr. Ferrygan,
21:58I suspect you'll have a group of very well-connected buyers, yes?
22:02Well, chin-chin.
22:03Cheers.
22:04Cheers.
22:22Get to dance, governess.
22:24Absolutely not.
22:26Come now, Janey.
22:27I recall a time when you adored a Venetian ball.
23:15When did you last dance?
23:17Seven years ago.
23:18Oh, you dance very well.
23:41Hold me as tight as you like, Linnaeus.
23:43I shan't let you go, ladies, Fanny.
23:45I shan't let you go.
24:29I shan't let you go.
24:43I shan't let you go.
24:49I shan't let you go.
24:54I shan't let you go.
24:54I shan't let you go.
25:24I shan't let you go.
25:54I shan't let you go.
26:23I shan't let you go.
26:46I shan't let you go.
26:53I shan't let you go.
27:32I shan't let you go.
28:11I shan't let you go.
28:13I shan't let you go.
28:34I shan't let you go.
28:35I shan't let you go.
28:39I shan't let you go.
28:40I shan't let you go.
28:44I shan't let you go.
28:46I shan't let you go.
29:10I shan't let you go.
29:21I shan't let you go.
29:23I shan't let you go.
29:43I shan't let you go.
29:51I shan't let you go.
30:10I shan't let you go.
30:17I shan't let you go.
30:22I shan't let you go.
30:37I shan't let you go.
30:40I shan't let you go.
30:55I shan't let you go.
31:05I shan't let you go.
31:06I will find her, milady.
31:09Oh, Romeo.
31:11Romeo.
31:13Wherefore art thou Romeo?
31:15Deny thy father and refuseth thy nameeth.
31:19Or if thou wilt not be, but sworneth my loveth,
31:22and I'll no longer be a Capulet.
31:25Words are all wrong.
31:27What edition are they using?
31:28I still think it's wonderfully romantic.
31:32I'm feeling too sorry, Phineas.
31:34I can't watch anymore.
31:35Can I show you my pottering look?
31:37You could show me the world, Lady Fanny.
31:40What is Montague?
31:42Hand, foot, arm, face.
31:45No other part of man.
31:55Too dangerous, you see.
31:57I'm not a fool.
32:00And of course you're not, don't you?
32:01You bloody idiot.
32:06Puppet-faced little fibber.
32:12Yes.
32:15Yes.
32:18Miss Cassandra.
32:20Miss Cassandra.
32:24Miss Cassandra, are you here?
32:31Miss Cassandra, is that you?
32:57Lady Fanny, I feel a storm inside your very soul.
33:03I'm not sure it would be a very exciting place to be.
33:07I couldn't imagine a world more radiant.
33:15Come.
33:26I want to teach you about my passion.
33:35Now, sit close to the wheel and plough forward.
33:39Okay, I'll show you.
33:42So, gently now.
33:47So, squeeze and pump.
33:53Gently now, squeeze.
33:58You're very good at this, Phineas.
34:00You make everything seem so effortless, Lady Fanny.
34:14May I...
34:17He's so bold as to kiss you.
34:22You may be so bold.
34:25Love in every minute.
34:27Cause you make me feel so alive.
34:31Alive.
34:33Alive.
34:34Alive.
34:35Alive.
34:36Can you see us crying?
34:38So when you hatched?
34:42Fine!
34:46Fine!
34:54Fine!
34:56Fine!
35:02Fine, I'll be out of here.
35:03What a great-dog.
35:08Caught, man-handed.
35:10No, we were just pottering.
35:13It helps me relax.
35:15Yeah.
35:16Well, you can't get more relaxed than dead.
35:20Who came over you to commit such a heinous murder?
35:24What?
35:25No, his hair got caught in the wheel.
35:27Oh, yeah, of course it did.
35:29Got you angry, did he?
35:31No, quite the opposite.
35:32No, I understand.
35:33Lovers quarrels, they can turn violent.
35:35But I didn't hurt him.
35:37Oh, so his neck snapped all by itself.
35:39Yes.
35:41Well, stand up in accord of law.
35:44If anyone was to find out,
35:46your neck would be the next to snap.
35:51Seems to me that you're quite the scrivener, Lady Fanny.
35:56I do have excellent penmanship.
36:01Right.
36:04Here's the idea.
36:06You copy this land grant, all nice and toppy,
36:10and I'll get rid of this pretty lump of clay for you.
36:13Lump of clay?
36:15He's my sweet kitten paws.
36:17Not anymore.
36:22You want me to forge a government document?
36:25Isn't that illegal?
36:27You've got a dead man here with his head on backwards.
36:29That's illegal.
36:33Look, I promise I won't peach on you.
36:37No one would find out about him or Phineas.
36:40Never.
36:41I'll cross me off.
36:44What choice do I have?
36:49There will, my prince.
36:50Marvellous.
36:51Now we can all get back to your wonderful shinding.
36:54Except for goldilocks here.
37:05Search the south wing.
37:06Yes, sir.
37:10Should we leave the symptoms?
37:11Give us time to investigate more thoroughly.
37:32Christ.
37:33Where is it, Bill?
37:34Open this door now!
37:36It's a box out.
37:42Have you found her?
37:43Bill?
37:44Yes, sir.
37:45Cassandra!
37:47Calomel, soda, chalk, mercury.
37:49Mercury!
37:50Count to three, and then I shall break down this door!
37:53Bill, hurry up.
37:55One!
37:56Spoon, where's a spoon?
38:00Two!
38:01Cassandra, drink this, please.
38:02Here.
38:03Three!
38:09Whatever is the fuss, Inspector?
38:14Are you both all right?
38:15Out of my room.
38:16Don't allow men in here.
38:18I thought the...
38:19There's no killer here, Inspector.
38:22Just women's business.
38:24Please.
38:26Forgive me, I...
38:28I apologise.
38:32Maybe that was to help you.
38:33You're a sad boy, Mumma.
38:35So is...
38:36Hey.
38:38Does your head still hurt, Cassandra?
38:40No, I feel very well.
38:42Where is the sad boy now?
38:45He's gone.
38:50Thank you, Lady Belle.
38:51Here.
38:52I have to take her to the hospital for observation, Lady Mummy.
38:56Ask for nurse package.
38:57I will.
39:12I will.
39:43Oh, come on.
40:00It's not my best.
40:01My hands are still shaking with grief.
40:04But I think it will suffice.
40:06Well, go on, then. Read it, Beth.
40:07This hereby warrants name to take ownership
40:13the quantity of 200 acres of prime land
40:16in the heart of Central Australia,
40:18given under my hand and seal, Governor Edmund Fox.
40:27Bravo, Lady Franny. Bravo.
40:37You're a right roller, aren't you?
40:40A what?
40:41A roller.
40:42A ganoff.
40:44A blagger, a dipper, a hornswoggler, a flimp.
40:48You're a master criminal, m'lady.
40:51Am I?
40:52Yes.
40:53A dead body, a stolen land grant, a forgery,
40:56an all-washed hostess and a splendiferous sneezer.
40:59You are a veritable scofflawing genius, ma'am.
41:02Am I?
41:04Oh.
41:06Perhaps could this be my true calling?
41:09Yes.
41:11Yes, I've got...
41:13I've got plenty of work on offer for the likes of you.
41:17My band of merry men could do with a merry lady.
41:24If you don't mind,
41:26we'll get these land grants back to their rightful owners.
41:49Don't mind that bunny.
41:50He's disgraced himself with champagne.
41:58Don't mind that bunny.
42:09You're feeling better?
42:11I'm fine.
42:13Thank you, Professor.
42:21Cassandra.
42:24Your little sad friend.
42:27Did he ever tell you his name?
42:34You're very good with children.
42:37I had a boy once, myself.
42:40For a little while.
42:43Oh, I'm so sorry.
42:44I had no idea.
42:47He told me his tummy was sore when I was too busy with the hospital.
42:54The next morning, my wife and her son, dead in bed, said he could bend a scientist.
43:03What was his name?
43:06Alfie.
43:09Alfie.
43:11I'll pray for his soul.
43:21I'll pray for mine, too.
43:33Belle.
43:36Where are you?
43:37Are you out here?
43:39There are some guests who wish to say farewell.
43:45Jack.
43:46Let's go.
43:47If they catch you, they'll hang you.
43:48No, no, hold on.
43:49Jack.
43:53Jack.
43:54Words.
43:55Use your words.
43:56Just talk to me.
43:59I can't speak, Lattin.
44:02What's that got to do with anything?
44:03Or Greek.
44:05And I can't ever dance like a toff.
44:07Nor do I want to.
44:08I'm talking to you.
44:09I'm jealous.
44:12Yes.
44:14Of course, I'm bloody jealous.
44:20Where are you?
44:21Go.
44:23Go.
44:24Go.
Comments