- 1 hour ago
Mia And The Dragon Princess [Full Movie] [Full Storyline]Full EP - Full
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed
00:01:08to Javanese royalty, renounced everything.
00:01:12Her title, her riches, much to her family's displeasure, she was Marshan de Damayanti, the Princess Pirate.
00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a
00:01:57new family.
00:01:58A loyal crew of women she saved from the shackles of servitude, or title.
00:02:15It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mordor.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:40When her pursuers eventually closed in, Marshan de Damayanti entrusted her share of the riches to Red, who in turn
00:02:46gave her a wrist device that would lead her back to Red and the treasure.
00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one
00:02:58would dare follow.
00:02:59But tragically, her ship was lost to the ice.
00:03:04Lost for hundreds of years.
00:03:07Until now.
00:03:24I love you.
00:03:24I love you.
00:03:24а
00:03:43I love you.
00:03:51I don't know.
00:04:32I don't know.
00:04:48I don't know.
00:04:50Scott!
00:04:51We have one of those.
00:04:53One less, again.
00:04:58Get Mr. West down there immediately.
00:05:05Hey!
00:05:06Listen.
00:05:14Get out of here!
00:05:17Get in the box! Get in the box!
00:05:25Daddy, he's hungry!
00:05:27Catch!
00:05:41She did not pay for that spring roll!
00:05:44It's TJ, Gary.
00:06:16Let's go!
00:06:22Look at me!
00:06:23Come on!
00:06:38Ria! Ria! Ria!
00:06:44His toilets is blocked again, and I've got a big meeting with this finance tosser of Collins.
00:06:50He's in the bar waiting right now, and the timing's terrible.
00:06:54You know, sometimes I think it's a sign.
00:06:58You know, sometimes I think, you want me to lose this bar?
00:07:07Fine. I'll do it. Give it to me.
00:07:10Oh, I love the way you unblock a toilet.
00:07:13Yeah.
00:07:31Sorry, sorry.
00:07:34What is that?
00:07:41I don't speak. I'm really sorry. Listen, I don't... I'm recording.
00:07:48Do you know a coident?
00:07:49Um, do you know a coident?
00:07:55You're hiding from someone, is it it?
00:07:59It's going to be okay.
00:08:08Excuse me, did you sit with a woman and run through this way just now?
00:08:12Lady in the medical gown?
00:08:13Yes.
00:08:13Yes, she shoved me and went that way.
00:08:159993.
00:08:15She just left. You might still be able to catch her.
00:08:17Thank you. Thank you.
00:08:19Marie!
00:08:20That was so exciting. I've never known as the police before.
00:08:25Oh crap.
00:08:26The uniscape killer on a violent rampage.
00:08:31Oh, that's just getting inside.
00:08:33I think that there's food inside.
00:08:35Food?
00:08:36Oh, I couldn't help her.
00:08:38I have no idea.
00:08:41Here, take this.
00:08:43Catch.
00:08:45Wait, wait, no, no, no, no, no.
00:08:46I promise. Come here, wait.
00:08:47Oh, good, good.
00:08:48No, no, no, no, no, no, no.
00:08:58Catch.
00:09:02No, it's not the...
00:09:03Here on the other one.
00:09:04Here on the other one.
00:09:05Here on the other one.
00:09:07Here on the other one.
00:09:10Here on the other one.
00:09:11Here on the other one.
00:09:11What?
00:09:12Such a roster ring in a hole, so I...
00:09:14You didn't do anything.
00:09:15This kid made post.
00:09:18Here on the other one.
00:09:18Hey, it's okay.
00:09:19It's okay.
00:09:25Time to distract Eddie.
00:09:28Eddie!
00:09:29Eddie!
00:09:31Eddie!
00:09:33Eddie!
00:09:34Eddie!
00:09:36Eddie!
00:09:36Wait a minute.
00:09:37Skip something.
00:09:37There's toilets to block.
00:09:38Don't worry about it.
00:09:39I want to be here.
00:09:39I want to be here.
00:09:40Oh!
00:09:43I want to be here.
00:09:46Get out of here.
00:09:47I want to be here.
00:09:48I want to be here.
00:09:50I want to take that out of here.
00:09:52Oh, no, no, no, with the other one.
00:09:54Really?
00:10:01No, no, no.
00:10:02The dog.
00:10:02Steveидals.
00:10:06Oh!
00:10:07Ahh!
00:10:08Ah!
00:10:09Huh?
00:10:17Cheering!
00:10:17And I'm the train!
00:10:18Damnit!
00:10:20A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A
00:10:25-A-A-A-A-A-A-A-A-A-A-A!
00:10:36State of that shitting bar, make it yourself, did ya?
00:11:06Yeah.
00:11:07Yeah, I like it too.
00:11:08This gives great-great-great-great-great-great-great-great-grandfather
00:11:13had a commission or something.
00:11:18Oh!
00:11:19You all right, buddy?
00:11:36Yeah, can I trouble you for another?
00:11:38Yeah, of course.
00:11:40Hey, how's Sydney going?
00:11:41Oh, you know.
00:11:43Another day on the right side of the grass,
00:11:46and, oh, look, they let me keep the spots.
00:11:50Very nice fair-dos.
00:11:51I hate the usual.
00:11:52Oh, yes, please.
00:11:53I think maybe something will discharge the light brigade.
00:11:57Oh.
00:11:59Oh.
00:12:00No worries, leave with me.
00:12:17Come on, I need to get you unhooked from this taser.
00:12:19Yeah.
00:12:20This is going to suck, but...
00:12:30Get off!
00:12:31I'm sorry.
00:12:32I think I understood that, and I'm really sorry.
00:12:34I'm so sorry.
00:12:36I'm so sorry.
00:12:37Dad!
00:12:39I'm so sorry.
00:12:41I'm so sorry.
00:12:41Bare words.
00:12:41Bare words.
00:12:41Breathe.
00:12:42There.
00:12:43Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:54Let's see.
00:12:59It's amazing what people use behind the pubs after cube pints, honestly.
00:13:04Well, these look like they'll fit, so I'll try these on.
00:13:14Okay, let's get you some real food, right?
00:13:17Um, what are you fancy?
00:13:18Scampi fries?
00:13:19Leaf crisps?
00:13:21Are you vegetarian?
00:13:22Because that's all we have.
00:13:24Order.
00:13:25The tea.
00:13:26Right.
00:13:27Um, you might be a mass murderer, and I'm here asking you about your dietary requirements.
00:13:31I'm an idiot.
00:13:32Okay, please stay hidden, right?
00:13:33I'll be right back.
00:13:38Hey, hey!
00:13:40Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:44I call this one Succo d'Angelo.
00:13:47Angel chis.
00:13:48Welcome, explorers, to the Smuggler's Tavern.
00:13:51The Pirate's Private Party Palace.
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was in old London town.
00:14:02And it's here our walking tour of London should pause for refreshments and use of the facilities.
00:14:08Mine's a brandy Alexander if anyone's buying.
00:14:09I'm sorry.
00:14:11No.
00:14:13No.
00:14:14Fair enough.
00:14:28Ah, gross banana bone sack!
00:14:35I need to talk to Skip about our deal.
00:14:38He's busy.
00:14:39Please get him.
00:14:41I just said he's busy.
00:15:05I'm not selling.
00:15:06Mr. Walsh is offering you a great deal.
00:15:09I know it's been in your family for generations, but you need to think about it.
00:15:13I will not change my mind.
00:15:16Fine.
00:15:17Mr. Walsh won't be happy.
00:15:23Hey.
00:15:24Look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month, he might just scrape by, but...
00:15:37What will happen this month?
00:15:40Hey, don't worry.
00:15:42You can always be a barmaid somewhere else.
00:15:45It's not the only pub in London.
00:16:04Every像 has been here.
00:16:08Every像 has been here.
00:16:12Every像 has been here.
00:16:14Every像 has been here.
00:16:16Every像 has been here.
00:16:18Edward will be with you shortly.
00:16:22He's missing his cue.
00:16:23She's in the middle of something.
00:16:25Here, tell this lovely girl or woman about the dastardly dealings that the smugglers have.
00:16:30They do two for one cocktails between an hour and six.
00:16:34Nice.
00:16:36Cocktails.
00:16:39Actually, you can find that our listening general knowledge expert knows a lot more than I do.
00:16:45I hear lots of the legends here are true.
00:16:47I miss the most mysterious place, this.
00:16:52Before the great fire of 1666.
00:16:56Um, lots of nefarious stuff.
00:16:59And right here, I mean, this, this bar, it's built right on top of the lost rivers and caves of
00:17:07London.
00:17:09Oh, you're lost.
00:17:10And they've rebuilt both fire.
00:17:13Apparently.
00:17:20To reach your destination, you must leave the shore.
00:17:24Ah, yes.
00:17:25The maxim of ferocious pirate, Catherine Morgan, or Red Cat.
00:17:29She was known.
00:17:30Oh yeah, because she had nine lives.
00:17:39Cat discovered a baby kraken orphaned from its mother.
00:17:42She cared for this crackling, naming her Lucy.
00:17:47A fierce protector of the pirate who raised her.
00:17:52Help!
00:17:54Help!
00:17:56Help!
00:17:56Help!
00:17:58Help!
00:18:00Help!
00:18:01Help!
00:18:03Help!
00:18:04Help!
00:18:06Help!
00:18:11Red Cat spent years trying to find a friend.
00:18:14Eventually, Cat turned up here.
00:18:16Her last hope was that her friend would follow in her footsteps to the infamous smuggler's tavern, known as a
00:18:22black market for trading pillaged riches.
00:18:26Allegedly, she left a trail of clues should Marshanda return to claim her share, before Cat herself became nothing more
00:18:35than legend.
00:18:41The man being shot by Red Cat in the painting bears a likeness to Skip's forefather, who owned the tavern
00:18:47at the time, leading many to believe Skip's family were more involved in the sordid deeds of this notorious pirate
00:18:53than we know.
00:18:57Cool.
00:18:58Cool.
00:18:58Uh, I'll take two of those crackgales, please.
00:19:01I reckon it's a nice touch.
00:19:04I had to open the door, I reckon.
00:19:09Can you open the door?
00:19:10What?
00:19:25I hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape-man.
00:19:29He feeds off self-esteem this one, so look out for that.
00:19:32Yeah?
00:19:32Hey, Eddie, can you please be awesome?
00:19:34Hey, check this out.
00:19:35See this four over there?
00:19:37So, she used to date him.
00:19:40And it looks like they've dragged new dates to the same place.
00:19:47Why don't you kick this date into phase two and just shit off to Nando's?
00:19:50You shit off to Nando's, you pass.
00:19:52Eddie, the water.
00:19:58Oh, hey, um, they've called down.
00:20:00Uh, Delivery's waiting, been up there for about ten minutes.
00:20:03Ten minutes?
00:20:04Ugh.
00:20:07I can stick your apology.
00:20:21Hey, well done.
00:20:22Another delivery's been nicked.
00:20:23This one's on you, Edward.
00:20:25Oh, come on, don't be like that.
00:20:26Uh, Mia!
00:20:26Look!
00:20:29Skip!
00:20:30Eddie, there's that hope!
00:20:30Oh, no!
00:20:31Ah!
00:20:32Ah!
00:20:33Ah!
00:20:34Ah!
00:20:37Ah!
00:20:38Ah!
00:20:39Ah!
00:20:50Ah!
00:20:58Ah!
00:20:58Ah!
00:21:03Ah!
00:21:05Ah!
00:21:06Ah!
00:21:07Ah!
00:21:09Ah!
00:21:09Ah!
00:21:09Ah!
00:21:09Ah!
00:21:09Ah!
00:21:10Ah!
00:21:10Ah!
00:21:10Ah!
00:21:11Ah!
00:21:11Ah!
00:21:13Ah!
00:21:13Ah!
00:21:14Ah!
00:21:19Ah!
00:21:29Cora, up here.
00:21:43I know that, Chris.
00:21:48Are you all right down there, Skip?
00:21:50I think so.
00:21:53Call an ambulance, Eddie.
00:22:03Hey, don't kill him! Don't!
00:22:10Yah! Yah!
00:22:14Help!
00:22:16Help!
00:22:18Get over!
00:22:28No! No! No!
00:22:32It's the same Chris as the rest of the next door.
00:22:35Hey, what does this mean?
00:22:39It's a book queen!
00:22:42It's a book queen.
00:22:44Your vocals sound obliterated.
00:22:46That's not healthy.
00:22:48Sounds like you've been doing eight phantoms a week.
00:22:50That's serious.
00:22:51I can fix this.
00:22:54Skip!
00:22:56Oh, hey, you can't be back here.
00:22:57Yep, just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an ALF can pay for.
00:23:07Oh, you?
00:23:09See, if I was fifteen years younger, I'd throw you about like an empty tracksuit!
00:23:14What's this?
00:23:19Gunpowder.
00:23:20And this is why you can't be back here.
00:23:23Here.
00:23:24All right.
00:23:30Hey, you're a big man.
00:23:32Maybe you can communicate with her what she's saying.
00:23:35I'll see what I can do.
00:23:36Might get some ice on that.
00:23:38There's no signal down here.
00:23:39I know.
00:23:40Right, I've got to call the police.
00:23:49I don't think the police can help her.
00:23:51What is she looking for?
00:23:55Hey, who are these guys?
00:23:59They're just some people who'd want to cash in on mummy's fortune.
00:24:04I can't even afford to keep the lights on.
00:24:08And they can smell the blood in the water.
00:24:11So I'm gonna have to sell.
00:24:16They laid my father down.
00:24:19I can, I can help you.
00:24:20I've been saving up.
00:24:22Oh, me.
00:24:24No.
00:24:24I can't, I can't do that again.
00:24:26Yes, please.
00:24:27Yes, you can.
00:24:28It's fine.
00:24:28You can owe me.
00:24:29I can't.
00:24:31Skip, please.
00:24:32It's fine.
00:24:33Mia?
00:24:34No.
00:24:36It's surely a bar.
00:24:38It's our hope.
00:24:41I can't.
00:24:43I can't.
00:24:49It's not to you.
00:24:51I'm gonna help you.
00:24:54I won't be listening to what I'm saying.
00:24:56So much for traveling the world.
00:24:59Come on, you.
00:25:02Let you go.
00:25:04Go.
00:25:06Okay, let's see how good this translation happens.
00:25:10You're welcome.
00:25:12You're welcome.
00:25:15Language not recognized.
00:25:18See if you can translate.
00:25:20Do your thing.
00:25:25What's this, eh?
00:25:26Who are you?
00:25:27Marshanda Damayanti.
00:25:29Marshanda.
00:25:30Marshanda.
00:25:31I'm Mia.
00:25:33Mia.
00:25:34Mia.
00:25:34Yes, Mia.
00:25:35Marshanda.
00:25:38Sod this shithole.
00:25:40Ladies, to Shampas.
00:25:45The police are on their way.
00:25:50Can you show me?
00:25:50Boyshen.
00:25:51Danger.
00:25:52Danger.
00:25:57Hey, Lisa could be here in a little bit.
00:25:58And I don't want my friend to get into trouble.
00:26:00Can she come with you?
00:26:01Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:05Absolutely, may they be.
00:26:08Tell her that she needs to go and I'll come find her.
00:26:14Go.
00:26:15Should we be safe for that?
00:26:22None of you saw her.
00:26:24Especially you.
00:26:27You're not supposed to go anywhere until the police...
00:26:30I will buy you shut.
00:26:32I will get you...
00:26:33You can't stop if you're surprisingly strong!
00:26:37Ora! Ora!
00:26:39Ora!
00:26:40Go on!
00:26:43Go on then.
00:26:45I can't.
00:26:51I can't leave them.
00:26:59What are you doing?
00:27:02No.
00:27:03Did you call the police?
00:27:05Yes. Yes, I did.
00:27:07And they are coming to take statements, so everyone needs to stay here.
00:27:14What about the ambulance?
00:27:15Yeah, ambulance too.
00:27:17We can't have the police coming here.
00:27:19What?
00:27:19Why not?
00:27:21Shanda, she might be running for something.
00:27:23I think.
00:27:24For what?
00:27:26What is she looking for?
00:27:29What the fuck?
00:27:31I don't know.
00:27:32Until I figure that one out, let's maybe not throw her under the bus, right?
00:27:36The thing on the wrist.
00:27:40This crest, what is it?
00:27:46That crest is ancient.
00:27:47And it's been in that building upstairs long before it was a restaurant.
00:27:53They've been trying to buy me out.
00:27:56And they'll try anything apparently.
00:27:59Look.
00:28:00I'm sorry, but I keep this quiet.
00:28:03They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:09Maybe she's involved with her.
00:28:10No.
00:28:11No.
00:28:12No.
00:28:14She's not with them.
00:28:17Then keep her out of sight.
00:28:21What makes you think this is going well?
00:28:23I don't know.
00:28:23No, no, no.
00:28:23It's not again.
00:28:25Me and Chloe.
00:28:26You don't get to lock their hands off of me.
00:28:28No, no.
00:28:28The police said not to leave.
00:28:32Help me out.
00:28:35Mia?
00:28:38Help me out.
00:28:50Hello, Matt.
00:28:51Mr. Walsh.
00:28:52Fancy seeing you here.
00:28:54This is DC Cross.
00:28:56Been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbours were all right.
00:29:03Come on, go on.
00:29:04In here, go.
00:29:05In here, in here.
00:29:06Stay in here.
00:29:06Stay in here.
00:29:07I'm gonna keep you out of sight.
00:29:34I'm gonna keep you out of sight.
00:29:38Stay in here.
00:29:38No, I'm gonna keep you out of sight.
00:29:39He inherited the restaurant from his father and also acquired his master for this place.
00:29:44Who we did, as you know, Mr. Walsh.
00:29:46My associate believes our suspect is here.
00:29:52My niece.
00:29:56Your niece?
00:30:00We are just concerned.
00:30:09Well, maybe we should just wait for the police, eh? Sort this all out.
00:30:14There we are, the police.
00:30:16Anyway.
00:30:19You got any ID?
00:30:22Isn't that how you do things here?
00:30:25Come here.
00:30:30Look at my face.
00:30:33This is all the ID you need.
00:30:35Take a good, long look.
00:30:37There we go.
00:30:46So, your niece?
00:30:49Yes.
00:30:50Hospital girl, violent.
00:30:53Quite the character.
00:30:54Troubled your woman, I have to say.
00:30:56We were in the process of getting herself assistance.
00:30:59Psychiatric assistance.
00:31:01She had an episode.
00:31:02Run away.
00:31:04Millennials.
00:31:09Your niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:20They're your task force.
00:31:22Uncle.
00:31:23We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:33More police are on the way.
00:31:35Are they?
00:31:42We were just trying to leave.
00:31:44Hi.
00:31:45We have a schedule to keep her.
00:31:48Hey.
00:31:50Don't touch me.
00:31:56Relax.
00:31:58Let's all have some drinks.
00:31:59That's why we're here, right?
00:32:01All we need is the woman.
00:32:04Where is she?
00:32:10She, um, she was here, Mr. Walsh.
00:32:15I, uh, I don't know where she is currently.
00:32:21We'll get those up.
00:32:23Okay, those up.
00:32:24Let's try and get it.
00:32:28Oh, my God.
00:32:58Well, look who it is. Come on, darling.
00:33:12Why are you hiding in there?
00:33:23Mia.
00:33:25These men are dangerous.
00:33:28No! Stop!
00:33:32Wait, I'm sorry.
00:33:34I'm sorry.
00:33:42Larissa, I'm not who you're looking for.
00:33:45Mr. Walsh?
00:33:49Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:04I made a new friend today.
00:34:06Hmm?
00:34:09I wonder what you both talked about.
00:34:13I don't know.
00:34:27No.
00:34:29No.
00:34:30No.
00:34:31No.
00:34:32No.
00:34:33No.
00:34:44Mia!
00:35:09I thought she was there, boss. That's her.
00:35:11Oh, yes.
00:35:21I want you all out of my bar.
00:35:34Ready? Glass?
00:35:47Right now!
00:36:04Now! Now!
00:36:08Do you want to see this thing last?
00:36:10Do you want to get the fuck out of here?
00:36:15He's back! He's back!
00:36:17Take close to go.
00:36:40You've got to go!
00:36:42Let's go!
00:36:47Get out of here!
00:36:48Get out of here!
00:36:53Get out!
00:36:55Always hit me!
00:36:56Come on!
00:36:57Get out of here!
00:36:58Come on!
00:36:59Get out of here!
00:36:59Move!
00:36:59Get out of here!
00:37:01Throw me!
00:37:01Get out of here!
00:37:03They are not going to be here!
00:37:08I've been shot.
00:37:12What is this?
00:37:14It's all right.
00:37:19Claire, my browser history.
00:37:27It's going to be.
00:37:28That's life.
00:37:31Sorry.
00:37:34Bring her to me.
00:37:37No witnesses.
00:37:39Kill them all.
00:37:40No words.
00:37:44assembling on them.
00:37:49I don't know.
00:37:55Stop it.
00:38:02Time to close you.
00:38:04Come on.
00:38:07Let's go!
00:38:09Uh-oh!
00:38:40What? What is that?
00:38:43This region was a small descent centuries ago, you know that.
00:38:45Way out.
00:38:46Yes.
00:38:47Or something better than nothing.
00:39:00Let's go!
00:39:09It looks like a hatch.
00:39:22Eddie!
00:39:26No! No! Eddie!
00:39:39Eddie!
00:39:42Eddie!
00:39:48Eddie!
00:39:50Eddie!
00:40:01Eddie!
00:40:06Oh, my God.
00:40:37Oh, my God.
00:41:02Please help.
00:41:03We'll get everything sold.
00:41:04We'll get you the help you need.
00:41:05We are the help.
00:41:07There's a way out.
00:41:08There's a way out.
00:41:10No, I'm not leaving you mine.
00:41:15They are love river.
00:41:17They are love.
00:41:19What do you mean, the all love river?
00:41:23Skip, no.
00:41:25Run.
00:41:25Run.
00:41:41Run.
00:41:41Run.
00:41:42Run.
00:41:42Run.
00:41:43Run.
00:42:02Go see what's in there for me.
00:42:07No, thank you, Mr. Walsh.
00:42:09We should leave.
00:42:14Okay.
00:42:20Come on, Mr. Walsh!
00:42:21Game warfare!
00:42:22What are we doing?
00:42:32There has to be a way out.
00:42:34Hey, you sit with me now.
00:42:35Come on.
00:42:36Come on.
00:42:37She works here.
00:42:38Come on.
00:42:38Mom!
00:42:49Guys!
00:42:49There's another room back here!
00:42:56Come on, let's go!
00:42:58Hurry, hurry, hurry!
00:42:59Come on, let's go!
00:43:09Help me!
00:43:16Help me!
00:43:24Go!
00:43:26Go, Benny!
00:43:27Come on!
00:43:30Come on!
00:43:31Come on!
00:43:46This is what's doing!
00:43:51Hey, Jim Long.
00:43:52Well, let go.
00:43:57Put the girls in here with me, Mr. Walsh.
00:44:00Why do they want her?
00:44:02I don't know.
00:44:04How long have you worked here and not had access to this room?
00:44:06I had no idea this was here until a minute ago.
00:44:09Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13Let's lock it up.
00:44:14Crowd shooting.
00:44:16Oh, yeah.
00:44:43You shot me!
00:44:45You shot me!
00:44:56I need a doctor!
00:44:59I'm sure I'm sure for a check.
00:45:02How many muskets?
00:45:04Muskets?
00:45:05God, they're happening. He's updating.
00:45:06Yes, muskets. Very bad.
00:45:11What do they want with her?
00:45:14There's no way to run.
00:45:16You should just...
00:45:22All up river.
00:45:23River.
00:45:26You think this pipe leads to one of the sunken rivers?
00:45:28All up river's what Steve said.
00:45:30You lot need to get your power at you straight.
00:45:32There is no all up river.
00:45:34There is no all up river.
00:45:35Near a sunken river's a tide being or something.
00:45:39You might as well just give it up.
00:45:42All up.
00:45:43All up is the lowest part of the ship where the ropes are caps.
00:45:47You might as well just give it all up river but-
00:45:49It could be your way out.
00:46:01Look.
00:46:02Is there anything we can do to keep your boss happy?
00:46:11Well, they're obviously looking for what?
00:46:16Something Cat Morgan brought down here hundreds of years ago.
00:46:21Red Cat Morgan?
00:46:26Are you talking about Red Cat's treasure?
00:46:30That's just a myth.
00:46:35Let's see.
00:46:38Let's see.
00:46:43Your phone. Can you translate this?
00:46:48Language not found.
00:46:50It's not a language in the app.
00:46:52Maybe you can have her say something and it'll translate that.
00:46:56Can you read this?
00:46:58Read it.
00:47:04Do destination advance.
00:47:07Coast departure urgent.
00:47:09No, no, no. I think I get it.
00:47:12It's read so much or written in some coded language.
00:47:16Skips it for the old river and the pipes are all up steel on it.
00:47:19I think Cat, Red Cat must have left that painting for someone and Marciana knows something about it.
00:47:26I bet whatever that after is threw this pipe and Skip realised it when he saw the hatch.
00:47:32Let's try and find it.
00:47:33Hey, let's try and find it, yeah?
00:47:35Maybe we can give it to you, boss.
00:47:37We can smooth things over by some time and we'll keep running.
00:47:41You're safe.
00:47:43We are safe.
00:47:45We are safe.
00:47:45Right?
00:48:09I really can't do this.
00:48:19Save yourselves!
00:48:21Stop showing up!
00:48:30Quick!
00:48:32No!
00:48:33No!
00:48:35No!
00:48:54Boss, the room's empty. They've disappeared.
00:48:58I need a...
00:49:01Well, well, well.
00:49:03What have we here?
00:49:06Now, what is the deal with that room?
00:49:09Well, how would I know? I've never been in there.
00:49:12And besides, it's way too hench to fit through that shit.
00:49:16You saying I'm not hench enough?
00:49:18It's a fucking hatch. What do you want?
00:49:20Good point. What we want is the girl.
00:49:23More specifically, something she has, a little wrist device,
00:49:26and what she can find with it.
00:49:28But the chief concern is where they could have gone,
00:49:30because they haven't been there.
00:49:33I think this one may be able to work it out.
00:49:37Me? What makes you think that?
00:49:39Call it a hunch.
00:49:48It's not my hat.
00:50:00Come on!
00:50:07Get on with it.
00:50:09Get on with what?
00:50:12Where'd they go?
00:50:17There's a secret door in here or something.
00:50:22Find it.
00:50:26Get on with a horse.
00:50:43Keep moving!
00:50:45What?
00:50:46Get in there!
00:50:47Get in there!
00:50:48Get in where?
00:50:49All the way!
00:50:50You bad guys!
00:50:52Yes, right.
00:50:55Shama!
00:50:57Don't push me!
00:50:58Stop!
00:50:59Stop!
00:51:00Stop!
00:51:02Don't kill me!
00:51:04Move!
00:51:06Go!
00:51:07Go!
00:51:08No, no, no, no, no!
00:51:37Come on!
00:51:45Well, shit!
00:51:49He's done it! He's found a little escapement.
00:52:01Ruth!
00:52:02Oh, God! Stop pushing me!
00:52:04I'm faster!
00:52:05I'm stuck!
00:52:06I'm stuck!
00:52:07Get out!
00:52:08Stop!
00:52:20I am!
00:52:22My old book!
00:52:23Please don't!
00:52:25No!
00:52:27Don't!
00:52:28No, please!
00:52:29Hey!
00:52:30No!
00:52:30No!
00:52:32No!
00:52:33What's going on?
00:52:34Why are we stopping my lights out?
00:52:35Someone talk to me, please!
00:52:36No!
00:52:38No!
00:52:39Stop!
00:52:40Stop!
00:52:41Mom!
00:52:43Mom!
00:52:43Mom!
00:52:45No!
00:52:45No!
00:52:46No!
00:52:47I'm going to die!
00:52:49No!
00:52:51Breathe!
00:52:52Breathe!
00:52:57Oh, shit!
00:53:00Breathe!
00:53:02Breathe!
00:53:19Take this!
00:53:24It's a penis!
00:53:34She's gone!
00:53:37The American girl's gone!
00:53:42Hello!
00:53:44Something's coming!
00:53:49Something's coming!
00:53:52Something's coming!
00:53:53Get out of here!
00:53:55Are we good?
00:53:57I found a way out!
00:53:59It's a crazy call.
00:54:03It's not mine.
00:54:05Sorry.
00:54:06Okay.
00:54:06Doesn't mean anything.
00:54:07He's gone...
00:54:16I'll...
00:54:22Let's go.
00:54:23It's gonna be nice.
00:54:24The secret one.
00:54:24The secret is gonna blow.
00:54:25Take it closer.
00:54:27They definitely hit him this way.
00:54:28I don't know.
00:55:02All this is under the bar?
00:55:04Under the bar and so far back we are no longer in zone.
00:55:08You're in my shed.
00:55:11Skip's starting your gun supplies.
00:55:16I heard voices.
00:55:17They're coming.
00:55:22The way out's that way.
00:55:24Well, let's move, yeah?
00:55:25If they catch us, we're dead.
00:55:29Someone's been paying attention.
00:55:32Follow the breeze.
00:55:40Hang on.
00:55:43Oh, yeah, true love.
00:55:45Your translation.
00:55:49It's still working.
00:55:50What are you doing?
00:55:51Let's move.
00:55:52We can't hang about.
00:55:53One second.
00:55:54Well, now, true love.
00:55:56I need to go this way.
00:55:57Oh, no, no, no.
00:55:58We need to get out of here.
00:55:59It's too dangerous.
00:56:00Okay.
00:56:01The danger.
00:56:02Wait.
00:56:03Yeah.
00:56:08What do we do?
00:56:10I'm sticking with her, but if you want to go, you can go.
00:56:13I'm still with you guys.
00:56:15It seems safe.
00:56:16We do hanging about.
00:56:17Come on.
00:56:18It's that way.
00:56:20You said follow the breeze.
00:56:23The breeze is that way.
00:56:24You're following the echo of the breeze.
00:56:27What?
00:56:28The echo of the breeze.
00:56:30Makes sense to me.
00:56:47Watch out, love.
00:56:48Slow down.
00:56:55Watch out, love.
00:57:24Watch out, love.
00:57:26Watch out, love.
00:57:42Oh my god.
00:57:52Try again, Mandarine.
00:57:54Oh, I know.
00:57:59Oh my god.
00:57:59My god, she's found her.
00:58:02Found who?
00:58:05Red Cat Morgan.
00:58:08Oh my god.
00:58:12That thing around her neck, that's what Walsh has been looking for.
00:58:16Walsh's father was a respected historian and archaeologist
00:58:20specializing in 18th century piracy.
00:58:24In particular,
00:58:26Red Cat Morgan and her vast riches.
00:58:29On one of his expeditions,
00:58:31he discovered three small bundles of cloth
00:58:33all decorated with a distinct crest.
00:58:36In one,
00:58:37a pendant.
00:58:39In the other two,
00:58:41nothing.
00:58:42It led him to buy the Dragon Princess restaurant,
00:58:46thinking the crest was a sign of where the treasure,
00:58:49or at very least,
00:58:51the other two pendants were kept.
00:58:54That's why the symbol on her wrist matches the one in the Dragon Princess restaurant.
00:58:59He was wrong.
00:59:00It was a red herring,
00:59:01and there was no treasure.
00:59:02There was no more pendants.
00:59:04He got the wrong place.
00:59:07It was an obsession that spread from father to son.
00:59:11All that spurred them on was that single pendant,
00:59:14which they knew was only one of three.
00:59:21Months ago, a geological expedition stumbled across Marshander's ship.
00:59:25Walsh used all his underground connections to get Marshander's body,
00:59:29and what she wore around her wrist.
00:59:32It was only then he learned what his father never knew.
00:59:36The wrist device contains a compass which locks in on each of the pendants.
00:59:41When all three are brought together and inserted into the wrist device,
00:59:45the compass would guide the wearer to the final treasure.
00:59:50Marshander's pendant guided her to Red Cat.
00:59:53Now it's only Walsh's piece that needs to be added before he can finally get what he wants.
01:00:08I'm your crew now.
01:00:11You're safe.
01:00:13Take care of you.
01:00:16Sister.
01:00:34So you didn't want to go, right?
01:00:36Which way?
01:00:55You go, I fight.
01:00:57Good idea. She should fight.
01:00:58Shut up.
01:01:00She's great at it. What do you want from me?
01:01:02What are those? Max?
01:01:04Yeah.
01:01:04I must have gone down there.
01:01:05Yeah, I see.
01:01:06Yeah, I see.
01:01:06Yeah, I see.
01:01:07I can't leave her.
01:01:08I'll help.
01:01:11Move! Move!
01:01:28Get them out of bed.
01:01:51What the hell?
01:02:13Stop them!
01:02:16Stop them!
01:02:48Let's get your gun.
01:02:49I can't come back.
01:02:50They'll kill Eddie.
01:02:52I'll keep you busy.
01:02:53I'm gonna get help.
01:02:54Run!
01:02:55They need her alive.
01:02:56You'll do better than the others.
01:02:58I think we can hurt him.
01:02:59Get out of the breeze.
01:03:00Go! Go!
01:03:00Alright.
01:03:01Run!
01:03:10Run!
01:03:11Run!
01:03:11Run!
01:03:12Run!
01:03:13Run!
01:03:15Run!
01:03:16Run!
01:03:21Run!
01:03:44Look out!
01:04:02No!
01:04:04No!
01:04:05No!
01:04:06No!
01:04:34No!
01:04:38No!
01:04:40No!
01:04:47We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:52Good.
01:04:53I'll go get Mr. Walsh down here.
01:04:57Let's finish this.
01:05:28You're not going to get away with this.
01:05:43What?
01:05:46Sorry.
01:05:48What?
01:05:49It's him.
01:05:50I knew I'd find you.
01:05:52Shut up.
01:05:54I thought you were dead.
01:05:55I thought you were dead.
01:05:56We tried to slip a gun off one of them, and then these two gave me the old Liam Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Why is she going to be all right?
01:06:04She's made up pretty tough stuff.
01:06:05We have to go.
01:06:06We can't get her through that pipe.
01:06:08Not if she's our core.
01:06:09Worse than that, there's more of them waiting on the other side.
01:06:11We have to go.
01:06:12We need to get out of here.
01:06:12We need to fall in that breeze.
01:06:14Tough guys up there.
01:06:15Yeah, well, we have these.
01:06:27Can we go?
01:06:29Left it in the car.
01:06:52It's good to be okay.
01:06:53We're going to get out.
01:06:55Hey, you guys.
01:06:56I found it.
01:06:58A way out.
01:06:59South Bank.
01:06:59I can see Peter Express.
01:07:01It's this way.
01:07:02Oh, if you wouldn't mind leaving a positive trip advisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation or all the dead people.
01:07:16Did you get them out?
01:07:18Call the police now, buddy.
01:07:19You're not coming.
01:07:20I know.
01:07:23Passcodes, one, two, three, four.
01:07:25Don't check my messages.
01:07:36What are you doing?
01:07:39I just thought we were really good back there.
01:07:42I didn't know.
01:07:43No, not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right.
01:07:51Sorry, sorry.
01:07:52You're a strange man.
01:08:08Ah, not so fast, so I'll turn her faces to soup.
01:08:17All clear.
01:08:21Wonderful.
01:08:23You're all here.
01:08:29Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping restore your little tavern to its home of glories.
01:08:39There he is.
01:08:43Not playing with rocks, do you?
01:08:51Look at me.
01:08:57No!
01:08:58Stop, stop, stop, stop, stop!
01:09:01Put your hands down.
01:09:04Put your hands down.
01:09:09Please.
01:09:11Please.
01:09:13Please.
01:09:13Please don't let...
01:09:14Please make your men hurt him.
01:09:15Please.
01:09:15Please, honestly, we'll help you.
01:09:20Ah!
01:09:20Jesus!
01:09:22Ah!
01:09:23Ah!
01:09:23Ah!
01:09:38Bring me the wrist device.
01:09:51It still works.
01:09:53We found Red's peace.
01:09:56And, of course, Moshanidus.
01:10:15Let's hear.
01:10:16Bring our niece and the barmaid to keep her well-behaved.
01:10:23Keep the rest here as a bit of extra collateral.
01:10:26If you behave, they'll live.
01:10:28If she behaves, you'll live.
01:10:35Yeah?
01:10:38Ah!
01:10:40Yeah!
01:10:41Ah!
01:10:42Ah!
01:10:43Ah!
01:10:43Ah!
01:11:10Why?
01:11:14Because I can and he couldn't.
01:11:16Is that worth murdering my friends?
01:11:18Needs must.
01:11:20And I need her.
01:11:46I need her.
01:11:58I need her.
01:11:59I need her.
01:11:59I need her.
01:12:02I need her.
01:12:30I need her.
01:12:58I need her.
01:13:01I need her.
01:13:13I need her.
01:13:16I need her.
01:13:56I need her.
01:14:20I need her.
01:14:24I need her.
01:14:44I need her.
01:14:45I need her.
01:14:57I need her.
01:15:00I need her.
01:15:18I need her.
01:15:22I need her.
01:15:32I need her.
01:15:40I need her.
01:15:49I need her.
01:15:53I need her.
01:15:56I need her.
01:15:58I need her.
01:16:08I need her.
01:16:37I need her.
01:17:02I need her.
01:17:07I need her.
01:17:08I need her.
01:17:09I need her.
01:17:10I need her.
01:17:10Very nice.
01:17:11And I've got pictures on my phone and the cloud so we've got a plan B.
01:17:14Oh, it's ready.
01:17:16Let's go to Moscow!
01:17:18Nice.
01:17:20Hey me.
01:17:25Thanks.
01:17:33What?
01:17:34I'm sorry.
01:17:38Why are you doing all the time with that?
01:17:40Ah!
01:17:41Ah!
01:18:23What?!
01:18:29Ah!
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