Skip to playerSkip to main content
Watch This Space looks at 2025's Hell House LLC Lineage.

ORIGINALLY PUBLISHED: November 1st 2025

RUMINATIONS: I've seen people like this film less than the previous films, and while yes it's not as good as it's previous film Carmichael Manor the film does make some big swings and it still works. I have an idea for October to do a BIG retrospective review of the series, but it depends on how things play out.

#hellhousellc #shudder #horror #horrormovies #stephencognetti #moviereviews
Transcript
00:00For those of you that aren't into your horror movie series, a new Hell House LLC film came out recently
00:05on Shudder.
00:05For those of you not in the Null, the Hell House movies are a series of found footage movies directed
00:10by Stephen Cognetti,
00:11detailing the haunted goings-on of the Abaddon Hotel.
00:14Throughout the first three films, a history of the hotel was revealed, showing its ties to a satanic cult led
00:19by a man named Andrew Tully.
00:20The series was thought to have seemingly ended with its third film, Lake of Fire, as the Abaddon Hotel was
00:25destroyed in that film.
00:27But in 2023, Cognetti made a pre-sequel film, Hell House LLC Origins, the Carmichael Manor.
00:33Carmichael Manor detailed a different film crew investigating a different haunted house, whose owners were members of Tully's cult.
00:39I binged a film series last year for Hooptober, and I liked them all, especially Carmichael Manor.
00:43I liked how Cognetti users found footage to tell his stories, and how he can make some truly scarce moments
00:47with the bare minimum.
00:48This latest entry, and last for Cognetti behind the camera, Hell House LLC Lineage,
00:53pulls on not just the events of Carmichael Manor, but the previous trilogy as well,
00:57as the film focuses on Elizabeth Vermilion's Vanessa Shepard, a character from the third entry, Lake of Fire,
01:03who is still dealing with surviving the events of that film.
01:05She gets pulled back into the fray when several people end up mysteriously dying,
01:09who in some way are involved with Carmichael Manor, and how she is connected to that.
01:13The big thing for this latest entry is that it breaks away from its found footage style,
01:16and goes through a conventional style of filmmaking.
01:18It's a big risk. Found footage was an essential part of the series,
01:22and transitioning to a different style could end up being a detriment,
01:25but Cognetti manages to stick the land in.
01:27Retaining the series' creepy and tense horror, but also telling a more detailed and involved story
01:32than a found footage film would allow.
01:33Which brings me to my main, but minor, point of contention with the film.
01:37The film is Cognetti's last film as director, and it feels like he's dumping a lot of lore for the
01:41overall series on the way out,
01:42which isn't bad. In fact, the film finds a good balance between backstory and horror,
01:46but if you aren't as caught up with the series, you're going to be lost,
01:49especially the ending and what it reveals about certain characters left me a little bit confused.
01:53But on the other hand, as mentioned before, Cognetti still makes this film scary by doing not a lot.
01:58Some of its most frightening and effective scares come from whenever the clown mannequins,
02:02the series' mascots, are deployed.
02:03Cognetti manages to mind some great scary moments with them,
02:06aided by this film becoming a regular footage movie,
02:08giving a different type of present than what they had in previous films.
02:11In previous films, they were scary because you couldn't always keep track of them,
02:14due to the found footage genre's more intimate and personal style.
02:17In this, we see what they are doing most of the time in this film,
02:20which makes it just as scary.
02:22Cognetti's use of minimalism in this film also helps the film's non-clown frights as well.
02:26While there are some flashy, and good, moments,
02:29its best scares are usually the more simpler ones,
02:31which give a sense of tension to the proceedings.
02:33It's something carried over from the found footage films
02:35that managed to survive the move, and is used to good effect here.
02:38On the track of filming, I like how Cognetti uses flashbacks,
02:41and how he restages certain scenes from the previous film in a conventional way.
02:45It's a small thing, but I like how he does it.
02:46Another aspect I liked was Elizabeth Vermilia's performance in this film.
02:49Her character isn't too dissimilar from other horror protagonists
02:52who survived the last film and now have trauma that you've seen before,
02:55but Vermilia sells it rather well here.
02:57She gets to do a lot of heavy lifting in this film,
02:59and it's a highlight for me to see her do it.
03:00I hope to see her in more stuff down the line.
03:02I found Hell House LLC lineage a good entry that does something different
03:06from the previous films, even if it is tangled in some backstory business.
03:09It manages to be just as scary as the previous entries.
03:12The film is currently available on Shudder at the time of this recording.
03:15Like what you see here?
03:16Then please subscribe from my YouTube channel,
03:17so you can get more Watch This Space,
03:19but also other things, such as my short films.
03:21Please remember to like and subscribe the videos you just watched,
03:24and also, please check out The Orange Bin,
03:27my blog, where I have write-ups of my episodes here,
03:30which have links to sources that I mentioned on the show.
03:34I also contain some of my old blog posts,
03:36if you want to see what else I used to do back in the olden days.
03:39So please remember to check out my blog,
03:41and like and subscribe to my YouTube channel.
Comments

Recommended