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16:08I'm sorry.
16:13I'm not sure you're one of your customers.
16:19Can we do it first?
16:25Come.
16:27Let me go.
16:54and away both under influence we had given said to know what to say
17:03mind is a race away to call from hands of above to lean on
17:13wouldn't be good enough
17:23one night of magic rush the stars a simple touch
17:29one night of emotions and empty dreams
17:35ten days of perfect tears the sun will spit in blue
17:40we had promised me we were in love
17:48to call from hands of above to lean on
17:54wouldn't be good enough to lean on
17:59to call from hands of above to lean on
18:05wouldn't be good enough
18:09and you
18:12you knew the hand of the devil
18:19and you
18:23kept us away
18:34you
18:38you
18:41you
18:46you
18:47you
18:48you
18:48you
18:50you
18:50you
18:52you
18:54you
18:54you
18:55you
18:55you
18:56you
18:56you
18:56you
18:56you
18:57you
19:10you
19:11you
19:14you
19:15you
19:27you
19:33you
19:35you
19:46you
19:47you
19:48you
20:01you
20:03you
20:03you
20:14you
20:18you
20:27you
20:28you
20:31you
20:37you
20:47you
20:48you
20:56you
21:06you
21:17you
21:18you
21:34you
21:35you
21:41you
21:45you
21:47you
22:01you
22:01you
22:02you
22:02you
22:02you
22:03you
22:03you
22:03you
22:05you
22:14you
22:15you
22:17That's the sixth moment.
22:19Set up a game of the album.
22:48Hey.
22:50Yeah, I should just say thank you for the invitation.
22:55But I will not be with you.
23:01You have stopped drinking.
23:04Yeah.
23:09I thought it was because of me and Ole.
23:16But it's not that.
23:19It's because of draping, right?
23:22It's the only thing you can decide.
23:34It's the same thing.
23:35It's the same thing.
23:42Harry.
23:46Harry, hold me.
23:47It's the same thing.
23:51Hey, Beate.
23:52Tegn a petagram on a foliarc.
23:5472 degrees between the sides.
23:56And then you fly with the project on the meter.
23:58I'm going to have five minutes.
24:02Have you heard?
24:03Yeah.
24:04It's the same thing.
24:07It's the same thing.
24:13Harry, I thought you would take another one for a while.
24:16No, I have a half of ten.
24:20What do you do with me?
24:23I'm trying to do our man.
24:25I'm trying to do it like the elders.
24:26Like the elders?
24:34I'm trying to do the project on the right.
24:36Yeah.
24:39Are you okay?
24:41The elders...
24:43The elders used the pentagram to determine where the cathedral should be.
24:46On the cassette, he says that the five-kanted kors should show a way.
24:51So, here.
24:52Camilla Lohan.
24:54Lisbeth Barley.
24:56Barbara Sensen.
24:57This is the card he's built.
25:05The other.
25:07The other.
25:10They go up.
25:14This is a code we had set for a long time ago.
25:18It was clear text.
25:20He notices all of them he's caught with a diamond.
25:24What kind of shape?
25:25Five-target.
25:26Mm-hmm.
25:27Han har kuttet en av fem fingre.
25:28Han har vært av offrene.
25:30Drapene og forsvinningen skjedde i tre påfølgende uker.
25:33Henholdsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det mer om her?
25:37Five.
25:38Mm.
25:39Klokkeslett.
25:39Rundt fem.
25:40Det er det som er koden.
25:41Det er bare et siffer.
25:41Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser.
25:45Men det er en...
25:47En likhet.
25:49Og det er ikke husnummer.
25:51Det er...
25:51Femte etasje.
25:53Femte etasje.
25:53Men hvorfor fem?
25:55Er det et ondt tall?
25:58Ja, det er meget brukt.
26:01Heksekunst og satanisme og sordmagie.
26:05Vi har fem senser.
26:06Det er fem livsalder og akupunktur.
26:12Det viktigste mønstret her er dette.
26:15Han tegnet et pentagram.
26:17La det over byen og lot stjernetagene her peke ut de stedene som han skulle drepe.
26:22Og så ventet han.
26:24Til rett dag.
26:25Til rett tidspunkt.
26:26Han kledde seg ut som et sykkelbud.
26:28Dro til Ullevålsveien.
26:29Ringt på femte etasje.
26:31Og den som svarte var Camilla Loh.
26:33Lisbeth Balli, da?
26:34Om han plokker henne ut på gaten, vet han ikke at hun bor på femte våningen.
26:37Han plokker henne ut på gaten.
26:38Han stod inn i gangen, så at det kom med heisen fra femte.
26:42Så han følger efter henne ut på gaten, og...
26:44Uansett, da.
26:46Offrene er tilfellige.
26:47Nøkkelen her er åstedene.
26:49Om...
26:49Om det var Willi Balli som hadde tatt heisen ned fra femte etasje den dagen og ikke kona,
26:53så er det han som ville vært offret.
26:54Nå som vi har koden, så vet vi ikke bare hvor de neste to drapene vil skje.
27:00Vi vet...
27:00Når.
27:01Og fem dager mellom hvert drap, det blir...
27:03På lørdag.
27:04I morgen.
27:05Og han jobber med klokka.
27:07Så det neste åsted er etter all sannsynlighet her.
27:10Det er student hjemme på kampen.
27:13Jeg informerer etterforskningsgruppa.
27:14Nei.
27:15Vi har ikke råd til enda en lokkasje.
27:17Så Tom og Delta sjekker student hjemme HB Alt, og jeg tar den femte adressen.
27:21Snakker du med?
27:22Ja, vi er her.
27:23Det er masse ennømslegenheter, men studentene er på sommerlov.
27:26Det finnes ingen femte våning.
27:27Ja, det er jo hus inne på selve situasjonsområdet her.
27:31Det er ikke noe femte etasje her, eller.
27:33Ok.
27:33Vi går inn og ser hvor vi kan rygge til.
27:40God dag.
27:41Takk.
27:42Hei.
27:43Hei.
27:44Kom fra politiet.
27:45Stille deg en spørsmål.
27:46Følge byplanskontoret ble det bygget i 1934 som tuberkulosehjem.
27:50Senere gjort ham til studenthjem.
28:02Ja, det er sønnen min, da.
28:05Ja.
28:07Du, ja, du har kanskje lest om de drapene på de unge jentene de siste ukene.
28:14Ja.
28:15Jeg har jo hørt at det har skjeldt, men jeg leser sjelden om den slags.
28:19Nei, vi mistenker at du dreier seg om en selimorder, og at et av hans to neste mål på en
28:23synlig lys.
28:29Ja, altså, kan sønnen din bo her hos deg i morgen? Eller om du kan bo hos ham?
28:37Ja.
28:38Han bor i utlandet.
28:40Det blir vanskelig, da.
28:43Men skulle det gå bra om noen av oss er her i morgen?
28:46Ja.
28:47Det er hyggelig.
28:48Hva er det som skal skje i morgen?
28:51Sannsynligvis hyggelig.
29:00Takk.
29:02Hade du verkligen tenkt å sige til henne at hun var neste som skulle dø?
29:14Det er bra å gå litt rundt grøten ibland.
29:17Elven ble det også som sier det.
29:18Mm.
29:18Så du har hørt om det? Det er bra i alle fall.
29:21Jeg har vel aldri vært så god på å prate med folk.
29:27Kona de ble skutt på Kloss Hall.
29:29Det var ingen mening i det.
29:30Den ladningen gikk tvers gjennom hjernen, så den...
29:33farmer viene.
29:53Hei there.
29:54Hei.
29:55Er du den grunnen?
29:56Tror du jeg fant ut av den koden?
30:02Eh...
30:02But what?
30:06No, it's...
30:08It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like that he's removed from the offer.
30:17Yeah, he's cut his finger on the right hand in the right hand.
30:21He starts with the finger finger, so the finger finger, so the finger finger.
30:53A little systematiker there.
30:54I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:05I can't promise that.
31:09I'm pregnant.
31:17I...
31:27Please, say something.
31:37Visit my mother.
31:39What?
31:40You're always wondering what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother in the city?
31:52Where else could I miss Anna?
31:55What?
31:59Since you are carrying our child now, I need you to know exactly what I do.
32:08What I really am.
32:40What are you doing?
32:41What are you doing?
33:02Are you very sure that you don't want to try anything better?
33:05Yes, thank you. I know.
33:09There's nothing to do with it.
33:13No. It matters life in general.
33:23This is a real coffee. It's much better than your coffee.
33:30This is what we did at home.
33:41I can't wait to see it on me.
33:46What?
33:47We're not together.
33:51I can't wait to see it on me.
33:52I can't wait to see it on me.
33:54I can't wait to see it.
34:00If we want, we want to see it on me.
34:08I like to see it on you.
34:12I like to see it on me.
34:22I...
34:25I can't.
34:30I don't know how much is it that you think I can't.
34:34I don't have it.
34:37It's a great place.
34:42It's okay.
34:52Is it Rachel?
35:01It's a great place.
35:03It's a great place.
35:05It's a great place.
35:07I wonder if I'm going to go to the theater.
35:15Sorry, I just...
35:21You have a new message.
35:2243, mottatt klokken, 1945.
35:26Hei.
35:29Hey, det var ingenting.
35:45Hey.
35:53How did you find it?
35:56It's a crazy thing.
35:59What are you doing here?
36:03What are you doing?
36:17Did you see it?
36:17What are you doing here?
36:21I don't understand why you and Papa are here.
36:26Is it what you find out?
36:33Harald loves her?
36:36Is she?
36:39She's a little girl here.
36:42She's nice.
36:46But at the same time, she's very dangerous for me.
36:53And you.
37:03What I'm trying to say is that...
37:12She's a little girl here.
37:13She's a little girl here.
37:13What is your name?
37:14Yes.
37:16I'll call you.
37:20You can let her sit.
37:22You can stop yourself, okay?
37:25Yes, if I don't manage to stop.
37:33If you don't drink again,
37:39I don't want to hear you.
37:49It's better.
37:55If you and mamma are together,
37:57then I'll never drink again.
38:18I don't have a microphone.
38:20You don't need to listen to me.
38:23I don't have any signal,
38:24so I haven't put a camera on the camera.
38:26I don't need to listen to me.
38:30Virus guest has been told
38:32that they're going to close
38:33and hold us in between 4 and 6.
38:34Yes.
38:36Is it good?
38:37Yes, yes.
38:38We're going to be in a few hours before 5.
38:4024 people,
38:41MP3, gas,
38:42and gas are ready to action
38:43on the signal from the bus.
38:46We'll see if they'll knock on
38:47or try to take it back.
38:50We'll just wait until the clock will be 5.
38:57Yes.
38:57You, on the morning,
38:59I'll pass if I'm going to go to 6.
39:01It's fine.
39:03What do you want to do with me?
39:05I thought a dress.
39:07I bought the Hegdalsvein
39:08for 17 May.
39:09It's dark.
39:11Yes, it's the one you have.
39:13Yes, it's definitely the one.
39:14Yes.
39:18Yes.
39:19But you, I...
39:23Yes?
39:25I just said yes
39:27because I...
39:29I thought it was a good reason
39:32to...
39:34Well,
39:36that's what I want to tell you.
39:37Okay.
39:41Yes.
39:42Yes.
39:43But we'll see you later.
39:47Yes.
39:47Bye.
39:48Bye.
39:51What's up now?
40:12Yes.
40:18Well,
40:20you are ready.
40:27Yes.
40:28Yes.
40:30Yes.
40:31Yes.
40:31Yes.
40:31Yes.
40:31Yes.
40:48Was it so much when your son was little?
40:51Be quiet and quiet and so on?
40:54He grew up with me.
40:57I got married when I was 15.
40:59When?
41:00Yes, that was a scandal.
41:05My husband had to send him back.
41:08But how was it for you?
41:12You were so young and just sent out your son?
41:20They gave me no choice, as they said.
41:23But you always have a choice.
41:25I was confused.
41:28I know what he knows.
41:33What does he do today?
41:35He works with import.
41:38I think he says he imports from East Europe.
41:42It's fine.
41:44It's not always been like that.
41:46I think you'll find your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He says so much about himself.
41:59But I think he finds a daughter like him.
42:02He said on the phone he had a new one.
42:04He wouldn't say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:09Or he went to a meeting first.
42:11And then he goes to the town in the morning.
42:13And then he goes back.
42:15To?
42:15To Prague.
42:24Yes.
42:26Yes.
42:27Yes.
42:38To be continued...
42:40No...
42:41It doesn't mean that he's coming.
42:45It's him.
42:46The city is coming here.
42:50It's far from the city.
42:52It shows us how our family came here.
42:54This is a way to the city.
42:54We're not going to the city.
42:57It's walking here.
42:58I'm going to check it out.
42:59Yeah, it's actually a risk.
43:01No.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08Klarer, 303.
43:10Motad. Klarer, 303.
43:40Klarer, 303.
43:41Klarer, 303.
43:42En jente og en gutt.
43:43Begge vepna, nakne og veldig i livet.
43:47Fuck.
43:49Bare få på de klær.
43:51Ta den tilbake til posisjon. Charlie 2.
43:53Klarer, 303.
43:57Nå er det der.
43:59Den som gikk inn i gang, så er det ikke helt inn i heisen.
44:01Alpha to Charlie 1, takk.
44:02Mulige objekt går inn i heisen. Stand by.
44:23When I'm a walking, I struggle.
44:36Mulige objekt kommer inn i sektor til Bravo 2.
44:51Mulige objekt, stikker hånda i lomma. Mulige våpen, sender seg hånda.
45:06Ender seg hånda i, Nå er nån!
45:09En ender seg hånda i lomma.
45:15Ender seg hånda på de.
45:18Has detgen?
45:24Der er den.
45:24Minden er den.
45:27That's not him.
45:29What's wrong?
45:31205 is one of those we did not contact with.
45:35On the list here, he's called Odd Einar Lillebostad.
45:38I'm sorry, but I think Odd Einar Lillebostad is coming back.
45:44Are you sure he's here?
45:47Are you friends?
45:49No.
46:03It's nice when Martin comes, now he's alone.
46:06Yes, I think it's a bit empty here.
46:11Yes, but when Martin is here so often, he's going to complain.
46:16But he's been here for the last couple of years?
46:19Yes, one time in the last four weeks.
46:22No, no, it's actually often.
46:24Every 5th day he's been here.
46:26The last time he was here, he had a smile for me.
46:29It's just that we're going to talk to him.
46:31We're going to talk to him.
46:33We're going to talk to him in a special way.
46:35Hey, this is a spontaneous event.
46:38We're going to go to Marokko together with Georg,
46:40a guy I've met.
46:41We're going to live with his parents,
46:44in a small village called Hassan.
46:46We're going to talk to him.
46:49We're going to talk to him.
46:51We're going to talk to him once I come home.
46:52Marius.
46:52Marius.
47:55I don't even know why my girlfriend, she's at the end, she is starting to cry.
48:03Let me go on, like I blister in the sun.
48:08Let me go on, big hands, I know you're the one.
48:12Let me go on, big hands, I know you're the one.
48:49Let me go on, big hands, I know you're the one.
49:33Let me go on, big hands.
49:39Let me go on, big hands, I know you're the one.
49:44Let me go on, big hands.
49:44Let me go on, big hands.
49:48Let me go on, big hands.
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