- 15 hours ago
Prepare for a fiery cinematic voyage in this intense tale of frontier justice and star-crossed romance. This high-quality, full movie features Cornel Wilde and Yvonne De Carlo—who shines in a dual role—as they navigate a landscape of betrayal and blood feuds in Old California. Brimming with atmospheric Technicolor visuals and explosive action, this gripping Western drama is now free to watch for all fans of classic cinema seeking a story of unyielding resolve and high-stakes passion.
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Short filmTranscript
00:00:00I
00:01:48Escobar.
00:01:53Get the herd into the meadow.
00:01:55I'll ride ahead to the hacienda.
00:01:57The herd will be fattening on Gaspar Melo's grass within the hour.
00:02:26Get out of there.
00:02:27Get out of there.
00:02:29Get out of there.
00:02:33Get out of there.
00:02:35Get out of there.
00:02:38Get out of there.
00:02:45Good day, Don Domingo.
00:02:56Help!
00:02:57Mommy!
00:03:00Oh, what is the matter of what happened to you?
00:03:02Oh, oh, oh, ma.
00:03:10Senor Sandro.
00:03:13I have just come from old Gaspar's place.
00:03:17Well, speak up, speak up, Castro.
00:03:19Juan Obreon has come with his cattle.
00:03:23Obreon?
00:03:23You madman!
00:03:25Look at this.
00:03:26Do I want him a coward?
00:03:27He's afraid to ride a horse without a saddle.
00:03:29Ride it yourself and break your own neck.
00:03:32Don't dare to touch him again.
00:03:33Good day, senora.
00:03:34I see you have a visitor.
00:03:37Always the sneaking ones.
00:03:40What are you grinning at?
00:03:42I want these signs posted tonight.
00:03:44You understand?
00:03:45Get Barca and Conferer to help you.
00:03:47Martinez.
00:03:48Yes, senor.
00:03:49Mark this one for Gaspar Melo.
00:03:53This one for Gaspar Melo.
00:04:10Gaspar!
00:04:11Gaspar Melo!
00:04:16How is your health?
00:04:17Very pleased to see you, old one.
00:04:19Very pleased to see you, Juan Obreon.
00:04:21You come like the lion.
00:04:23Not even the dog gets the smell of you.
00:04:24I'm an old friend of the dog.
00:04:28And, uh, how is everyone at the house?
00:04:30Well, everyone is well.
00:04:32Our family has increased, that is all.
00:04:34Well, with the passage of time, that's natural.
00:04:37Natural?
00:04:38Uh, do you know that one of the heifers you left
00:04:42now has a little calf with your brand?
00:04:44You speak in riddles.
00:04:51Obreon!
00:04:52Hello, Tonya.
00:05:01Good girl.
00:05:02You learned well.
00:05:03Maybe you better stop teaching them.
00:05:05She and her sister have learned too well.
00:05:07Now to the kitchen, Tonya.
00:05:20Obreon!
00:05:21Rosa has a baby.
00:05:27Perhaps it's time we clear this business about Rosa.
00:05:31Things ought to be settled.
00:05:32The whole valley knows.
00:05:36It's a boy, grandfather?
00:05:38Yes, it's a boy.
00:05:40Oh!
00:05:44Where's Rosa?
00:05:45He's in there.
00:05:46Oh!
00:05:49Rosa!
00:05:51Obreon's back.
00:05:56I told him.
00:05:59I told him about the baby.
00:06:04He might even marry you.
00:06:10But, uh, don't surrender too quickly.
00:06:27Woman, it's Obreon.
00:06:31Better if we have not known him.
00:06:33He comes and we have a disaster.
00:06:35But he comes to marry Rosa.
00:06:36Oh!
00:06:37He comes.
00:06:39What a happy moment for us all.
00:06:41Each time she goes to church, they point at her.
00:06:44The baby must be baptized.
00:06:46Now, what's all this cackling about?
00:06:48Weren't Rosa and I married by the writer with the black book, hmm?
00:06:51Padre says you are not married in the eyes of the church.
00:06:54Well, what does Rosa say?
00:06:55Why don't you ask her?
00:07:10Why didn't you let me know?
00:07:13I manage very well.
00:07:19A child needs his father.
00:07:23Why did you go away?
00:07:26I have to move with the cattle.
00:07:27You know that.
00:07:30You could have stayed.
00:07:32Let the cattle freeze in the early snows.
00:07:35You should have married the cattle.
00:07:38You sent me away, Rosa.
00:07:41You said you wouldn't leave the old people alone.
00:07:51By the great mother of the great-great mother.
00:07:55The child is magnificent.
00:08:15The child is magnificent.
00:08:17What do you call him?
00:08:19Juan.
00:08:20Like me.
00:08:23Of course, like you.
00:08:46Rosa.
00:08:49We have the child.
00:08:52Cattle, horses.
00:08:53I have a fine hacienda.
00:08:56Land.
00:08:58For you, my wife, and...
00:09:01for my son.
00:09:04We'll take the old people with us.
00:09:08You know grandfather would never move.
00:09:10I'll persuade him.
00:09:17We need you, Gaspar.
00:09:20I have a good hacienda.
00:09:23A place for a lifetime.
00:09:25Rosa says she won't move there without you.
00:09:29Are you a man or a noise?
00:09:32Go to the Padre.
00:09:34Marry Rosa.
00:09:35Then she is your woman and she will have to follow you.
00:09:43Tomorrow I will go to town and see the Padre.
00:09:46Good.
00:09:49Women have to be taught.
00:09:52Years ago, my woman did not want to come here.
00:09:55Ask her now.
00:09:57This land is like her bed.
00:09:59She could sleep in no other.
00:10:01She's old fashioned.
00:10:09Good night, Juan.
00:10:12Good night.
00:10:13Good night.
00:10:16Good night.
00:10:48Good night.
00:11:12Good night.
00:11:25The child needs his father.
00:11:36The Mockingbird has changed his tune.
00:11:40That means you will have a brother.
00:11:45Two.
00:11:51Three.
00:12:02Two.
00:12:03Two.
00:12:14Two.
00:12:16Two.
00:12:17Two.
00:12:29Wait a minute, I'll help you, Grandfather.
00:12:32No, no, please, Juan.
00:12:34This is my struggle.
00:12:36Old Don Domingo invited us to move on to this wilderness of rock and forest.
00:12:41And with our bare hands, we made of it what it is.
00:12:44We trusted each other.
00:12:45We signed no papers.
00:12:46Now his grandson, he has the deeds and he orders us off.
00:12:51But I won't leave.
00:13:03Gaspar.
00:13:07Salvador Sandro, what do you want?
00:13:11Whose cattle come here to pasture?
00:13:13Mine.
00:13:15I rented grazing from my good friend, Gaspar Melo.
00:13:19You have no legal rights.
00:13:21The cattle must go.
00:13:22The cattle will stay.
00:13:26Gaspar, you've had your notice.
00:13:28You refuse to pay rent.
00:13:30Don Domingo has ordered me to put you off.
00:13:33Salvador Sandro, get off my land!
00:13:45I guess we made that clear.
00:13:53I'll bring you something handsome from town.
00:13:57Something befitting the most beautiful bride in all California.
00:14:01And something for the baby's christening.
00:14:06A wedding and a christening.
00:14:08We must have a fiesta to console the countryside.
00:14:11Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
00:14:15ha.
00:14:15Oh!
00:14:19If it's not too much trouble, would you please make these purchases
00:14:22and 200 cartridges for me.
00:14:26200?
00:14:27Yes. The storekeeper knows my rifles.
00:14:30Don't forget.
00:14:33Rosa, take good care of my boy.
00:14:36The conceit of the bull.
00:14:41Tonya! Now, what shall I bring you from town, huh?
00:14:43New pair of trousers for the fiesta?
00:14:46For a bridesmaid?
00:14:48A dress like a lady.
00:14:50Lady?
00:14:51A lady.
00:15:02Juan!
00:15:03Miguel!
00:15:13Juan!
00:15:15Juan O'Brien.
00:15:18Godfather of all the little calves.
00:15:20Still the watchdog of the police, eh?
00:15:22Good to see you.
00:15:24It's surprising to find you with the padre.
00:15:26I'm arranging for my wedding.
00:15:29And the christening.
00:15:30So fast?
00:15:32Congratulations.
00:15:38Hey, look who's here.
00:15:43Senora Carissa!
00:15:45Juan!
00:15:47Juan!
00:15:49Senora.
00:15:50I need your help.
00:15:52I want to buy a beautiful white bridal veil
00:15:55for Rosa Melo, granddaughter of Gaspar Melo.
00:16:01And a cradle?
00:16:04Rosa's a clever woman. She already got him one.
00:16:07Oh!
00:16:12Here's the list.
00:16:13Add to that five barrels of wine.
00:16:16And open a bottle right now.
00:16:19These saddlebags need mending.
00:16:23Oh, and 200 cartridges for Gaspar Melo.
00:16:27He said you know the kind.
00:16:29I sold him a hundred a few weeks past.
00:16:31Is the old man going to start a war?
00:16:33No! Celebrate a wedding!
00:16:42I asked Don Domingo to meet us here, my friends,
00:16:45because I've been hoping and I've been praying
00:16:46that peace might be maintained in this territory.
00:16:50Gentlemen, all of this was the property of my grandfather,
00:16:54Don Domingo I, by royal grant of His Majesty King Philip V of Spain.
00:16:59It has been in our family a hundred years.
00:17:02It is well known that old Don Domingo gave Gaspar his choice of a homestead for him and his descendants.
00:17:09Our family has the deeds. There is no record of such a transfer.
00:17:13My friends, there are laws of God, of men and of government.
00:17:17They must be obeyed.
00:17:19But the law is on the side of Don Domingo.
00:17:21My friends, let us try to have a peaceful understanding.
00:17:25The land belongs to our family.
00:17:28Trespassers must go.
00:17:58Natureish no tipo of town.
00:17:58What's the matter, boy?
00:18:03Who's there?
00:18:08Take your belongings and get out of here.
00:18:24Tony, go back in the house.
00:18:26Woman, blow out the candles.
00:18:48Tony, go out the back. Ride for O'Brien and his men.
00:18:55Rosa, load the guns.
00:18:58Get the baby.
00:19:16Redmama!
00:19:28Go, Tony. It's her only chance.
00:19:31Take your belongings and get out of here.
00:19:35Rosa. Rosa! They don't kill you!
00:20:09The girl!
00:20:10Stop! Stop! Stop or I'll shoot!
00:20:14Stop! Stop!
00:20:28Where are the men?
00:20:29They moved on down the river. They left me here with the sick cows.
00:20:34Give me a saddle.
00:20:36Why not? Help yourself.
00:20:42You know, it's still night. You wouldn't be able to find anybody.
00:20:46Get away from me!
00:20:56Come on, they open, you scopes!
00:21:03The old fool's dangerous.
00:21:11Get away from me!
00:21:19You idiot!
00:21:20Get out!
00:21:30Sandro!
00:21:32There must be no witnesses.
00:21:33Come on!
00:22:20Come on.
00:22:23I hear a baby crying.
00:22:24Where?
00:22:25Over there.
00:22:53It's not good to be found here.
00:23:31It's not good to be found here, but it's not good to be found here.
00:23:36It's not good to be found here.
00:24:05We were busy with the cattle at the river.
00:24:07By the time we got to the hacienda, it was too late.
00:24:10We couldn't help.
00:24:11What happened?
00:24:15They attacked the hacienda.
00:24:19Go on.
00:24:22Grandfather and grandmother.
00:24:26They're...
00:24:28Dead?
00:24:31And Rosa.
00:24:34And the baby!
00:24:36The fire.
00:24:38It leaves very little.
00:24:55Thank you, Padre, for your kindness and your advice.
00:24:58Listen to me, Juan.
00:24:59The law must take its proper course.
00:25:03Adios, Padre.
00:25:06Tonya, what are you going to do?
00:25:09I'm going with Juan.
00:25:13My children, God be with you.
00:25:25Come, my friends, and have a drink on the street of two candidas!
00:25:29Juan!
00:25:31What?
00:25:32That voice.
00:25:34That voice.
00:25:37At the hacienda.
00:25:43It's one of them.
00:25:57I have a drink on thex.
00:26:02Come, Juan.
00:26:03Bye-bye.
00:26:04Bye-bye.
00:26:11Bye-bye.
00:26:47Enrique, a drink for the senor.
00:26:51Yes, a drink for our good friend Oblion.
00:26:59That's the voice. That's the voice.
00:27:02Are you sure?
00:27:04I'm certain. I'd never forget that voice.
00:27:19This one?
00:27:21This carnation is walking in his sleep.
00:27:25That's the one.
00:27:38He tried to kill Castro.
00:27:41The girl recognizes his voice.
00:27:43This carnation is loco.
00:27:46You heard his voice?
00:27:47At the hacienda, in the dark.
00:27:49But did you see him?
00:27:50Can you identify him other than by his voice?
00:27:53No. But there's no doubt.
00:27:55We were at Castro's house.
00:27:57Sure. With Barker, Martinez and Colfrey.
00:28:00That's right. We ate and played dice.
00:28:03I won 200 pesos.
00:28:04Then I lost them.
00:28:05No, no. I saw you spend them on drinks.
00:28:09That's the same thing.
00:28:13What are you waiting for?
00:28:15The girl doesn't lie.
00:28:17Juan, I do not say she lies.
00:28:20But she is only one.
00:28:22They are five.
00:28:43Now I see where you stand, Rodriguez.
00:28:56Come on.
00:28:58Juan O'Brien, listen to me.
00:29:02Juan, we have been friends for many years.
00:29:04I have done everything possible.
00:29:05What have you done about those others?
00:29:07Brutally pushed off their land.
00:29:08Their houses burned.
00:29:10I searched every inch of ground at Gaspard's
00:29:12for a sign, a clue, a spur, anything.
00:29:15I questioned everyone within 10 miles,
00:29:17but no one will stand witness.
00:29:19You have Castro.
00:29:20And you have your witness.
00:29:21I cannot arrest voices in the dark.
00:29:26You know Sandro and his men are guilty.
00:29:29The power of Don Domingo covers them like a blanket.
00:29:32I cannot move against them until the proof is absolute.
00:29:36Beyond doubt.
00:29:37There's proof enough against Castro for me.
00:29:40Juan, Juan, I beg of you.
00:29:43Do not do anything to put yourself on the other side of the law.
00:29:48Old Gaspar is dead.
00:29:50My wife is dead.
00:29:51The baby.
00:29:54Someone is going to make them pay.
00:29:56You or I.
00:29:59I am going to make them pay.
00:30:01I am going to make them pay.
00:30:04I am going to make them pay.
00:30:05I am going to make them pay.
00:30:07I am going to make them pay.
00:30:14I am going to make them pay.
00:30:15I am going to make them pay.
00:30:16I am going to make them pay.
00:30:17I am going to make them pay.
00:30:17I am going to make them pay.
00:30:18I am going to make them pay.
00:30:19I am going to make them pay.
00:30:19I am going to make them pay.
00:30:21I am going to make them pay.
00:30:44In here you killed an old woman, and out there a fine old man, and my wife Rosa, and my
00:30:51son.
00:30:52I wasn't here.
00:30:54You miserable liar. You threw flames on the roof. You shot at me.
00:30:59Get away from me. Get away.
00:31:01Get him alone, Tonya. That's not what we're here for.
00:31:09Who was with you?
00:31:11I... I tell you I wasn't here.
00:31:13Who was with you? I... I wasn't here.
00:31:20Give him his knife, Tonya.
00:31:22All he deserves is a bullet.
00:31:24Give him the knife.
00:31:39What about her? She's got my pistol.
00:31:42She won't shoot you. And if you kill me, you go free.
00:32:04Come on.
00:32:06Come on.
00:32:07Get out.
00:32:08Derp.
00:32:11When, look.
00:32:13God.
00:32:14Help.
00:32:16Take.
00:32:18Run!
00:32:19Don't do it.
00:32:19Get shot at him.
00:32:28Shh.
00:32:29Shh.
00:32:42Just drop it.
00:32:47No!
00:32:48No!
00:32:58Drop it.
00:33:03Now.
00:33:06I was here.
00:33:09Who else?
00:33:11There was Baca, Martinez, and Caulfury.
00:33:16And Sandro. Sandro did the killing. I did not kill.
00:33:21Sandro.
00:33:23Will you tell this to Rodriguez?
00:33:25Will you swear to it in a court of law?
00:33:27Yes, I'll tell Rodriguez. I'll swear to it.
00:33:32If you don't...
00:33:42I think I've broken my ankle.
00:33:46Tonya, bring the rope.
00:33:49One!
00:34:06So, you've taken the law into your own hands.
00:34:15Castro confessed.
00:34:17Tonya heard him, too.
00:34:20He named Baca, Caulfury, Martinez, and Sandro.
00:34:23He swore he would testify.
00:34:26Why did you kill him?
00:34:28He drew a second knife. It was self-defense.
00:34:32Who would believe you?
00:34:33That's true.
00:34:34That's true.
00:34:35Would I kill my only witness?
00:34:40Juan. Juan, I believe you.
00:34:42I'll make a run for it, and I will offer a reward for your capture.
00:34:45Be sure it's never collected, or you'll stand trial for murder.
00:35:06You let him get away.
00:35:09Prepare an order for arrest.
00:35:11Yes, Captain.
00:35:13And catch the wind in the field.
00:35:37Well?
00:35:41Marca has been killed, Captain. With a knife.
00:35:44I'm sorry.
00:35:44His possessions. All we found on the body.
00:36:17Got everything you need?
00:36:19Everything?
00:36:23You've killed three of them already.
00:36:27Juan, I know you're sending me away so you can go back to Granada.
00:36:31But if you're seen there, Rodriguez will hunt you down.
00:36:35You'll find my Hacienda quite comfortable.
00:36:38It'll be your home from now on.
00:36:41You can easily cross the Sierras into safety, and I'll go with you.
00:36:44Juan, give up this idea.
00:36:47Fast riding one day, you'll catch up with Escobar, my foreman,
00:36:50with the cattle he's heading for the Hacienda.
00:36:53Come on. Let's go.
00:36:57Oh.
00:37:00My slippers. Rosa borrowed them.
00:37:14What's your name?
00:37:34I'm seeing too many horses.
00:37:34I've been with you on the other side of your ship.
00:37:35By your way, I've never seen anything.
00:37:35My dad was a jerk.
00:37:35I've been looking for a little hoist.
00:37:36I was looking for a little hoist to stop for me when I met him.
00:37:36I'm looking for a little hoist.
00:37:37I'm looking for a little hoist.
00:37:37Good boy.
00:37:43I've seen him.
00:37:43How long?
00:37:43I don't know either.
00:37:44Of course, though.
00:37:44Sir, let me take some men and go after Aubryon.
00:37:47Why you?
00:37:50Because he's not my friend.
00:37:53Aubryon's a fool.
00:37:56He didn't give himself a chance.
00:37:58Made himself a killer.
00:38:02I'll get one Aubryon if I have to dig in Hades for him.
00:38:33I'll get one of them.
00:38:48No, no, no, no!
00:39:09I wasn't there! I swear I wasn't there!
00:39:11Castro named you.
00:39:21Come on.
00:39:45Come on.
00:40:18Gentlemen, here in my district of Granada, we've had three murders.
00:40:24Unless the killer, Juan Aubrian, has stopped, we may have more.
00:40:27Lieutenant Pico, I have brought you from San Gabriel, here.
00:40:32You, Lieutenant, from Monterey, here.
00:40:36And you, from San Gabriel, here.
00:40:40Some place within this area, our killer is hiding, preparing to strike again.
00:40:46We will combine our forces and close in the trap on him.
00:40:50Every rancho, every hut, every cave must be searched.
00:40:53Anywhere a man might hide. Is that clear?
00:40:56Many think Aubrian was right in avenging the death of his family.
00:41:00Murder is never right.
00:41:02The people are against us. To capture Aubrian is...
00:41:05Aubrian is not a ghost.
00:41:08Captain.
00:41:10You, Munoz.
00:41:12Lieutenant Pico has brought six extra men.
00:41:15Aubrian will return to Granada.
00:41:17From the governor. Urgent.
00:41:25Bad news, Captain?
00:41:27We have one week.
00:41:29The governor arrives Thursday.
00:41:32And to continue, Governor Moraga says...
00:41:35Unless this violence is stopped, unless Aubrian is jailed...
00:41:40Governor Moraga appoints a new captain for this desk.
00:41:44That is all, gentlemen.
00:41:53It's too bad Aubrian got away when we had him in our hands.
00:41:57We might have prevented two of the murders.
00:42:25We might have prevented two of the murders.
00:42:28We might have prevented two of the murders.
00:42:29Yes, senor.
00:42:30Hello, Capito.
00:42:32You're glad to see me, eh?
00:42:40Hello, Escobar.
00:42:43How is everything?
00:42:44As usual.
00:42:46Are you well, Juan?
00:42:47Oh, perfect.
00:42:48Leave it.
00:42:48Fired.
00:42:50Now, row it all night.
00:42:52Try to get some sleep.
00:42:54How's the girl?
00:42:55Restless.
00:42:55She helps with the branding.
00:43:11Aubrian's back.
00:43:12I saw his horse.
00:43:12He wishes to sleep and to see no one.
00:43:16He's ridden all night.
00:43:17You get here, Tonya.
00:43:24Why do you coddle him?
00:43:25Kill a stupid beast.
00:43:37Oh, no.
00:43:44Oh, no.
00:44:06Go back to the house.
00:44:14Oh, no.
00:44:14Drop that.
00:44:16Sure.
00:44:17So you can have her all for yourself, huh?
00:44:19Drop it.
00:44:21You get back or I'll kill you.
00:44:32Get him off the ranch.
00:44:46Tonya.
00:44:47Tonya.
00:44:49Tonya.
00:44:54Tonya.
00:44:55Juan?
00:44:57Yes.
00:44:57I've been thinking.
00:44:59The horses, cows, vaqueros.
00:45:04It's not for you.
00:45:06Isn't that your life?
00:45:09I've decided you're to go away and learn better things.
00:45:15But I can read and write very well.
00:45:19Branding Cage with Bernal, is that...
00:45:22Is that like a lady?
00:45:24You mean...
00:45:26Like Rosa?
00:45:32You're going away again.
00:45:36I never know when...
00:45:37When you're ever coming back.
00:45:42What's more important about you...
00:45:44This is no place for you to be left alone.
00:45:50I know what you're going to do.
00:45:55I've arranged for you to go to Don Rosendo's.
00:45:59He's awaiting you.
00:46:02You'll be...
00:46:03You'll be safe there.
00:46:04I'll come for you soon.
00:46:10I'll come for you soon.
00:46:17I'll come for you soon.
00:46:20I'll come for you soon.
00:46:21I'll come for you soon.
00:46:22Escobar, on your life...
00:46:23See that the Senorita Tonya...
00:46:25Goes safely to Don Rosendo's.
00:46:28There's an auction of horses at Granada.
00:46:33You and the new men aren't known there.
00:46:35Round out the best of our horses and...
00:46:37They'll bring the highest prices.
00:46:39But your brand.
00:46:41The police.
00:46:42Change the brand. Add a couple of lines.
00:46:44Use another name.
00:46:46Madronis. Nicholas Madronis.
00:46:48Madronis is a good name.
00:46:50After the auction, take the money to...
00:46:52Tonya Don Rosendo's.
00:46:54If I shouldn't come back, I want her to be safe.
00:46:58Capito, stay here.
00:47:01Stay here.
00:47:16Get out of there.
00:47:21Give me the whole bar.
00:47:23I'll be able to get out of the market.
00:47:24If you want some money?
00:47:27I'll be able to get out of the market.
00:47:28Get out of here.
00:47:31Here.
00:47:31Get out of here.
00:47:33Get out of here.
00:47:34Get out of here.
00:47:35Get in.
00:47:35Get out of here.
00:47:51No, no. Go back to the camp. Go back.
00:48:03You can see Aubryon intends to have your life.
00:48:06You must leave at once.
00:48:13Enough money to see you cross the border.
00:48:16The governor is on the way.
00:48:18When you hear, it would mean the end for both of us.
00:48:20You must cross the border and not come back.
00:48:22Fortunately, the governor will not have to attend your funeral
00:48:25after your work at Gaspar Melos.
00:48:28But you turn against your own people.
00:48:30For that blunder, I must face the governor.
00:48:32I shall post a reward for 10,000 reales for the capture of Aubryon, dead or alive.
00:48:39You would do better to post a reward for the capture of the assassins of Gaspar's family.
00:48:49Juan Aubryon will scalp me alive for letting you come here.
00:48:52When I turn over in my grave, pray for me.
00:48:55Believe me, Escobar, Don Rosendo can wait a little longer.
00:48:58You there.
00:49:04Where are you from?
00:49:06From the south, senor.
00:49:07And your business?
00:49:08Bring horses to the auction.
00:49:10Whose horses?
00:49:11Madroni's brand.
00:49:13Nicolas Madroni's.
00:49:19You know a man called Juan Aubryon?
00:49:33Oh, so it's you, huh, girl?
00:49:35Get your hands off.
00:49:47May I go now, senor?
00:49:51Come here.
00:49:56Aubryon's girl, Tanya.
00:49:58Where she is, he'll be nearby.
00:50:05Tanya Mello.
00:50:35All right, Aubryon, come out!
00:50:38Drop the gun.
00:50:41Capito!
00:50:50Go!
00:50:55Go, run!
00:51:04Don't stop eating our horses!
00:51:06Out of my way, fool!
00:51:07Out of my way!
00:51:08Just stop eating our horses!
00:51:08Out of my way!
00:51:09Out of my way!
00:51:09Out of my way!
00:51:23I don't want to endanger you, Signora.
00:51:54Signora Carissa, open this door.
00:51:57Open this door.
00:52:00Open this door.
00:52:04Open it once.
00:52:08Break it in.
00:52:16Search the place.
00:52:22Signora, Juan Aubriand's dog.
00:52:24Oh, Aubriand buys many things here.
00:52:26See, the bridal veil for his Rosa, who is dead.
00:52:31Juan Aubriand, come out.
00:52:42It's Aubriand's saddlebag.
00:52:43He left it here to be repaired.
00:52:45See?
00:52:45It is torn.
00:52:46Come out.
00:52:47Come out.
00:53:14You know the penalty for aiding a criminal.
00:53:17I'm too fond of my neck for that, Captain.
00:53:18Come out, Juan.
00:53:44Come out, Juan.
00:53:54Good boy, Capito.
00:53:58Signora Carissa, if I could stay till dark.
00:54:00As long as you wish.
00:54:03And Capito, will you take care of him?
00:54:05Come out.
00:54:07Signora Carissa, you're a match for her regiment.
00:54:11Oh.
00:54:28I mean you no harm, Signora.
00:54:30You are the boy.
00:54:32Where did Sandro go?
00:54:34He has gone across the border.
00:55:06He has gone across the border.
00:55:11Yes, Signora?
00:55:12Who comes?
00:55:21Two riders, Signora.
00:55:28Aubriand, Signorita...
00:55:31Hello, Don Rosendo.
00:55:36Manuel, wine for our guests.
00:55:38Yes, sir.
00:55:41Signorita.
00:55:42I've been expecting you.
00:55:44And I'm somewhat late in arriving.
00:55:49I can't stay, Don Rosendo.
00:55:51But may I borrow a horse?
00:55:52I must cross the border.
00:55:54If I can help a friend, good.
00:55:56But here in the mountains, we have a code.
00:55:59Even when fighting our enemies.
00:56:02I've heard of many killings.
00:56:04Before that, Gus Barmelo, my wife Rosa, and my son were killed.
00:56:11I gave each murderer an equal chance.
00:56:13I saved Sandro for the last.
00:56:16Manuel.
00:56:18Less than two hours ago, Sandro refused my hospitality and pushed on toward the border.
00:56:24I know.
00:56:25And I must follow him at once.
00:56:27Then you need my advice.
00:56:29Manuel, put our guest's saddle on star night and snow clothing for the mountains.
00:56:34Yes, Signora.
00:56:37Come on.
00:56:38Let's go.
00:56:38Let's go.
00:56:57Come on, let's hang out.
00:56:58You come clean.
00:57:00The black snows are coming. Through them, no man can live.
00:57:05You will climb until you reach the sharp cliffs of the Sierras.
00:57:09Then on till you come to the shrine of the Good Samaritan.
00:57:22I give you my best horse. Ride Starnight to the deep snows.
00:57:26Then turn him loose. He'll find his way home.
00:57:29I'll never be able to repay you, Don Rosando.
00:57:32Juan, look.
00:57:39Horsemen. Police.
00:57:40Juan, if you don't come back, I'll follow you.
00:57:51Take the north gate.
00:58:10Good day, Don Rosando.
00:58:11Good day, Captain.
00:58:13You've come just in time to share my evening meal.
00:58:15Thank you, Senor. We are in a hurry.
00:58:18Juan Obrion has passed through here. We've been on his heels for miles.
00:58:22Well, if he has passed, why ask me?
00:58:25This is a public road. I do not question passers-by.
00:58:29Let's try.
00:58:31Let's try.
00:58:32Let's try.
00:58:40Let's try to get him away.
00:58:42Let's try to get him away.
00:58:44Go away.
00:58:44Let's try to get him away.
00:58:50What's the matter?
00:58:51We'll try to get him away.
00:58:56Come on, John.
00:58:57Read the order.
00:59:02Anyone giving assistance to Juan Obreon
00:59:04shall be considered an accomplice.
00:59:06He must be captured dead or alive.
00:59:09Signed, Pablo Moraga, governor.
00:59:11Dead, maybe. Alive, never.
00:59:23The senorita had Juan Obreon's brand.
00:59:33So he has been here.
00:59:35He did for Gaspar Melo's family
00:59:38what you and your police should have done.
00:59:41I see, Don Rosendo.
00:59:43No use in asking questions.
00:59:46We now know what we wish to know.
00:59:49May we borrow fresh horses from you, Don Rosendo?
00:59:53Certainly. They're up in the hills.
00:59:56It'll take about one hour to bring them down.
00:59:59An hour?
01:00:00That would give Obreon an excellent start.
01:00:04No, thank you.
01:00:06We won't waste any more time.
01:00:21Why are you standing there with your mouth hanging open?
01:00:24Why didn't you put the horses in the stable?
01:00:26Manuel, you're out of your mind today.
01:00:29He didn't understand.
01:00:30Don Rosendo, please.
01:00:32Well, what is it?
01:00:33About senor Obreon, was Rosa Melo his woman?
01:00:38Yes.
01:00:40Patron, I saw the fire at the home of Gaspar Melo.
01:00:44I wanted to help.
01:00:45It was too late.
01:00:47And then my woman heard a baby cry.
01:00:49Go on, Manuel.
01:00:51It was a boy.
01:00:52She found it, cold and afraid.
01:00:55We brought him here.
01:00:58Manuel, is the child with you?
01:01:01Yes, senorita.
01:01:03The family of Gaspar Melo was dead.
01:01:07It's Juan Obreon's child?
01:01:09Manuel, man.
01:01:11Why didn't you speak of this before Obreon left?
01:01:14I tried, senor, but you sent me away.
01:01:17If Obreon had known that his child still lives.
01:01:21My woman loves a boy.
01:01:23She forbade me to talk.
01:01:25I will go after senor Obreon and tell him the boy is safe here.
01:01:30Where is the baby?
01:01:31In our room.
01:01:32There.
01:01:41Juan Obreon's baby.
01:01:47I go for the child's father.
01:01:49He lives.
01:01:50Wait, Manuel, and I'll go with you.
01:01:53Antonia, this is madness.
01:01:56Don't try to stop me, Don Rosendo.
01:01:58I must go.
01:02:38Please bet you can get someggie out of him.
01:02:38He'll come out of him.
01:02:39Don't try to be careful.
01:02:39Come here, Don Rosendo.
01:02:39As I won, I will Kris Kaké!
01:02:39Come here!
01:02:39You Kim Wood.screams
01:02:50Come
01:02:51here. I
01:03:10There he is.
01:03:33There he is.
01:03:56It's unbelievable.
01:03:57And we're stuck here with worn-out horses.
01:04:00He could have killed us if he wished to.
01:04:03Yes, I believe he could have.
01:04:07Well, now we must take the long way around.
01:04:22Manuel.
01:04:23Police.
01:04:26They go a long way.
01:04:28We go Indian way.
01:05:24Manuel.
01:05:29What place is this?
01:05:31The Shrine of the Good Samaritan, the last shelter before the glazier.
01:05:37Aubrian has not been here.
01:05:39We had better go.
01:05:49It will not last an hour in the storm.
01:05:51We'll wait until morning.
01:06:18From here we walk.
01:06:20Into what?
01:06:22If that storm hits, we'll never come out.
01:06:26We'll find shelter for our horses.
01:06:28Storm or no storm, we're going on.
01:07:41There's two men on the glacier.
01:07:47Sandro.
01:07:49So that's what O'Brien has been after.
01:07:52Another murder.
01:07:54We'll never reach them before they cross the border.
01:08:14We'll never reach them before.
01:10:51I warned you, Captain.
01:10:54Into those rocks.
01:11:37Sandler!
01:11:42Sandler!
01:11:44Sandler!
01:11:45Sandler!
01:11:45This is one over here!
01:11:47Sandler!
01:11:49Until you can see, until you know who I am!
01:11:54This way is coming up.
01:11:56Not this way.
01:12:02Come on! Get up!
01:12:06Come on!
01:12:11Come on! Get up!
01:12:15Come on!
01:12:22Come on!
01:12:23Come on!
01:12:24Come on!
01:12:30Come on!
01:13:51Look, Captain, below.
01:13:53Oh.
01:13:55Fresh tracks.
01:13:58They're moving downward.
01:13:59Come on.
01:14:02Come on.
01:14:09Come on.
01:14:10Come on.
01:14:13Come on.
01:14:18Come on.
01:14:21Come on.
01:14:21Come on.
01:14:33Come on.
01:14:34Come on.
01:14:47Come on.
01:14:49Come on.
01:14:58Wake up, Sandro.
01:15:00Sandro, this is Obreon.
01:15:02One Obreon.
01:15:04You remember the Hacienda you burned?
01:15:07The Hacienda of Gaspar?
01:15:09The people you killed?
01:15:11My arms.
01:15:12Oh, my arms.
01:15:16Oh, my arms.
01:15:31Come on.
01:15:33Come on.
01:15:40Obreon!
01:15:41This is Captain Rodriguez.
01:15:49You cannot get out.
01:15:50Give yourself up.
01:16:14The man is a fool.
01:16:16Let's finish it, Captain.
01:16:18I want him alive.
01:16:19Cover the window.
01:16:20We'll flank him.
01:16:53Obreon.
01:16:57Obreon.
01:16:59Obreon!
01:16:59I'm not going to shoot you, Sandro.
01:17:03Because you will know a worse death.
01:17:06In a few hours.
01:17:15Oh.
01:17:21Captain Rodriguez.
01:17:22Give Obreon a chance.
01:17:24A chance to die?
01:17:25That seems to be what he wants.
01:17:27I have a message for him that'll make him want to live.
01:17:30Please let me go to him.
01:17:33Juan!
01:17:34Tonya!
01:17:35I'm coming in.
01:17:38Tonya!
01:17:39Get back!
01:17:48Tonya, get out of here.
01:17:49Juan.
01:17:50Get out!
01:17:54Give yourself up, Juan, before it's too late.
01:17:57Please, please.
01:17:58You must live.
01:18:00For the sake of your son.
01:18:02Your son is alive.
01:18:05My son?
01:18:07I've seen him.
01:18:08Rose's child.
01:18:09My woman found the little one hidden.
01:18:11We brought him to our room.
01:18:13We didn't know you were the father.
01:18:15Man, do you swear that this is true?
01:18:18Believe me, it's true.
01:18:21Believe me, it's true.
01:18:41I could've killed him, but...
01:18:44Who can kill a man already dying?
01:18:57Who can kill a man already dying?
01:19:12Er...
01:19:14Who can kill a man?
01:19:16Is it true?
01:19:20No, no.
01:19:26Castro.
01:19:27And Rosa.
01:19:28You killed Rosa.
01:19:30She saw me.
01:19:32I had to kill her.
01:19:33Who paid you? Domingo?
01:19:35Yes. Domingo.
01:19:37He paid coal.
01:19:39To burn the haciendas.
01:19:42To kill.
01:19:58Juan, you have to stand trial.
01:20:02But with this evidence, I can testify for you.
01:20:04And I, too.
01:20:08Truth will bring justice, my friend.
01:20:16Juan.
01:20:20Oh, Juan.
01:20:24Don't worry.
01:20:27It's hard to kill a man who has much to live for.
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