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Man.On.Fire.S01E02.540p.X265.AAC [Full Movie] [Full Version]Full EP - Full
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00:28Transcription by CastingWords
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02:36because
02:38when everything is on the line
02:40you always do better with someone
02:41that's trying to solve you
02:43than someone that's trying to save you
02:47I know that this is hard
02:49but for right now
02:51we're going to put all of our emotions
02:53behind and we're going to go out there
02:56and we're going to be a couple
02:58of surgeons
03:02surgeons
03:03surgeons
03:05Jokes.
03:36It's not a moral.
03:37It's not a moral.
03:39You'll be separated five minutes after the other.
03:49When you're in position, you don't do anything.
03:51You're going to send.
04:07Why haven't you asked me about what I saw?
04:10Time comes, I will.
04:14I would like to make sure you only have to relive that once.
04:39That's what I'm gonna call.
04:40I'm going to take you back to the front.
04:42I'm going to take you back.
04:46And so, I'm going to make sure you leave.
04:58You're right.
04:59You got the power of the right.
04:59Come on.
05:00Go on.
05:00Come on.
05:01You got the power of the left!
05:05Come on.
05:21Are they with us?
05:22Hey, we need to divert them.
05:24What?
05:24They're on the buildings and we got a car pacing us about a block away.
05:27The route is compromised.
05:29Divertment.
05:29Now.
05:34What's your diversion target?
05:36They've got a military facility on secure lockdown.
05:38Distance?
05:3912 kilometers.
05:40We need to drive.
05:42We need to drive.
05:45Are we good?
05:47Just keep your eyes real.
05:48That doesn't sound like an answer to my question.
05:51Mr. Mantenham as posições.
05:58We have only a search team.
06:08It's happening.
06:09You decide immediately.
06:10Turn to the park.
06:11Turn to the park on the right.
06:12On the right.
06:13On the right.
06:18On the right.
06:20Send the one.
06:21He's saying.
06:23Jeff.
06:24Je an environmentalist at launch against us.
06:26Known Нач investigating.
06:30corrupted.
06:30어려igned.енной
06:33在耳
06:50analog時は起こったら、戦争、戦争、戦争、戦争、戦争、戦争、戦争、国争、戦争、戦争、戦争、戦争、戦争、戦争、戦争、戦争、戦争、戦争、戦争、戦争、戦争…
07:18My sincere apologies.
07:21Sadly, even after yesterday's act of violence, we still continue to receive threats
07:25from the FRP, given the circumstances.
07:28It seems prudent to conduct the interview here, and then we've arranged a military transport
07:32to fly directly back to the U.S., okay?
07:39In there?
07:40Yes.
07:44Go on, Paul.
07:46We're just gonna chat for a second.
07:53You can record the interview.
07:55I'll make sure all your questions get asked, but I don't want anyone else in the room when
07:58I'm talking to them.
07:59You seem to be under the impression that you have some authority here, Mr. Chrissy.
08:04You know, regardless of what you decided when you met me, you need to recognize that not
08:09only am I offering you my help, but that you need it.
08:13They had men staged all along the convoy route.
08:15That's a clear indication that there's a leak somewhere in your chain of command.
08:20And if you can't trust the men below you, you'd do well to reconsider the man in front
08:27of you.
08:31Would you trust the person I saw in that interview the other day?
08:37Job interviews are not my specialty.
08:41Unfortunately, this has turned into something I'm much more familiar with.
09:03I know that thinking about what happened is painful, so just for the moment, let's not.
09:11As much as you can, I want you to stick to how you felt and what you saw before anything
09:18happened at the building.
09:19Before.
09:21That's where all the information that we need is waiting.
09:24Do you understand?
09:26Good.
09:28So when you woke up, you were at your boyfriend's?
09:30He's not really, ma'am.
09:35But yeah.
09:39He snuck out.
09:41I wasn't planning on staying out.
09:43But then when I woke up, I realized if I didn't rush, Dad would be awake.
09:51And...
09:51Stay at number four.
10:00So you had to get on.
10:02I took Liam's motorcycle.
10:06I remember thinking I was going to make it.
10:09The streets were empty.
10:10I was going fast.
10:12And I was coming to this last turn.
10:14I had the light, but it's like I just sent something coming before I saw it.
10:20So I slammed the brakes.
10:21And then these two vans.
10:24They just came flying through the intersection.
10:27And then a motorcycle.
10:28Like a sport one.
10:30Or a racing one.
10:32Tell me more about the motorcycle.
10:35I think it was black.
10:37Like everything.
10:39The rider was in black clothes, black helmet.
10:43Um...
10:43Yeah, that's all I remember.
10:45What about the vans?
10:47White.
10:47They look new or old.
10:49New.
10:50They look like work vehicles or some personal vehicles.
10:52Look, I don't know.
10:53Work.
10:54Maybe.
10:55Okay.
10:56Let's come back to that.
10:57What happened after the vans?
10:59I took the bike around the corner.
11:03Maybe another half block and I parked it.
11:07I was basically staring right at the building.
11:11But he was there.
11:14Who?
11:18My dad.
11:20He was getting in his car and he...
11:22And he saw me.
11:26And he was calling me and then...
11:28Okay.
11:28Okay.
11:29Let's stop right there.
11:30That's good.
11:31That's very good.
11:32Let's take a little break.
11:35Stop right there.
11:39You didn't even ask her about the bombing.
11:41The suspects were gone before the bombing.
11:43Unless we do it the right way, strong emotions can warp memories.
11:46If I bring all her feelings up to the surface, that's likely to get us less useful intel and not
11:51more.
11:52I'm gonna get everything that we need.
11:54Right now, what I need from you are pictures of the most common white van sold in the last five
12:01years.
12:02I'm asking you for a little faith here.
12:06You think you want to get these people any more than I do any more than she does?
12:11If you still have questions after I come out, I won't say anything if you want to go in and
12:16ask for yourself.
12:17Is that fair?
12:23I'm also gonna need a couple of rags or a small towel.
12:30What are we doing?
12:33I want you to think back to being on that bike.
12:37Now, 20 minutes ago, you were asleep.
12:43But from the minute you realized you had to get home, you've been wide awake, adrenaline pumping, yes?
12:49Yes.
12:50All right, and now you're so close.
12:52You reach that intersection, and then you slam on the brakes.
12:56Because you sense something coming out, does that make you feel?
12:58How does what make me feel?
13:00Something coming out of nowhere.
13:01You have to stop or you're gonna get smashed.
13:03How do you feel?
13:06Shocked.
13:07Surprised.
13:14Point to the van you saw.
13:15Look and point.
13:16Don't think.
13:16Just remember.
13:16Come on.
13:43All right, now I want you.
13:58I saw his face.
14:08The writer just, just for a second, but I saw it.
14:12Okay.
14:13Okay.
14:14Okay.
14:14Good, Paul.
14:15Now just hold the story right there.
14:18Stay with the writer.
14:20Stay with the writer, Paul.
14:23Stay with the writer, Paul.
14:26Oh.
14:42They're good.
14:48What about these sketch artists?
14:50Sketch artists can be hit or miss.
14:52They end up creating false memories just as often as they bring something back.
14:56CIA has a good one she can sit with.
14:58For now, we should pull the traffic and security cameras in the area from the morning of the bombing.
15:03Maybe we get not only a sighting, but a plate.
15:06I'll put the word out immediately.
15:08Yeah.
15:08See, but that's the thing.
15:09How do you run down the lead when you know you got a leak somewhere?
15:12I'm due to brief President Carmo personally.
15:14We will hand select a small team and make sure to keep the circle as tight as possible.
15:18For now, the plane is fueling and we'll be ready to return Paul to the US within an hour.
15:23I can't help but notice you only mention Paul.
15:26Given there is a leak, I can see the potential value in having an outsider assistance.
15:32But you need to understand that I am in charge.
15:36Listen, we both want the same thing.
15:38I can't help but notice that you didn't acknowledge that I will be in charge.
15:43You will be in charge.
15:45I will have a transport arranged for you after I brief the President.
16:00You know your friend Rayburn said we would see that having something to fight for would bring out the best
16:06in you.
16:09Did you believe?
16:12I have seen many situations, Mr. Creasy, where having something to fight for is what brings out the worst in
16:19people.
16:21And I suppose that's what continues to trouble me.
16:49Why can't you just come with me?
16:51No, you don't want that.
16:52I do.
16:54I promise I do, Al.
16:55I have work to do here.
16:57But you...
16:58You're not only going to make it home safe, you're going to have a long life ahead of you.
17:02But for that to turn out well, you're going to have to find a way to leave all this behind.
17:05The way to do that, it starts right now.
17:07You get on that plane with your best memories.
17:12And you leave everything else, including me, right here.
17:16Never to be thought of again.
17:21You were there when...
17:24When I didn't have anyone else.
17:29It's not something I plan on forgetting.
17:37Okay, time for you to go.
17:56OK.
18:00Okay.
18:32Okay.
18:58Get down! Get down!
18:59Get down!
19:13Get down! Get down! Get down!
19:15Decoa! Decoa!
19:17Levanta as estadas!
19:19Abaixa! Get down!
19:39Abaixa!
19:41Abaixa!
19:44Abaixa!
19:49Abaixa!
19:58Abaixa!
20:03Aaaaaah!
20:07kindness
20:20eats
20:25so
20:38Why is he turning?
20:43What's up?
20:44What's up?
20:44What's up?
20:57What's up?
21:32What's up?
21:58What's up?
22:13What's up?
22:16What are you doing?
22:17I'm trying to take out the engine.
22:19Hold on tight.
22:20Why?
22:20Go!
22:21I'm here.
22:22I'm here.
22:25I'm here.
22:25Oh, no!
22:29Oh, my God.
22:35Creasy!
22:37Creasy!
22:37All right, all right.
22:42Creasy!
22:44Creasy, Creasy!
22:45I'm dead!
23:03Oh, my God.
23:21We've been looking so I've got to be the vision of peace
23:24In the rhythm of light pop breeze
23:26I'm fighting with the fire and sound
23:27The band's right until the final band brings
23:29Yo, I was born in a violent storm
23:32In an endless fight between right and wrong
23:34Come write songs like Letters of War
24:02Good night, bro
24:23I'll see you later.
24:44The president Carmo affirms that he won't let any attack interrupt the election.
24:49The research shows a big change in favor of the president and based on his crisis.
24:56You want to do something for you?
24:59No.
25:00Do you want to find a chá?
25:01No.
25:03Thank you for being here.
25:05I'm not a child, but I didn't want her to be alone after all of this.
25:10I love to be with her.
25:13600 people were like this.
25:17I know you don't want to hear this, but I have to say again.
25:21You, my friend, are still young.
25:23Your daughter is born.
25:25My wife went to the United States and said that she had many opportunities for public school.
25:29Your husband died.
25:32And things just worse for you after that.
25:35And now this terrorism, crazy.
25:37When you look outside, you really think that this is the best place to create your daughter?
25:43Friend, I'm talking about a return for you and for her.
25:46You know?
25:47I love you.
25:53Hello?
25:54Yeah, Mello, this is Creasy.
25:55John Creasy?
25:56Yeah, you drove me around for several hours the other night?
25:59Yeah.
26:00Yeah, of course I remember.
26:03Are your friends okay?
26:05Listen, I need some help with driving.
26:08But you mentioned that you are also the kind of person who can find all sorts of things.
26:12And that's the kind of expertise I need right now.
26:17Mr. Creasy, I don't think it's smart to work with you.
26:19Yeah, well, smart or not, it pays well.
26:22And what is the payment for exactly?
26:24I think it's best we keep that on our needs and no basis.
26:27In Brazil, problems start when you get paid and you don't ask questions.
26:31Look, I got a girl who lost her family in the bombing and she saw the perpetrators, okay?
26:37Now they want her dead and I need to get her out of the country.
26:40So can you help me or should I find somebody else?
26:50What if I ask for something that's not money?
26:58Oh dear!
27:01Oh boy!
27:04Mmm.
27:06Yeah.
27:07Yeah.
27:25EMISSION
27:27Yeah.
27:54Hello?
28:05Hello?
28:20Hi.
28:23No one followed me.
28:27You leave your cell phones behind?
28:29Yeah, and I got these, like you asked.
28:35What's this?
28:35That's the beginning of something long and messy that doesn't need to concern you.
28:43Look, all I'm asking is that you find somewhere safe for us to assess things and then I'll make sure
28:48that your fee is taken care of.
28:50I told you what I need. Relocation with proper papers. Do we have a deal?
28:57Yeah, we do.
29:04I'm sorry. I thought I heard someone.
29:09Hi.
29:13I'm Alu.
29:16Po?
29:45Hello?
29:46Hello?
29:46No New York. No Brazilian involvement. I'm gonna get you and Poe home as quickly and safely as possible.
29:51Yeah, okay.
29:51Look, I'm gonna need some cash for protection and transportation.
29:54You got it. Done.
29:57And beyond that, you give me some exit options and I'll make an assessment.
30:04Are you saying you don't think it's safe to bring her back?
30:07I'm saying I don't know what I don't know and until I do, I can't commit to anything.
30:13Okay.
30:15Well, then John, I think you need to ask yourself, is she really safe with you?
30:20I mean, this is fucking Rayburn's daughter.
30:25Where's...
30:27Go for it. Go for it.
30:30We're moving to another car.
30:34If you bang on the trunk, it'll be the last thing that you do.
30:47You know what we need? Music. What do you like? Pop, maybe?
30:55I can't turn it off.
30:57You don't like this one?
30:58I do. I just...
31:00I don't want to take songs I like and have them remind me of this.
31:15If you don't want to associate any of this with songs you like, maybe we'll switch it up.
31:25I got to keep it rolling
31:25Well, the midnight headlight find you on a rainy night
31:29Steep rate, up ahead, slow me down, make it noise time
31:33I got to keep rolling
31:36Now, those are windshield wipers, slapping out of tempo
31:40Keeping perfect rhythm with the song on the radio
31:43And keep holding
32:08So are you safe here?
32:13The favela has its own police, and my cousin's an important member.
32:22You're gonna have to pay for this.
32:27Mr. Roger, it might not work.
32:34Welcome to your new home.
32:50Mr. Roger.
32:56Mr. Roger.
33:13Mr. Roger.
33:26Make yourself comfortable.
33:33I'm gonna go talk to my cousin. I'll be right back.
33:38Are you sure about this?
33:42Be safe. Places like this are completely off the radar. You should try to get some sleep.
33:49A lot of stuff through most of the drive here.
33:51Apparently, country music has a sedative effect on me.
34:04God, not you too.
34:07My dad always used to try to get me to play.
34:11Who you think taught me?
34:14He talked about chess like it was a religion.
34:17No, not a religion.
34:18A metaphor.
34:22You have a plan, other guy has a plan.
34:24And when you get surprised, you see who's smarter.
34:28Who reacts, who attacks.
34:32You learn to play chess.
34:34You learn to play chess.
34:37You learn to play life.
34:42I think that might be the first time I've seen you smile.
34:50You could play.
34:51You could play.
34:53If you, um...
34:55If you want.
34:58You settle in. I'll be back.
35:00You're gonna leave?
35:02Yeah. I gotta go take care of a few things.
35:06Are you talking about the man in the trunk?
35:09Yes.
35:12Can you just stay?
35:14I'll be more useful out there, not so much in here.
35:18Are you gonna kill him?
35:20No.
35:21Just...
35:23Just talk to him.
35:25Like a surgeon?
35:29Something like that.
35:31Would he have killed me?
35:34Absolutely.
35:46Then I'll see you when you get back.
36:04Where is he?
36:12No!
36:22There's a place where you can walk two blocks away.
36:27Did Poe eat anything?
36:30other than american fast food she hasn't eaten since she got to brazil
36:34a hard case my favorite
36:40i have a daughter and when my husband was killed i had a neighbor who would come over to just
36:47talk to her talking is how she process things i think paul is just like my daughter
36:55if you want i'm happy to stay with her and just listen
37:02all right thanks but you you're just like me when things are bad what we seek is silence
37:16out of shop just around the corner see you later
37:37hey i brought something for you to eat
37:44i'm not really hungry
37:49don't worry i asked my daughter what an american who doesn't like resident food would eat
37:58these
38:01are kushina
38:03it's kind of like a it's kind of like what you call
38:08nugget she came nugget right
38:19it's okay with me if you don't eat them i never get to tell my daughter she's wrong so
38:23it's almost better if you refuse them
38:47she might be right
38:55how old are you
38:5816
39:01and coming to brazil wasn't something you were excited about
39:07you have me tell
39:10well
39:12when you drive a car you know just meet lots of different people
39:18you learn to really see them
39:26what else do you see
39:30someone who needs a friend
39:40do you listen to something?
39:56yeah
40:05that's bullshit car battery never broke nobody you want information it's not the
40:11battery that's key this was inside I see though some 40 that take time if you mix it hydrogen peroxide
40:32make something they call who go they put on you to some of us guys in last run yes no
40:37they just come in
40:40to cut me just oil and terrible is for the pool by it a little big oh yeah they got
40:48everything out of
40:49me there's one scar right here put this on your forehead it's gonna eat away at your skin it's
41:04low to drip down once it get into your eyes slice up leave there I mean thing once it's on
41:14you got
41:15about two minutes before it get into your eyes so talk fast no no hey hey hey don't look like
41:21that you're
41:21gonna get this all over the second boy no fun your phone phone maybe says the kid is in the
41:29car a lot
41:31this is it they are someone who's going to go to me I mean they're not gonna get into my
41:41mouth
41:41too much I'm going to go to my office and once again you know if there's no this is no
41:53it's the one who's going to go to the community that you're going to go to the
42:25The clock is ticking now, Chigo.
42:28You better come up with some answers.
42:32F.O.P.
42:35That's the people of Osman.
42:37Yes, Osman. I don't know them.
42:41Please. I work with the Pakistan outside of Rio.
42:45Osman, we contacted us after the price of paying us for a coup.
42:49We don't know about anything until tomorrow morning.
42:52Please. Please. Please. I'm talking.
42:54You don't know how to reach the base.
42:57Osman, it was the attack of a coup.
43:00He said that the base would be where it would be.
43:03Please. Please.
43:05He said that he would be with little personnel
43:07for the attacks he was doing everywhere.
43:11Please. Please.
43:14Please. Please.
43:16Please. Please. Please.
43:30How do I find Osman?
43:33The issue here is this Mr. Creasy.
43:35I need your assurance that he's being extracted as well.
43:38It's one thing when he was offering to work with us.
43:40It's another to have a loose cannon who's gone completely unresponsive
43:44while I'm having to deal with terrorists and tragedy.
43:47Not to mention an upcoming election.
43:49Honestly, President Carmo, I spoke to Creasy,
43:52and right now he doesn't trust anyone.
43:54Even if Creasy delivers us the girl,
43:57everything I know about him leads me to believe that he's not leaving
43:59until the people that brought that building down are dead.
44:06Director Moncrief,
44:08I wonder how your government would react
44:10if you had a foreign national on the loose in your country,
44:13operating independently, without authority,
44:16and in a way that potentially jeopardizes your investigation
44:19and response to a massive terror attack.
44:26I'm sure we would contain him using whatever means necessary.
44:33Hey, how did he go?
44:35I made a car.
44:36Why? What happened?
44:38There's a way I can get this guy to lead us
44:40to the people coming after Poe.
44:41So she's not going home?
44:42No. Not until I know everything we're up against.
44:45Okay, let's see what I can get.
44:49How is it?
44:52Not well.
44:54Which is in good hands.
45:12Is it time to go?
45:17Not sure.
45:28I need your help
45:29or something first.
45:31What?
45:35How do you feel about the sight of blood?
45:38How do you feel about it?
45:40How is it?
45:41How do you feel about it?
46:00I need your help.
46:00How do you feel about it?
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