- 10 hours ago
La habitación azul (2002) es un thriller romántico mexicano-español dirigido por Walter Doehner que narra la historia de Toño (Juan Manuel Bernal) y Ana (Elena Anaya), una pareja que regresa al pueblo natal de él, Hidalgo, tras vivir en la CDMX. La trama se complica cuando Toño inicia un apasionado y prohibido romance con Andrea (Patricia Llaca), una antigua amiga del instituto, encontrándose clandestinamente en la "habitación azul" de un motel local
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Short filmTranscript
00:00:01And what time has he been detained?
00:00:03Since dawn.
00:00:05Thanks, Nick.
00:00:12Where can I get you a cigarette, please?
00:00:35How are you, owner?
00:00:48Look at how things are.
00:00:53I was assigned your case.
00:00:56New boy, big hell.
00:01:00I would like to talk to you before you give your statement in front of a judge.
00:01:05Let's see what we can do.
00:01:10Come on, let's talk somewhere else.
00:01:20This way, Toño.
00:01:23Here we will be able to talk in peace.
00:01:40Sit down.
00:01:42Do you remember the glass factory fire?
00:01:54I loved your father very much.
00:01:59I don't know if he ever told you, but...
00:02:03I was a kid when the factory burned down and I was working there as an apprentice.
00:02:08I fell off a scaffold and couldn't move.
00:02:11Suddenly your father appeared.
00:02:13He got me out of there.
00:02:16He saved my life.
00:02:19You're going to say it's sentimentality, but...
00:02:23Now I would like to help you.
00:02:26If you are not guilty.
00:02:48Look.
00:02:50Look.
00:02:50Look.
00:02:51What's that?
00:02:52What's that?
00:02:57Look at the sweets!
00:03:01No, thanks
00:03:06Do you want one?
00:03:07Yeah
00:03:07Which?
00:03:09I don't know why, but everything tastes so good
00:03:12The coconut candy
00:03:13I love coconut candies
00:03:15Do you want a meditation?
00:03:16No, you know what? I'm going to do it once.
00:03:18I'm going to bring you back
00:03:19Okay, give me money
00:03:39This is when they were dressed as pancakes
00:03:41Not here, Dorita, we're dressed in period clothing.
00:03:44In elementary school
00:03:45From the 18th century, Dorita
00:03:47Yes, from ancient times, Dorita
00:03:48Go after the cocolas, Jaime
00:03:50Please
00:03:52I brought hand cream for her.
00:03:56Why are you carrying something so heavy, Jaime?
00:04:00I'll help him
00:04:01I'll help him
00:04:01How can you help me?
00:04:02You're thinner
00:04:04Tie it up tight
00:04:09Tone?
00:04:12What eye, Toño?
00:04:14Nico
00:04:16What a miracle!
00:04:18What are you doing here?
00:04:20I just got back
00:04:22I'm moving into my father's house
00:04:23I'm going to start a hydraulic pump business.
00:04:26And tools
00:04:26And I'm going to stay here.
00:04:29Hey, how long ago did you leave?
00:04:35How does it do it?
00:04:37Ten years, right?
00:04:38Or what?
00:04:39Nine, to be exact
00:04:41Nine
00:04:41Yeah
00:04:43Hey, this deserves a beer!
00:04:45At least, right?
00:04:47I take it
00:04:48Good old Toño
00:04:52Put on a sweater
00:04:53Clarita
00:04:54How are you?
00:04:55Very good, blondie
00:04:56How are you?
00:04:58Very good
00:04:58The prodigal son has arrived
00:05:03How are you, Dorita?
00:05:04Very good
00:05:05Thank you
00:05:08Excellent
00:05:09Jaime
00:05:17Do you remember those bread rolls I was telling you about?
00:05:20Cocoli?
00:05:20These are them
00:05:21Yeah
00:05:23She is my wife
00:05:24And my baby girl
00:05:25But what's its name?
00:05:27Ann
00:05:27Ann
00:05:28Nice to meet you
00:05:29Ah, what a pretty little girl
00:05:31What is your name?
00:05:34How are you?
00:05:35Mariana
00:05:36Mariana
00:05:38Wow, when I was a kid these were the best loaves of bread around here
00:05:41They still are
00:05:42Do you have one?
00:05:43Yes please
00:05:46He's hitting the girl, huh?
00:05:49Yeah
00:05:50Here's your beer, Toño
00:05:52Thank you
00:05:56They're pesos, huh?
00:05:59If you want school for the girl
00:06:00Here is the school of the Morales sisters
00:06:02That's teacher Taltita
00:06:04Alba Morales
00:06:05And what about teacher Clarita?
00:06:06How are you?
00:06:08Habits, values and responsibilities is our motto
00:06:11It closes right at seven
00:06:12Hey
00:06:12What a family
00:06:14You are more beautiful.
00:06:17Congratulations
00:06:17Thank you
00:06:18Thank you
00:06:22And you look great now?
00:06:24No, but which one?
00:06:25You know, with my usual ailments
00:06:28But I got married
00:06:30You can't even imagine who with
00:06:33Little girl
00:06:39Do you remember, Andrea?
00:06:42Do you remember Toño?
00:06:46Tell me exactly what happened
00:06:49I want to understand things
00:07:00I don't know
00:07:07I didn't do anything
00:07:09You did nothing
00:07:12What? Weren't you sleeping with Nicolás's old lady?
00:07:14Or what?
00:07:14How are you doing there?
00:07:15What the hell?
00:07:16The girl has arrived
00:07:21I'll be right back
00:07:34What the hell?
00:07:38What the hell?
00:07:43What the hell?
00:07:45What the hell?
00:07:47What the hell?
00:07:50What the hell?
00:07:51What the hell?
00:07:51What the hell?
00:07:51What the hell?
00:07:51What the hell?
00:07:52What the hell?
00:07:53What the hell?
00:07:59What the hell?
00:08:10Subscribe to the channel!
00:08:30Don't tell me they're fighting.
00:08:32We already took you down.
00:08:34Do me a favor.
00:08:35Take a look down there.
00:08:36Let's see if there's a guy...
00:08:37This pale-faced look...
00:08:40A scarf and a sweater, yes?
00:08:42Yeah?
00:08:44Move it!
00:08:47Is it there?
00:08:50Are you sitting at a table?
00:08:58Jump out of the garage.
00:09:00I'll tell your brother you left.
00:09:03Okay.
00:09:04Thank you.
00:09:08Tone.
00:09:10What happened?
00:09:12Let's see when you remember me.
00:09:15I don't have a husband.
00:09:17I'm speechless.
00:09:34See?
00:09:36Tell me the name of her husband.
00:09:37And after that...
00:09:40Nuva!
00:10:01Do you have blood, daddy?
00:10:07My daddy got his blood drawn, Mommy
00:10:10Hello
00:10:10Wow, what happened to you?
00:10:12You think?
00:10:13I was removing a pipe and suddenly it came loose and fell off.
00:10:15It's a miracle I didn't knock out a tooth
00:10:20It's something special for dinner
00:10:22Oh, really? What did you do?
00:10:25It's a surprise, isn't it, Marianita?
00:10:27That fish, just the way you like it.
00:10:29Ah, what a delicious surprise!
00:10:34Doña Sol's dress is almost finished
00:10:36What do you think?
00:10:37Oh, it turned out so beautiful!
00:10:40Very well, you should charge him more.
00:10:47Well
00:10:47Put something on, right?
00:10:48Yes, I'll be right back
00:10:51Shall we have dinner?
00:10:52Yes, I'm just checking some invoices and I'll be right back.
00:10:57I'm going with you, daddy.
00:10:59Okay, because you're going to behave.
00:11:00I don't want you to touch anything
00:11:10Mariana
00:11:13Let your dad do his job, okay?
00:11:15Please?
00:11:17Yeah
00:11:29Oh, just leave that alone
00:11:31Don't you understand?
00:11:32I told you to shut up
00:11:34What's happening?
00:11:35He doesn't shut up, he doesn't understand
00:11:39How are you eating, little girl? Are you ready for dinner?
00:11:48Is something wrong, Toño?
00:11:49Nothing, I have a lot of work, I have problems
00:11:51But why are you yelling at him?
00:11:52You never yell at him
00:11:53She doesn't keep quiet
00:12:00Dinner is ready.
00:12:28Look, Toño
00:12:30I just received this anonymous message
00:12:35These are very serious accusations.
00:12:44This is information for me.
00:12:47Who sent it to him?
00:12:50I'm telling you it's an anonymous message.
00:12:55As a kid you had a reputation as a womanizer
00:12:59That?
00:13:00Were you already flirting with Andrea back then?
00:13:04No
00:13:07No
00:13:10I didn't dare with her
00:13:12Oh, no?
00:13:14Because?
00:13:16Because she was different.
00:13:17And you let ten years go by
00:13:19That she got married
00:13:21You came back
00:13:22And out of the blue
00:13:22Wow!
00:13:23To take
00:13:24Even if she were married
00:13:25That?
00:13:26Did it lose its distinctiveness?
00:13:29You?
00:13:31You don't understand
00:13:34That's all he's doing
00:13:36It's letting yourself be swayed by what they say about her.
00:13:42I'm on the road to madness
00:13:46And even though everything will destroy me
00:14:04Hello
00:14:07What happened?
00:14:09I got a flat tire
00:14:14At least three reflective tires?
00:14:17Yes, it must be at the bottom of all those junk pieces.
00:14:19I guess
00:14:20Let's see, let's see
00:14:23Yes, here it is
00:14:34How lucky you were!
00:14:35Yes, okay.
00:14:37Let's see
00:14:42Hey
00:14:43But you should tell your husband
00:14:45I bought you new tires
00:14:47You can't carry your wallet around like that
00:14:54And the cross?
00:14:56And the cross?
00:14:58Yes, thanks
00:15:02I feel sorry for you, Tanya
00:15:05Shame about what?
00:15:08Because of me you're going to be late getting home
00:15:13Because of my job
00:15:15I never have a set arrival time.
00:15:17I'm always on the go.
00:15:21And your wife?
00:15:23Doesn't he complain?
00:15:26She's used to it
00:15:29Where did you meet her?
00:15:31She's Spanish, isn't she?
00:15:33Yeah
00:15:35In Mexico
00:15:37The thing is, I was studying
00:15:38And she wanted to set up a sewing workshop
00:15:41Is she a seamstress?
00:15:44No
00:15:45She's very clever
00:15:48He already has several jobs here.
00:15:49She was commissioned from the city to make some dresses for a wedding
00:15:54And there it goes
00:16:08It seems like no time has passed, doesn't it?
00:16:14You look as beautiful as you did when we were in school
00:16:18When we were in school you didn't like it anymore
00:16:23How do you know?
00:16:28Because...
00:16:30You kissed them all
00:16:33Except for me
00:16:47Doesn't this place fascinate you?
00:16:50I remember ours.
00:17:15Doesn't this place fascinate you?
00:17:26Come on!
00:17:55Come on!
00:18:24Admit it, Toño
00:18:25Tell me she planned it all from that afternoon on the road
00:18:28And we finished quickly.
00:18:31You only want to hear what suits you.
00:18:34I'm not going to say something that isn't true.
00:18:39And what do you know about the truth?
00:18:42The truth is that we saw each other
00:18:45Seven, eight times at my brother's hotel
00:18:49That's the truth
00:18:51We never met anywhere else
00:18:55The time her husband showed up there
00:18:59That was the last time
00:19:01Did you ever get the impression that Andrea
00:19:05Was he forcing things so that your wife would find out about the two of you?
00:19:13No
00:19:16I don't understand your question
00:19:23Of course you understand, don't play dumb, Toño
00:19:27I already told him that was the last time, damn it
00:19:32I didn't ask you that.
00:19:35Oh well
00:19:37It was the last time because you thought Nicolás had found out and was going to do something
00:19:43You were afraid
00:19:44I thought I had lost her forever
00:19:47Andrea
00:19:48Andrea or your wife?
00:19:54Tell me something, Toño
00:19:57Why did you cheat on your wife?
00:20:01What? Didn't you love her?
00:20:04Didn't she love you?
00:20:09Were they having sex?
00:20:13Have you ever thought about getting a divorce?
00:20:21No
00:20:41Don't you want to go to the movies?
00:20:44To the movies?
00:20:46Yeah
00:20:47I can't, you're not going to finish this
00:20:51Come on, not even
00:20:54To spend some time together, right?
00:20:58Didn't you have to get up very early tomorrow?
00:21:01Yes, but it doesn't matter
00:21:03It's been a long time since we went out together.
00:21:07Yeah
00:21:08And Mariana?
00:21:11So we tell Martita to take care of her, right?
00:21:15Yeah?
00:21:19Good evening, Blanca
00:21:22Good night
00:21:24Please forgive me, won't you?
00:21:28I was really nervous, that's why I yelled at you, right?
00:21:31Do you forgive me?
00:21:38Breaks
00:21:45I forgive you on one condition
00:21:49Ah, now you're setting conditions.
00:21:53Which?
00:21:54Take me to the sea
00:21:57Okay, I promised.
00:21:59When?
00:22:03Probably
00:22:05This weekend
00:22:07It all depends on how he behaves.
00:22:10The girl
00:22:11He's already burst out laughing!
00:22:13No!
00:22:13He's already burst out laughing!
00:22:18So, how is it?
00:22:19Hey, what's missing in the next half hour?
00:22:22I have to go see Beto
00:22:24Regarding some traders' budgets
00:22:26I don't know if you want to wait for me here.
00:22:28Here?
00:22:29No, if I'm going to have company, I'll have a coffee.
00:22:33Yes, this will pass.
00:22:34Let's see
00:22:40Leto
00:22:46What happened?
00:22:47What happened? What about?
00:22:49Well, with what happened with Nicolás and André this afternoon
00:22:51What happened?
00:22:52Ah, well, not much, huh?
00:22:56Nicolás arrived and sat down to have a coffee there on the terrace and that was it
00:23:00Yes, that's right, I did manage to see him before I left.
00:23:02But what happened next to... to Don André?
00:23:04No, well, it went down there like...
00:23:06I don't know, like ten minutes after you left
00:23:10She went downstairs calmly.
00:23:11She greeted me and then acted like...
00:23:13She was surprised that Nicolás was there.
00:23:20She sat down with him and they started chatting.
00:23:22Hello
00:23:26They sat for a while and then left together
00:23:31Hey
00:23:33Look, I know you don't like me telling you this.
00:23:35But wait, why are you getting yourself into trouble?
00:23:41Just tell me you don't want to see each other here anymore and that's the end of it.
00:23:44No, that's not it, Toño
00:23:45I'm worried that Nicolás is going to grab a gun and shoot you.
00:23:53Don't worry, everything is under control.
00:23:54No, I am worried, and no, it's under control.
00:23:58Besides, I don't like being a cover-up there with Ana, do I?
00:24:02No, no, no, no, no
00:24:02It's coming with me.
00:24:03It's down here, let's go to the movies
00:24:04Thank you very much, sir.
00:24:07Granita
00:24:07Hello
00:24:10How are you?
00:24:11Very well, and you?
00:24:11Good
00:24:12Excellent
00:24:14Are they going to the movies?
00:24:16Yes, don't you want to come?
00:24:17Wow, I'd love to, but I have to work.
00:24:20Hey Anita, thanks so much for the sheet comment, I haven't been able to say anything to you.
00:24:24They're pretty, aren't they?
00:24:25They're beautiful, I loved them
00:24:27So, what do we have to do to get them to show up around here, huh?
00:24:31What do you think about inviting them this weekend, huh?
00:24:35Yeah
00:24:38We're delighted
00:24:38Okay, then
00:24:40Well
00:24:41Well, I'm leaving.
00:24:43I have to go to work
00:24:45Aren't you going to give him the folder?
00:24:47Oh, what a fool I am
00:24:49The budget
00:24:51Check it out and talk to me tomorrow, okay?
00:24:53As agreed
00:24:54Ah, yes
00:24:55Yes, I'll talk to you tomorrow.
00:24:57Well
00:25:03Let's see, those little eggs
00:25:05Are you going to eat them all?
00:25:08Yeah
00:25:13I answer
00:25:15Well
00:25:16Tone
00:25:18I'm Andrea
00:25:20I need to talk to you
00:25:23Tone
00:25:27Should I give you eggs?
00:25:28No, no, just coffee
00:25:29And juice
00:25:32Who was he?
00:25:33"I don't know," they replied.
00:25:37What did you do to have, my love?
00:25:44Well?
00:25:48Well?
00:25:56It shocks me when the mute calls
00:26:05Are you waiting for a call?
00:26:07Hey?
00:26:08No
00:26:08The thing is
00:26:10You don't want my team
00:26:11And it's already getting late
00:26:13Take care, my love
00:26:20Goodbye, okay?
00:26:23That?
00:26:31That?
00:26:38That?
00:26:54Isn't today Thursday or what?
00:26:56They've already changed the day
00:27:10Isn't today Thursday or what?
00:27:44Isn't today Thursday or what?
00:28:17Isn't today Thursday or what?
00:28:19But it's not that easy
00:28:25You're infatuated
00:28:27That's why you're not thinking straight.
00:28:29That's why you're doing stupid things
00:28:31After a stupid mistake
00:28:35Well, at least try to understand me.
00:28:38Yes, I have tried to talk to her.
00:28:43But I haven't been able to either.
00:28:48What if you talked to Ana?
00:28:51If you tell him everything that's happening
00:28:53You're crazy
00:28:54He's capable of leaving for Spain
00:28:56To take it to me and never let her drink it again
00:29:00This woman is writing you little letters.
00:29:03He's talking to your house
00:29:09I need to talk to her
00:29:38Yeah
00:29:40The bread and the horns they asked me for
00:29:51Tone
00:29:53I was just telling your wife
00:29:55We were telling her about her dresses
00:30:01Are you going to Smiquel for me, bread?
00:30:03Yeah
00:30:04The thing is, I spent time with Beto
00:30:05Regarding the radiator budget
00:30:07And I got thirsty
00:30:08And I went to get a bottle of water
00:30:12Can I have a bottle of water, please?
00:30:15Clear
00:30:24Shall I add it to your account?
00:30:26Yes please
00:30:26Along with my husband's water
00:30:30Good morning
00:30:31Well, you're going to have a field day at home.
00:30:33And I'll take your measurements
00:30:35Then we'll see
00:30:36Very good
00:30:37See you later
00:30:37Bye
00:30:47Yeah
00:30:48Tuna, rice, sugar
00:30:50Yeah
00:30:52Yes, wait for me, Milita
00:30:54Jaime!
00:30:55Wait here, I'll take care of her in a moment, Jaime
00:30:57Attends the period of Milita
00:30:59Where were you, Nicholas?
00:31:01You should be in bed
00:31:02Connected to oxygen
00:31:03As the doctor said
00:31:04I'm going for a walk.
00:31:05Nicholas, go and rest
00:31:06Nicholas is right!
00:31:07Let me go!
00:31:09Thank you
00:31:10Don't do that to me?
00:31:13Potatoes, chingues, chingues, chingues, chingues, chingues.
00:31:48You look beautiful.
00:31:52Liar.
00:31:54Why are you calling me a liar?
00:31:58Because you don't even pay attention to me anymore, my love.
00:32:25I don't want to lose you.
00:32:29Why are you telling me that, my love?
00:32:35Nothing, because I don't want to lose you over that.
00:32:41Run, Marianita!
00:32:45Almar!
00:32:48Almar, Almar!
00:33:04And the girl?
00:33:09There it is, look.
00:33:10Yes, yes, it's done.
00:33:23Oh, no, no, no...
00:33:29Ah, I...
00:33:51What do you have?
00:33:55Why are you crying to me?
00:34:05I'm crying because I'm happy
00:34:08Happy to be with you
00:34:11What are you thinking about, Toño?
00:34:17In you
00:34:20You look beautiful
00:34:34I've been at it for two years.
00:34:35With this passage, I swear to you
00:34:38Atre
00:34:43A capo
00:34:44Let's see if you compete, I'll get it
00:35:09Yeah, add it
00:35:17I'm going with your mom
00:35:19Keep making the channel
00:35:22Don't leave here for a moment, okay?
00:35:35That?
00:35:36No, no, no
00:35:38No no
00:35:38That?
00:35:39No problem
00:35:40Come on, come on
00:35:41Ahhh!
00:35:48Oh, I can't!
00:35:50Ahhh!
00:35:53Ahhh!
00:35:58Ahhh!
00:36:04Ahhh!
00:36:04Ahhh!
00:36:04Don't worry about the skeleton!
00:36:06Hey?!
00:36:10Look at that wave!
00:36:12No problem!
00:36:13Ahhh!
00:36:15Ahhh!
00:36:15Ahhh!
00:36:16Ahhh!
00:36:18Ahhh!
00:36:27Ahhh!
00:36:30Ahhh!
00:36:30Are you OK?
00:36:33Ahhh!
00:36:34Ahhh!
00:36:34We're playing!
00:36:35You scared me!
00:36:36Tell me!
00:36:37Ahhh!
00:36:39Ahhh!
00:36:41Ahhh!
00:36:44Ahhh!
00:36:52Ahhh!
00:37:08Ahhh!
00:37:09Ahhh!
00:37:10Ahhh!
00:37:12Ahhh!
00:37:12Ahhh!
00:37:13Ahhh!
00:37:13Ahhh!
00:37:14Ahhh!
00:37:15Ahhh!
00:37:26Ma'am, Mr. Nicholas is drowning
00:37:29Your oxygen, ma'am
00:37:34Open up!
00:37:41Take care, Nicholas, he's dying!
00:37:50I've told you a thousand times that oxygen should always be near Nicolas.
00:37:56He forgot it up there
00:37:58No, he is not responsible.
00:37:59You have to keep an eye on him, he's your husband
00:38:02No, leave me alone, Mom, for God's sake
00:38:05I'm going to get the doctor, Nico.
00:38:09Jaime!
00:38:10Jaime!
00:38:11Jaime!
00:38:12Doctor, Jaime!
00:38:13You told yourself that you had never spoken to Andrea
00:38:15By phone
00:38:17Yeah
00:38:20How did they schedule appointments?
00:38:23A sheet
00:38:25A sheet?
00:38:27Yes, a sheet
00:38:29Andrea hung a sheet on her terrace balcony on Thursdays
00:38:33When I knew we could see each other
00:38:36I happened to be passing by there on my way.
00:38:38Did he see the sheet or not?
00:38:41A sheet
00:38:44Pretty obvious, right?
00:38:47Well yes
00:38:49And you say you haven't seen her since that afternoon
00:38:52I said I never spoke to her again.
00:38:55Did you send him letters too?
00:39:02Because next week
00:39:04The fourth day
00:39:06You received a blue envelope
00:39:09Scented
00:39:11Pepe, the postman, told me that.
00:39:13He found it strange that it didn't have a return address.
00:39:16I don't know which letter you're talking about.
00:39:19And what if Pepe is sick?
00:39:22She has a lot of imagination.
00:39:24Because I never received a letter from Andrea.
00:39:30Why are you lying, Toño?
00:39:51Mariana, take it away now
00:39:52Your backpack and your little bucket of seashells
00:39:55Wherever you want
00:39:57To the room, wherever you want
00:40:05They're all for you
00:40:06Are they for me?
00:40:08Thanks, I'll check it right now.
00:40:18Awake, you have been able to
00:40:19Lasarras
00:40:20Cajalo
00:40:21Lasarras
00:40:22Cajalo
00:40:23Lasarras
00:40:24Careful
00:40:37New
00:40:46Are you asleep yet?
00:40:49Almost
00:40:53Are you still angry about the beach incident?
00:40:57No, love
00:41:01I got nervous about the wave and I was scared, that's all
00:41:25No, love
00:41:39Do you love me?
00:41:41I think so
00:41:47You're sure?
00:41:58Would you spend your whole life with me?
00:42:07Of course
00:42:12You're sure?
00:42:15You wouldn't be scared.
00:42:19Mine? What for?
00:42:24Can you imagine what our life together would be like?
00:42:26We would eventually get used to it
00:42:35Get used to what?
00:42:50This is the last thing we're going to lower.
00:42:52These pipes, and I think we're going to install them right now.
00:42:55Perfect
00:42:55Very good
00:42:56I think those tubes are enough.
00:42:58But anyway, let me know if anything comes up.
00:43:00Ready?
00:43:01Go on then
00:43:03Well
00:43:04If there's a problem, we'll give you a call.
00:43:06You already know
00:43:07Luck
00:43:07Come on
00:43:08Thank you
00:43:09Thank you
00:43:10Thank you
00:43:10Okay?
00:43:51Can I help you, Toño?
00:43:54Hey?
00:43:55I mean, I was about to close, but if you want something, feel free.
00:43:59Oh, no, no.
00:44:01Well, yes.
00:44:02He has some cigars.
00:44:04Clear.
00:44:06Pass it on.
00:44:11How long have you been smoking, huh?
00:44:13No, no, they're not for me, they're for my wife, she asked me to make them for her.
00:44:19Dale.
00:44:26Thank you.
00:44:28What? No, no, no, no, no.
00:44:30What do you think?
00:44:31No, no, no, no.
00:44:32Just don't tell my mom.
00:44:33No, really.
00:44:34No, no, no.
00:44:36Don't you want a soft drink, a beer?
00:44:40No, thanks.
00:44:41So that you can keep me company, Toño, for a while.
00:44:44It's been a long time since you and I had a beer together.
00:44:49I mean, I only drink mineral water and, you know, I'm forbidden from everything.
00:44:54Yes, but...
00:44:55Come on.
00:44:58Well, we had a beer.
00:45:03Forward.
00:45:04Did they leave you alone?
00:45:06Yeah.
00:45:07Yeah.
00:45:17My mom went to see Dr. Rodriguez because, to make matters worse, I gave her a terrible flu.
00:45:25Hey, I saw your daughter the other day.
00:45:27How beautiful she is, Toño.
00:45:30You have no idea what I would have given to have had a daughter like that.
00:45:37But not.
00:45:40Nothing.
00:45:44And so...
00:45:46That has made me suffer, Toño.
00:45:48And I think that...
00:45:50Andrea too.
00:45:56What about you?
00:45:57What do you think?
00:46:00Well...
00:46:02What can I tell you?
00:46:05No...
00:46:06I don't know her well enough, do I?
00:46:09That's it, you see.
00:46:12Andrea is not happy because I haven't been able to...
00:46:16Give me a child.
00:46:21I'm very sorry, but...
00:46:23I don't have to go, my wife is waiting for me.
00:46:28Clear.
00:46:30Well, thank you and have a good rest.
00:46:35Don't want it.
00:46:36No, no, no, no, no.
00:47:06No, no, Nicolás.
00:47:08Nicholas, I'll tie you up.
00:47:09Yes, yes, that's it.
00:47:11That's it, I'm going to crush you.
00:47:13And if your mom is going to close the door on you,
00:47:15I'm going to do it.
00:47:22We danced, why?
00:47:24Well, I think so, I would say so, wouldn't you?
00:47:27Please allow me this piece, ma'am.
00:47:36Well.
00:47:58Don't worry.
00:48:00Why not better
00:48:04You get into bed,
00:48:07You put on the oxygen,
00:48:09I just closed the shop and I calmed you down.
00:48:13But don't take too long, okay?
00:48:18I want you to read to me for a while.
00:48:20Okay.
00:48:28Health.
00:48:30Health.
00:48:33I'll pick you up tomorrow, Dorita.
00:48:35Please.
00:48:35Please let me know if you need anything.
00:48:37It doesn't matter what time it is.
00:48:39Well.
00:48:39Say hi to Nico for me, Dorita.
00:48:42I always give your greetings to my son.
00:48:44Thank you.
00:48:45Always.
00:48:47Good night.
00:48:48Good night.
00:48:49Dorita.
00:48:50Dorita.
00:48:53How did it go with the doctor?
00:48:56He left the town.
00:48:58Come back tomorrow.
00:49:00That?
00:49:04My son.
00:49:06She's already gone to bed.
00:49:09He was connected to oxygen.
00:49:12The tank is full.
00:49:14Yes, they brought him in this morning.
00:49:16Don't worry.
00:49:19I think you should go to bed too, ma'am.
00:49:23If you like, you can make some tea.
00:49:26If I want tea, I'll make it myself.
00:49:31Hypocritical.
00:50:25That's it! A big jump!
00:50:28Hey, have you got all your school stuff ready?
00:50:30Yes, my lunch and my money
00:50:32Did he give you your money? Don't eat too much junk, my love, I don't like it
00:50:35Good morning
00:50:37Good morning
00:50:38Come in, Mariana
00:50:40Hey, my kiss
00:50:44Are you behaving yourself?
00:50:45Yeah
00:50:46See you
00:50:47Antonio
00:50:48Tell me
00:50:48Did you find out what happened?
00:50:51About what?
00:50:53That Nicholas died
00:50:56Just like that
00:51:02Torita must be going crazy
00:51:04But I know someone who must be thrilled.
00:51:22Look, there it is
00:51:23Look, there's Andrea.
00:51:28Let's offer our condolences.
00:51:32Andrea
00:51:39Very sorry
00:51:41I couldn't believe it
00:51:45Yesterday was the same
00:51:46Yesterday, he was the same one who served me at the store.
00:51:49Well, at least he hasn't suffered
00:51:52And he offered me his condolences.
00:51:54And he offered me his condolences.
00:51:56Thank you, Ana
00:51:57Very sorry
00:52:08Thank you
00:52:14Yes, Marcos
00:52:16Yes, Marcos
00:52:39My deepest condolences
00:52:43Thank you!
00:53:36Thank you!
00:53:40No, thanks.
00:53:49Did I bring you coffee? Would you like some?
00:54:01What did you think when Nicholas died?
00:54:12Well, it didn't surprise me.
00:54:17We all knew he was very ill, didn't we?
00:54:24And when...
00:54:27When you were sleeping with Andrea, did she tell you about her husband's illness?
00:54:37I already told him we weren't talking about Nicholas.
00:54:39Yeah.
00:54:50Ugh, this tastes like a sock.
00:55:00Did you know that when Nicolás died, Dr. Rodríguez was not in town?
00:55:08So what?
00:55:11Andrea knew it.
00:55:19Are you blaming?
00:55:20No, no, no, no.
00:55:22The doctor mentioned a heart attack, and I'm nobody to contradict him.
00:55:26But I think...
00:55:28That heart attack could have been induced.
00:55:33Nicholas is lying there, gasping for air.
00:55:37Midnight.
00:55:39Andrea comes in and sees him.
00:55:41And by simply closing the handle,
00:55:44The poor wretch is drowning, he's drowning.
00:55:47The strike occurs.
00:55:49Then she calmly turns the tap back on.
00:55:52He shouts, looking for the owner.
00:55:55Can't you prove that?
00:55:57No.
00:55:58But help Tarcabos.
00:56:01Young, beautiful, a sick husband.
00:56:05If you want to get rid of it, there.
00:56:08She went.
00:56:10It was her, Toño.
00:56:11The whole town knows it.
00:56:17Good morning, Mr. Antonio.
00:56:20Good.
00:56:22I wanted to give this to you personally.
00:56:27Listen.
00:56:29It doesn't have a return address.
00:57:17Thank you so much.
00:58:00If I were to become free, would you too?
00:59:00Look, yesterday when I was assigned your case, the first thing I did was order this.
00:59:05And you see, sometimes our bureaucracy doesn't work so badly.
00:59:12Do you know what it is?
00:59:14Nicholas's bank statements.
00:59:19And what do I care?
00:59:20But Andrea probably does care.
00:59:23Imagine her doing all this just for herself.
00:59:27Mr. Barrios estimates more than 20 million pesos.
00:59:37Does it surprise you?
00:59:42What? He never told you?
00:59:44Of course, Nicolás's mother, Doña Dora, can initiate probate proceedings and...
00:59:49What interests me?
00:59:51Tone.
00:59:54As a judicial police officer, I'm telling you a great truth.
00:59:57Passion is rarely the motive for crimes.
01:00:01It's about money.
01:00:03And what does that have to do with me?
01:00:05I'm here because of Nicolás's death, okay?
01:00:07You know perfectly well why I'm here.
01:00:10I'm talking to you about money.
01:00:12With a lot of money.
01:00:1320 million pesos.
01:00:15Can you imagine what you could do?
01:00:16I already told him that I didn't know anything about that.
01:00:19How odd.
01:00:20Everyone in town knew that Nicolás had his stash of money.
01:00:24What is he implying?
01:00:25Nothing.
01:00:26I'm not implying anything.
01:00:27But I can't get your image and Andrea's out of my head.
01:00:31talking about the 20 million pesos between the sheets.
01:00:38What's wrong with me?
01:00:56What happened?
01:00:58What happened?
01:00:59Your brother has arrived.
01:01:01He wants to see you out there.
01:01:02Tell him to come over.
01:01:04It's out there.
01:01:04He wants to see you in the car.
01:01:26What happened?
01:01:27It was you, you bastard.
01:01:29What are you taking about?
01:01:29They killed Nicholas!
01:01:31You're crazy?
01:01:32I'll heal you by my mother's word that I didn't do anything.
01:01:35Well then she killed him and you're screwed.
01:01:37I was sick!
01:01:39I gave him a swapped dog!
01:01:40Are you unwell?
01:01:41Come with me.
01:01:44I'll be right back!
01:01:56She rented it for a month and paid in advance.
01:02:01Where is?
01:02:03I don't know where it is.
01:02:05What more proof do you need that he's guilty?
01:02:07What's to blame for?
01:02:09Did she not want to live with her mother-in-law?
01:02:11If everyone points the finger at her, if everyone blames her, it's logical that she wouldn't want to continue living there, isn't it?
01:02:19Rot in hell, you bastard.
01:02:35Leave me alone...
01:02:45Why are you all alone, engineer?
01:02:51A master builder.
01:02:53A master builder.
01:02:55How are you doing?
01:02:57Come on, come here, having a drink with my buddies after work.
01:03:02Come on, let's get together with you.
01:03:04Hey?
01:03:04That?
01:03:04I'll take it with me.
01:03:08The pump has already been installed.
01:03:10Very good!
01:03:12The architect will call you tomorrow.
01:03:19Maria Gaia, right?
01:03:21How is he going to go and look at it?
01:03:24Because?
01:03:27No
01:03:31Are you really leaving in a huff, buddy?
01:03:35What's suffocating me, right?
01:03:38And what about you?
01:03:41Something that gave me!
01:03:42Holy shit!
01:03:43Go on, keep going!
01:03:44Holy shit!
01:03:45Holy shit!
01:03:47Holy shit!
01:03:52Do you see what the customers are like?
01:03:56They have an argument, one after the other.
01:04:01And the drinks started flowing, one after another.
01:04:07until I got a lightning bolt.
01:04:09But what happened to you?
01:04:10What have they done to you, my love?
01:04:12Well, one...
01:04:13But how can nothing happen to you?
01:04:14You've been beaten up!
01:04:16Nothing has happened to me.
01:04:18What do you mean, nothing, Toño?
01:04:28Forgive me, baby, mom.
01:04:49Forgive me, baby.
01:04:56Hello my love.
01:04:57Hi, Mom.
01:05:02Would you mind taking Marielita to school?
01:05:06No, I...
01:05:07I'll take it.
01:05:09And while we're at it...
01:05:14Why don't you go to Doña Dora's store?
01:05:19The store?
01:05:20So that?
01:05:22Well, to bring the errand.
01:05:24My pantry is empty.
01:05:27Jaime can't bring her.
01:05:28No, he can't.
01:05:30I spoke with Doña Dora last night and she told me that...
01:05:32that he would have everything ready in the morning.
01:05:38But if you want, you can bring me the bags when you finish work.
01:05:46I'll bring it to you right now, I just need to leave Mariana.
01:05:50Let's go, Marianita.
01:05:53Goodbye, Mommy.
01:05:55Grab your lunchbox.
01:05:59Can I have a kiss?
01:06:04Mariana.
01:06:26What happened to you?
01:06:31Nothing.
01:06:32Nonsense.
01:06:35What are you doing here?
01:06:37Where do you want me to go?
01:06:46I came for some things my wife ordered.
01:06:50Yes, your order is ready.
01:06:59Here is your wife's order.
01:07:02Thank you.
01:07:04How much do I owe?
01:07:06Some cocolas are missing.
01:07:08Here they are, here they are, güicho.
01:07:11They're in the bag.
01:07:21It's 150 pesos.
01:07:23She has to charge you.
01:07:38We'll see each other again.
01:07:44Yes, I set them aside for you here.
01:07:53I suppose you were surprised to see Andrea there with her mother-in-law.
01:07:56Why would she miss me?
01:07:58Doña Dora was very busy going from the back room, attending to customers, so why would I be there?
01:08:04miss?
01:08:05Then you and she had time to talk.
01:08:06But that's nonsense!
01:08:10All she told me was that she was going to keep going to the store until it sold because
01:08:14She was going to continue taking care of her assets.
01:08:15Nothing else.
01:08:16And then?
01:08:16What did you do?
01:08:19Then I went to Ixmquilpan.
01:08:22I had a date.
01:08:24Well, but first I went home and left some bags.
01:08:27And did you see your wife?
01:08:31Yeah.
01:08:33And did they fight?
01:08:36No.
01:08:37No, nothing happened.
01:08:41Are you sure they didn't fight?
01:08:44No.
01:08:52Did you see the errand?
01:08:59Ann?
01:09:02Ann?
01:09:08Ann?
01:09:09I left your order on the table. I'll be right back.
01:09:18Are you sleeping with Andrea?
01:09:21Yeah.
01:09:24We had a fight.
01:09:28But I didn't want to hurt him.
01:09:33I loved her.
01:09:39I...
01:09:46I didn't look for him anymore.
01:09:54I am guilty.
01:10:21I loved her.
01:10:29Home! Here you are at home! This is where I live!
01:10:34I live here, it's in your house!
01:10:41Ann!
01:10:44Ann!
01:10:45Leave, friend! Please leave!
01:10:49And now Antonio Robles?
01:10:50Where is my wife? Where is my daughter?
01:10:52Calm down!
01:10:53His wife has just been taken away in an ambulance.
01:10:57And can you tell me where you were?
01:11:47His wife has just been taken away in an ambulance.
01:12:05Papago!
01:12:14Thank you!
01:12:16Thank you!
01:13:11Come in, lieutenant. It's upstairs.
01:13:14Doña Dorita, what do I do with the dough you told me not to touch?
01:13:17Huh? It's getting hard now, Doña Dorita.
01:13:19I cut that dough because you are using it when it's too soft.
01:13:22That's why.
01:13:23But that mass...
01:13:24No, don't make me happy!
01:13:26Excuse me, Lieutenant. I'll catch up with you in a moment.
01:13:28That mass is going to mix.
01:13:29What you should do is varnish the donkeys.
01:13:31Are the donkeys varnished yet?
01:13:34And who broke my seashell pinwheel?
01:13:37No no.
01:14:05I see that he has already found his way.
01:14:11Andrea killed him.
01:14:17The doctor said something else. He said he died of a heart attack.
01:14:23She poisoned him, just like she poisoned Toño's wife.
01:14:30I don't understand, ma'am. What?
01:14:33She killed them both, in complicity with Toño.
01:14:37And then leave with him.
01:14:40Get rid of my son.
01:14:41And keep the inheritance.
01:14:44The inheritance?
01:14:45Yes, lieutenant.
01:14:47She's good for nothing. She just wanted Nicolás's money.
01:15:03This is it.
01:15:04This is it.
01:15:05Happens.
01:15:16Here are your things.
01:15:18If you want...
01:15:18You can leave me alone, please.
01:15:24Thank you.
01:15:25It warns you.
01:16:01Okay, Toño.
01:16:04You're not doing anything to help me.
01:16:06Quite the opposite.
01:16:09For example, the thing about the letters.
01:16:13Why do you insist on making me believe that she never wrote to you?
01:16:18What are you trying to hide, huh? I don't understand.
01:16:22Do you recognize this?
01:16:24Now you.
01:16:25What are you going to say to the judge when they rub it in your face, huh?
01:16:29Where did she get it?
01:16:32I've fallen back into their lie!
01:16:34Already!
01:16:34Why should I believe you weren't home all day?
01:16:37Did you go off to sell your business while your wife was slowly dying here from the poison Andrea gave her?
01:16:42Did he put the bread on?
01:16:42Because?
01:16:50I know what happened.
01:16:51That day your wife found out you were cheating on her, you had a fight and she threatened to take her daughter away, right?
01:16:57That was it!
01:16:58Accept it!
01:17:02Accept it!
01:17:10Accept it!
01:17:21I feel so sorry for you, Toño!
01:17:25The people have already condemned them; now all that remains is for the judge to deliver the sentence.
01:17:37Official!
01:17:38Go away to the lady of Silo!
01:17:52Lady
01:17:54I would like you to tell me, please.
01:17:57Why did he write a letter to Toño that said
01:18:01Now you
01:18:04What exactly did he mean to tell her?
01:18:07I already told you, officer
01:18:10I was already alone
01:18:14Now it was his turn
01:18:16Was it his turn?
01:18:18What was his turn?
01:18:20Kill his wife?
01:18:21I didn't say that.
01:18:24The only thing I wanted
01:18:26It was that he would divorce her
01:18:32If I wrote you those letters
01:18:33It was because I needed to know what you were going to do
01:18:36All I wanted was for us to be together
01:18:40Lady
01:18:42How much money did her husband leave her?
01:18:44He didn't leave me any money
01:18:45He left the store to his mom and me.
01:18:48And I don't know how much it might be worth when it's sold.
01:18:56Did you know that Nicholas
01:18:59Did he leave his mother more than 20 million pesos?
01:19:05No
01:19:08No, no, I didn't know
01:19:14Come on!
01:19:19Sir, a little cousin, please.
01:19:20Cardoño, hold on, wait a little while
01:19:24What happened to the suspect's statement?
01:19:26That is urgent so that he can be ordered to prison.
01:19:29Look, Lick
01:19:29There are two things that don't add up for me.
01:19:32The girl knew nothing about the inheritance
01:19:35And I'd like to investigate further.
01:19:38Have the autopsy results for Nicolás del Pino arrived?
01:19:41Yes, but no, there's nothing new.
01:19:42He died, as the doctor said, of cardiac arrest.
01:19:45What poison, what poison, man, there's nothing there
01:19:48Thanks, Lick
01:19:50Bear with me for an hour
01:19:50Just one hour
01:19:52I owe you one.
01:19:56Why did you let him in?
01:19:58What did you say to him?
01:19:59Nothing, Dorita
01:20:01You know perfectly well that nobody can enter the bakery without my permission
01:20:05He went in by himself, Dorita
01:20:06He got in there all by himself, no big deal.
01:20:08You stay here
01:20:09Don't move from here
01:20:10And you pay attention
01:20:12Did you hear me?
01:20:13Yes, Dorita
01:20:18Excuse me
01:20:19But that boy never wants to
01:20:22Obey
01:20:25So there are a lot of mice around here, Dorita
01:20:27No, rather they are
01:20:28They are rapas
01:20:30About that size
01:20:34They're all over the town
01:20:36You know it as well as I do.
01:20:39And that's what poison is for, right?
01:20:41This is an indispensable product here.
01:20:43I sell more of it than cooking oil.
01:20:46Do you think so?
01:20:48Dorita
01:20:49This poison was in the order from the late Doña Ana, wasn't it?
01:20:54She asked me to
01:20:55I have your order out there.
01:20:57I'm going to show it to him
01:21:02This
01:21:04I think this is it
01:21:06Let's see
01:21:09Yes, yes, order
01:21:11It's a can of sardines
01:21:13In corn
01:21:14Two bottles of rat poison
01:21:17Ratimor
01:21:19Love!
01:21:21Excuse me
01:21:23Love!
01:21:25Why are you throwing things?
01:21:26That was already arranged.
01:21:27What were you doing here?
01:21:28You don't have to be going through it
01:21:30It was already in place
01:21:31Go, please, fold the jute hostels
01:21:34Look, look at what you've done to everything
01:21:45Your bread is still excellent, Dorita
01:21:48My wife loves it
01:21:51We do it with great care here.
01:21:56With much love
01:21:59You personally, right?
01:22:01Yeah
01:22:02Does he never help his daughter-in-law?
01:22:03No
01:22:04No, I won't let her set foot here.
01:22:07Never
01:22:09I personally take care of the bakery
01:22:13Well, along with this
01:22:15With what's his name, with Jaime and with this
01:22:18With Which
01:22:19The mute one
01:22:22Then he could have been one of them too.
01:22:24To be what? How?
01:22:27Nothing, Dorita
01:22:28I'm just putting two and two together, that's all.
01:22:34Go there with Jaime
01:22:36Go away
01:22:47Did you write this anonymous message?
01:22:56I didn't write anything.
01:23:01Thanks to that anonymous tip, the investigations began.
01:23:04If we have his daughter-in-law as a suspect
01:23:08You wanted to frame her, didn't you?
01:23:11He also wanted to blame her for his son's death
01:23:13She killed Nicholas
01:23:15Not only did you want to frame them, but you were the one who mixed the flour with the poison.
01:23:20And an innocent woman died, Dorita
01:23:24It was Andrea
01:23:25Was it you?
01:23:26It was Andrea
01:23:27Was it you, ma'am?
01:23:28It was Andrea
01:23:31Was it you?
01:23:38Why, Dorita?
01:23:54My husband
01:23:55He left me nothing in his will
01:23:57Nothing
01:23:59Because he never forgave me for a betrayal I committed against him.
01:24:04And he left everything to Nicholas
01:24:07And Nicholas
01:24:09He left everything to Andrea
01:24:11All the money
01:24:12And I only get part of the store
01:24:17Over time
01:24:18She was going to leave me in the street
01:24:20No store
01:24:22Homeless
01:24:23Out of money
01:24:25With nothing
01:24:27So I ask you
01:24:30Why so much effort?
01:24:32Why so much sacrifice?
01:24:34Why so much work?
01:24:36So that?
01:24:38So a whore can fill it up and take it all?
01:24:56Okay, Toño
01:24:59We did it
01:25:03Thank you
01:25:03Look, I want you to keep this.
01:25:09Take care, Toño
01:25:36He
01:26:06Thank you!
01:26:07Thank you!
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