- 15 hours ago
Embark on a gripping cinematic voyage in the film that catapulted Alfred Hitchcock to international stardom. This high-quality, full movie is a masterclass in pacing, moving from the snowy slopes of Switzerland to the iconic, tension-filled climax at the Royal Albert Hall.
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Short filmTranscript
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00:02:39Are you all right, sir?
00:02:41Better ask my nurse.
00:02:43My English is not good enough for me to know.
00:02:46That daughter of mine seems to be knocking them cold rather than full of time, doesn't she?
00:02:50Knocking them cold?
00:02:51What does it mean?
00:02:52It's just an expression, you know.
00:02:53Luckily, if you didn't catch a death of cold.
00:02:55Hello, Louis.
00:02:57Good thing you didn't lose your head.
00:02:59Sorry I upset you.
00:03:00Don't mind.
00:03:01It was a very awkward moment.
00:03:16Well, I think I must go back to the hotel now.
00:03:18No more jumping?
00:03:18No, that was my last chance.
00:03:21Oh, your fault, terrible woman.
00:03:24It wasn't.
00:03:25It was a silly little dog.
00:03:26I might have been killed, you know.
00:03:28Do you realize that my last day here might have been my last day on earth?
00:03:31Your last day here?
00:03:32You're not leaving tonight, are you, Louis?
00:03:34I'm afraid, yes.
00:03:36By the last train.
00:03:37Oh, Uncle Louis.
00:03:39What do you call me, Uncle?
00:03:40Well, you're just like an Uncle, aren't you?
00:03:42How dare you, miss?
00:03:44We shall miss you, Louis.
00:03:45Mum, you'll cry her eyes out.
00:03:47Won't you, Daddy?
00:03:48Yes, dear.
00:03:49You think so?
00:03:50Oh, she adores you.
00:03:52Doesn't she, Daddy?
00:03:52Yes, dear.
00:03:53I'm desolate to go.
00:03:54As it is my last night, would you and your charming wife accept to have dinner with me tonight?
00:03:59Oh, she'd love it, both of us.
00:04:00Good.
00:04:01Oh, Uncle Louis.
00:04:03I get awfully hungry in the evening.
00:04:05Yes, you get awfully sleepy too, darling.
00:04:07Long after your bedtime, my child.
00:04:09Oh, let me sit down.
00:04:10I'll sleep overtime tomorrow.
00:04:12Oh, I'll ask your mother.
00:04:13Oh, yes, let's.
00:04:13Where is Jill?
00:04:14Hmm.
00:04:15She's working off the finals of the clay pigeon shooting.
00:04:18I see.
00:04:18I do hope she wins, don't you, Louis?
00:04:20Who's against her?
00:04:21That fellow, Raymond.
00:04:22Uh-huh.
00:04:23Well, then she's got to win.
00:04:24Don't you like him trouble?
00:04:25Do you?
00:04:26I don't know.
00:04:27He's all right.
00:04:28Bit of a bore.
00:04:29He means well, doesn't he?
00:04:31Why don't you like him?
00:04:32He's got many too many teeth and too much brilliant teeth.
00:04:41Sworn enemies, eh?
00:04:42You English have such a sense of humor.
00:04:44Well, I can't say that I hope you'll win.
00:04:46I'm sure that you will.
00:04:47You're so beautiful.
00:04:49So clever.
00:04:51Yes, well, let's get on with it, shall we?
00:04:53Well, are you ready?
00:04:54Ready?
00:04:56Ready?
00:04:58Ready?
00:04:58Ready?
00:05:00Ready?
00:05:01Ready?
00:05:02Ready?
00:05:13Ready?
00:05:14Oh, darling, ask me presently.
00:05:16Oh, say yes now.
00:05:17Just for now.
00:05:18You little rat.
00:05:20Look.
00:05:21Here's that brooch you wanted.
00:05:24Now, will you run away and be quiet?
00:05:28Oh, shh.
00:05:33Daddy, don't you like it?
00:05:34Mommy gave it to me.
00:05:35Shut up, darling.
00:05:35Let's go for a break, sir.
00:05:36Sorry.
00:05:49I'm not a baby.
00:05:52Let that be a lesson to you.
00:05:55Never have any children.
00:05:56That is your fault, Betty.
00:05:58It wasn't.
00:05:59Betty.
00:06:00You know your child's going to cost me the match, don't you?
00:06:03Well, she's your child's worth mine, isn't she?
00:06:05Well, if I lose this game, I'll disown it forever.
00:06:07Quiet, quiet.
00:06:13Quiet.
00:06:19Quiet.
00:06:27I am sorry that you lost, Madam Lawrence, but I am delighted that I will work, if you understand.
00:06:32You are a marvelous shot, and I know what I'm talking about.
00:06:34You make me blush.
00:06:35We must have another battle one day, shall we?
00:06:38I shall live for that moment.
00:06:40Well, you would have this child.
00:06:42Oh, Madam Lawrence, you English are extraordinary.
00:06:45Ah, my love.
00:06:47Oh, my darling.
00:06:49My lunch.
00:06:51You can keep your breath.
00:06:54I'm just going off with another man.
00:07:00Darling, you go to bed early with Betty.
00:07:04Oh, poor daddy.
00:07:06Sir, you have beaten my wife, and she has gone off with another man.
00:07:09You are a dirty dog.
00:07:10You are as comical as your charming wife.
00:07:13You are as comical as your charming wife.
00:07:13Ha, ha, ha, ha.
00:07:38Ah, ha, ha.
00:07:50is that mummy's knitting
00:07:52yes what do you mean do your stuff
00:08:12what do you think of the average Englishman
00:08:15much too cold
00:08:18except when he drinks too much of course
00:08:22is that jumper for him
00:08:25of course it is
00:08:26did you think it was for you
00:08:29it's a memento
00:08:30to wear over my beating heart
00:08:33has it been fireproof?
00:08:34yes it don't
00:08:41it's a memento
00:08:45you've got it
00:08:46that's a memento
00:09:09I don't think so
00:09:21Oh, look.
00:09:28I'm sorry.
00:09:41Quick, tell Bob, my room brush in my room, take it to the British Council, or to Gibson.
00:09:52No way. Don't breathe. Don't breathe a word to anyone.
00:10:08Becky, will you be a good girl and run up to bed? Go on, darling, buss off.
00:10:11It's all right.
00:10:17It's a bullet. It's fired from outside, isn't it?
00:10:18Smash the window.
00:10:22Any letters?
00:10:23Yes, sir. Two.
00:10:28Bob. He's dead. It's horrible.
00:10:30God.
00:10:32Bob, listen. There's something behind all this.
00:10:35He said you'd go straight to his room. Something about a brush.
00:10:38Here's the key. He gave it to me.
00:10:40Oh, Bob, what can this all mean?
00:10:41No, we'll soon find out.
00:10:59dürfen habit, right?
00:11:01How much do we do that?
00:11:11I haven't seen it coming soon.
00:11:15Let's run into more.
00:11:17Well, here we go, Bob.
00:11:23To the first floor, please.
00:11:30For the love of God, let me out of this place. It is very important.
00:11:36For the love of God, open the door.
00:11:39I can't sing.
00:11:55For the love of God, open the door.
00:12:01It is very important.
00:12:02Open the door.
00:12:04Open the door.
00:12:05Open the door.
00:12:06Open the door.
00:12:07Open the door.
00:12:08Open the door.
00:12:09Open the door.
00:12:10Nothing. Nothing at all.
00:12:12If I were you, and if I founds it, come on, hand it over.
00:12:15Pardon, sir, but no doubt there is some explanation.
00:12:17Of what?
00:12:18Oh, why? Why you were in that room? Monsieur Bernard's room.
00:12:21It is irregular. That's most the Herr Herr Klaren.
00:12:24Oh, yes, that's easy to explain. Anything I can do to help?
00:12:29Can you get the British Consul for me on the phone, please?
00:12:31No doubt, but first...
00:12:32Yes, first. I got something very vital to tell him.
00:12:35The British Consul?
00:12:36Yes, please.
00:12:39Perhaps you will be better if you will kindly come to my private room for a moment.
00:12:42Of course I will, certainly.
00:12:43Thank you very much.
00:12:55It is the purest formality.
00:12:57Of course, sir.
00:12:57You will pardon me that in my position...
00:12:59Of course, of course.
00:13:00This way, sir, please.
00:13:01Of course.
00:13:14I say, you won't forget that I won't speak to the British Consul on the phone, will you?
00:13:17Presently, mein Herr. Certain, at once.
00:13:19Oh, thank you.
00:13:19Mario, post the letter.
00:13:24I must go there and talk to my wife.
00:13:26I am very sorry that the commissary wishes to see each one separately. It is formal.
00:13:31But you know him well. He was your friend.
00:13:32Yes, he was our friend, but we knew very little of him. Hardly anything.
00:13:36Oh, excuse me. Do you...
00:13:38Can you tell me if the British Consul is in town today?
00:13:40I don't understand.
00:13:42I don't understand.
00:13:45Can you...
00:13:46The British...
00:13:47The British...
00:13:49The British Consul...
00:13:49You know, the man who comes with passports.
00:13:51Is he here? Here?
00:13:53Here?
00:13:54Yes, he is a Herr.
00:13:55No, I don't mean, is he here a man. I mean, is he here?
00:13:57Here?
00:13:58No.
00:14:00Listen.
00:14:01Is he here in Samoritz?
00:14:06Look.
00:14:07The British Consul.
00:14:10Is he here in Samoritz?
00:14:11He is...
00:14:12Is he here?
00:14:13Is he here?
00:14:16Oh, damn.
00:14:18I can't remember half-hour you were standing through the window.
00:14:21Everything was so soft.
00:14:22Yes, madame.
00:14:23No.
00:14:23You must have been going there and talking to my wife.
00:14:25But you cannot, sir.
00:14:26The commissary is giving orders.
00:14:27He's in charge here.
00:14:28What can I do?
00:14:29Please, excuse.
00:14:30But I...
00:14:32You're...
00:14:35You're...
00:14:37You're...
00:14:37Now, listen.
00:14:38If you don't mind, I must...
00:14:40What?
00:14:40Per l'Aurence, please.
00:14:43Oh, thanks so much.
00:14:45It was left at the desk of the whole porter.
00:14:47It was marked very urgent.
00:14:50Thank you. That's all I am.
00:15:05He said you have to go.
00:15:07I'm sorry. Excuse me. I've got a message from my wife.
00:15:12The Mitchissons can't come to lunch tomorrow.
00:15:14I have to wait where the other people are, too.
00:15:16I have to go.
00:15:17I have to go.
00:15:48What is that note? Give it to me.
00:16:15I have to go.
00:16:16I have to go.
00:16:42I have nothing to add to what I've already said, Inspector.
00:16:45Nothing whatever.
00:16:45It's no use talking like that, Mr. Lawrence. It just won't do.
00:16:49Now, on March the 10th, you and Mrs. Lawrence went to Switzerland.
00:16:54Oh, yes.
00:16:56To St. Moritz.
00:16:58Yes.
00:17:00With your little daughter.
00:17:02Yes.
00:17:03Whiskey and soda.
00:17:04Oh, thank you.
00:17:06On March the 19th, you returned to London.
00:17:11Yes.
00:17:13You returned to London without your little daughter.
00:17:18Yes.
00:17:20One for you.
00:17:21Where is she?
00:17:23Where is she?
00:17:24Staying with her aunt.
00:17:25Oh, what's his aunt's name?
00:17:27Mary.
00:17:29And where is she staying with his aunt?
00:17:32In Paris.
00:17:34Street and number?
00:17:35It's a rather complicated French name.
00:17:37Rather difficult for an English person to remember, I'm afraid.
00:17:39One for you.
00:17:41By the way,
00:17:43why were you so upset the night you left Switzerland?
00:17:47I'm not aware that I was upset.
00:17:50Was it because your child had been...
00:17:54kidnapped?
00:18:09And another thing.
00:18:10My point is this.
00:18:12He's not the sort of chap to give things away and lose his head
00:18:16and spill the beans and all that sort of business.
00:18:19See what I mean?
00:18:21When I was in the Navy...
00:18:22Is that train electric?
00:18:24Yes.
00:18:25Twenty volts.
00:18:27Best present I ever gave the kid.
00:18:30Doesn't play with it much now, does she?
00:18:32She never did.
00:18:33You never gave her a chance.
00:18:35Let's...
00:18:37Do it.
00:18:39Goo-o-o-o-o-oh.
00:19:00What?
00:19:06I say you mustn't get jumpy you know. Really you mustn't. What I mean to say is, once you begin
00:19:13that sort of thing, lose grip and...
00:19:20I know. I'm all right.
00:19:27Clive, you've got Pullmans and coal trucks on the same train.
00:19:32Good Lord, I have.
00:19:38Then is that your last word, sir? Absolutely.
00:19:41Well, I'm sorry to have to say it, sir, but I don't believe you.
00:19:43That's flat. It's your duty as a citizen, Mr. Lawrence.
00:19:45Thanks for calling. You may be sorry. Don't drop in again.
00:20:16Hello. Are you still here? You lost your whistle or something?
00:20:20I'm not a policeman. My name's Gibson. I'm secretary to Sir Norman Wood at the Foreign Office.
00:20:26You're right. Never heard of him. However, how do you do?
00:20:30Your friend Louis was one of our people. Special service.
00:20:36You didn't know that, did you? I'm afraid not, no.
00:20:40You didn't happen to find anything in this brush, did you?
00:20:50Nothing much. I'm terribly busy.
00:20:52Enough to justify somebody kidnapping your child to keep your mouth shut.
00:20:56I never said so.
00:20:57Nonsense. When Louis Bernard was killed, there was a paper in this brush.
00:21:02Terribly thrilling.
00:21:06Darling, you haven't told them anything, have you?
00:21:09Not yet, Mrs. Lawrence, but I think he's just about to.
00:21:11Jill, dear, this Mr. Gibson of the Foreign Office has come to see us.
00:21:15How do you do?
00:21:16Oh, of course, I quite understand.
00:21:19But I think if you listen to me, you'll appreciate why I have to bother you.
00:21:23Has either of you heard of anyone, a foreign statesman, of the name of Roper?
00:21:26Roper, I don't think, sir. Have we done?
00:21:27R-O-P-A Roper?
00:21:28No.
00:21:29Oh, well, if you haven't heard of him, I suppose it doesn't worry you much if he's likely to be
00:21:32assassinated.
00:21:32What's that got to do with us?
00:21:34Tell patience, Mrs. Lawrence, and I think you'll see.
00:21:37Louis Bernard was killed because he knew of a plot to assassinate Roper.
00:21:41A few hours later, your child was kidnapped. Why?
00:21:44Because by that time, you were in possession of that vital information.
00:21:48It was written on the piece of paper you found in Bernard's shaving brush.
00:21:52Mr. Lawrence, Roper is in London and an attempt may be made on his life.
00:21:55My department must protect him.
00:21:57Now, will you tell me what was on that piece of paper?
00:21:59I'm sorry. I'm afraid I can't.
00:22:01But I can tell you what was written on another piece of paper.
00:22:03That our child had been kidnapped.
00:22:05And if we spoke, we'd never see her again.
00:22:07It's her life against this fellow Roper's.
00:22:10Why should we care if some foreign statesman we'd never even heard of were assassinated?
00:22:13Tell me, in June 1914, had you ever heard of a place called Sarajevo?
00:22:18Of course you hadn't.
00:22:19I doubt if you'd even heard of the Archduke Ferdinand.
00:22:21But in a month's time, because a man you'd never heard of killed another man you'd never heard of,
00:22:26in a place you'd never heard of, this country was at war.
00:22:28But, uh...
00:22:28Don't tell him, Bob.
00:22:30I'm sorry, Mr. Gibson, but we're not interested.
00:22:33What you've told us may be true, but our child's in danger.
00:22:36That comes first. It must come first.
00:22:38You see that, don't you?
00:22:39Mrs. Lawrence, do you realize the type of man we're dealing with?
00:22:42Do you think they'd draw the line at murder?
00:22:44Besides, how do you know the child's alive? How do you know he haven't...
00:22:48All right. Hold on a minute.
00:22:51There's someone on the phone in the hall. It's about... about Betty.
00:22:55Switch it through here, will you?
00:22:56All right, I will.
00:23:00Hello?
00:23:01Good afternoon, Mr. Lawrence.
00:23:03Please listen very carefully.
00:23:06We don't want to interrupt your chat with a gentleman from the Foreign Office,
00:23:10but we think we ought to remind you that if you tell him anything of what you know,
00:23:14you'll never see your child again.
00:23:17Just a final warning.
00:23:18Yes, but I want to...
00:23:19Bob, what is it?
00:23:20I don't know. Somebody playing the fool or something.
00:23:22Hello?
00:23:22If you think somebody's fooling you, perhaps you'd like to speak to the child yourself.
00:23:29Hello, dearie.
00:23:30Betty!
00:23:34Hello, my darling.
00:23:36Hello, Bobby.
00:23:38Is that you?
00:23:39Are you all right?
00:23:40Yes, Bobby.
00:23:42Plenty to eat?
00:23:43Ask her where she is.
00:23:45Yes, Bobby.
00:23:47Are you getting on without me, Bobby?
00:23:49I'm missing you terribly, darling.
00:23:52Uncle Clive and I have been... been playing with your train.
00:23:56Ask her where she is.
00:23:57Oh, Bobby, I want to come home. Oh, I do want to come home.
00:24:00So you shall, darling. Very soon.
00:24:03Ask her where she is.
00:24:04I'll come and fetch you.
00:24:08Darling.
00:24:10Where are you?
00:24:12Bobby.
00:24:13Come and fetch me.
00:24:15Darling!
00:24:18Betty!
00:24:21Steady, old girl. Steady.
00:24:38Did either of you recognize the first voice that spoke?
00:24:40Oh, for God's sake!
00:24:42I'm sorry, but can't you leave us alone?
00:24:44I see. Wouldn't it be possible to trace that call?
00:24:45No, it's no good. The telephone people never tell.
00:24:50Hello? Give me special, please, quickly.
00:24:54Hello? This is Gee speaking.
00:24:57Were you listening?
00:24:58Where did the last call to this number come from?
00:25:01Wapping?
00:25:02Public call box.
00:25:04Notify Scotland Yard.
00:25:05Have a plainclothes man posted on every corner of the district.
00:25:10Well, get them from other districts.
00:25:13Wapping, does that convey anything to you?
00:25:16Nothing, whatever.
00:25:21Well, if there isn't any trouble, I hope you'll remember you're to blame.
00:25:24It's not a very nice thing to have on your conscience.
00:25:27All right, Bob. I'll see you, mate.
00:25:35Ask Lawrence to talk a little bit again when I'm gone.
00:25:37You know where to ring me if you want me?
00:25:39Yes, thanks.
00:25:40Goodbye.
00:25:43Clive!
00:25:43Here a minute.
00:25:45Yes?
00:25:45Are you coming?
00:25:46Where to?
00:25:47Wapping.
00:25:48Of course.
00:25:48Look here, I'll get our hats and coats and things.
00:25:50Why?
00:25:51You know those plainclothes men that Gibson ordered?
00:25:53If these blokes have got better to see them, they'll think we've given them away.
00:25:56Our only chance is to act ourselves, double quickly.
00:25:58Oh, I'm coming too.
00:25:59No, no, no, darling. You stay here.
00:26:00Keep at the end of that telephone.
00:26:02If there's any news, we'll get through to you.
00:26:03Oh, darling, I can't risk losing both of you.
00:26:07Oh, well, you know.
00:26:09It won't lose either of us.
00:26:11What about your food?
00:26:12Oh, leave me a bone on the mat.
00:26:13Here, do you want this?
00:26:38Well, there can't be many George Barbers in Wapping.
00:26:42I couldn't think of another one in that pub, anyway.
00:26:43Come on, let's go.
00:26:44Look.
00:26:45What?
00:26:45Are they plainclothes men over there?
00:26:58All right, come along.
00:27:04Miguel?
00:27:05Yeah, just a minute.
00:27:06Come on.
00:27:07You think these things are all right, eh?
00:27:09I think so.
00:27:09You look terrible.
00:27:10I think live.
00:27:12Any questions asked, we're just off the boat.
00:27:14Good idea.
00:27:15But I was in the Navy.
00:27:16Buy your teeth.
00:27:17Hmm?
00:27:20It seems a pity.
00:27:21Come on.
00:27:22Let's have a dash for you.
00:27:23I know.
00:27:23Come, now.
00:27:31Let's have a go.
00:27:31Let's have a go.
00:27:38Now, I'll give you a shot.
00:27:39Come.
00:27:43Oh, I'll give you the shot.
00:27:51Come on.
00:27:53Come.
00:27:53There, let's do this.
00:27:53Here.
00:28:28Oh.
00:28:29Oh, poor old boy.
00:28:31Five shillings.
00:28:32Five shillings.
00:28:33You.
00:28:34Five shillings.
00:28:35Oh, will you please?
00:28:40Just a minute.
00:28:41Better have a look at mine or I'll worry about it.
00:28:43What's wrong?
00:28:44Oh, I've had terrible toothache today.
00:28:45Have a look at them, will you?
00:28:46Yes.
00:28:47Here.
00:28:48You stay outside and keep your mouth shut.
00:28:49Yes.
00:28:49Yes.
00:28:56Yes.
00:28:57Yes.
00:29:01Yes.
00:29:03Yes.
00:29:19Please.
00:29:37Here.
00:29:37This here I am?
00:29:39Not yet.
00:29:46Just off the ship?
00:29:48Here.
00:29:49Which one?
00:29:51Saxon.
00:29:53Hmm.
00:29:55She's not due until tomorrow.
00:29:58Oh, no, I...
00:29:59I got off at...
00:30:01I got off at Tilbury.
00:30:03Came on by train.
00:30:05Tough skipper, old Turner.
00:30:07Tough half.
00:30:09Left her last voyage.
00:30:12Of course, that's right.
00:30:13I...
00:30:14What I meant was... I was wrong.
00:30:17The voyage before last.
00:30:20Yes, of course.
00:30:23It slipped my memory.
00:30:24Nothing much wrong with your teeth.
00:30:26I think you're right.
00:30:28It's not hurting as much as it was.
00:30:30I'll be off. Wait.
00:30:32Why? What's the trouble?
00:30:35There's one there better come out.
00:30:37I think I'll chop it. Sit down.
00:30:49Yeah, doesn't a doctor have to do that?
00:31:14Yeah, doesn't a doctor have to do that?
00:31:43So, let's go.
00:32:23Has he come?
00:32:29Oh, there you are.
00:32:30Has a good crossing?
00:32:32No.
00:32:33Seek all the wealth.
00:32:35It is the last time I let myself be smuggled into this country, for you or anybody else.
00:32:40You will be smuggled, my friend, when, how, and where I'm pleased for you to be smuggled.
00:32:45Yes?
00:32:47It's your fault for having such a wonderful aim as you a gun.
00:32:52You must pay the price of your genius.
00:32:57Everything ready for tonight?
00:32:58I've arranged a box for you.
00:33:01Most conveniently placed.
00:33:03Any trouble with the charming Miss Lawrence?
00:33:10It's a quiet little mouse.
00:33:12And where is the little mouse now?
00:33:14Oh, in a little hole in the ground somewhere.
00:33:17You shall see.
00:33:22Your last job tonight?
00:33:24No, first.
00:33:43Come on, Tide.
00:33:44Which way they go?
00:33:46Where's Betty?
00:33:46Found out anything?
00:33:47Yes.
00:33:48Should I give Jill a ring?
00:33:49No, no.
00:33:50Come along.
00:33:50Hurry.
00:33:50All right.
00:34:14Sure they went in there?
00:34:15Must have.
00:34:16Almost certain.
00:34:19I say, Clive, look.
00:34:33What are they, Bob?
00:34:34Sun-worshippers.
00:34:36Probably we've got nothing on.
00:34:38Come on, let's go.
00:34:39Yes.
00:34:39Sun-worshippers.
00:34:42We have roots from the dark.
00:34:49Praise be the source of light.
00:34:55The sun whose burning dream
00:35:00Sends full for power and might.
00:35:06And life's out.
00:35:11Sun-worshippers.
00:35:15Praise be the sun who's on the ground.
00:35:20Praise be the sun who's on the ground.
00:35:21Who's on the ground.
00:35:21What drew the fire and fire?
00:35:26There was a sun who's on the ground.
00:35:33There was a sun who's on the ground.
00:35:36The sun who's on the ground.
00:35:41There was a sun who's on the ground.
00:35:43The sun who's on the ground.
00:35:43Clive, Clive, Clive.
00:35:47Try now to be the moon.
00:35:53That woman at the end.
00:35:58Half left to you and me
00:36:08What is the wrong, old man?
00:36:13I don't see what you mean
00:36:20La, la, la, la, stand by
00:36:29There's trouble coming soon
00:36:49Perhaps those who may be among us tonight for the first time
00:36:53and who have not yet become initiated into the mysteries of the first circle of the seventh-fold ray
00:36:59may be wondering what is going to happen now
00:37:03I will tell them
00:37:05Before proceeding to the mysteries which are only for the initiate
00:37:08it is of course necessary for the minds and souls of us all to become purged and to be made
00:37:13clean
00:37:15I'm therefore going to ask anyone here who is not in tune with us
00:37:19to submit to a very simple process of control
00:37:23merely place him or herself under the guidance of the fourth circle
00:37:28Is there anyone here tonight who would care?
00:37:32Perhaps you
00:38:03I возможно to also be able to select the part where we are
00:38:03to to see our agenda
00:38:03the first thing is that line
00:38:22relax keep your eyes fixed on this light keep them fixed before receiving the first degree
00:38:32of the seventh-fold ray your mind must be white and blank you are already feeling sleepy do you hear
00:38:41me yes your mind is becoming quite blank you feel that don't you quite quite blank yes
00:38:56white black
00:39:36I think that will do for the moment.
00:39:39Will all those who are not of the fourth circle
00:39:41please leave as quietly as possible?
00:40:04You're not going to leave your friend, sir, are you?
00:40:39Hello.
00:40:41Good evening.
00:40:52Good evening.
00:40:54I hope you weren't very rough with him.
00:40:57You see, he's subject to apoplexy.
00:41:00Who?
00:41:00Who?
00:41:01Who arose George Barber down at Watting?
00:41:06Is it all right in here?
00:41:08Well, I ought to have mentioned it to you, perhaps.
00:41:13You should learn to control your fatherly feelings
00:41:17and not drop things on the floor, please.
00:41:26Collected our brother's little offering, yes?
00:41:29Have you?
00:41:30Oh, sir, I forgot.
00:41:35Pardon me.
00:41:39Dangerous.
00:41:47Perhaps you would care to join our little circle now, Mr. Lawrence.
00:41:51Yes?
00:41:51Thank you very much.
00:41:53Excuse me.
00:42:07Why, if it didn't our friend the sharpshooter.
00:42:10Nice to see you again, Mr. Lawrence.
00:42:20Well, is my young daughter all ready to go home yet?
00:42:23Oh, no, sir.
00:42:24She's asleep.
00:42:35No shooting.
00:42:36You don't want the police here, do you?
00:42:38No shooting.
00:42:42Stop playing that organ or they'll hear this noise outside.
00:42:45Yes.
00:43:04Yes.али!
00:43:06Aye!
00:43:13Aye!
00:43:26Fly!
00:43:28Through the window!
00:43:30Phone Jill.
00:43:31Tell her to go to the Albert Hall.
00:43:37All the beasts!
00:43:44Thirala!
00:43:50Thirala!
00:43:53Thirala!
00:44:02Thirala!
00:44:20Sorry, please forgive me.
00:44:27Get down to Mrs. Lawrence.
00:44:29Tell her if she goes to the Albert Hall tonight,
00:44:32her child is.
00:44:40Come on.
00:44:45Mr. Lawrence, please.
00:44:52Hello? Hello. Clive! Listen, Jill,
00:45:04you know that chap we were looking for? Yes, A Hall.
00:45:08It isn't chap at all. No, it's the real Hall. Albert Hall.
00:45:12The Albert Hall.
00:45:13Betty, we're on to her, all right.
00:45:15Listen, Bob says you ought to go to the Albert Hall.
00:45:17Now? Yes, now.
00:45:19You ought to do what you can. That's where it's happening.
00:45:21You know. You ought to stop it.
00:45:23Oh, but where...
00:45:24No, no, no, no time now.
00:45:25Let's get off with the police.
00:45:39Hello. Is that Mrs. Lawrence?
00:45:42Mrs. Lawrence.
00:45:43I'm afraid she's just this minute gone out.
00:45:53Will that be all for tonight, sir?
00:45:55No.
00:45:57I shall want you to stay.
00:45:59Yes?
00:45:59I'd rather go now, sir.
00:46:01My husband wants his supper.
00:46:03Besides, I don't want to be mixed up in any nasty business.
00:46:07Rawlings.
00:46:08Hello.
00:46:13See that Mrs. Sprocket stays, huh?
00:46:15See to it.
00:46:25Are these poisoned?
00:46:29Have a drink.
00:46:30Thanks so much. I'll have a gin and French.
00:46:33Is this where you write your sermons?
00:46:36Sometimes.
00:46:55Come, come, come, don't rush for it.
00:46:59Have you never been to the sea side?
00:47:15You caught her?
00:47:17No.
00:47:18She's gone.
00:47:24Well, I've no doubt we can arrange to deal with it in some other way.
00:47:31It's my pal with the cops.
00:47:43If he worries you gentlemen, shoot and give him a bad leg.
00:47:48No one will hear.
00:47:51So long.
00:48:18Ah, here he is again.
00:48:21Officer, this gentleman has been in a great trouble tonight.
00:48:25Nothing of the kind, officer.
00:48:26My pal has a little girl.
00:48:28At least he hasn't noticed the whole point.
00:48:29He came down here to look for her.
00:48:30And these chaps, I mean this fellow here,
00:48:33that there crooks, officer.
00:48:34He's a little intoxicated, officer.
00:48:36His friend was bad enough, but he's worse, isn't he, sister?
00:48:39He's constantly creating scenes in his church.
00:48:42Sir, look here, the pair of you are.
00:48:44It's only a behaviour and a sacred edifice.
00:48:47Is that what you want to charge him with?
00:48:49Alas, yes.
00:48:50We don't wish to press it, officer,
00:48:52but we've been very patient, haven't we, sister?
00:48:56Oh, but dammy, I...
00:48:57Now, what have you got to say for yourself?
00:48:58Look here.
00:48:59Tonight, my friend and I...
00:49:05Tonight, my friend and I...
00:49:36Where are they?
00:49:37Oh, well, the whistle.
00:49:39The whistle that was blowing just now.
00:49:41Oh, yes.
00:49:42The arm of the English law needed help
00:49:44in taking our friend to the station.
00:49:47Very, very reluctantly,
00:49:49I've given him in charge.
00:49:54For disorderly behaviour in a sacred edifice.
00:50:11I forgot.
00:50:13The little one.
00:50:14Shall she join us?
00:50:15You mean Betty?
00:50:16One of the sweetest children I ever met.
00:50:19Bring her, please.
00:50:29You know, to a man with a heart,
00:50:31his softest mind,
00:50:32he had nothing sweeter than a touching scene.
00:50:34Such as?
00:50:36Such as a father saying goodbye to his child.
00:50:39Yeah, goodbye for the last time.
00:50:41What could be more touching than that?
00:50:44I'm afraid if you expect a scene from me,
00:50:45you're going to be disappointed.
00:50:47You shall see.
00:50:49Why do you look at me like that?
00:50:59Betty!
00:51:11You all right, darling?
00:51:20I say, darling,
00:51:23it's an awful smart dressing gown.
00:51:25Where'd you get it?
00:51:26Where'd you get it?
00:51:28Oh.
00:51:28Oh, God.
00:51:33Betty.
00:51:35Betty, I want to tell you something.
00:51:37Here, wait.
00:51:39Listen, your school report's come.
00:51:42Awfully good.
00:51:44Is it really?
00:51:49Where'd you go?
00:51:58Where's mummy?
00:52:01Come on, tell her.
00:52:03At the Albert Hall, my dear.
00:52:06Oh, that reminds me.
00:52:07Your scene was so charming,
00:52:09I was almost forgetting.
00:52:11What is it?
00:52:12A record of the delightful piece
00:52:14which they are playing
00:52:15at the Albert Hall tonight.
00:52:17Charming, yes?
00:52:18What of it?
00:52:19Oh, yes, I forgot.
00:52:21Music is less in your line
00:52:23than marksmanship.
00:52:25If you listen, my dear Raymond,
00:52:28I'll show you the exact moment
00:52:29at which you can shoot.
00:52:31Now listen carefully.
00:52:41There.
00:52:43You see, at such a moment,
00:52:45your shot will not be heard.
00:52:47I think the composer
00:52:48would have appreciated that.
00:52:51No one will know.
00:52:54Except for one, huh?
00:52:57If you are clever, my friend.
00:53:00Come, you must start soon.
00:53:01It's impolite to be late
00:53:02for a concert.
00:53:08And tell Mrs. Lawrence
00:53:10a little Betty
00:53:12and her husband
00:53:13are very well.
00:53:14Anything else?
00:53:15Tell her
00:53:16they may soon be leaving us.
00:53:19Leaving us
00:53:20for a long, long journey.
00:53:22How is it
00:53:23that Shakespeare says
00:53:26from which
00:53:27no traveller returns?
00:53:30Great poet.
00:53:34Daddy!
00:53:36Daddy!
00:53:36Let me go!
00:53:37Daddy!
00:53:38Daddy!
00:53:38Let me go!
00:53:39Daddy!
00:54:00Daddy!
00:54:02Daddy!
00:54:02Right there please.
00:54:03Anyway.
00:54:04Anyway.
00:54:06Too doulty.
00:54:09Daddy!
00:54:10Daddy!
00:54:11Happy.
00:54:12Come.
00:54:13Little bit.
00:54:13Oh, Richie!
00:54:14He did a little bit.
00:54:17Good.
00:54:18All the way.
00:54:18Good.
00:54:18Good.
00:54:19Good.
00:54:19Good.
00:57:43Is that it?
01:00:31what was it screamed we have to apologize to listeners for the delay which has occurred in
01:00:36the broadcast of the concert from the albert hall an attempt has been made to assassinate
01:00:42the distinguished european diplomat monsieur roper who is attending the concert attempt
01:00:48we are happy to say however that the shot fired merely caused a slight flesh wound in
01:00:52monsieur roper's shoulder and he has been able to return home we are now taking listeners back
01:00:59to the albert hall for the rest of the concert which has already started it must have been that
01:01:04damn woman screaming
01:01:18where are you followed here no one saw me leave the building i couldn't have been followed
01:01:23i hope you arrive for your own sake for dear little betty's
01:01:35so
01:01:47call the others
01:01:53have a blunt shoe come on
01:02:10take a look
01:02:12take a look
01:02:56look like an all-night job to me baker
01:03:02i want you to go across to their front door and knock once that door's open see that it stays
01:03:07open till we get across do you understand yes sir
01:03:33well come on boys
01:03:59do you know anything about that house what about the child any idea if she's inside i know no more
01:04:04than you do i hope not all i know is they went to wapping because my husband what's up we've
01:04:17got orders to clear these streets i've got orders to clear my box
01:04:47anything further been said no sir we uh we can't do anything against it with revolvers so i've sent to
01:04:54try and raise some rifles where from there's a gunsmith's a few streets away sir i've sent the lorry
01:05:17what's the rifle sir good put the men in the house opposite at the same level get in by the
01:05:23back door very good sir you take charge of the firing party i'll send the men in to you and
01:05:26clear the people out of the houses you occupy
01:05:28very good sir where's your back yard through the kitchen this way
01:05:49sergeant i think a couple of men next door on the ground floor i'll take the rescue here come on
01:05:54whose rifle's this
01:06:04what's the trouble afraid you'll have to shift your family out of here i ain't married all the better for
01:06:08you now you wait out here it'll be safer we've got business inside
01:06:25much better if you waited outside you know i'm gonna come in to see if everything was all right
01:06:30stop that this is a scrap not a smoking concert that girl make a nice rest let's move it over
01:06:51good go and come away from that window you'll get killed oh you've got to get out of this room
01:06:55the police want to come in
01:07:02take your tunics off don't touch that blind till you're in position when you hear my whistle open fire
01:07:07yes sir i'd better take that mattress across give you a bit of cover
01:07:13i've come straight off point duty i could do with a bit of sleep on that myself
01:07:18still warm too yeah sure tell your mission's adventure
01:07:26are you ready wait a minute
01:07:55are you ready to go
01:07:58yeah
01:07:58what are you doing
01:07:59are you ready to go
01:08:00yeah
01:08:03are you ready to go
01:08:05are you ready to go
01:08:05yeah
01:08:05yeah
01:08:28Come on, boys.
01:08:35There must be some way through to the house.
01:08:37Climb all these doors.
01:08:38Come on, boys.
01:08:41They're locked, sir.
01:08:42Well, smash them in.
01:08:43Go on, bring them right down.
01:08:44Go on.
01:08:47They're all in.
01:08:48They're all in.
01:08:52The safety of your father up the street, madam.
01:08:54Come on.
01:08:55Let's put it out.
01:08:56Come on.
01:08:56Let's put it out.
01:09:09My God, that's done us.
01:09:53More ammunition wanted.
01:09:55All right.
01:09:55Get it.
01:09:56Come on.
01:09:59Come on.
01:10:01Come on.
01:10:03Come on.
01:10:04Come on.
01:10:05Come on.
01:10:36Come on.
01:10:36Come on.
01:10:38Come on.
01:10:41Come on.
01:10:48Come on.
01:10:51Come on.
01:10:53Come on.
01:10:54Come on.
01:10:55Come on.
01:10:57Come on.
01:10:58Come on.
01:10:59Come on.
01:11:00Come on.
01:11:01Come on.
01:11:02Come on.
01:11:03Come on.
01:11:04Come on.
01:11:05Come on.
01:11:19No, I finish. I don't go on.
01:11:23You took this on for our cause and you've got to go through with it.
01:12:02You took this on for our cause.
01:12:10We ought to have taken a chance. We ought to have shot our way out.
01:12:15I never wanted the first policeman to be shot.
01:12:20Now we'll have to try and use the child.
01:12:30Go and fetch her.
01:12:45Go and fetch her, yes?
01:12:53I keep her close.
01:12:55Then if they get me, they get her too.
01:12:58Go and fetch her.
01:13:01Bye-bye.
01:13:04Bye-bye.
01:13:36They're scarcely replying to our fire at all now, sir.
01:13:39My God, look at that.
01:13:43Betsy!
01:13:50Stop them firing.
01:13:55Quick, get that man.
01:13:59I dare you, sir. Might hit the kiddie.
01:14:15Good, good, good, good!
01:14:26Hey!
01:14:37two men on the roof after the girl sergeant look after him rest of you come with me
01:15:04so
01:15:08so
01:15:09so
01:15:09so
01:15:10so
01:15:32Hello, darling.
01:15:34Come on.
01:15:35You're all right.
01:15:41It's all right.
01:15:49It's all right.
01:15:50It's all right.
01:15:57It's all right.
01:15:59It's all right.
01:16:04It's all right.
01:16:05It's all right.
01:16:05It's all right.
01:16:05It's all right.
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