00:28Transcription by CastingWords
00:38CastingWords
01:11CastingWords
01:12He's a liar, so I don't care. Thank you.
01:23Did he come?
01:25No, he's a politician. He's a politician.
01:42No, he's a politician.
02:22No, he's a politician.
02:24Go!
02:25Go!
02:28Go!
02:31Go!
02:46Oh, my God.
03:37Oh, my God.
03:43Om din mamma vaknar, så kommer jag bli tvungen att döda henne.
03:49Förstår du?
03:50Så vi måste hjälpas åt dem och jag.
03:52Vi ska åka på lite tur.
04:05Det var jag.
04:20Come here, come here.
04:21Come here. It's not my boy.
04:26Shh, shh, shh.
04:38Shh, shh.
04:41Shh, shh, shh.
05:43Uleg?
05:46Uleg?
05:53Uleg?
05:55Uleg?
06:02Uleg?
06:30Uleg?
06:32Uleg?
06:33Uleg?
06:57Uleg?
06:58Uleg?
07:02Uleg?
07:25Uleg?
07:54Uleg?
07:58Uleg?
08:03Uleg?
08:04Uleg?
08:04Uleg?
08:04Uleg?
08:05Uleg?
08:07Uleg?
08:36Uleg?
08:42Uleg?
08:52Uleg?
08:57Uleg?
08:59Uleg?
09:03Uleg?
09:14Uleg?
09:16Uleg?
09:18Uleg?
09:25Uleg?
09:26Uleg?
09:28Uleg?
09:32Uleg?
09:33Uleg?
09:51Uleg?
10:00Uleg?
10:07Uleg?
10:19Uleg?
10:26Uleg?
10:27Uleg?
10:34Uleg?
10:47Uleg?
10:50Uleg?
10:53Uleg?
11:04Uleg?
11:06Uleg?
11:08Uleg?
11:10Uleg?
11:11Uleg?
11:13Uleg?
11:19Uleg?
11:22Uleg?
11:24Uleg?
11:24Uleg?
11:24Uleg?
11:24Uleg?
11:24Uleg?
11:24He was post-stempled in the check.
11:27Did you come back?
11:28It's an unknown address.
11:30Martin, it's been so long since I've heard from you.
11:33I hope the money I've sent you to help.
11:35I still don't want to think about anything else.
11:39When I love my husband,
11:40I can imagine that he's there.
11:44Where are you?
11:45But it wasn't the worst.
11:46The worst was to see the data-stempled.
11:50For it had you sent...
11:53In February.
11:56In a year.
12:01What's going on, then?
12:04Mm.
12:05You were going to die for your son.
12:09And you were going to take your skin off.
12:12It's a little to change your job.
12:14Mm.
12:15You said you had to find him.
12:18Never more.
12:20Never more.
12:21You were going in.
12:21I have that idea inevitable that the status of us,
12:24for what the hotel was on.
12:27But it was just a snow and wait.
12:35We told him to
12:37We needed a man who could find diamants and weapons
12:41without mellandhender.
12:44And then we agreed that he would come to Oslo
12:47and put his eggs in a søppelbøt in the farm every 5th day.
12:50You knew that he was here.
12:52But he had never been here.
12:54You drove it.
12:55And it took you 4 times.
12:58And you played a cassette that you let him on.
13:02A five-kant course.
13:04Give me a question.
13:05I'll give you a question.
13:08So send us a finger to your wife.
13:12Why are you doing this so complicated?
13:16Because I needed a book.
13:19If this thing had not been done,
13:21and Lisbeth had just fallen,
13:22then everyone had thought over me.
13:24Right?
13:24For it's always a man.
13:28Where is he?
13:30I'm sorry.
13:31Great.
13:34Settle down.
13:35Settle down, slipper down, stle down.
13:35Kaste down, back.
13:37Kaste down, back!
13:40Set down.
13:42Set down, back.
13:45Set down, back!
13:46What's your heart like?
13:59It's just a single man who has followed his heart.
14:03Can you tell me what heart is most broken?
14:07Is it a heart that has never been able to love it?
14:10Or is it a heart that has never been able to love it?
14:25What's your heart?
14:27Who is it?
14:31Who is it?
14:32Who is it?
14:33Who is it?
14:33This is what you don't understand.
14:34I have just made a place that I know.
14:37That is for me.
14:40And for her.
14:42And I want to have her here for always.
14:46I have taken care of, Harry.
14:49My problem is that I have tried to do it again.
14:52But I don't understand.
14:55What are you talking about now?
14:57Okay, let me go.
14:59What are you talking about?
14:59Take care of yourselves!
15:04Take care of yourself!
15:14Take care of yourself.
15:17Take care of yourself.
15:24Take care of yourself.
15:25Take care of yourself.
15:39Take care of yourselves.
15:41Take care of yourself.
15:49At the end of the day, the public will never be able to stay with you at the police station.
15:54You need a happy ending.
15:56If I don't have a happy ending, I will make a happy ending.
16:01Is this my life motor?
16:05In this case, a death motor.
16:10Let's count down from five.
16:18You're so empty.
16:23Four.
16:29What the hell are you doing?
16:32Three.
16:35Three.
16:41Two.
16:46It's me.
16:48Two.
16:54Two.
16:59Two.
17:01Two.
17:10Two.
17:12Two.
17:14Two.
17:20Two.
17:25One.
17:43One.
17:44Two.
17:49One.
18:07What have you done?
18:09What have you done?
18:39What have you done?
18:42What have you done?
18:43Okay.
18:44What the hell are you doing?
18:46I'm going to take contact.
18:48No.
18:53What have you done?
19:05What have you done?
19:07What have you done?
19:20What have you done?
19:25What have you done?
19:41What have you done?
19:44I'm going to go to the hospital.
19:47I'm going to go to the hospital.
19:52I'm going to go to the hospital.
20:06I'm going to go to the hospital.
20:07I'm going to go home.
20:10I'm going to go home.
20:11I want to go home.
20:26Hello, I'm here.
20:28I'm Oleg and I'm wondering where we are.
20:31If you hear him, where are you?
20:34Where are you?
20:35The question is, where are you?
20:37What do you want?
20:39Just put everything right.
20:43It's not too late yet.
20:44Tom, listen.
20:46Give me the address.
20:47Tom, where are you?
20:49Quickly.
20:51I gave you an offer that would change your life instead of doing it.
20:55That's your fault.
20:58Tom?
20:59How do you feel when you're in the neck?
21:01Even, you're in the breast.
21:04There will be the soothing sound.
21:08Tom?
21:09It looks like when you're with a doctor.
21:10You'll have to take off the air.
21:14Hybern, 406.
21:16So, the house?
21:18Okay.
21:19I'm going to Oleg here.
21:21In 20 minutes.
21:25Tom.
21:28Tom.
21:33Tom.
21:43Tom.
21:47Tom.
21:47Tom.
21:51Tom.
21:53Tom.
21:53Tom.
21:56Tom.
21:59Tom.
22:18I don't know.
22:35I don't know.
23:07I don't know.
23:23I don't know.
23:27I don't know.
23:29I don't know.
23:30I don't know.
23:38I don't know.
23:43Excuse me.
23:44No, no, no, no.
23:45What the fuck is this?
23:47I said you should sit in the room.
23:51I'd like to go to the room.
23:55Matu, stop it!
24:03I'll do it on your plan.
24:05Your plan?
24:08I think you'd like to have something to do with me.
24:10I'll do it on my way there, and I'm seeing you.
24:14And I'll do it on my own.
24:15Why do you know what you're doing?
24:19The lady's just dumped me.
24:21And you kidnapped her son on the road.
24:24So she found you together with me.
24:26And when did you have her?
24:34I knew you'd like to find us.
24:36It was difficult to get caught.
24:41Oleg! Oleg!
24:42Come back!
24:43Come back, or shoot me, Harry!
24:46I'm going to drive with a friend of mine,
24:48because there's almost no need to work.
24:50What are you talking about?
24:52Everything was used,
24:53such as if, for example,
24:54I took him to camera over walking.
24:57I winked to Otto,
24:58so I can wink to him.
25:00I'm going to...
25:02You're done.
25:08And do the pistol.
25:11The camera shows me that I've grabbed a colleague
25:13who has completely beaten you
25:15and has kidnapped an actor.
25:17I always take everything off the camera.
25:19I'm talking to him.
25:21What the fuck are you talking about?
25:21There's no sound effects here.
25:31I'm talking to him.
25:33I'm talking to him.
25:34I'm talking to him.
25:43I'm talking to him.
25:44Everything will be filmed.
25:46I'm talking to my camera.
25:50In me.
25:51I'm talking to him.
25:59I got your pistol.
26:01I'll stop it.
26:02I'm going to get cast it.
26:10Take me.
26:15Come, come, come, come.
26:24What's happening?
26:26What's happening?
26:27Go on, make him.
26:42Danny! Danny! Danny! Danny!
26:45Danny! Danny!
26:46Danny!
26:52Danny!
26:57Ulrich!
26:59I'm not going to die.
27:00Ulrich! Come here, Harry.
27:03I'm going to kill you.
27:20Harry!
27:23Harry!
27:24Harry!
27:26Harry!
27:33Come here!
27:34Come here!
27:43You're not going to die?
27:47Do you want me to kill you?
27:49Well, I'm going to kill you.
27:56I'm going to kill you!
28:03I'm going to kill you!
28:05I'm going to stop.
28:08I'm going to die.
28:10I went to Mexico.
28:14Let's go.
28:21I'm going to win.
28:27What are you doing?
28:35You need to land сюда.
28:38I don't know.
29:08I don't know.
29:39I don't know.
30:20I don't know.
30:26There ain't no one ever looking out for me.
30:39Just the sun.
30:54I don't know.
31:14I don't know.
31:16I don't know.
31:18I don't know.
31:42I don't know.
31:46I don't know.
31:50I don't know.
31:56I don't know.
31:59I don't know.
32:05I don't know.
32:08I don't know.
32:09I don't know.
32:22I don't know.
32:24I don't know.
32:50I don't know.
32:51I don't know.
32:55I don't know.
32:58I don't know.
32:58I don't know.
33:02I don't know.
33:12I don't know.
33:15I don't know.
33:18I don't know.
33:18I don't know.
33:19I don't know.
33:27I don't know.
33:31I don't know.
33:40I don't know.
33:44I don't know.
33:46I don't know.
33:49More information in the morning.
33:51I'll ask you a character.
33:54Can you hear me?
33:57Okay.
33:59I'll give you a pop-up.
34:01Okay.
34:02Yes, my friend, Eikeland,
34:04he's also in a varetect.
34:06But we've stopped him now.
34:07If you don't say anything,
34:11then...
34:12I don't want to have a dash with Promille.
34:15I don't want to say anything.
34:18I've talked a little bit about CFO,
34:19but they think that
34:23the messages from Hyperlus
34:25plus the messages to Aminov
34:27and Ole have been a lot.
34:33I don't want to get any trouble
34:35I don't want to get any trouble.
34:39But I can't love you
34:41that you took Aminov
34:44and take care of the rest of us.
34:45Are you ready?
34:47I'll go here, sjef.
34:58It's me.
34:59It's me.
34:59It's me.
35:00It's me.
35:01It's me.
35:01It's me.
35:01It's me.
35:03It's me.
35:04It's me.
35:05It's me.
35:06It's me.
35:07It's me.
35:08It's me.
35:08I'm sorry.
35:09I don't know what I'm doing.
35:12They're trying to take my little brother.
35:13Yeah.
35:14I thought it was going to be something.
35:17But now, you have the chance to do it.
35:20I'll give you a thing now
35:21that Aston Post can be accused.
35:23I see you.
35:25But just if it's going to happen with me
35:29and my son.
35:31Ok?
35:33Ok.
35:36Oh, yeah.
35:37If the phone has been removed,
35:38then we know all of this.
35:43The death of the house is clear,
35:45but I don't understand the whole thing.
35:49That was probably the Hoggjerne.
35:52But this looks more like
35:54that he has been taken after he died.
35:57Like a knife has been broken around.
36:03I don't know.
36:03I need to give you an explanation.
36:07On that...
36:08I sent out Amen Over,
36:10or on that I broke my nose?
36:11Oh, my God.
36:14There we go.
36:17More...
36:17The idea.
36:19How did it not have been a classic movie?
36:26No...
36:29I don't think about the proof.
36:31I don't think about the idea.
36:37I don't think about the idea.
36:38Do you know Duke Ellington
36:39who tried to ask the piano speaker
36:42about the piano speaker?
36:47No.
36:48Goodbye.
36:52Sykeldbud-morderen...
36:53...
36:53...
36:54...
36:54...
36:54...
36:54...
36:54...
36:55...
36:55...
36:56...
36:57...
36:58...
36:58It felt like it was true, but not true.
37:04I took a mistake, Harry.
37:08And I apologize.
37:10What I would say was that...
37:13I don't want to cut off your papers.
37:18Well?
37:20You seem over-begined.
37:23Have you gotten another chance?
37:24Two people?
37:26I have two.
37:28For whom, then?
37:30Øystein Eikland.
37:32He wants to deal with Kjøredrosha.
37:36And the other?
37:41It fell.
37:47The truth is that we need you.
37:50I need you.
37:52What do you mean?
37:53What do you mean?
37:54I want to believe that Wåler is the only one in the police
37:58that has been involved in these things.
38:01I want you to continue to help us to find out who is behind you.
38:04I don't know if I...
38:06I don't want to talk to people in their own way.
38:12I understand you.
38:12But you will only report to me.
38:15I love you.
38:17Okay?
38:18But it will also mean that when you write the report,
38:21and talk to the press,
38:23we will put a lock on it with Wåler's weapon.
38:28I understand that there is a lot to be about.
38:30So it's of course complete.
38:34I understand.
38:38If you like well choose to take a taxi, can you say something about...
38:44...Wahler said something about who could possibly be inblanded?
38:48Have you given him some names?
38:51Something we can go on?
38:53No.
39:00Good job with Barley. He's always a man.
39:26I'm always a man.
39:28It's a shame.
39:30If this thing had not been clear, then Lismet had already been gone.
39:35For me, it's like he's telling me that he's going to kill him.
39:40It's me.
39:43I'm always a man.
39:58Hey.
39:59Hey, it's me.
40:01Do you know what I'm doing?
40:04Can we do some dinner?
40:06Yes, it's no stress.
40:09I love you.
40:11And you love me.
40:13Yes, I'll do it.
40:23I love you.
40:23So Beate, are you all safe?
40:26The man was already on the list of the misty.
40:28And this is the first time Beate sees her.
40:30And she's safe.
40:32Yes?
40:34What about it?
40:39She died in your coma.
40:40Yeah, we're starting one, friend.
40:43Five years ago, I came to the bank.
40:45I've never been working on a third to see her.
40:54Now we have three weeks later.
40:55Last week, he gets many months now.
40:59And instead, this was born in a mama alone.
40:59So, you take that spirit.
41:01To break these Michelle and their brother's family to order
41:01or another Dude's family member...
41:02Well, she's a nurse.
41:04Nor do you care, sir?
41:06It's just like he intended.
41:22The number you ringer is not longer used.
41:48The number you ringer is not longer used.
42:19The number you ringer is not longer used.
42:44The number you ringer is not longer used.
42:57The number you ringer is not longer used.
43:09The number you ringer is not longer used.
43:30Hey, oh, let's go
43:33Shooting in the back now
43:36What they want, I don't know
43:38They're all revved up and ready to go
43:41They're popping in the state line
43:44They're going through a tight line
43:46They keep it as an amine
43:48But let's be pumped
43:52They're falling in the backseat
43:55They're generating heat
43:58They're playing in the back
44:00They're going through a tight line
44:04Hey, oh, let's go
44:06Shooting in the back now
44:09Yeah, it's Tom Wahler
44:11He lived up on the street
44:14Mm, how did he feel?
44:17I remember that it was bad about the guy
44:19He got a lot of strick from his father at home
44:23It was a lot more than his son
44:29Farsan var arbetslös
44:32Murade, tror jag
44:34Söp ganska hårt
44:37Mycket mer än så kommer jag inte ihåg
44:40Han kallade dig dig solo
44:42Han sa aldrig att jag var kompis
44:44Ja, det stämmer ju att jag kallade solo
44:47Efter vår butik här
44:48Men jag och Tom Wahler var inte kompisar
44:52Då var det väl egentligen ingen som var
44:54Ingen?
44:56Nej
44:58Se, jag vet inte riktigt varför
45:00Jag minns att han var ganska snäll
45:01Men
45:02Det är en sån här som hjälper gamla tanter över gatan
45:04Lite scoutaktig typ sådär
45:06Men
45:08Nej, han
45:08Han var ensam
45:12Lite konstig
45:14Sen
45:15Sen var det något skumt med
45:18Med hans pappas död
45:19Det var en jävligt märklig olycka att råka ut för hemma
45:23Amen
45:26Ja, asså det är väl en sak att ramla på fyllan
45:29Men
45:30Rakt på en kniv som man håller i
45:38Tack ska ha
46:08Tack till elever och personer som man håller i
46:37Tack till elever och personer som man håller i
46:39Tack till elever och personer som man håller i
46:41Tack till elever och personer som man håller i
46:43Det var en sån här som man håller i
46:50Det var en sån här som man håller i
46:53Det var en sån här som man håller i
46:56Det var en sån här som man håller i
46:56Det var en sån här som man håller i
46:56Det var en sån här som man håller i
46:56Det var en sån här som man håller i
46:58Det var en sån här som man håller i
46:59Det var en sån här som man håller i
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