- 4 hours ago
Love & Hip Hop- Miami
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00:00Previously on Levin' Hip Hop Miami,
00:02the only person that do voodoo here, it's Eliza.
00:06I see a video that show Eliza performing a voodoo ritual
00:11holding a mara perfume.
00:14She coming up here about me going to a mama for a-
00:16Wait, did you go?
00:17Yes, I went and got a bag.
00:19You know you didn't go for that.
00:21you!
00:22You don't want to be in my car, bye.
00:23What the ?
00:24You just gonna leave me, bitch?
00:26I'm mixing and meagling, and I'm about that status,
00:29that bag, and whoever bring in the biggest one.
00:32I think we should go to the studio.
00:34The studio?
00:35You worked with the baddest bitch of Miami,
00:37now you gonna work with the baddest bitch of Cali.
00:39I want more from the man that I'm dealing with.
00:41I need a mother car.
00:43You gonna be with me, that's what I need.
00:45You keep bringing these gifts,
00:47thinking that it's gonna make me want to take you back,
00:49you played me.
00:51Don't bring your ass back around here,
00:52cause you might find enough in here.
00:54Shay, you called your husband,
00:56your second post holder.
00:57Keep me and my husband made out of your dusty ass mouth.
01:01So you're not gonna do the scene with me?
01:03I'm not.
01:03You're a real piece of .
01:05You run your out too much.
01:08You been arguing with bitches for 20 years on TV?
01:11Certain moves I have to make,
01:13I might have to just X your part out.
01:21I don't want to leave.
01:25All right.
01:30You're on.
01:36I can push you through.
01:48Today we're at iHeartRadio, but it's not about me.
01:52It is all about Swerve 305, my husband.
01:56Oh, my gosh.
01:59Rockstar.
02:00Oh, man.
02:00What are you doing?
02:01I'm doing good.
02:02I'm good.
02:02I'm good.
02:02Yes, thank you.
02:03He is dropping his brand new single, All Up In It, and today we are here to celebrate
02:08him.
02:09Swerve, I know it's all about you today, but I'll be crazy and Miami will kill me if
02:14I do not recognize the diamond princess, the queen in the building here today.
02:18Trina, what's up?
02:19I'm here.
02:21That's what's up.
02:21It's 25 years.
02:22Yes.
02:23The baddest.
02:2425 years ago, I released The Baddest, the album that launched my career.
02:29I'm being honored by Sheen Magazine with the party commemorating the milestone.
02:34What is something that you would say to Swerve after you celebrate your 25th anniversary
02:40of the baddest?
02:41You know, staying true to who you are, believing who you are.
02:44I feel like the blueprint where we are now in musical scenes have changed drastically since
02:5025 years ago.
02:51Like, you're in competition with yourself.
02:53So when you look in the mirror, how do I make myself better?
02:56Like, he got it.
02:57He knows what he's doing.
02:58And he takes his music very seriously.
03:00So, Swerve, let's talk about this new single.
03:04I'm a fan on so many artists.
03:05And no matter what they was going through, in that time, they made us feel just as big
03:09as they feel.
03:10That's what I want on my projects to sound like.
03:13And represent Miami.
03:14Oh!
03:16Like, you get what I'm saying?
03:19All right, Swerve, it's go time now, man.
03:21We got to let the city hear what you got.
03:23Woo, boy, Swerve, man.
03:25305, man.
03:25Pick it out, first time getting dropped, right here on 103.5 The Beast.
03:29Yeah!
03:30All right, let's go!
03:32When I catch you guys, I just want to go set on our team real quick.
03:35Yeah.
03:36Come back.
03:36Thanks, Swerve.
03:37Yeah.
03:39I'm standing on my own as an artist.
03:41I'm finally getting a chance, you know what I'm saying, to open up a little more than I
03:44normally do.
03:45And Mary and Trina, they just elevate things even more.
03:48I think you did amazing.
03:49I think it went good.
03:50Like, I feel good about it.
03:51Hey, do your thing.
03:52That's big.
03:53That's beautiful.
03:55But yeah, how you feel about your event?
03:57I'm excited for that.
03:59But I have, like, so much on my mind.
04:01This Shea girl, I'm so Aggie with this whole situation.
04:06Since she didn't apologize, it's time she get off.
04:09That's bull.
04:12So anyway, moving forward, we focus on what we focus about.
04:16Yeah.
04:16I'm excited for the whole 25-year celebration.
04:20Period.
04:21I need you not worried, back happy, and run around how you run around.
04:30All right.
04:31You got to come back by at least by Friday.
04:34Where you at?
04:34I'm in the studio going over some someone.
04:37Hey, Trick.
04:37I'm trying to see what her song sounds fast.
04:41I'm very excited to see Trick and get this music popping.
04:44He put Trina, the baddest bitch of Miami, on the map.
04:48So I feel he could do the same with me.
04:51And I give you, like, three options, and you tell me which one you like.
04:54All right, Celia.
04:56What's going on?
04:57I appreciate you setting this up for me.
05:00This music ain't no joke now.
05:02It take preparation, as you can see.
05:04It take thanking.
05:06It take a crew of people.
05:07Like, one person can't do it.
05:09Like, you know there's a different rapper that come out every hour.
05:12Some of them you would never know because they don't make it far.
05:15So what makes you different?
05:16I'm the next baddest bitch.
05:18I'm from Cali.
05:19I want to rep my city, my state.
05:22Okay.
05:22Ain't no bitch comparing to me.
05:24Then my single represents that.
05:25It's called Bad Bitch Alert.
05:27So it fit me perfectly.
05:28Because you pretty and fine?
05:30No.
05:31The reason why I really want to do this music trick
05:33is because people know me as Boots.
05:35You know what I'm saying?
05:36People don't know the backstory of all of that.
05:38They don't know that I did not go into things wanting to be a star.
05:44We did not know that that show would blow up.
05:46Fast forward, the show becomes number one in the world.
05:49Bookings ran its course.
05:51I got tired of it.
05:52My life was not fulfilled at all.
05:55I ended up getting married to someone.
05:57It didn't work out.
05:58Had my three children while I was in that marriage.
06:01Now it's time to do me.
06:02That was the most sense you ever made.
06:04For one, I never knew where you come from, how you started.
06:06I didn't ever know.
06:07So I might have misjudged you in a whole lot of negative ways.
06:11But you got some crazy going on in there.
06:14What are you specifically talking about?
06:16The feistiness.
06:17I'm not in that space right now in life to deal with a headache again.
06:22I don't care how good your is.
06:23It's not going to make me put up with your attitude when it comes to this music.
06:27I'm being honest.
06:28I want you to start with listening to my song.
06:30Let's see this mother f***ing music.
06:33Bad bitch alert.
06:34Bad bitch alert.
06:37Bitch make that f***ing work.
06:39Bad bitch alert.
06:41Bad bitch alert.
06:42All my bitches getting money, let me see you twerk.
06:44Bad bitch alert.
06:45Bad bitch alert.
06:46All my bitches getting money, let me see you twerk.
06:49Bad, bad bitch alert.
06:50That's not bad.
06:51Now let's be real.
06:52The record needs a lot of work.
06:54But it's just something about Larissa that keep my attention.
06:57Now I like her energy and I understand her story.
06:59But hot damn sure can't wait to have some fun with that.
07:03So we gonna make a hit?
07:05I don't know.
07:06A hit record is a forever record.
07:08So just keep that in mind.
07:09Okay.
07:10So Trick, I heard Trina having a 25th anniversary.
07:14You want to go with me?
07:16Trina having a 25th anniversary?
07:18Yeah, they didn't tell you?
07:19No.
07:20Why they wouldn't tell you?
07:21I am puzzled like a mother f***.
07:25Now which one of these lame mother f*** forgot to invite me again?
07:29We're here in Atlanta for the anniversary.
07:31Where the hell are you?
07:32Where the hell are you?
07:33Y'all forgot there's no Trina without Trick Daddy.
07:37Stop playing with a f***, man.
07:39How the f*** is you planning the 25th anniversary for Trina
07:42and Trick is not involved, invited, or notified?
07:47If you want to go, we can go.
07:48I'll take you.
07:49I have no problem with going.
07:50You want to go?
07:50I'm telling you right now, I'm planning on staying alone.
07:53I'm going to go and support because I'm not a hater.
07:56I'm very proud of what she's done in her career.
07:59But how they celebrate this without me,
08:01I don't know who the f*** is playing this.
08:22I see you putting in that work today.
08:24You real serious.
08:26Yep.
08:27Mama Tip, aka Maria, is like my idol.
08:33She's resilient.
08:34She's strong.
08:35And she raised me as a single mom since my dad wasn't around.
08:40I've been reflecting and laying low since the whole breakup,
08:44but it was something that Chuck said that really keeps sticking with me.
08:49I used to talk to your mom.
08:50I said, can I express my feelings to your daughter?
08:53So you're telling me that you're talking to my mom?
08:57What's wrong?
08:59You had a bad night?
09:00I wanted to let it go, but I feel like I really need to check my mom on it.
09:05You've been talking to Chuck?
09:08Well, kind of.
09:10Why would you be talking to Chuck?
09:12Well, because, you know, we established a relationship,
09:16and I just kind of feel bad for him.
09:18You know, I just wanted to just reach out to him
09:20and just find out what's going on with him.
09:21For me, it seemed like you're picking him over me in this situation
09:25when I am the victim.
09:26I'm not picking him over you.
09:28I was just hoping maybe some kind of way,
09:31I was trying to help him find a way so that he can get you back,
09:34because I think you guys make a really cute couple.
09:36You were creating your businesses together,
09:39so I want this for you guys.
09:42So you want me with a cheater, a liar, a cheater, a heartbreaker?
09:45No, but that would be good help.
09:46He went and sat down with Amada
09:48and told her that I messed with married men.
09:50He went and told her that I'm obsessed with her.
09:53There's no coming back from that.
09:55I understand your frustration, Kate.
09:57I can't even function right,
09:59and I'm trying to do the best that I can.
10:01I've been talking to a spiritual healer,
10:03trying to dissect everything,
10:05and while talking to her,
10:06I've been realizing that my choices in men
10:10probably come from not having a father.
10:14Well, you never had that father figure,
10:16but you turned out fine.
10:17But the men I pick are not,
10:20and that's the problem.
10:22My dad is a really complicated person,
10:25and I hate the word deadbeat,
10:27but that's really what he is.
10:29I've tried to connect with him
10:30on numerous occasions over the years,
10:32but he said he will only talk to me if it's on TV,
10:36and I don't feel like I want to grant him his wish.
10:40Of course, he's the reason why I got abandonment issues.
10:43You have the answers within yourself.
10:44You have to dig deep.
10:46That father figure that we have,
10:48he's not the person to run to,
10:49nor does he care,
10:50so you could just exit that out of your mind.
10:53Go on and talk to him.
10:54You're not going to get any answers that you need.
10:56I need you to let me heal
11:00the way that I want to heal
11:01and support me in that.
11:05Coming up on Lovin' Hip Hop Miami.
11:08It's no secret.
11:09I have my spiritual beliefs like voodoo.
11:12You're going from a BBW to a baddie.
11:14Do you need to think about the results?
11:15I'm thinking about when I had to recover
11:17from my gastric sleeve, bitch, and I almost died.
11:19Shay like to run and hide.
11:21I seen Armada have an event,
11:22and I'm going to pull up and let that bitch know
11:24what the up.
11:25Where the Bucky at?
11:26You hard of hearing, bitch?
11:36How do you like it?
11:37It looks amazing.
11:38I love how it came out.
11:42I am prepping for my pop-up shop
11:44for my perfume, Eternal Beauty by Armada.
11:46My sales have been doing so, so well.
11:49Hopefully, people are actually enjoying it
11:51and not using it to do spells
11:53to try to steal my life like Eliza.
11:55Oh, my God, I can't wait to set up my event
11:58with all these prints.
12:00Hi, Armada.
12:01Hi, my love.
12:02How are you?
12:04I'm going to go check on my print right now, okay?
12:05Okay, okay, for sure.
12:06Tell me this is not fabulous.
12:07This is fabulous.
12:08Thank you, baby.
12:10I'm so happy.
12:11I was like, you know what?
12:12Instead of dealing with all these stupid bitches
12:14that keep getting me, like, out of track,
12:16if I just refocus my energy on my perfume
12:19and then just, like, at the end of the day,
12:21this is what matters to me.
12:22My brand, my product.
12:23Sister, I love the idea,
12:24but we can't have that show
12:26that went down in AmaraFest.
12:28You!
12:30I was so embarrassed.
12:32I probably should have handled myself better.
12:35Anyways, I end up going to the bar with the girls
12:37to have a moment,
12:38and while we were in the bar,
12:39Eliza told me something
12:40that I wasn't prepared to hear.
12:42She told me that Gael put voodoo on me.
12:45What?
12:46Yeah.
12:47Do you have holy water?
12:49Child, I'm not even worried about that
12:50because I am protected by the blood of Christ.
12:53So we decided to just pull up on Gael and meet her.
12:57So we pulled up to confront her,
12:59and she had a lot to say.
13:00You're doing voodoo.
13:01Tell her what you did.
13:02Get the out of here.
13:04What?
13:04I'm like, wait,
13:05are you saying that Eliza did voodoo on me
13:09because she's envious of me?
13:11That's what Gael said.
13:13I thought that Eliza was my friend,
13:15but when I asked her,
13:16did you go?
13:17Yes, I went and got a bath.
13:18A bath.
13:19She admitted it.
13:20She said,
13:21yep, I do voodoo and what?
13:23What?
13:24And then the weirdest thing,
13:26Heaven told me that
13:27when she went to go do her ritual,
13:29whatever,
13:30my perfume was there.
13:31What does my perfume have to do with anything?
13:33Exactly.
13:33She wants to do brujetti on that thing,
13:36like, I don't know, something there.
13:37Maybe so that I don't sell perfumes
13:39because she has another coming.
13:41I am, I'm wearing now.
13:43I'm afraid to invite anyone to be honest.
13:45I don't want none of those problems,
13:46but thankfully,
13:47I at least still have Shay.
13:49Shay gotta go.
13:50All of them gotta go.
13:51Why?
13:52Shay hasn't done it.
13:53Because they're you down.
13:54No.
13:54They bring drama,
13:55they create chaos,
13:56and everything is up.
13:57No, Shay is my friend.
13:58Those bitches gotta go.
14:00It's all about your rap,
14:02your brand,
14:02your imaging,
14:03you're way up there.
14:04No.
14:05Down here, those bitches.
14:07You are Amara La Negra.
14:09I know,
14:10but it's not about me as an artist,
14:12it's about me as a friend.
14:14Okay,
14:15Shay could come to the event,
14:17but there is Shay drama,
14:19we're cutting her off.
14:21I wanna see the baddest bitches
14:23who gonna stand out.
14:25I'm the main character.
14:26I'm the main character.
14:28I'm the main character.
14:30Bitch,
14:30oh, background.
14:31I am feeling very frustrated,
14:33annoyed,
14:34and bothered
14:34by all the people
14:35around me right now.
14:36I was kicked out of a movie
14:38by Trina's husband,
14:39Swerve.
14:40Then I was thrown under the bus
14:41by my so-called best friend
14:43and business partner,
14:44Julian.
14:44I would have never thought
14:46one of the last allies
14:48that I have
14:48would be
14:49a life.
14:53Girl.
14:54We both said
14:55at the same time.
14:56How you been?
14:57Terrible.
14:58Oh, gosh.
14:59Few weeks.
15:01Ah.
15:01I've been going through it.
15:02What's going on?
15:03It's been back-to-back drama.
15:05Trying to focus on the new Shay.
15:06I'm trying to get into movies.
15:08My people.
15:11Julian has been in the movie game,
15:14right?
15:14Which I'm super excited about.
15:15He put me in the movie
15:16with Trina.
15:17If I do a movie with Trina,
15:19it's gonna give me
15:19the clout that I need
15:20so people can see
15:21that I can really act,
15:22bitch.
15:22You know what I mean?
15:23I pop up on set.
15:24I try to holler at her
15:25about her stupid-ass cousin Joy
15:27and try to figure out
15:28if she can sit
15:29and mediate the situation.
15:30In the midst of me telling her
15:31what's happening with Joy,
15:32her punk-ass husband
15:34was sitting in the back
15:35jumping all in the middle of
15:36with something to say
15:37trying to defend Joy.
15:39Joy did say no disrespect to her, though.
15:41How you gonna say
15:41no disrespect to somebody's mama
15:43and say you raised a serpent?
15:44Well, do you know
15:45this man went and met up
15:46with Julian and told Julian
15:48that his wife is pissed off
15:50that I showed up on set?
15:51Sis, this is a lie.
15:52This is the tea, bitch.
15:53If I do not apologize
15:55to his wife
15:56I was kicked out the movie,
15:57I already shot
15:58a bunch of scenes for.
16:00Wait, he's...
16:01Let me move forward.
16:02We don't set.
16:02Me and Trina,
16:03we're supposed to do our scene.
16:04I sit down and talk to her
16:05about what her husband
16:06is demanding from me
16:07or I can't be in the movie.
16:09And she's like,
16:10going off, going crazy.
16:11You run your...
16:12I don't run.
16:13You've been arguing bitches
16:14for 20 years on TV.
16:16So when she walked off
16:17I was so mad.
16:19I'm like,
16:19you a piece of...
16:20Like I said,
16:21you're a piece of...
16:22I'm not doing a thing.
16:23You're a piece of...
16:24I'm not doing a thing.
16:25You're a real piece of...
16:27Sad to her?
16:27Yes.
16:28Not only you say
16:29me,
16:30the movie
16:31and whatever Joy
16:32said to your mama.
16:33That's how I took all that.
16:34I'm so pissed.
16:35So let's see who's...
16:36So there's no way
16:37of fixing it?
16:38Do you know how long
16:39this Shay hate train
16:40is right now?
16:40Let's take it from the top.
16:42From Joy,
16:44Trina,
16:46Swerve,
16:47Julian,
16:48who used to be
16:49my best friend
16:49and now he didn't
16:51cut me off
16:51for a mother...
16:52that didn't cut him off
16:53multiple times
16:54throughout the years.
16:55You guys just need
16:55to sit down
16:56and talk about it.
16:57I'm just keeping it real.
16:59Shay is Shay-ing.
17:00This is what she does.
17:02Shay Johnson
17:03loves to cut up
17:04and then act surprised
17:05when the consequences come
17:07like getting kicked
17:08out of the movie.
17:09But anyway,
17:10are you going to
17:11Amada's pop-up?
17:12What pop-up?
17:13Her pop-up
17:14that she had
17:15at her event.
17:15I don't know
17:16anything about a pop-up.
17:17Amada might be
17:18on her bull...
17:18So you ain't hear
17:19nothing about the perfume
17:20pop-up?
17:20No, I was not
17:22invited.
17:23What's going on
17:24because this ain't right.
17:24Last time we sat around
17:26wasn't too long ago,
17:26bitch,
17:27we was all friends.
17:28It's a long story.
17:29So you remember
17:30what happened with Gael.
17:31As soon as she walked in,
17:32was on some weird...
17:33Yeah.
17:34So after that,
17:35we pull up.
17:36She's confronting Gael
17:37and Gael busts out
17:38and say,
17:39you need to worry
17:40about her.
17:41She your fake-ass friend.
17:41She put boodoo on you.
17:43And Amada
17:44turns to me
17:45talking about Eliza.
17:46You put boodoo on me?
17:47I'm supposed to be
17:48your friend?
17:49Bitch, I got pissed.
17:50That's fake as s***.
17:52I can't allow Amada
17:53to sit there
17:54and believe Kermit the Frog
17:56over what I'm telling her,
17:58especially from a bitch
17:59that s*** her baby daddy.
18:00That's weird, bitch.
18:01I don't know
18:02why she's saying that.
18:03I mean, I...
18:03Come on now.
18:04Like, it's no secret.
18:05I have my spiritual belief
18:06just like you have
18:07your spiritual belief.
18:07What is your spiritual belief?
18:09Voodoo?
18:09It's just something
18:10similar to voodoo, yes,
18:12but it's positive stuff.
18:13You get what I'm saying?
18:14No.
18:15Asking for protection
18:16and blessings
18:17is not the same
18:18as putting a curse
18:19on someone.
18:20Gael is using tired-ass
18:22voodoo stereotypes
18:23instead of facts.
18:25Now, I'm the one
18:26paying for it.
18:27Something missing
18:28from this story.
18:29This is the thing.
18:30How we handle situations
18:31in the past,
18:32it didn't work, though.
18:33So I don't know
18:33if I'm going to Amada
18:34probably then or not,
18:35but long as we're not
18:36all fighting at her event,
18:37let her have a good time,
18:38we'll figure it out later.
18:39Both of us
18:40don't need to pop up there.
18:41I'm not going.
18:42I don't go where
18:42I'm not invited.
18:43Okay, so...
18:44Never been that type of bitch.
18:45I'm stressed out
18:45dealing with my own drama,
18:47so I really honestly
18:48don't feel like
18:48dealing with this problem
18:49with Amada and Eliza,
18:51but how is it
18:52Amada would believe
18:53anything this snake
18:54Gael has to say?
18:55We ain't gonna let
18:56the boo-boo face
18:56come between you and Amada.
18:58That's not gonna happen.
19:00Coming up
19:01on Love & Hip Hop Miami.
19:02I spoke to Shay.
19:03Hopefully we can
19:05come around again.
19:06She called my wife
19:06a piece of s***, though.
19:08We ain't doing that.
19:09Thank you so much
19:10for coming.
19:22Oh, wow.
19:24Go ahead, baby.
19:25Put that in there, too.
19:27Oh, thank you.
19:30Today we are here
19:31to celebrate
19:3225 years of Amada.
19:33the album
19:34that launched
19:35my career.
19:36Julian.
19:38My guy.
19:38What they do?
19:39Hey.
19:40How you doing?
19:41This is crazy.
19:43How you been?
19:44There's been a lot
19:45of craziness
19:46going on
19:47with everybody
19:47in the film.
19:49I've been meaning
19:50to talk to you
19:50about something.
19:51What's up?
19:52The last time we had
19:54the studio session,
19:55I was listening to
19:56some of the conversation
19:57when Shay was talking.
19:58I didn't really like
19:59what she was saying.
20:00I wanted to confess
20:01and tell you that
20:02I did go back
20:02and tell them
20:03that I don't want
20:04to be fake
20:04and not tell you
20:05what happened.
20:05Yes, I did talk to
20:06Trina and I apologize
20:08to you.
20:09Listen,
20:09I accept the apology,
20:11but if we're gonna
20:12move forward,
20:13I can't have that
20:15interference come in
20:16because it's messy.
20:17Please do not make it
20:18any worse than what it is.
20:19I'm not.
20:20Promise.
20:21All right,
20:21I'm gonna get you later.
20:23I feel so bad
20:25snitching a joy in vanity,
20:26but honestly,
20:27Trina and her peoples
20:28had my back with change.
20:29I feel like I had
20:31to tell them
20:31what Shay was saying,
20:33even if it means
20:34pissing off Julian.
20:35Oh, here she goes.
20:36Look at her.
20:37Look at my sister
20:37looking good.
20:38It's beautiful here.
20:40Y'all,
20:41next week,
20:42y'all need to come
20:42with me somewhere
20:43to my consultation
20:44for my office.
20:45What the hell?
20:45You going?
20:47Yes.
20:47So, Dr. Miami,
20:48I made an appointment
20:49with a famous
20:50plastic surgeon,
20:52the Dr. Miami.
20:53I've lost
20:53almost 180 pounds.
20:56Now,
20:56I want to see
20:57the results
20:58that I worked hard for.
21:00The skin removal
21:00is the next step.
21:02If you need us there
21:02to support you,
21:03we'll be there.
21:04No, I need y'all.
21:05Y'all support me a lot.
21:06Don't waste a bunch,
21:06bitch.
21:07Let's go see.
21:13Trick's doing pretty good
21:14in this competition
21:15between him and Michael.
21:17I got studio time
21:18and now I'm stepping out
21:19as his date publicly.
21:21The key to Miami
21:22is getting that much
21:23closer to me.
21:24Hi, guys.
21:25Hi.
21:25What's up, beauty?
21:27Look who I have here.
21:28What's going on with y'all?
21:30I haven't seen y'all.
21:30What's going on with you, bitch?
21:32I've been blessed
21:33to find out
21:34that Chuck is cheating on me.
21:36Wow.
21:37But on top of all that,
21:39my mom and him
21:40have been talking.
21:41But she probably
21:42love him for you.
21:43And I know that,
21:44but I have to cut all contact.
21:45Are you done?
21:46Yeah, I'm done.
21:47Well, well, well.
21:48If it isn't misused...
21:49Oh, no!
21:50What?
21:51Hey!
21:53Oh!
21:53I like it!
21:55Yo, we hit fire.
21:56I'm sitting over here
21:57talking to my girls
21:58and look who walks in,
21:59Trick and Larissa.
22:00They look kind of cute together.
22:02I guess I did my job.
22:04What's up?
22:05Why you at the three?
22:06I'm just surprised
22:07to see y'all two
22:08walked in together.
22:09You know me and Larissa were cool.
22:11So I done passed
22:12her leftovers?
22:13Yo!
22:15Oh, this one is not my leftover.
22:17Oh, Larissa!
22:18But I'm going to be nosy.
22:20Has he been nice?
22:21Yes, real nice.
22:22Let me feel y'all...
22:24What are you doing?
22:25That's a good one.
22:26I ain't no good.
22:26It's been cool kicking it
22:27with Larissa,
22:28but what a man like me doing
22:29sitting at the table
22:30gossiping with a bunch of women?
22:32They're too saucy for me, Jack.
22:34So, I got a lot to tell y'all.
22:37Shay, pull it up
22:38to my cousin's job
22:40to state that I came to your
22:42and I cursed you
22:43and I threw a drink
22:44on your mom.
22:45Bitch, I didn't throw
22:45a drink on your mom.
22:46What's up?
22:47What up, bitch?
22:48What up, bitch?
22:48She told me you threw
22:49the drink at home.
22:50She told me that, too.
22:51That wasn't me
22:51that threw the drink
22:52on your mom.
22:52Well, who did?
22:55I threw that
22:55mother drink
22:56at her mom.
22:58What's up?
22:58What up, bitch?
23:02If the bitch
23:03got a problem,
23:03it's her mama
23:05when she talked
23:05about my mother
23:06dog.
23:07When you with my family,
23:08I with yours.
23:10I got more, though.
23:11I got more.
23:13What happened?
23:14You know,
23:14Julian, he has
23:15this production going
23:15and Trina and Shay
23:16happen to be
23:17in the same movie.
23:18So Swerve tells me
23:20that he kind of
23:21like stepped to Julian
23:22and was like,
23:22yo, he owed my wife
23:23an apology.
23:24Shay said she ain't
23:25giving nobody
23:25no apology.
23:26And she proceeds
23:27to tell Trina,
23:28oh, you a piece of
23:30I feel like Trina's
23:31mindset right now
23:33is to not stoop
23:34to the level of hell.
23:36Well, y'all know
23:37Shay like to run
23:37and hide,
23:38but I'ma find
23:39that mother
23:39I seen her
23:41little raggedy
23:41ass homegirl
23:42Mata have an event
23:43on Instagram
23:44and I'ma pull up
23:45and let that bitch
23:45know what the
23:46up.
23:47Oh!
23:48Vagery.
23:49Line them hoes up.
23:50I need to check
23:51the hell out of Bucky
23:52because she's been
23:53running around town
23:53lying on Joy.
23:54Let's get it
23:55all the way straight.
23:56I threw the drink
23:57on her mother
23:57mama.
23:58And ever since,
23:59Shay has been
24:00hiding from me.
24:02Hey, guys.
24:03I'm sitting down
24:04because I'm
24:05going to be her,
24:05but I am so happy
24:07that everybody
24:08came out to celebrate
24:0925 years
24:10in the industry.
24:12It did not
24:13happen overnight.
24:15I hate my ties
24:16and I need you.
24:18But let's be
24:19very clear.
24:20I appreciate you guys,
24:21every single one of you
24:22that took this time
24:24out today
24:24to come here.
24:26Shout out to my husband.
24:27I love you.
24:28You're in the ocean.
24:29And all my friends,
24:31family,
24:31everybody that supported
24:32me,
24:33all of you,
24:33Tony Neal,
24:35DJ Ness,
24:35all the DJs,
24:37Apple, everybody.
24:38Thank y'all
24:39for coming out tonight.
24:44No invite,
24:45no thank you,
24:46and no surprise
24:47to me.
24:47It's the same
24:48with Trini.
24:53Hey, what up?
24:54What's up, man?
24:55You doing it, bro?
24:55There's a party going
24:56over here.
24:57I'm about to say
24:57right quick for me.
24:58Come back.
24:59Man, I'm really on edge
25:00and just irritated
25:01and aggravated, man,
25:02with Julian, man,
25:03this whole thing
25:04with Shady.
25:04I'm really not into
25:05like how Julian
25:06do business with Trini.
25:07It's Shady.
25:09It's jinky.
25:10Shady, what up, man?
25:11Man, beautiful day,
25:13my brother.
25:1325 years, man.
25:14It's beautiful.
25:15Yeah?
25:16Yeah, man.
25:16What went on
25:17with you doing your thing?
25:18What's going on over there?
25:20Um, I spoke to Shady.
25:22It was rough,
25:23but I explained to her,
25:25even though she didn't like it,
25:26that I'm just gonna
25:28put her on pause
25:29and hopefully
25:30we can come around again
25:32and maybe talk about it.
25:34We ain't doing that.
25:35You heard me?
25:36We ain't doing that.
25:37I said either
25:38they wanted an apology
25:39to set the tone right
25:41so they could be on understanding.
25:42If not,
25:43we gotta do something else.
25:44It was really nothing with you.
25:46It was really nothing with me.
25:47Then she called my wife
25:48a piece of s***, bro.
25:51Man, listen.
25:52Ain't s*** about my baby
25:53a piece of s***, man.
25:54Absolutely not.
25:55And so that's what
25:55I'm tripping on.
25:56You get what I'm saying?
25:57So all that other stuff,
25:58even with like
25:59her saying
26:00this, that, and the third,
26:01even with me a purse holder, man.
26:03You know me as a man.
26:04Ain't s*** about me
26:05no purse holder.
26:06I'm doing what I gotta do
26:07for my woman.
26:07But me as a man, bro,
26:09you know how I'm coming.
26:10I told Shay that she was
26:12out of the movie
26:12and it was extremely hard
26:14because she is
26:15such an amazing friend to me.
26:17Now, Swerve,
26:18he's still pissed.
26:19So I'm gonna stick
26:20to the decision
26:22even if it doesn't
26:23sit right with me.
26:26The one thing about me, man,
26:27I put what I'm doing first
26:29before I put
26:31any personal stuff in it
26:32even though I was
26:33trying to help people.
26:34So as of right now,
26:36I cut Shay out
26:37so that way
26:38we can move forward.
26:40So I hope that
26:41works for you guys.
26:42Salute to that
26:43as a man.
26:44You get what I'm saying?
26:45Definitely, my brother.
26:45Let's go enjoy this party, dog.
26:46Let's get it.
26:48Coming up on
26:49Love & Hip Hop Miami.
26:51I don't want to remove you
26:52from the movie,
26:53but it's like I'm left
26:55with no choice right now.
26:56I've seen this.
27:08Are you excited?
27:10A little bit.
27:11Nervous, excited.
27:13You know, as your girl,
27:15I'm just nervous.
27:16I'm not gonna lie.
27:17You've been through a lot
27:18from the last surgery,
27:20you know?
27:20I know I prayed, grew up,
27:22and I heard a lot of things
27:23about Dr. Miami.
27:24I did, too.
27:24I'm waiting for my appointment
27:26with Dr. Miami
27:27so we can talk about
27:28excess skin removal.
27:29And I'm nervous,
27:31so I'm trying to
27:32mentally prepare here.
27:33This is clearly
27:34a beautiful place.
27:36I don't want to put
27:37my fear on you,
27:38but I had a situation
27:40where somebody
27:41that was real close to me,
27:42one of my friends,
27:43passed away
27:43from complications
27:45of what she had before.
27:47Plastic surgery
27:48is not nothing to play with.
27:50Doing too much at once
27:51or listening to the wrong people
27:53may have serious consequences.
27:56I already lost
27:57one friend from this.
27:58I'm not trying
27:58to lose another one.
27:59I'm thinking about
28:00when I had to recover
28:01from my gastric sleeve,
28:02bitch, and I almost died.
28:03Imagine this.
28:04Every surgery
28:05is not the same.
28:07You're going
28:07from a BBW to a baddie.
28:09Do you need to think
28:09about the results
28:10and the results only?
28:11I had gastric sleeve surgery,
28:13and the recovery
28:14wasn't smooth.
28:15I had complications,
28:17and I ended up
28:18back in the hospital,
28:19and it was honestly scary.
28:21I got a CT scan,
28:23and they got this IV,
28:25but I just can't wait
28:27to feel better.
28:29All nervousness aside,
28:31like, I want the saggy skin gone.
28:32I want my arms to be tight.
28:34Yes, girl.
28:35All that been working out.
28:37Ooh!
28:38Shut up!
28:40Ain't no closer, girl.
28:41Think about the results, baby.
28:42Think about the results.
28:43And we'll...
28:44Get some sleep.
28:46I keep telling y'all,
28:47every surgery ain't the same.
28:49On another note,
28:50your girl been acting
28:51very suspect.
28:54Ooh!
28:56Larissa Boots,
28:57whatever you want to call her.
28:57Oh, God.
28:58What's wrong with her?
28:59I read energy,
29:00and she's been acting weird.
29:02And she's not only weird to me,
29:03she's weird to you.
29:04The 25th anniversary,
29:06she didn't even embrace you.
29:07Well, well, well,
29:08if it isn't this, no!
29:10What?
29:10What?
29:11I don't know.
29:12Maybe she just wasn't
29:13in the mood.
29:13Like, I don't know.
29:14And you're the reason
29:15she even came down here
29:16to with you
29:17to now she's dating
29:19your ex-husband.
29:20Well, I kind of initiated that
29:22because I felt like
29:22it would be too.
29:23Yeah, but I don't like
29:23the fact that this bitch
29:24come down to Miami
29:25acting like she's running
29:26I don't like how Boots
29:27is moving.
29:28It's very weird
29:28that she got tricked
29:29to take her places
29:30and acting like
29:31she's the main character
29:32to other women.
29:33I gotta holler at Trick
29:34and figure out
29:35what's really good.
29:38Zoe.
29:39Hi.
29:39How you doing?
29:40I'm Michael.
29:41Yes, I know.
29:42Dr. Riami.
29:43I heard you had
29:43some recent weight loss.
29:45Yes, I did.
29:46All right.
29:46I just want to find out
29:47a little bit more about you.
29:48How much weight
29:49did you lost?
29:50I've lost 179 pounds.
29:54Inspiring.
29:55And I got the
29:56gastric sleeve surgery.
29:57How was that surgery?
29:58The surgery itself
29:59was successful.
30:00They did a good job,
30:01but the aftercare
30:02is where I messed up at.
30:03I ended up getting sick.
30:05I was severely dehydrated.
30:07I had to go to the hospital.
30:08How long did it take
30:09to recover after that?
30:11Like two weeks.
30:12Two weeks?
30:13Back after the hospital?
30:14Yes.
30:14Okay.
30:15I want you to start
30:16to list the things
30:16that bother you
30:17in the order
30:18that they bother you.
30:19These?
30:20Okay.
30:20I hate them.
30:21Okay.
30:21Wings.
30:22All right.
30:22All this gets removed.
30:23These are your actual arms
30:25that you're going to be
30:25left with when we're done.
30:26I've never seen my arms
30:28that small.
30:29Never.
30:29It's so cool.
30:31Super exciting.
30:32Now, usually that we do
30:33combine that with like
30:34arms, tummy, breast,
30:36butt, back, thighs.
30:37In one sitting?
30:38In one sitting.
30:39That was an all-day surgery.
30:41Okay.
30:41How far away from your
30:43goal weight are you right now?
30:4530, 40 pounds.
30:46Okay.
30:47Yes.
30:47I think we'll start
30:48with the arms.
30:49Now, to do that,
30:50I want you to get down
30:51to your goal weight.
30:53That way I can get
30:53as much skin as possible.
30:55If we rush
30:55and we don't wait,
30:57then you lose more weight,
30:58you'll have extra skin again.
30:59Okay.
30:59We don't want that.
31:00I'm just a little sad
31:01that we're not getting
31:02it done sooner.
31:03It's worth the wait.
31:06Coming up
31:07on Love and Hip Hop Miami.
31:08Let the bitch know
31:09what I mother said.
31:10Tell her to stop
31:11mother hiding from me, bitch.
31:12You're a broke bitch.
31:14You're a broke bitch.
31:21I'm Victoria Valdez,
31:23bringing you an
31:24extraordinary story
31:25of crime,
31:26courage,
31:27Oh, Rich,
31:28we got to hurry up
31:29and get this thing.
31:30done ASAP.
31:32I'm editing
31:32the night shift.
31:33Shay plays a big role
31:34in the movie.
31:35Now, we've shot
31:36most of her scenes,
31:38not including
31:38the scene
31:39where Trina
31:40taking her out
31:41is going to cause
31:41a lot of problems.
31:42But at this point,
31:43I really have no choice
31:45but to let her go.
31:46Really,
31:47what we got to do
31:48is figure out
31:48this Shay situation
31:50because I don't want
31:52to redo these scenes
31:53because we're already
31:54over budget.
31:55We got two major scenes
31:56with her.
31:56I think if we got
31:57to redo those shots,
31:58it's going to delay us.
32:02Wow.
32:05Hey.
32:06What's poppin'?
32:07Clary, come holler at me
32:08for a minute.
32:09All right, cool, cool.
32:10I'm not the type of person
32:11to take no for an answer.
32:12Julian may have kicked me
32:13out this movie
32:14based on what
32:14Trina's husband
32:15has to say,
32:16but now it's time
32:17to hear my side,
32:18the truth.
32:20So.
32:21You good?
32:22Uh-uh.
32:22Oh, Shay,
32:23don't be like that.
32:24Yeah, I have an attitude.
32:26What's poppin'?
32:26But what's up
32:28with the movie?
32:29The movie is coming along,
32:31but I might have to reshoot
32:33with your character
32:34because...
32:35That's on you.
32:35You made that decision
32:36to put yourself in a hole.
32:37So that's on you.
32:38It's not just my decision.
32:39It was stuff that happened.
32:40This is your movie.
32:41When I brought you over there
32:42to squash this stuff,
32:44things got heated
32:45and it put me
32:45in a bad situation.
32:46Then Zoe goes
32:47and mentions to swerve.
32:49Hey, you said
32:49the purse holder thing.
32:50When did Zoe
32:51become their number one snitch?
32:52I don't know.
32:53But these are the things
32:55that now has built up
32:57and it's on my back.
32:58I don't want to remove you
33:00from the movie,
33:01but it's like I'm left
33:03with no choice right now.
33:04So that's the final decision.
33:05I am out of the movie.
33:06I saw Trina's husband
33:09over at Trina's
33:1025th celebration.
33:11Yeah, I seen it.
33:13And I told swerve
33:15at the party
33:15that you were out.
33:18If this is what it takes
33:19to get things moving
33:20and get things back
33:21on track,
33:22then that's just, you know,
33:23what it's going to be.
33:24You kicked me out
33:25based on the strength
33:26of a man that you barely
33:27even know
33:27that don't have
33:28no respect for you.
33:29It's not him.
33:30Speaking of no respect,
33:32I seen this.
33:35This is the 25th anniversary,
33:37right?
33:44Oh, yeah.
33:45You want to hear it again?
33:45Because one thing
33:46I will tell you,
33:47I didn't hear your name
33:48at all.
33:48And you played
33:49a major part
33:50in her career.
33:50So how in the hell
33:52you got more respect
33:53for somebody
33:53that don't have
33:53the same respect
33:54for you?
33:56She comes with
33:57a lot of weight
33:58to help promote
33:58this movie.
33:59With or without Trina,
34:00do you think this movie
34:01will be successful?
34:02It's going to be successful.
34:02Because it's all up to you
34:03and who you got marketing
34:04and the money behind it.
34:06100%.
34:06But it'll be a little bit easier
34:09having her come along.
34:10Yeah, so you got to
34:11disrespect me
34:12and completely
34:13ass out your loyalty
34:14to me
34:14so Trina can be
34:15a f***ing movie.
34:16Don't want to disrespect her,
34:18but at the end of the day,
34:19when I got you guys together,
34:20you're sitting there like,
34:21oh man,
34:22she's a piece of f***
34:22and I'm like,
34:23what do you want me to do?
34:25I want you to make sure
34:26that I'm back in the movie
34:27and stop listening
34:28to two people
34:28that didn't put a dollar
34:29in the f***.
34:30That's what I want.
34:31This your f***,
34:33your movie.
34:34You're the f***ing director.
34:35Act accordingly.
34:39You know what?
34:40I'm going to think
34:41about how I fix this.
34:43Julian,
34:45you better make
34:45the next move
34:46your best move,
34:47for real,
34:48or it's going
34:48to jeopardize us.
34:50So I hope you tell me
34:51sooner than later.
35:02Girls,
35:03does she smell?
35:03You can try some here.
35:06Who wants to smell some?
35:07Could, right?
35:08You guys love it?
35:09Look at that.
35:10See,
35:10if you like it,
35:11you can have some too, girl.
35:12It's a great turnout
35:13at my pop-up,
35:14but as for my friends,
35:16they're nowhere to be seen.
35:17Vladi wants me to level up
35:19and cut off
35:20Shay and Eliza.
35:21Eliza's not invited,
35:22but Shay still is.
35:24Oh my God,
35:24thank you.
35:26This is so awesome.
35:28Such a great turnout.
35:29Hi.
35:30Oh, look at you.
35:32Okay,
35:32I love that.
35:33Giving a look.
35:34Giving a look.
35:35Yeah.
35:38Thank you so much
35:39for coming.
35:40I'm so grateful.
35:41I love it.
35:42Thank you so much
35:43for coming.
35:47We need to talk.
35:49First of all,
35:50there's other people
35:51in front of you,
35:52so excuse me.
35:53Security,
35:54please.
35:55Did you not see
35:56how I didn't invite you
35:57to come here?
35:58So,
35:58guys,
35:59I am so sorry.
36:01I'm so sorry.
36:02I know that I'm not.
36:03Don't engage, please.
36:04Vladi, please.
36:04I'm so sorry, everyone.
36:06I apologize.
36:07I'm not as publicist.
36:08Don't do that.
36:09You're the one
36:09walked up in the middle
36:10of my event
36:11that you were not invited.
36:12Because I value
36:12our friendship.
36:13If you value it,
36:14you shouldn't have done
36:15that from everybody.
36:16Even though Amah
36:17did not invite me
36:18to her event,
36:18I'm showing up
36:19with bells on
36:20because I am
36:21in my peace era
36:23and we've been
36:24through too much
36:25and came way too far
36:26to let Guy yell
36:27out of all people
36:28coming between
36:29our friendship.
36:30I came here
36:32respectfully
36:32to talk to you.
36:33I feel like you
36:34at least owe me
36:35an explanation
36:36of why
36:37you didn't invite me
36:38to your event.
36:39Based on what,
36:40Guy?
36:40What the hell
36:41is there?
36:42Let's have a conversation.
36:44I've been accused
36:45of practicing
36:45santeria myself,
36:46so I know
36:47how accusations
36:48can be weaponized.
36:54I don't want to believe
36:56that Amah
36:56would do something
36:57to harm me,
36:58but Mom,
36:59I might have put roots
37:00on me.
37:00What?
37:01But the difference
37:02is that Eliza
37:03admitted it.
37:04To me,
37:05at this moment,
37:06I've just been
37:06through so much
37:07and it's been
37:08so hard to finally
37:09try to create
37:10a bond with you
37:11and reconnect
37:11and you went
37:12so hard in on
37:13Gael for doing
37:15voodoo,
37:15but you couldn't
37:16take that opportunity
37:17to tell me,
37:17yeah, by the way,
37:18I do it too.
37:19And I'm not judging
37:20you for your beliefs.
37:21I am judging you
37:22for keeping the truth
37:23from me.
37:24But why should I
37:24have to share that
37:25with you?
37:25So why did you go
37:26so hard on Gael
37:27telling me that she was...
37:28Because she does
37:29negative...
37:30So how do I know?
37:32So how do I know
37:32you don't do the same
37:33thing?
37:33So you believe her?
37:34All I know right now
37:35is that I want to
37:35stay focused on me
37:37and my priorities
37:38and my perfume
37:39and my...
37:40Vladi was right.
37:41Vladi told me
37:42that wherever you
37:43or Shea are at,
37:44there's always some...
37:45I'm sick of being
37:45a good friend,
37:46a bad friend,
37:47having to deal
37:47with your...
37:48with Shea's...
37:49I don't want to
37:49do that no more.
37:51You know what?
37:51I told Shea
37:52you was fake as...
37:53Congrats.
37:54I told her that.
37:55Merry Christmas.
37:56Happy New Year.
37:57That's crazy
37:57that you are saying this.
37:59Where the Bucky at?
38:05I told Shea
38:06you was fake as...
38:07Congrats.
38:07I told her that.
38:08Merry Christmas.
38:09Happy New Year.
38:10That's crazy
38:11that you are saying this.
38:12Where the Bucky at?
38:13I see two
38:14out of the three
38:15unwanted baby mamas
38:17in this mother
38:17where the third.
38:19Unwanted who?
38:21Hello?
38:22You hard of hearing, bitch?
38:23Where Bucky at?
38:26Well, well, well,
38:27look who's here.
38:28The infamous boots
38:29shows her face.
38:31I've heard Shea's
38:32famous arch nemesis
38:33has been running wild
38:34around Miami.
38:35I don't even know you.
38:36Girl, bitch, please.
38:37I'm the star
38:38in this mother...
38:38You wish.
38:40Rude, delusional,
38:41old and crazy.
38:42She definitely
38:43does not disappoint.
38:45I'm the bitch
38:45that threw the
38:46mother...
38:46drink.
38:47Tell your mother...
38:48I'm looking for it
38:49on my finder.
38:50First of all,
38:51no one even remembered
38:52you existed
38:53because you've been
38:54irrelevant for years.
38:55Let that bitch know
38:56I said her and her mama
38:58because she talked
38:59about my mother...
39:00daughter.
39:00I don't play
39:01about my child, bitch.
39:02That's very disrespectful.
39:03Yeah, I don't play
39:03about my daughter.
39:04No one should ever
39:05talk about anybody's children.
39:06Wait a minute.
39:07Let the bitch know
39:08what I said.
39:09Tell her to stop
39:10hiding from me, bitch,
39:12so I don't have to
39:12beat your ass for her.
39:13You're a broke, bitch.
39:15You're a broke, bitch.
39:18Here comes Boots
39:19like it's 2004
39:20cutting up
39:22in every room
39:22she walks in.
39:24Clearly,
39:24Charm School
39:25did not work for her.
39:26Security,
39:27escort this
39:28dumb bitch
39:29out of my head.
39:29Bitch, you.
39:31I told you
39:32to cut this
39:32bitches off.
39:33Oh, bitches.
39:34I told you.
39:35I did.
39:35I didn't bite her.
39:37I'm done with you.
39:38You're not above the program.
39:39And her.
39:39And you.
39:41You're done with me.
39:42You're done with me.
39:43And I'm done with this.
39:44I'm out of here.
39:45Then get the fuck out
39:46and don't fucking call me back.
39:48How about that?
39:49Get out.
39:50Get out.
39:52Next time
39:53on Love & Hip Hop Miami.
39:54As you level up,
39:56sometimes you just have
39:57to leave certain people behind.
39:59You said you were leveling up
40:00when it comes to your friends.
40:02Does that mean
40:03that consists of you
40:03being a hypocrite?
40:05Because that's all
40:06you've been doing
40:06ever since I met you.
40:08Hello?
40:09Yes?
40:09Who's this?
40:10Mr. Blackson
40:11want me to reach out to you
40:13concerning the
40:14baby child support?
40:16You're going to
40:16him.
40:17Don't ever call me again.
40:18You're going to be blocked.
40:20I've made the decision
40:22to go talk with my father.
40:23You prepared
40:24that if things don't go
40:26the way you want,
40:27that you're going to be able
40:28to handle it.
40:32This is an intervention,
40:33okay?
40:34Anybody can self-feed
40:35on the internet,
40:36but nobody on this planet
40:38has what you have musically.
40:39At the end of the day,
40:40this woman
40:41that she keeps disrespecting
40:42helps provide
40:43for our son.
40:45Mata,
40:46she don't want
40:47to cross me.
40:48At the end of the day,
40:48I know where all the bodies
40:49is buried.
40:50I know everything.
40:51Are you serious?
40:52I thought y'all was cool.
40:53Yeah, me too.
40:54Yeah, I thought we was too
40:55until she was making
40:56slick remarks.
40:57Get my
40:58up and reach out.
40:59Beat your mother
40:59ass.
41:00I need my
41:01car, Michael.
41:02Like, what the
41:02I'm a bad bitch.
41:05I don't need to be waiting
41:05for the Ubers.
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