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00:06Previously on KyleXY.
00:07Kyle?
00:08Be careful.
00:09Even in our backyard.
00:10We have bigger problems than Mrs. Bloom.
00:12Jessie starts back at school today.
00:14I sort of levitated.
00:15Show me how.
00:16I will.
00:17She's the one who attacked me.
00:18I know Lori will never forgive me.
00:20You have to earn forgiveness.
00:21She could be you.
00:23What?
00:24The two of you.
00:25You used to play that song all the time.
00:27D4.
00:29It's not there.
00:30It's a lat-knock ring.
00:32All the members received rings.
00:33It was a way of identifying one another.
00:35And you're a lat-knock?
00:36Yes.
00:37I got accepted into a music program in New York.
00:39I leave in two days.
00:40Two days?
00:42I miss this.
00:44I miss you.
00:45I didn't want to go back to how I was before.
00:49How were you before?
00:51In business.
00:52I'll call, and text, and email, and then I'll come back to you.
00:56You promise?
00:58Promise.
01:04I don't know.
01:08Spring cleaning.
01:10A curious ritual.
01:12Nicole said it meant time to rid ourselves of things we didn't need anymore.
01:17Follow each other into the night.
01:25The first step is reflection.
01:28What's worth keeping?
01:30What's lost its value and can be given away?
01:32All my life.
01:37I can't sleep.
01:41In my bed.
01:43In this day.
01:44For some, the choice is easy.
01:50Follow each other.
01:52For others, much more difficult.
01:54You're getting rid of all that.
01:57Actually, I've gone through and I like all my things.
02:02I don't want to give them away.
02:04Oh, Kyle, you don't have to, but a lot of this stuff has seen its best day.
02:08Look at this t-shirt.
02:10It's shrunk.
02:10It's stained.
02:11It's faded.
02:12Boy, this is the first time Steven took me to work with him.
02:15Well, this one's torn.
02:17I ripped it playing basketball with Josh.
02:19Great game.
02:21It's the first gift Lori ever gave me.
02:24Sentimental pack rat.
02:25Great.
02:26We're in trouble.
02:27Look, this isn't supposed to be torture.
02:30Consider it a chance to shed your old skin.
02:32Be someone new.
02:36Dude, take a load off.
02:38Let's throw this puppy around for a few.
02:40Let me grab the rest of the boxes first.
02:41The boxes aren't going anywhere.
02:43But I told Nicole that I...
02:45The best part about spring cleaning is ditching out on spring cleaning.
02:49You can't do it, can you?
02:51You always have to do the right thing.
02:53And you always find a way of putting fun before work.
02:56Alphabetic order, my encyclopedic friend.
02:59But I will have you know I'm done with my room.
03:00And I'm trashing this with the rest of my stuff.
03:04But first...
03:06Bite marks.
03:07Foam.
03:07It's irresistible.
03:09Come on, show me what you got.
03:14Okay.
03:20Keep going.
03:23More.
03:36Oh.
03:54Oh.
04:28You didn't tell me you were coming.
04:30No one knows.
04:30I'm surprising my mom for a birthday.
04:32You're a good present.
04:34How's New York?
04:35Amazing.
04:36Everything I imagined.
04:37And the music program?
04:39The teachers are all so inspiring.
04:41And the students are so talented.
04:43Like you.
04:46They've all had incredible training.
04:47It was intimidating at first, but I know I'm in good company.
04:50I'm learning about composers I never knew.
04:52Amanda's heart was beating rapidly, and she was speaking really fast.
04:55She seemed happy, but I could sense that she was troubled.
05:00Amanda.
05:02Is everything all right?
05:08I can never hide anything from you.
05:10But I need to let my mom know I'm home.
05:12Can we get together later?
05:14Of course.
05:15Good.
05:18I guess we need to talk.
05:24She said what?
05:25We need to talk.
05:32What is it?
05:34Nothing.
05:36No, I missed something.
05:40Well, when someone says we need to talk,
05:43sometimes it's a lead-in to a discussion about feelings that have changed.
05:49Feelings?
05:50Prepare yourself, dude.
05:51She's dumping you.
05:52She has the decency to do it in person.
05:54Don't read into it.
05:55Just wait and hear what she has to say.
05:57No.
05:58Not my lucky shirt.
06:00Josh, you've outgrown it.
06:02I couldn't help but wonder,
06:04had Amanda already outgrown me?
06:07I am transmitting to you so.
06:13Okay.
06:14Grab a hold of the wire and make these babies blink.
06:17What?
06:17You turned a block full of headlights on.
06:20This should be easy.
06:21Are you serious?
06:22You said I look for ways to slack off?
06:24This I take seriously.
06:25You have to challenge that brilliant mind of yours,
06:28and someone has to fill in for that Foss guy, right?
06:30Well, that someone, my friend, will be me.
06:33Really?
06:33I just make them blink.
06:37They never kiss me.
06:43They rarely notice much.
06:48Sometimes I'll...
06:49Hey.
06:50It working?
06:51Not really.
06:53Thinking about Amanda drained all the voltage out of him.
06:55Oh, yeah, I heard.
06:57We need to talk.
06:59Sorry she left you hanging.
07:00Typical woman.
07:03Uh, anyway, I need to look for my digital projector.
07:06You're giving that away, too?
07:07No.
07:08I need it for a lecture I'm giving at UW.
07:10You're giving a lecture?
07:14I mean, you're giving a lecture.
07:18I've been asked to speak at a symposium tomorrow.
07:21You getting paid for this thing?
07:23Because you're supposed to bring home the bacon, Dad,
07:25and I eat a lot of bacon.
07:26For your information, Josh, I have already had a job offer.
07:29This lecture is about sharing my expertise.
07:31For free.
07:32Well, I think your expertise is worth more than that.
07:35Thank you, Kyle.
07:36I'll let you two get back to work.
07:51What's that?
07:53Just an old magazine.
07:55You done in your room?
07:56Yep.
07:57And now I need permission to boycott an assignment.
08:00Let me guess.
08:01Math.
08:02Nope.
08:03Me.
08:05My guidance counselor is making everyone write a two-page essay about who you really are.
08:10I don't know the answer to that yet.
08:12I mean, how old were you when you figured that out?
08:14I'll let you know when I get there.
08:16Figuring out who you are is a constantly evolving process.
08:19Constantly evolving process.
08:21That's three words I need more.
08:22How about sarcastic, moody, and cynical?
08:25I didn't ask you.
08:27And I'm not a cynic.
08:31I am totally glasses half full.
08:33I just acknowledge that the other half of the glass is a desolate void of disappointment, misery, and regret.
08:40Preparing ahead makes me pragmatic.
08:42Uh, speaking of being prepared...
08:44Homer, done.
08:45I know.
08:46You should call Ripley's.
08:48I need an opinion.
08:50I can't decide which one.
08:51What do you guys think, plaid?
08:53Definitely.
08:55Thanks.
08:55You and Amanda should take a walk around the marina.
08:58Sunsets are really pretty.
09:01Maybe we will.
09:09Dead man walking.
09:16Hi.
09:26Hello.
09:27Can I come in?
09:29There's a front door.
09:30When I wanted to see you, this is quicker.
09:38What happened?
09:39Oh, I slipped and hit my shoulder.
09:41Jumping off another roof?
09:43Kyle, I've learned my lesson.
09:44And I'm here to learn another one.
09:46You said I have to work my way up to do things like levitate, so start teaching me.
09:50I can't.
09:51There's nobody around.
09:53I have plans tonight with Amanda.
09:54Amanda.
09:56Oh, Amanda.
09:57She's home?
09:58As a surprise.
10:00You're anxious about it.
10:02Your heart's beating really fast, I can tell.
10:06She told me we need to talk.
10:08So?
10:09You don't think that means anything?
10:12Uh, it means she wants to talk to you?
10:16Isn't that a good thing?
10:18That's what I thought.
10:20So, uh, when can we get started?
10:24When Amanda goes back, I'll have time.
10:26Okay.
10:28Well, goodbye.
10:30Bye.
10:51You ready?
10:58Kyle, I can't go out.
11:00But you said we need to talk.
11:02I'm sorry, I can't see you.
11:04Amanda, inside.
11:14This is all your fault.
11:16What?
11:17My daughter flying clear across the country to surprise me.
11:20You're not happy she's home?
11:21I'd be happy if she hadn't used my birthday as an excuse to tell me she wants to drop out.
11:27Drop out of the conservatory?
11:28Why?
11:28As if you didn't know you were the reason.
11:30She didn't say anything to me about it.
11:32We haven't even had a chance to talk.
11:34You're not going to get that chance.
11:35You will not see or speak to Amanda until she's back where she belongs at that school.
11:48I don't understand why she won't let me speak to Amanda.
11:51Well, unfortunately, Mrs. Bloom sees you as a distraction.
11:54I just want to know what happened.
11:56Make sure she's okay.
11:58Well, put yourself in Mrs. Bloom's shoes.
12:02What I mean is, try to see things from her perspective.
12:05That music conservatory sounds like a pretty big opportunity, one that Amanda shouldn't miss.
12:10I don't want her to miss it.
12:12But Mrs. Bloom shouldn't force her to go back.
12:14Kyle, I'm afraid Mrs. Bloom has every right to send Amanda back, whether she wants to go or not.
12:19Just as she has the right to ask you to stay away.
12:22And the hard truth is, it's really none of our business.
12:26You know what Amanda means to me.
12:28If she's struggling with or confused about something, how could it be none of my business?
12:37I know you're bummed, but look at the bright side, which, by the way, is my new M.O.
12:43At least Amanda wasn't planning on dumping you.
12:45How do you know that?
12:47Mrs. Bloom blames you for ruining her life.
12:49It sounds to me like Amanda flying home was a case of girl-missing boy next door.
12:53But we don't know that.
12:54We don't know anything Amanda's feeling.
12:56No one's letting her explain.
12:57Even Mom and Dad, I can't believe they're siding with Mrs. Bloom.
13:00I can't believe we're siding with Carol Bloom.
13:03She's uptight, narrow-minded.
13:05Yeah, and those are her good qualities.
13:07Well, like it or not, we have to respect what she wants for her daughter.
13:10But Kyle has shown nothing but love and concern for Amanda, and now we have to keep them apart?
13:14The funny thing is, knowing Kyle, he'd make the situation a lot better if you're just allowed to talk to
13:18her.
13:19Remember being Kyle's age?
13:22Something like this takes over your whole life.
13:24It's half the fun of being in love.
13:26Now we have to be the buzzkills.
13:29The grown-ups.
13:30Well, if this is what being a grown-up means...
13:32It sucks.
13:33Why can't Mom and Dad do something?
13:34They can't cross the line with Mrs. Bloom.
13:36They're all about crossing the line when something's not fair.
13:39Go throw Mom one of your puppy-dog-in-a-thunderstorm looks.
13:42Get her to change her mind.
13:43They made it clear.
13:44I have to obey Mrs. Bloom's request.
13:48This isn't right.
13:49I can't just stand back and do nothing.
13:51Kyle, do I detect defiance?
13:53Genius joins the dark side.
13:55I've got a list of rules I've been dying for you to break.
13:57I don't want to break any rules.
14:02I won't have to.
14:03I'll do exactly what Mrs. Bloom asked me to do.
14:08Attaboy, Kyle.
14:09Take a stand.
14:13Why are your feet on my bed?
14:20There were still ways to contact Amanda without seeing or speaking to her.
14:34I could easily circumvent Mrs. Bloom without leaving my own house.
14:54But it seems she could find ways to thwart me just as easily.
14:59If electronic messages weren't getting through, there would be no way for me to send a note
15:04or a letter without Mrs. Bloom intercepting it.
15:10I couldn't see or speak to Amanda.
15:12The written word was no longer an option.
15:14But there were still a few notes I could send her way.
15:17I hoped this message would get through, and she would at least know I was thinking about her.
15:36I was just trying to...
15:37I know what you were doing.
15:41I think you better come in now.
15:43I think you better come in now.
16:05What?
16:06You want my music now, too?
16:08You've already confiscated my phone and my computer.
16:10I know this is hard for you to understand.
16:12That you're keeping me prisoner?
16:14You will leave this house when you agree to return to New York
16:17to become the extraordinary pianist you're meant to be.
16:20Mom, I'm not seven years old anymore.
16:22You think I don't get that this is a great opportunity for me?
16:25Then why would you throw it away?
16:26Because it's not right for me now.
16:30It's not what I want.
16:33You don't know what you want.
16:46Dude, the crispity country goodness in that bowl is long gone.
16:51I'm not really hungry.
16:54My essay sucks.
16:55Speaking, it sucks.
16:57What?
16:58I meant Shakespeare.
17:00Extra credit.
17:02Impressive.
17:03Impressive would be figuring out what language this is written in.
17:06I thought Kyle might be able to translate, but...
17:14Well, what part are you at?
17:15The part that says it's about two families and it's set in Fair Verona.
17:20That's the first two lines.
17:21She lives exactly 38 feet, nine inches away, and I can't even tell her I'm sorry.
17:25You could if she wasn't locked in her own house.
17:27I know.
17:27Who else but Mrs. Bloom actually changes the alarm code to keep someone in?
17:30I just hope Amanda doesn't feel as bad as I do.
17:33Looks like we have our own resident pair of star-crossed lovers.
17:36The balcony scene's our favorite part of the play.
17:39Of course, it didn't end well for them.
17:41Still, Romeo and Juliet did everything in their power to be together.
17:44You guys know how this ends?
17:46Why didn't you say so?
17:50This all began when Amanda said we needed to talk.
17:53That's exactly what we're gonna do.
17:56I can write my essay later.
17:58Whatever it is, I'm in.
18:02Wait a minute.
18:03I'll do just about anything but that.
18:06If you want to help, you have to commit.
18:08Take this seriously.
18:09Then let me drive the getaway car instead.
18:12Or I could create a diversion or something.
18:14Hey, you want in?
18:15Accept the assignment.
18:17And I guess I'll see if I can borrow one of Andy's.
18:21What can I do to help?
18:24Help what?
18:25Help Kyle have a night out with Amanda like you've been talking about.
18:28How do you know what we've been talking about?
18:30You just sat down.
18:31I listened in while I was sitting at that table over there.
18:35Thought you had the copyright on that move.
18:37I can do anything Kyle can do.
18:39Could you make out with Amanda?
18:40Because that would be hot.
18:44It's a common male fantasy to watch two women make out.
18:46Number six on popular top ten lists.
18:48But it's not really backed by statistical evidence.
18:51That's all really fascinating and everything, Kyle.
18:53But I think what she really needs to learn is the meaning of privacy.
18:59Bitchy, not cynical.
19:00There's a total difference.
19:01I was just trying to help.
19:03Actually, I think there is something you can do.
19:22Can I help you?
19:23Hi.
19:24Is Amanda home?
19:25I'm a friend.
19:27I've seen you going in and out of the Traeger house.
19:29You're Lori's trampy friend.
19:31Oh, no, that's Hillary.
19:33Well, whoever you are, Amanda is not allowed to have visitors.
19:37Oh, but do tell Kyle nice try.
19:47Hey, Dad.
19:49Josh.
19:49Guess who was ahead at the symposium.
19:51I knew you'd be.
19:53Yeah, I was a little nervous when I got there,
19:54but I look out and I see a room full of computer science geeks.
19:57My peeps.
19:59Sounds like really fulfilling and fascinating stuff.
20:03Say, why don't you take the load off and I'll put that projector away for you.
20:07Sure.
20:08Thanks.
20:20That's our block?
20:21On a map of the power grid.
20:23There's our house and Amanda's.
20:26And how does that help?
20:28I need to know how the neighborhood is wired.
20:30This has high voltage cables, transformers, utility lines, breaker panels.
20:35It's part of the plan.
20:39I'm back.
20:41Jesse, please try to use the...
20:43Oh, front door, right.
20:46How'd it go?
20:47One, two, one, five, four.
20:52So, uh, I'll see you at the rack later.
20:54Okay, bye.
20:58She was done, right?
21:01I should probably get going.
21:12Um, didn't you just leave?
21:15Oh, I wanted to talk to you and, um, Kyle said that I should use the front door.
21:20Okay.
21:23Um.
21:26Your parents didn't press charges and they could have.
21:30They understand that what I did to you wasn't me.
21:33And I'm really lucky that they do.
21:35Yeah, you are.
21:38Kyle explained everything to you.
21:40I didn't want to beat you up.
21:42It was my programming.
21:44Things went wrong.
21:46So what?
21:47You caused the most traumatic experience of my life,
21:49and now you're telling me that it's not your fault?
21:53I'm telling you I'm sorry.
21:55I'm not here to ruin things anymore.
21:58I'm here to help.
22:00I'm trying.
22:06Then I guess I can try to.
22:12Okay.
22:18Hey, want some help?
22:19Dig in.
22:22Hey, I thought you'd get rid of this.
22:24Yeah, I got a little nostalgic and rescued it from the reject pile.
22:29I got a little nostalgic myself today.
22:32Being back on campus again.
22:34No office politics, no corporate crap, just this flow of ideas.
22:38It was a real give and take.
22:40Forgot how satisfying that can be.
22:43It's been a long time since you talked about teaching.
22:45Yeah, I know.
22:46I was surprised when the feeling hit me.
22:48I was also surprised when the head of the computer science program mentioned the adjunct professorship.
22:54Steven, that's great.
22:55Two job offers.
22:56No, no, no.
22:57Just the one.
22:57I turned them down.
22:58Why?
22:59Well, you want to get back in the public sector, and I already have a fantastic job.
23:04I mean, it's a great salary.
23:05I'd be the senior VP in charge of software development.
23:08Yeah, at a company that makes elevator control panels.
23:12Well, it's not as exciting as a career change, I admit.
23:15But at least this time around, I won't have an evil boss.
23:47I'll be the senior VP in charge of software development.
23:53How'd it go?
23:55Mission accomplished.
23:56Yeah, excellent.
23:58So far, what you are planning here is so out there, there is no way everything will go right.
24:02Susie Sinek.
24:06Kyle, your plan is genius.
24:08It's totally optimistic, at least what I understand of it.
24:13So what's next?
24:14Well, Jesse got the alarm code, and you got her to pull down the shade, so on to phase two.
24:24Here you go.
24:26Phase two.
24:31Now we just wait for dark.
24:33I have unwavering faith and fully support your exploits, but how is that a plan?
24:36You got something better?
24:38It's just that there's a lot at stake for Kyle's sake, and I don't want anything to go wrong.
24:42And why would that happen?
24:43Kyle's covered all the angles.
24:44I'm sure he has.
24:45Then why don't you just relax?
24:47Kyle's plan has to work, otherwise he won't get to Amanda before she's gone for good.
24:56I think phase two has been activated.
25:06Think about Amanda.
25:08How much you want to see her.
25:10To hold her.
25:14To touch her.
25:15Josh, ew.
25:17What?
25:17He needs an emotional trigger.
25:19The other thing I need is silence.
25:21Good idea.
25:21Lori, out.
25:23What did I do?
25:24This is man's work.
25:27I so want to make a joke right now.
25:35She could have stayed.
25:37Yeah, but I'm about to get all mushy, and I didn't want her to hear it.
25:41Listen, Kyle, I get how messed up you are right now.
25:44If anybody told me I couldn't see Andy ever again, I'd be a mess too.
25:49But you've got to pull it together.
25:50You really think I can do this?
25:52Knowing how much you care about Amanda?
25:54Zero doubts.
25:55Come on.
25:56Deep breaths.
25:57Just take it slow.
25:59One ball by the time.
26:16By focusing, I could control the flow of electrons along the wire, much like driving a car along a narrow
26:22road.
26:34In this case, the road led into the Traeger house's electrical system, which in turn connected to the neighborhood transformer.
26:42Through the transformer, I was able to reach Amanda's house and gain access to the house's electrical system.
26:48Once inside, I could direct the flow of electrons through the wires hidden in the walls.
26:56I was able to find my way to Amanda's room.
27:01Finally, I got my message through.
27:04And finally, we would have our chance to talk.
27:07Phase three.
27:09Phase three.
27:11Phase three.
27:17Phase three.
27:58You owe me.
27:59Big.
28:03Traeger, you really embraced Jane her Hallmark card.
28:05You've got soft.
28:07I know.
28:08You can cut the irony with a spoon.
28:11Just hope it's worth it.
28:14What's that supposed to mean?
28:16Nothing.
28:17Nothing.
28:21All this for puppy love?
28:22I mean, seriously, what are the odds that the person you're going to spend the rest of your life with
28:26is literally the girl next door?
28:28I mean, I don't want to put a bad mojo on the whole love vibe, but I don't want to
28:32set Kyle up to get his heart chopped, sliced, and diced.
28:37Oh, God, that felt good.
28:40Did you see where I put the napkins?
28:44Is there a garlic convention in here?
28:46Is there a garlic convention in here?
28:46Too much?
28:47Never.
28:49What's the occasion?
28:50Take your pick.
28:52I feel guilty about discouraging Kyle.
28:54Well, I appreciate the life we have and that we have such good kids.
28:59I'm incredibly hungry.
29:01How about all the above?
29:06Stephen, you mentioned Amanda would be missing an opportunity.
29:09You ever feel that way?
29:10Makes you think I feel that way.
29:12Oh, spring cleaning.
29:14Dragging the past out of the closet, seeing who we've become.
29:16You still look great in a bikini.
29:18I wouldn't know.
29:19I haven't worn one since Josh was born.
29:22Remember how I was supposed to be the cool mom who published thought-provoking articles and had a career?
29:27All I've accomplished this weekend is five loads of laundry.
29:30Not to mention an insanely aromatic marinara sauce.
29:36Yes, there was a time when I wanted to teach, but I don't feel like I'm really missing anything because
29:40I never went down that path.
29:42Yeah, but you had to go the corporate route to support our family.
29:44Which I wouldn't trade for anything in the world.
29:48Hmm. Why don't you go gather the troops?
29:50All right.
29:51All right.
29:56Hey, is she coming?
29:58I hope so. She got my message.
30:00I know now is not the best time to ask, but can we add that electrical trick to the list?
30:03I really want to learn that, too.
30:05After Amanda goes back to New York when you have more time.
30:07I promise I'll make time.
30:09But I have to make time for Amanda, too. She might be staying.
30:12Oh, is she staying?
30:13She doesn't want to go back.
30:18You're surprised.
30:19No, it's good news for you.
30:21Do you know why?
30:22Not yet.
30:23But now I have a chance to find out.
30:29For your help.
30:44Your dinner was getting cold.
30:48I know you're not very happy with me right now, but I am only looking out for your best interests.
30:58I made that noodle casserole you like so much.
31:03Oh, Amanda.
31:16Hey, hon.
31:20Where the hell are they?
31:22This could be the biggest move you bust all night, so I just want to make sure you have it
31:26done.
31:27You meet her at the door.
31:30Compliment her.
31:31Walk her over to the table.
31:37Offer her a seat.
31:38Yes, care to demonstrate?
31:41Would you like a seat?
31:43No, no, no.
31:44You have to pull the chair out for her.
31:47Oh.
31:49And then just slip it underneath her as she sits.
31:52Not too fast or you'll take her out at the knees.
31:55Right.
31:56Not too fast.
31:59Why am I even worried?
32:01You'll be fine.
32:05Does it look okay?
32:14Perfect.
32:28I love this.
32:31The lights, the table, everything.
32:35And the window in my room, how'd you even get the idea for that?
32:39Romeo and Juliet.
32:40Act two, scene two, line two.
32:42The balcony scene, that's...
32:43Your favorite scene in the play.
32:45I like that you pay attention to weird little details like that.
32:49You do?
32:53You're blushing.
32:54I am.
32:57I shouldn't have said that.
32:59I totally embarrassed you.
33:00No.
33:01Amanda.
33:02You can always say whatever you want with me.
33:10Glaced Cornish game hence on a bed of sauteed greens, sweet potato souffle and asparagus with shaved Romano and pancetta.
33:23I don't think this is what we ordered.
33:25Right.
33:25Because nothing says romance like a smoked turkey wrap.
33:28I took some liberties with the menu.
33:30You made this?
33:31No one knows I'm secretly a fan of Top Chef.
33:34And no one ever will.
33:37Bon appetit.
33:43Stop staring.
33:44I can't.
33:46I'm ODing on suspense.
33:47I want to know how it's going.
33:49You want to know if it's going badly.
33:52What you witnessed earlier was a completely uncharacteristic outburst.
33:56No.
33:56It's how you really feel.
33:58It was just a mini meltdown brought on by some stupid homework assignment.
34:02The who you really are, I say?
34:04No one ever takes that seriously.
34:06Well, almost no one.
34:10It was recently brought to my attention that I am always the girl with the right commentary and the patented
34:16eye roll.
34:18Honest question.
34:19Do you think I'm a cynic?
34:21Honest answer?
34:22Absolutely.
34:24You're a miss possible, but not likely.
34:26About my own life?
34:28Of course.
34:30Watching those two?
34:31Who am I to say they're not meant for each other?
34:33I mean, look at them.
34:35Have you ever seen two people get each other like Kyle and Amanda?
34:40Not in a while.
34:57Amanda, you said we need to talk.
34:59Right.
35:04You didn't think I meant...
35:06Maybe a little.
35:08After a few people weighed in.
35:10The one time you didn't take my words literally.
35:13Did you really think my feelings had changed?
35:16Is that why you brought me here?
35:17I brought you here because everyone else was making assumptions about what you wanted.
35:21And how you were feeling and what was right for you.
35:24But no one was actually asking you.
35:28That's why my feelings for you could never change.
35:31Lock these eyes to your losing.
35:37And I've never known a love so true.
35:42And I don't want to see all of you.
35:48But no lights out here, Twinkle.
35:51Only for you.
35:52Red is blue.
35:55And I want to see...
35:57You have no idea how disappointed I am right now.
35:59Mom!
36:00Save your excuses.
36:01Your flight leaves in less than two hours.
36:03My flight...
36:04You heard me.
36:05But you haven't heard her.
36:06You have nothing to say in the matter.
36:08But I do.
36:10Don't you even care?
36:11I'm not happy at the conservatory.
36:12Of course I care.
36:14But I also care about scholarships, opportunities.
36:16I care about your future.
36:18If you really cared about my future, you would not have sold my piano in the first place.
36:28Mom, I'm sorry.
36:29I didn't get in the car.
36:31Now.
36:36I have to go.
36:38I understand.
36:39I understand.
36:45I hope you're satisfied.
36:57It took all my willpower not to trip her.
37:01Thank you for letting me know Amanda was here.
37:04Glad I could help.
37:14Welcome home.
37:15I didn't ask you what you were thinking, but I don't think you were thinking at all.
37:19Actually, this took a great deal of planning.
37:21Not helping.
37:22The Bloom situation was private.
37:24We made it very clear you were not to see Amanda.
37:26You were not to get involved.
37:28I know I broke a rule.
37:30But I'm not sorry I did.
37:31I had to do it for Amanda.
37:33Good intentions aside, you're still grounded.
37:35All of you.
37:36Two weeks.
37:37What?
37:37School, work, home.
37:39Everything else is off limits.
37:40And I'll take your cell phones.
37:43This was my idea.
37:44Lori and Josh shouldn't be punished.
37:45They were just helping.
37:47Exactly.
37:51What if Foss...
37:52If anyone important calls, I'll have it with me.
37:54Do I get one last call?
37:56No.
37:57But you do get to go to your rooms.
38:01Now.
38:12Browning Kyle.
38:13I would have expected it.
38:14And he was the ringleader.
38:16When that started happening.
38:22Be honest.
38:24You're kind of glad they did it, aren't you?
38:25Well, aren't you?
38:27Some rules are meant to be broken.
38:30About that.
38:32I think we should break some rules, too.
38:35Steven, I don't want us to sail into a complacent, suburban existence without fighting the good fight.
38:41I want you to pursue that opportunity at UW.
38:44Nicole, that's not an option.
38:46Well, then we need to make it one.
38:48You can't get the chance to pursue an old dream and just pass on it.
38:52We have mouths to feed.
38:54We'll keep them fed.
38:57We'll make it work.
38:58We always do.
39:18Spring cleaning isn't just about sorting through things and getting rid of clutter.
39:22It's about taking stock of who you are and how others see you.
39:34It's a chance to redefine yourself.
39:39To change expectations.
39:52And to remember that it's never too late to recapture who you were.
40:03Or to aim for who you want to be.
40:19Take a seat.
40:25Where have you been?
40:28I was just out looking at the stars.
40:30You were stargazing every night this week.
40:36How about the truth now?
40:40I've been sneaking out.
40:43Obviously.
40:45Why?
40:46To try things.
40:49Such as?
40:54I've been testing myself.
40:57Getting stronger and faster.
41:00I know I shouldn't let people see me and that's why I do it at night.
41:04I don't know what to say.
41:07I expected that it would take you longer to get comfortable living here before we were ready.
41:14We?
41:15I have big plans for you, Jesse.
41:18And I need you to be as strong and as smart as you can possibly be.
41:25How do we start?
41:28Well, first things first.
41:30You need to get some sleep.
41:32And talk about it further in the morning.
41:35Okay.
41:55I'll be right back.
43:06Amanda, what happened? Did your mother change her mind?
43:09No. I didn't get on the plane.
43:13Can you hide me?
43:19Come in.
43:22Come in.
44:12Transcription by CastingWords
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