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Detective.Hole.S01E06.540p.X265.AAC [Full Movie] [Full Version]Full EP - Full
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16:08You.
16:13I don't think they might be one of your customers.
16:19Can we do it first?
16:25Come.
16:27Let me go.
16:54and away both under influence we had given said to know what to say
17:03mind is a race away to call from hands of above to lean on
17:13wouldn't be good enough
17:23one night of magic rush the stars a simple touch
17:29one night of emotions and empty dreams
17:35ten days of perfect tears the sun will spit in blue
17:40we had promised me we were in love
17:48to call from hands of above to lean on
17:54wouldn't be good enough to lean on
17:59to call from hands of above to lean on
18:05wouldn't be good enough
18:09and you
18:12you knew the hand of the devil
18:19and you
18:23kept us away
18:34you
18:38you
18:41you
18:46you
18:47you
18:48you
18:48you
18:50you
18:50you
18:52you
18:54you
18:54you
18:55you
18:55you
18:56you
18:56you
18:56you
18:56you
18:57you
19:10you
19:11you
19:14you
19:15you
19:27you
19:33you
19:35you
19:46you
19:47you
19:48you
20:01you
20:03you
20:03you
20:14you
20:18you
20:27you
20:28you
20:31you
20:37you
20:47you
20:48you
20:56you
21:06you
21:17you
21:18you
21:34you
21:35you
21:41you
21:45you
21:47you
22:01you
22:01you
22:02you
22:02you
22:02you
22:03you
22:03you
22:03you
22:05you
22:14you
22:15you
22:27what
22:32where
22:33where
22:33is
22:33Oh, my God.
22:48Hey.
22:50I want to say thank you for the invitation.
22:55But I will not be able to drink.
23:01I will not be able to drink.
23:04Yes.
23:08I thought it was because of me and Ole.
23:16But it's not.
23:19It's because of the death.
23:22It's the only way people can drink.
23:33It's the only way.
23:37It's the only way.
23:42Harry.
23:46Harry, do you hear me?
23:51Harry.
23:51Hey, Beate.
23:52Tegn et petagram på et foliarc.
23:5472 grader mellom spissene.
23:56Og så flyr du av prosjektet på metrommet.
23:58Jeg er om fem etter.
24:02Har du hørt?
24:03Ja.
24:03Ja.
24:04Det er livet å se.
24:13Harry, jeg tenkte at du skulle ta han her for før.
24:16Han har jeg alltid.
24:20Hva holder du på med?
24:23Jeg ser ikke om vår man.
24:25Han gjorde som kelterne.
24:27Som kelterne?
24:34Kom her prosjektoren litt nærmere.
24:36Ja.
24:39Er du ok?
24:43Kelterne brukte pentagrammene til å bestemme hvor katedralene skulle ligge.
24:46På kassetten sier han at et femkantet kors skal vise veien, ikke sant?
24:51Se her.
24:53Camilla Lohen.
24:54Lisbeth Barley.
24:56Barbra Sensen.
24:57Dette er kartet han bygger etter.
25:05Den tror de andre.
25:10De går opp.
25:14Det er en kode vi burde ha sett for lenge siden.
25:18Fikk det i klartekst.
25:20Han merker alle de han har drept med en diamant.
25:24Hvilken form?
25:25Fem taget.
25:26Han har kuttet en av fem fingre.
25:28Han har vært av offrene.
25:29Drapene og forsvinningen skjedde i tre påfølgende uker.
25:33Henholdsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det nærmere?
25:37Fem.
25:38Klokkeslett?
25:39Rund fem.
25:39Det er det som er koden.
25:41Det er bare et siffer.
25:41Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser.
25:45Men det er en likhet.
25:49Og det er ikke husnummer.
25:51Det er...
25:51Femte etasje.
25:53Femte etasje.
25:54Men hvorfor fem?
25:55Er det et ondt tall?
25:57Ja, det er meget brukt.
26:01Heksekunst og satanisme og swordmagie.
26:05Vi har fem senser.
26:06Det er fem livsalder og akupunktur.
26:12Det viktigste mønstret her er dette.
26:15Han tegnet et pentagram.
26:17La det over byen og lot stjernetagene her peke ut i de stedene som han skulle drepe.
26:22Og så ventet han.
26:24Til rett dag, til rett tidspunkt.
26:26Han kledde seg ut som et sykkelbud.
26:28Dro til Ullevålsveien.
26:29Ringt på femte etasje.
26:31Og den som svarte var Camilla Loh.
26:33Lisbeth Balli, da?
26:34Om han plokker henne ute på gaten,
26:35så vet han ikke at hun bor på femte våningen.
26:37Han plokker henne ute på gaten.
26:38Han stod inn i gangen, så at det kom med heisen fra femte.
26:42Så han følger efter henne ute på gaten, og...
26:45Uansett, da.
26:45Offrene er tilfellige.
26:47Nøkkelen her er åstedende.
26:49Om det var Willy Balli som hadde tatt heisen ned fra femte etasje den dagen,
26:52og ikke kona, så er det han som ville vært offre.
26:54Nå som vi har koden, så vet vi ikke bare hvor de neste to drapene vil skje.
26:59Vi vet når.
27:01Og fem dager mellom hvert drap, det blir...
27:03På lårdag.
27:04Imorgon.
27:05Og han jobber med klokka.
27:07Så det neste åsted er etter all sannsynlighet her.
27:10Det er studenthjem på kampen.
27:12Jeg informerer etterforskningsgruppa.
27:14Nei.
27:15Vi har ikke råd til enda en lokkasje.
27:17Så Tom og Delta sjekker studenthjemmet HB Alta, og jeg tar den femte adressen.
27:21Snakker du med?
27:22Ja, vi er her.
27:23Det er en masse enrymslegenheter, men studentene er på sommerlov.
27:26Det finnes ingen femte våning.
27:27Ja, det er jo hus inne på stasjonsområdet her.
27:31Det er ikke noe femte etasje her heller.
27:32Ok.
27:33Vi går inn og ser hva vi kan rygge til.
27:40God dag.
27:42Hei.
27:43Hei.
27:44Vi kommer fra politiet.
27:45Vi stiller deg en spørsmål.
27:46Følgelig byplanskontoret ble det bygget i 1934 som tuberkulosehjem.
27:50Senere gjort ham til studenthjem.
28:02Ja.
28:03Det er sønnen min, da.
28:05Ja.
28:07Du...
28:08Ja.
28:09Du har kanskje lest om de drapene på de unge jentene de siste ukene.
28:14Ja.
28:15Jeg har jo hørt at det har skjeldt.
28:17Men jeg leser sjelden om den slags.
28:19Nei, vi mistenker at du dreier seg om en selvmorder.
28:21Og at et av hans to neste mål kan synes.
28:29Ja.
28:29Ja, altså...
28:31Kan sønnen din bo her hos deg i morgen?
28:34Eller om du kan bo hos ham?
28:38Han bor i utlandet, han.
28:40Det blir vanskelig, da.
28:43Men skulle det gå bra om noen av oss her i morgen?
28:46Ja.
28:47Det er hyggelig.
28:48Hva er det som skal skje i morgen?
28:51Sannsynligvis.
29:00Ja.
29:00Takk.
29:02Hade du verkligen tenkt å si til henne at hun var nästa som skulle dø?
29:14Det er bra å gå litt rundt grøten ibland.
29:17Elmbræde også, sånn sier det.
29:18Så du har hørt om det? Det er bra iallafall.
29:21Jeg har vel aldri vært så god på å prate med folk.
29:27Ja.
29:27Kona de ble skutt på Kloss Hall.
29:29Det var ingen mening i det.
29:30Den ladningen gikk tvers gjennom hjernen, så den...
29:53Hei, det.
29:54Hei.
29:55Hei.
29:55Har du den grunten?
29:56Tror du jeg fant ut av den koden?
30:00Nea.
30:03But what?
30:06No, it's...
30:08It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like that he's removed from the offer.
30:17He's cut his finger on the right hand in the right hand.
30:21He starts with the finger finger, so the finger finger, so the finger finger.
30:25A little systematic there.
30:27Yeah, but why don't he start with the finger finger?
30:38They're like those women, they're not cutting them before they're cutting them, right?
30:42That's what you said.
30:43I said it quite well the first time.
30:44They're cutting all over it, sir.
30:55I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:04I can't promise that.
31:09I'm pregnant.
31:17I...
31:25Please, say something.
31:37Visit my mother.
31:39What?
31:40You've always wondered what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother?
31:51In the city?
31:52Well, it's gonna miss Anna.
31:55What?
31:59What?
31:59Since you are...
32:01Carrying our child now, I need you to know...
32:05Exactly what I do.
32:08What I really am.
32:10Second time.
32:11I don't remember.
32:37I hope you get home.
32:40What are you doing?
32:59Pulle and coffee?
33:02Are you sure that you want to try something better?
33:05Yes, thank you. I know.
33:09That's not what you want to do.
33:13No.
33:15It's about life in general.
33:23This is a real coffee.
33:27It's much better than your coffee.
33:30This is what we did at home.
33:40I don't know.
33:47I don't know.
33:48I'm not sure when I'm out of here.
33:50I don't know.
33:52I don't know.
33:53I don't know.
33:54He says that he misses the desire if he notices that he wants.
34:00When we have a desire, we have a desire, right?
34:08Harry, I like to see on you.
34:13I like to see on you.
34:25I don't know what it is. I don't know what it is, but I don't have it.
34:37It's a great place.
34:42It's okay.
34:54I don't know what it is.
35:00Oh...
35:01Oh my God, it's full dagsly.
35:03What did you say for now?
35:08I wonder if you can go to the theater.
35:18I'm sorry.
35:19I'm sorry.
35:20You have a new letter.
35:23It's time 19.45.
35:26No.
35:29No.
35:31No.
35:31No.
35:32No.
35:33No.
35:44No.
35:45Hey.
35:53How did you find me?
35:56I'm not sure what I'm doing here.
36:03What are you doing here?
36:04What are you doing here?
36:17What are you doing here?
36:22I don't understand why you and Papa are here.
36:26Is that what you want to find out?
36:33Do you love her?
36:36Is she?
36:39She's a lady here too.
36:42She's beautiful.
36:47And she's very dangerous for me.
36:53And you.
36:58Okay.
37:04What I'm trying to say is that
37:12she's dead.
37:16She's dead.
37:19She's dead.
37:22She's dead.
37:24She's dead.
37:33She's dead.
37:38She's dead.
37:50She's dead.
37:50She's dead.
37:55She's dead.
37:57She's dead.
38:00She's dead.
38:20She's dead.
38:22She's dead.
38:23She's dead.
38:24She's dead.
38:26She's dead.
38:27She's dead.
38:28She's dead.
38:28She's dead.
38:30Do you know the virus guests have agreed to close and stay in between 4 and 6?
38:34Yes.
38:36Is it good?
38:37Yes, it will be many hours before 5.
38:4024 people in all, 1 on 3, a gas mask and a gas,
38:43ready to auction on the bus signal.
38:46Do they have to knock on or try to take a seat?
38:50We'll just wait until the clock will be 5.
38:57Yes.
38:57I'm going in the morning.
38:59I'm going to take a seat at 6.
39:01It's fine.
39:03What do you want to do?
39:05I thought a dress.
39:07I bought it in May.
39:09It's dark.
39:11Yes, it's the dress you have.
39:13Yes, it's definitely the dress.
39:15Yes.
39:19Yes.
39:19But you, I...
39:23What?
39:26I said yes, because...
39:30I thought it was a good reason to...
39:35It's something I want to tell you.
39:38Okay.
39:41Yes.
39:42But we'll take it when we see you.
39:46Yeah.
39:47Have a good day.
39:48Have a good day.
40:08What happened?
40:09Troppen had placed civil guards around the house.
40:12It's just the living room in the house.
40:14Which means in the 303.
40:16She was a snubber with her,
40:17but she sat down at the door.
40:19All the others are ready.
40:26Then we'll get tea.
40:27Yes.
40:28Do you like tea?
40:29Yes, I love tea.
40:30Yes.
40:31Good.
40:41Come on.
40:47Well, x-ray.
40:49Did you hear it when your son was little?
40:51What was nice and nice and nice?
40:53He didn't bring up together with me.
40:57I was born after I was 15.
40:59When?
41:01Yes, that was a scandal.
41:05My son had to send him back.
41:08But...
41:10How was it for you, then?
41:13You were so young and...
41:16You just sent out your son, and...
41:20They gave me a choice, as they said.
41:23But you always have a choice.
41:25I'm confused.
41:28I know, and he knows.
41:33What's he doing today?
41:35He works for import.
41:38I think he said he imports from Europe.
41:42It's fine.
41:44It's not always been like that.
41:46I think you'll find your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He doesn't say so much about himself.
41:59But I think he's like a girl.
42:02He told me he had a new one.
42:04He didn't say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:09Or he went to a meeting first.
42:11Then he's in the town in the morning.
42:13Then he's back.
42:15To?
42:15It's fine.
42:23It's fine.
42:38It's fine.
42:41It's fine.
42:41It's okay that the car told me.
42:45You're welcome here.
42:50If you don't hear us...
42:52You've seenra me 303 go from here?
42:54Never.
42:54No, no.
43:403-0-3, klarert. En jente og en gutt. Begge vepnet, nakne og veldig i livet.
43:48Takk.
43:49Bare få på de klær, ta den tilbake til posisjonen, Charlie 2.
43:58Hva er det der?
43:59Den som gikk inn i gang, så det var ikke helt inn i heisen.
44:01Alfa, til alle enigheter. Mulige objekt går inn i heisen. Stand by.
44:36Mulige objekt. Kom inn i sektor til Bravo 2.
44:51Mulige objekt stikker hånda i lomma. Mulige våpen sager hånda.
45:06Helt og børte i. Nå er hun.
45:09Get in there!
45:11Get in there!
45:14Do you have anything in hand?
45:15Just a second.
45:27That's not him.
45:29Sorry.
45:31205 is one of those we didn't contact with.
45:35On the list here, it's called Odd Einar Lillebostad.
45:38I'm sorry, but Odd Einar Lillebostad is coming back.
45:44Are you ready?
45:47Are you ready?
45:47I'm ready.
46:03It's nice when Martin comes, now I'm alone.
46:06Yeah.
46:08I think it's a little lonely here.
46:11Yeah, but when Martin is here so often as he has been,
46:14I'm going to complain.
46:16But he's been here for the last few weeks?
46:19Yeah, one week or four weeks.
46:22No, it's actually often.
46:24Every 5th day I've been here.
46:26The last time he's been here, he's been here for me.
46:29It's been a while.
46:31It's been a while.
46:32It's been a while.
46:36The last time he's been here.
46:37It's been a moment.
46:37I've been here to Marokko together with Georg.
46:40I'm going to go to his parents.
46:43He's going to live in a small village.
46:45It's been a bad phone and network.
46:49I'll be able to contact him once I come home.
46:52Just a while.
47:22I've been fighting for the same machine.
47:25I don't even know why.
47:27My girlfriend, she's at the end.
47:30She is starting to cry.
47:32When I'm walking, I'm struggling to stop looking.
47:35I'm so stuck now.
47:37I'm not just a guy.
47:38He's not just a line.
47:40He's not just a guy.
47:41Let me go on.
47:44Like I blister in the sun.
47:47Let me go on.
47:49Big hands, I know you're the one.
47:53Big hands, I know you're the one.
47:54Body and beats, I stain my sheets.
47:56I don't even know why.
47:58My girlfriend, she's at the end.
48:01She is starting to cry.
48:03Let me go on.
48:05Like I blister in the sun.
48:08Let me go on.
48:10Big hands, I know you're the one.
48:13Big hands, I know you're the one.
48:15Let me go on.
48:16Yes, that's the light.
48:16You're the one.
48:18In the sun.
48:34That's the only one.
48:35Even if you're the one.
48:36The one is you.
48:36It's all the one.
48:40You're the one.
48:42What you're the one is.
48:44When I'm a-walkin', I strung my stuff, and I'm so strung out
48:48And I'm high as the kind, I just might stop and check around
48:54Body and beach, I stain my sheets, I don't even know why
48:59My girlfriend, she's at the end, she is starting to cry
49:04When I'm a-walkin', I strung my stuff, and I'm so strung out
49:14Body and beach, I strung my stuff, and I'm so strung out
49:43Body and beach, I strung my stuff, I just crung out
49:50Body and beach, I can't change to my sea
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