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15:47Mad F heir today
15:58I don't know what to do.
16:07You.
16:13I can't see if they were one of your customers.
16:16I don't know what to do.
16:19Can we do it first?
16:25Come.
16:27Let me go.
16:57I don't know what to do.
17:04I don't know what to do.
17:07I don't know what to do.
17:12Wouldn't be good enough
17:16One night of magic rush
17:26The star does simple touch
17:29One night of magic rush
17:32One night of magic rush
17:33And then we dream
17:34Ten days of magic tears
17:37The sun is red and blue
17:40We had a promise made
17:43We were in love
17:48To call for acts of love
17:51To be known
17:54Wouldn't be good enough
17:56To be my love
17:59To call for acts of love
18:02To be known
18:04Wouldn't be good enough
18:07And you
18:12You knew the hand of the devil
18:19And you
18:23Kept us away
18:25We're close to
18:27Sharing different hearts
18:35We're close to
18:39We're close to
18:43We're close to
18:48We're close to
18:49We're close to
18:50We're close to
18:52We're close to
18:52We're close to
18:54We're close to
18:54We're close to
18:55We're close to
18:55We're close to
18:55We're close to
18:57We're close to
18:57We're close to
18:58We're close to
18:58We're close to
18:59We're close to
18:59I'm going to go back and forth.
19:01I'm going to go back and forth.
19:02We'll be desired before.
19:09Egg day, Kwan, Gilead.
19:10It's just so good.
19:11We'll have the same time.
19:25A red red star.
19:33Oh
19:57What do you mean for that?
20:27Are you that one of those things?
20:31Are you that one of those things?
20:32Yeah.
20:33I love it.
20:57I'm going to die.
21:13Fam!
21:15Fam!
21:17Fam!
21:27Klokken er 6.00, og dette er Nyheden.
21:29Politiet står fortsatt uten spor i saken med to drap og en forsvinning i Oslo.
21:34Men talskundet for Fremskrittspartiet, Amor Ilen, sier at politiet må gis utvidet handlingsrom.
21:42Når politiet ikke engang får bære bort, står de bortes løse.
21:45Bare gå den veien.
22:01Hva faen er du driver med her, MÃ¥rler? Du kontaminerer oss det.
22:06Ikke DNA fra Narva stan her inne.
22:12Jeg har hatt kriminalitet.
22:14Nei.
22:16Kastet 6 måneder.
22:19Se på gamle januar.
22:50Jeg skal bare sige takk for den invitaasjonen.
22:55Men jeg ...
22:56I will not be with you.
23:01You have stopped drinking.
23:08I thought it was because of me and Oleg.
23:16But it's not that.
23:19It's because of the death.
23:22It's the only way you can stop drinking.
23:34It's the only way you can stop drinking.
23:40It's the only way you can stop drinking.
23:47Harry, hold on to me.
23:51Hi, Beate.
23:52You can draw a picture of a photo of 72 degrees between the sides.
23:56You can draw a picture of the meter in five minutes.
24:03It's the only way you can draw a picture of a photo of a photo of a photo of a
24:17photo of a photo of a photo of a photo.
24:24You can draw a picture of a photo of a photo of a photo of a photo of a photo
24:45of a photo.
24:50So here, Camilla Lohan, Lisbeth Barley, Barbara Sensen.
24:57This is the card he has been created.
25:00I think it's the other.
25:10He goes up.
25:14This is a code we have set for a long time ago.
25:18He got a clear text.
25:20He notices all of them he has met with a diamond.
25:24What kind of shape?
25:25Five.
25:26He has cut one of five fingers.
25:28He has cut off of the death.
25:29The death and the extinction of the following weeks,
25:33on Friday, Wednesday and Monday.
25:36How many days are there?
25:37Five.
25:39Five.
25:40It's about five.
25:40It's about five.
25:41It's about five.
25:42The offer is taken out of the address that look like a complete address,
25:45but it's a similar.
25:49And it's not a house number.
25:51It's about five.
25:52Five.
25:53But why five?
25:55Is this a bad number?
25:58It's a lot of things.
26:01Hexikunst, satanism, sword magi.
26:04We have five sensor.
26:06There are five news.
26:07There are five.
26:09There are...
26:22There are...
26:24The right days, the right time,
26:26the right time,
26:26he was dressed out for a ride,
26:28he drove to the Lulosvein,
26:29he rang on the fifth floor,
26:31and the person who asked was Camilla.
26:33Then Lisbeth Pali,
26:34if he is carrying out on the street,
26:35he doesn't know that he is in the 5th floor.
26:37He didn't carrying out on the street.
26:38He was carrying out on the street,
26:40he saw the horse coming from the fifth floor,
26:42he followed him out on the street.
26:44He's not a deal.
26:45The offer is true. The key here is the place.
26:48If it was Willy Barley who had taken the house from the 5th stage and not his wife,
26:53he would have been the offer.
26:54Now that we have the code, we don't know where the next two draper will happen.
26:59We know when.
27:01Five days in the middle of the draft, it will be...
27:03On the lardy.
27:04He works with the clock.
27:08The next place is here.
27:10It's a student home at camp.
27:13I'll inform you with the research group.
27:14No, we don't have any chance.
27:17Tom and Delta check the student home at HB Alta.
27:21Have you talked about it?
27:22Yes, we're here.
27:23There's a lot of units, but the students are at the same time.
27:26There's no 5th floor.
27:27There's a house in the same place.
27:30There's no 5th floor here.
27:32Okay, let's see where we can go.
27:34Let's see where we can go.
27:40Good day.
27:42Hey.
27:43Hey.
27:44I'm from the police.
27:45I'm going to ask you.
27:46I'm going to ask you.
27:46I'm going to ask you.
28:03I'm going to ask you.
28:08I'm going to ask you.
28:10The sun is here.
28:11You've read the stories of the young people the last few years ago?
28:13Yes, I've heard it.
28:17But I'm reading it.
28:18No, I'm wrong with you.
28:20So I'm a serial killer, and one of his next two goals will be a syngelis.
28:30Can your son live here in the morning?
28:34Or if you can live here in the morning?
28:37He lives in the island.
28:40It's difficult.
28:44Would it be good for us here in the morning?
28:46Yes, it's nice. What's going to happen in the morning?
28:50Of course.
29:02Did you really say to her that she was the next one who would die?
29:14It's good to go a little bit around the wall.
29:17Elmpleg, or something like that.
29:18So you've heard about it? It's good at all.
29:21I've never been so happy to talk with people.
29:27Kona de blei skutt på Kloss Hall.
29:29Det var ingen mening i det.
29:30Den ladningen gikk tvers gjennom hjernen, så den...
29:52Okay.
29:54Hey, I think I found out the code.
30:02But what?
30:07It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like he's removed from the offer.
30:17He's cut his finger on the right hand in the right hand.
30:21You start with the finger, the finger, the finger and the finger.
30:25A little systematical there.
30:28Why don't you start with the finger?
30:38They're like women, they're not going to knock them before they knock them, right?
30:42That's what you said before.
30:43I saw it quite well the first time.
30:55I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:05You can't promise that.
31:08I'm pregnant.
31:10I'm pregnant.
31:18I...
31:26Please, say something.
31:37Visit my mother.
31:39What?
31:40You're always wondering what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother?
31:50In the city?
31:52Where else can I miss Anna?
31:55What?
31:59But since you are...
32:01Carrying our child now, I need you to know...
32:05Exactly what I do.
32:08What I really am.
32:40What are you doing?
32:42What are you doing?
32:59Pull of coffee?
33:02Are you sure you like to try better?
33:05No, thank you.
33:07I know.
33:09There's nothing.
33:11No.
33:15It's important for the life.
33:19I don't know, but I don't know.
33:23This is a real coffee. It's much better than your coffee.
33:30This is what we had to do at home.
33:41I can't wait to hear it.
33:46What?
33:47We're like together, Johan.
33:51He's not able to move on me. He's not able to make a sound.
33:54He's missing the desire if he's noticing it.
34:00If we want, we want to.
34:08I like to see you.
34:12I like to see you.
34:16Look at me.
34:22I like to see you.
34:26I can't...
34:30I don't know what it is you think I have, but...
34:34I don't know.
34:37It's a great place.
34:42It's all great.
34:44It's all good.
34:59Oh my god, it's full dagsly there now. What do you say for now?
35:08I wonder if you can get on the theater.
35:16Sorry, I'll just...
35:20You have a new letter. It's time 19.45.
35:27Hei...
35:29Hei...
35:31Hei...
35:32Hei...
35:44Hei...
35:48Hei...
35:53Hei...
35:54How did you get on the phone?
35:56It's a mess.
35:59What are you doing here?
36:03What are you doing here?
36:17Are you there?
36:21I don't understand why you and Papa are here.
36:26Is it what you want to find out?
36:33Do you love her?
36:38Do you love her?
36:40Yes, he's the lady here too.
36:43She's handsome.
36:46And also...
36:50She's a very dangerous person to me.
36:53And you.
37:00Okay.
37:02Okay.
37:04What I've tried to say is...
37:08... that...
37:11... the dam has been dead in my life
37:14... after no more.
37:16Now, I'm going to help you.
37:20You can leave it.
37:22You can stop there, ok?
37:25Yes, if I don't manage to stop.
37:33If you don't dek again,
37:39I don't...
37:49I don't know.
37:50It's a bit better.
37:55If you're with my mom,
37:57I'll never drink again.
38:18I don't have a microphone.
38:20You don't need a sound.
38:22I don't know.
38:24I don't have a camera.
38:26I don't know.
38:30The virus guest has been told
38:32that she's going to open up
38:33between 4 and 6.
38:35Is it good?
38:37Yeah, yeah.
38:38We're going to be there many times before 5.
38:4024 people in all.
38:411p3, gasmask,
38:42and gas,
38:43ready to action on the signal from the bus.
38:45Do you have to knock on,
38:47or try to take the signal from the back?
38:50Now we'll just wait until 5.
38:55You, Anand, in the morning,
38:59I'll catch you at 6 o'clock.
39:01It's fine.
39:03What should I do with you?
39:05I thought the dress.
39:07It's the one I bought in the Eglarsvein
39:08until 17.05.
39:09It's the mørk.
39:11Yeah, it's the one you have.
39:13Yeah, it's the one you have.
39:14It's definitely the one.
39:15Yeah.
39:19Yeah.
39:19But, I...
39:23Yeah?
39:25Eh...
39:26Eh...
39:26I actually said yes,
39:27because I...
39:29Eh...
39:30I thought it was a good reason to...
39:35Eh...
39:35It's something I want to tell you.
39:37Okay.
39:41Yeah.
39:43But we'll take it when we see you.
39:46Yeah.
39:47Have a good day.
39:48Have a good day.
40:08Have a good day.
40:15There's another day when she came...
40:15hey, she's in the 303.
40:16She's in the 303.
40:16She's a kid with one knee...
40:19All the other is ready for the day.
40:26I'm sorry.
40:27It's a bit of tea.
40:28You like tea?
40:29Yes, I love tea.
40:30Mm.
40:31Fint.
40:48Was it so when your son was little?
40:51Koso, mys and such?
40:54He grew up together with me.
40:57I got married when I was 15 years old.
41:01Yes, that was a scandal.
41:05My son was sent away.
41:08But...
41:10How was it for you, then?
41:13You were so young and...
41:15You just sent out your son, and...
41:20They gave me no choice, as they said.
41:23Yeah, but you always have a choice.
41:26We're in trouble.
41:28I know it, and he knows it.
41:33What's he doing today?
41:35He works for import.
41:37Yes.
41:38I think he said he importered goods from Europe.
41:42It's fine.
41:44It's not always been so.
41:46It's fine.
41:46I think you'll find it in your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He actually says so much about himself.
41:59But I think he found a girl like him.
42:02He said on the phone he had a new one.
42:04He didn't want to say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:10Or he went to a meeting first.
42:11And then he goes to the town tomorrow.
42:13And then he goes back.
42:15To?
42:15To Pra.
42:16Oh, my God.
42:23Hmm.
42:39It has been forced by the house.
42:41It looks like a girl came here.
42:45.
42:45I'm going to go here.
42:50I've seen a 303 go from there.
42:54No.
42:57I'm going to check it.
43:00I'm not going to see that.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08I'm ready, 303.
43:10I'm ready, 303.
43:34I'm ready, 303.
43:403-0 to clear. One girl and one girl.
43:43Both are naked, naked and wild in life.
43:47Fuck!
43:49Just take him back to position, Charlie 2.
43:57Now it's there.
43:59He didn't go in the house.
44:01Alpha to all the one.
44:02Stand by.
44:20I start.
44:23When I'm walking.
44:25I start.
44:26I got the fire I got the fire I got.
44:33There you are.
44:36Mully object, come in in sector to Bravo 2.
44:51Mully object, stick your hand in the lumbar. Mully weapon, search your hand.
45:03Mully object, stick your hand in the lumbar.
45:06Help the police! Stop in the lumbar!
45:09Get your hand in the lumbar!
45:14Get your hand in the lumbar!
45:14Do you have anything in hand?
45:15I'm sure.
45:23It's not him.
45:29What's that?
45:31205.
45:32It's one of those we didn't get in contact with.
45:35On the list here, it's called Odd Einar Lillebostad.
45:38I apologize, but I think Odd Einar Lillebostad is coming back.
45:44Are you sure you're here?
45:47Are you fine?
46:03It's really fun when Martin comes here now.
46:06Yes.
46:07But I think it's a bit insane.
46:11It's a fun time being here.
46:11Yes.
46:12I'm thinking I'm more alone here.
46:13It's never one like this.
46:13So often here, I don't want to say.
46:16But this is he has been here for the last year?
46:19Yes, a few weeks in the last four weeks.
46:22No, it's often.
46:24Every five.
46:24I don't think I've ever been here.
46:26The last time I've been here, I've had a smile for me.
46:29It's just like I've talked to them.
46:32They slip the stone on this very special way.
46:35Hey, it's a spontaneous event.
46:38I've been in Morocco with Georg, a guy I've met.
46:41We're going to live with his parents,
46:43in a small village village called Hassan.
46:47We've got a bad phone and network.
46:49I'll contact you once I come home.
46:52Just.
46:55Yes!
46:56Mini.
47:02I'm a walking.
47:04I'm a walking.
47:04I'm so stressed out.
47:07I'm high as a kite.
47:09I just might stop to check you out.
47:12I'm a walking.
47:14I'm stopping.
47:15I'm so stressed out.
47:17I'm high as a kite.
47:19I just might stop to check you out.
47:22I'm crying.
47:39Let me go on, like I blister in the sun, let me go on, big hands, I know you're the
47:51one.
47:53Body and beats, I stain my sheets, I don't even know why, my girlfriend, she's at the end, she is
48:02starting to cry, let me go on, like I blister in the sun, let me go on, big hands, I
48:11know you're the one.
48:24My control,างels
48:34When I'm out walking, I strut my stuff and I'm so strung out, I'm high as a kite, I just
48:41might stop to check the button.
48:43When I'm a-walkin', I strut my stuff and I'm so strung out
48:48And I'm high as a kind, I just might stop and check around
48:54Body and feet, I stain my sheets, I don't even know why
48:59My girlfriend, she's at the end, she is starting to cry
49:04When I'm a-walkin', I strut my stuff and I'm so strung out
49:17But I'm so strung out
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