#JamesDean (Marion, 8 febbraio 1931 – Cholame, 30 settembre 1955) attore dalla vita tormentata e dai ruoli “dannati” come quello di “#Gioventùbruciata”, in inglese Rebel Without a Cause, letteralmente “ribelle senza motivo”, nel quale ricopre il ruolo del problematico ribelle adolescente #JimStark. La sua estrema popolarità trova le sue radici in soli tre film, gli unici di cui è protagonista.
La sua fama ha raggiunto i paesi di tutto il mondo, preservata intatta dalla prematura morte, avvenuta a soli 24 anni a causa di un incidente stradale. Viene ricordato come un seguace della filosofia del #carpediem e spesso come la quintessenza stessa della #gioventù statunitense, avendo alimentato la figura del “bello e dannato”.
Sebbene sia spesso considerato un personaggio la cui fama va ben al di là delle sue qualità di attore, già prima della morte la critica parlava positivamente delle sue interpretazioni.
È stato il primo attore ad aver ottenuto una candidatura postuma al Premio Oscar, per il suo ruolo nel film La valle dell’Eden. A Dean fu conferito il Golden Globe per il miglior attore nel 1956 (postumo). Ottenne inoltre una candidatura all’Oscar al miglior attore per il film Il Gigante sempre postumo nel 1956. L’American Film Institute ha inserito Dean al diciottesimo posto tra le più grandi star della storia del cinema.
“La storia siamo noi – Gli ultimi giorni di James Dean”
#Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
La sua fama ha raggiunto i paesi di tutto il mondo, preservata intatta dalla prematura morte, avvenuta a soli 24 anni a causa di un incidente stradale. Viene ricordato come un seguace della filosofia del #carpediem e spesso come la quintessenza stessa della #gioventù statunitense, avendo alimentato la figura del “bello e dannato”.
Sebbene sia spesso considerato un personaggio la cui fama va ben al di là delle sue qualità di attore, già prima della morte la critica parlava positivamente delle sue interpretazioni.
È stato il primo attore ad aver ottenuto una candidatura postuma al Premio Oscar, per il suo ruolo nel film La valle dell’Eden. A Dean fu conferito il Golden Globe per il miglior attore nel 1956 (postumo). Ottenne inoltre una candidatura all’Oscar al miglior attore per il film Il Gigante sempre postumo nel 1956. L’American Film Institute ha inserito Dean al diciottesimo posto tra le più grandi star della storia del cinema.
“La storia siamo noi – Gli ultimi giorni di James Dean”
#Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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TVTrascrizione
00:01It's September 30, 1955. James Dean, on his way to Salinas, speeds down the road for the last time.
00:08The young actor has a date with destiny.
00:12At the wheel of his Porsche, the wasted youth star is in a hurry to become a legend.
00:40I think no one will ever be remembered 50 years after his death like James.
00:47Dean.
00:47His name is more important today than it was when he was still alive.
00:53In Hollywood, whenever there is talk of some young actor, you always hear
00:57he will be the new James Dean, he has now entered the common language.
01:02James Dean.
01:03And she's also the most beautiful little lady we've seen around here in a long time.
01:09Safe?
01:11I think women like her are rare.
01:15Oh, thank you, Jed. That's a lovely compliment.
01:18At his death, James Dean was still an emerging star.
01:21After all, he just finished filming his third film, Giant.
01:25But three roles were enough for him, precisely.
01:27It is his personality so particular that it becomes the rebel's icon
01:30and to leave an indelible mark on Hollywood.
01:34Few people know that Dean only stayed in Hollywood for 16 months.
01:38and who has acted in only three major films.
01:41Marilyn Monroe and Elvis Presley had much longer careers than him.
01:46It is said that Elvis Presley will be the new James Dean.
01:50Have you heard about it?
01:53Yes, I've heard something about that.
01:55But I would never compare myself to James Dean, because James Dean was a genius.
02:02Dean played East of Eden, youth gone astray, giant,
02:05and then he died, crashed with his car.
02:07His death was as tragic as his life was.
02:11If he hadn't died, he would probably be just another old actor today.
02:16Instead he died at the right time and in a spectacular way.
02:21Some wonder what it would have become.
02:24Instead he had a tragic and sudden death.
02:28And this seems to be a recurring theme for many Hollywood actors.
02:32This is the case of Marilyn Monroe and obviously also of James Dean.
02:36A death like this is always a tragedy, especially if the person who dies is a 24-year-old boy.
02:41But the remarkable thing is that no one has remained so famous for so long after death.
02:48Live fast, die young, and leave a beautiful corpse.
02:52It was one of James Dean's favorite phrases.
02:55A challenge that Dean accepted and won.
03:00This is the story of a wasted youth, of a life lived and consumed too quickly.
03:04Jim has always had a lot of confidence in himself.
03:10He always told my mother and father that if he had the slightest opportunity he would take it.
03:17He was determined to succeed quickly.
03:21And in fact, before he even turned 24, he had already made three films.
03:27So we can say that he succeeded in his intent.
03:31But he was like that.
03:33He was very determined.
03:37James Dean's career took off in March 1954.
03:41It was in that spring that the young man, after some television roles, shot his first film.
03:45Directed by one of the most established directors of the moment, Elia Kazan.
03:50Kazan had noticed it.
03:53He had auditioned in New York for East of Eden.
03:55His direct competition for that role was a young actor named Paul Newman.
04:00But Dean won that part.
04:02Warner, which is producing the film, intends to discover new personalities, launch new talents, and create new stars.
04:07In East of Eden, based on the novel by John Steinbeck, James Dean is Cal, a difficult and tormented boy.
04:13It was a huge thrill to see Jimmy at the cinema.
04:17We didn't know how many scenes he would appear in.
04:19Only at the end did we realize that he was the protagonist.
04:23But the strange thing is, I didn't have the feeling that he was acting in East of Eden.
04:28It seemed like the usual Jimmy to me.
04:30His performance was very engaging.
04:34Cal's character was very close to the person Jimmy was in real life.
04:39And Kazan was very smart.
04:41He sensed it, took it out of him, and used it for his film, getting everything out of him.
04:48In Hollywood, that was the time when the acting style was transforming.
04:55Actors like Marlon Brando and Montgomery Cliff radically changed the style of American films.
05:03There has been a complete upheaval.
05:06James Dean had just become a Hollywood star, but I think he was also the last American pioneer,
05:13because the things he did, even on Cineprese Spente, have never been done by anyone.
05:19It went well.
05:22If an actor does a scene exactly as the director says, he is not acting, he is following instructions.
05:36One thing he really enjoyed was sitting and watching people and studying their behavior.
05:43He observed all kinds of people.
05:46He did this to use them as inspiration for his interpretations.
05:52In East of Eden he had many scenes with Raymond Massey.
05:57Jimmy didn't just follow the script, however, but he liked to introduce small changes.
06:05And that infuriated Raymond Massey.
06:09The script called for the two actors to have a clash, a conflict.
06:13James Dean then began to not talk to Massey anymore once the cameras were turned off,
06:19just as during the filming he did everything to provoke him.
06:23The actor threatened to leave the set because of James Dean's behavior,
06:27but the result is that by watching the film again today we realise that the conflict is real, it is not just
06:33acting.
06:35Go a little slower, Cal, and don't read the verse number.
06:39Therefore every pious person will pray to you in due time.
06:43In the overflowing of many waters they will not reach him.
06:47Yes, Silla. Seven.
06:50The numbers no, Cal.
06:52You are my refuge from the tribulation that surrounds me.
06:55You, my joy, free me from those who surround me.
06:58Silla.
07:01Eight.
07:01You have no respect whatsoever! You're a pest!
07:04How should I tell you?
07:05Jimmy was very difficult to handle,
07:08but when I got to know him well enough to be able to interpret his mood swings,
07:13I understood that he behaved like this to see the reaction of others.
07:18He tried, tried, tried everything.
07:23He would rehearse a scene and then try to shock anyone who came into his sights.
07:28Because this gave him a way to study reactions to something unexpected.
07:35In Hollywood, Dean's provocative attitude earned him a reputation as a difficult actor,
07:41also because his relationship with producer Jack Warner is anything but easy.
07:45Warner, however, is not influenced.
07:48Impressed by his performance in East of Eden,
07:51the producers offer him a second film,
07:54Rebel Without a Cause.
08:00Rebel Without a Cause was only made because Dean was under contract to Warner Bros.
08:06Nicholas Ray wanted to direct James Dean's second film
08:11and literally wrote the script for him.
08:14They understood perfectly well that they had a potential big star on their hands.
08:20I don't want you to go to the police.
08:22There were other people. Why do you have to be the only one implicated?
08:25Why am I implicated? We're all implicated!
08:29Mom, a boy like me died tonight.
08:33These situations have made me...
08:35Dad, please help me!
08:37Please, try to understand me.
08:41Rebel Without a Cause addresses a social reality that had previously been ignored by America.
08:46It is the post-war generation, a restless and rebellious youth.
08:50The director, Nicholas Ray, realizes that James Dean is perfect for the part.
08:56If you notice, his fans never mention East of Eden or Giant.
09:02They always quote Rebel Without a Cause.
09:04Few actors have captured the rebellion of adolescence as well as Jimmy did.
09:11Until then, no one really listened to teenagers.
09:16James Dean's character rebels against his parents, loses control, and throws objects.
09:21It had never been seen at the cinema.
09:23Until then, celluloid teenagers were always perfect and obedient.
09:28He was the first teenager to do this.
09:32The first.
09:33He was the first boy to say that sometimes parents are wrong.
09:40This is essentially the message of Rebel Without a Cause.
09:44You say one thing, he says another.
09:46There's that famous scene in that movie where Dean screams, Enough, you've busted my eardrums.
09:51You can't bring kids your age into that environment.
09:55And then everyone gets drunk there.
09:57A minute ago you said you don't care if he drinks.
09:59He talked about an effort.
10:02You've busted my eardrums!
10:05What?
10:06You, you say one thing, he says another and then you change the table chains!
10:10He did a great job playing that character.
10:15But I honestly fear that many confuse the character with the real James Dean.
10:22It is possible that at the time of his death young people needed to become attached to someone.
10:29It is possible that they felt the need to find a human being like them,
10:34that could be transformed into a symbol that gave voice to their frustrations,
10:39to their worries and their anger.
10:43It's not just about having played a film like Rebel Without a Cause
10:47which addressed that particular aspect of young people.
10:53His death made him a kind of martyr.
10:57James Dean's funeral was held on the same day Rebel Without a Cause was released.
11:04The coincidence of these two events increased his popularity immeasurably.
11:11The film was released a week after his death.
11:14and it was very sad to see him on the screen knowing that he was no longer with us.
11:20The story of James Dean has all the ingredients to make a legend.
11:25Torn from life at a young age, icon of the passion of rebellion,
11:28Dean becomes a worldwide phenomenon.
11:30His image is printed everywhere
11:32and it is incredible that in such a short career he left so many images.
11:36The reason why there are so many photographs of Jimmy
11:42It's just that he always asked to be portrayed.
11:47Who knows, maybe he had a foreboding that he would die young and wanted to become a legend.
11:53One day I went to him and proposed my latest grandiose project.
11:58Let's go back and retrace your life.
12:03Of course I couldn't have known he was going to die.
12:08Those photographs, therefore, became famous beyond my conscious will.
12:16They just became one.
12:19Danny Stock and his camera accompany James Dean to Indiana,
12:24in Fairmount, where he grew up.
12:25It is February 1955, the last time he visits his family.
12:30These are the last memories of his cousin Marcus Winslow.
12:34No one could have imagined that it was the last time we would see him.
12:39Most of the photos Dennis took
12:42They ended up in magazines, books and articles.
12:47Every time I look at them,
12:48Memories of what happened in those days come back to me.
12:53Those were very happy days.
12:55It was just after Christmas and I had received a small toy Jaguar.
13:01It was a car you could take the wheels off, take apart and take the engine out.
13:07Jimmy lay down on the floor with me and we played with him.
13:11Dean asks Stock to take a picture of him inside a coffin.
13:15Eight months later, his body is once again in a coffin at the same funeral home.
13:21At the farm he seemed to be doing well,
13:25but after photographing him in a coffin he wasn't feeling so well anymore.
13:31He had become unstable.
13:35Unknowingly, Danny Stock offers another image of James Dean,
13:39that of the fragile and sensitive country boy,
13:42whose life is marked by tragedy.
13:47When his mother died, Jimmy was a nine-year-old boy.
13:51He came to stay here with my parents.
13:54He stayed with my mother and father until he was 18.
13:59He graduated from Fairmount High School.
14:02He was like an older brother to me.
14:07James Dean comes from a quiet background.
14:12But he is still a very angry young man
14:16because he lost his mother.
14:20It's a tragedy he can't come to terms with.
14:24And it seems to him that no one understands him.
14:27That's why he's a rebel.
14:34More than half a century later,
14:36this little town in Indiana
14:37still celebrates its Hollywood rebel.
14:40Every year in September, 10,000 fans and admirers
14:43flock to the James Dean Festival.
15:01It's a kind of subculture
15:04who we could call sepulchrists.
15:06The sepulchres are men and women from different backgrounds,
15:10very different social, economic and cultural levels
15:13who have a cult of deceased celebrities.
15:17James Dean fans come to visit Fairmount
15:19from all over the world
15:21and you can recognize his fans just by looking at them.
15:25Artists, doctors, lawyers, children, punk rockers, bikers.
15:31What defines the success of an icon
15:33which allows it to last and have a long following
15:36it is a set of characteristics.
15:39First of all you need a place
15:40where people can go to pass where the idol walked,
15:44see what he saw
15:45and touch what he touched.
15:52The festival begins with the parade of cars
15:54along the main street.
15:56Lots of them are red Fords and tractors
15:58like the one Dean drove as a kid.
16:05From the festival held in Fairmount
16:07you understand that there are still a lot of people connected to James Dean.
16:13Rebel Without a Cause and Jimmy made the 1949 Mercury
16:17a motoring classic.
16:21And if you want to see the most amazing collection of Mercury together
16:25the right place is Fairmount.
16:30James Dean's passion for cars
16:33it is not limited to what is perhaps the most famous scene
16:35of Rebel Without a Cause.
16:37With his first pay the actor signs up for a real competition
16:40on a real track.
16:43I met James Dean while filming Rebel Without a Cause.
16:47I was the one who customized the Mercury
16:49and work with him on the racing scene.
16:53I was in charge of the action scenes
16:56and I decided what changes to make.
16:59We became racing buddies.
17:01Jimmy loved cars very much.
17:04On set we talked about cars all the time.
17:06He had approached the world of racing
17:09and in particular those between modified cars.
17:12We spent a lot of time together
17:15during his first period as a pilot.
17:19He liked speed, he liked it a lot.
17:21When the children went to bed
17:24Jimmy told me
17:25"So can we?"
17:26And I was like, “Sure.”
17:28Then we went out.
17:29If I remember correctly, he had a Porsche at the time,
17:32an old model.
17:33I was hopping in my old modified Buick convertible
17:37and we reached the top of Mulloland Drive.
17:40Then we positioned ourselves at a stop
17:44and James said
17:46"Okay, let's go!"
17:58He always won
17:59because his car was faster
18:01and he was better.
18:02Everyone knew
18:03who would have participated
18:04at the Palm Springs race
18:06in Santa Barbara.
18:07They thought
18:08«The young actor has arrived,
18:10What does he know about racing?
18:12Phil Hill,
18:13one of the best pilots in the world,
18:14he told me that the other pilots
18:16before going on the track
18:17they were afraid of him,
18:19but during the race
18:20he proved to be one of the most correct pilots
18:22that he had seen.
18:23He never put himself in danger
18:24himself or others.
18:26He was a great pilot,
18:28especially considering
18:29his brief experience
18:30and the skills he was developing.
18:32It could have become
18:34a great pilot.
18:35He knew how to exploit every opportunity
18:37that presented themselves to him.
18:38Someone judged him
18:39a daredevil,
18:40a wretch
18:41who didn't care
18:42of the danger of dying
18:43in an accident.
18:44But this is not true.
18:46Dean was an excellent pilot.
18:49If you want to compete
18:50and you want to win,
18:51you have to know how to take advantage of opportunities
18:53or at least know what to do.
18:55James Dean's Passion
18:57for cars and racing
18:58Warner worries.
18:59For fear of an accident
19:01may compromise
19:02the processing
19:02of The Giant,
19:04the producers
19:04they forbid him
19:05to drive until October 1st,
19:07that is the day
19:08of the race in Salinas
19:09which Dean signs up for.
19:13Jimmy called me
19:14to know
19:15if I wanted
19:16to accompany him.
19:17He was going
19:18in a circuit
19:19to try
19:20the new Porsche
19:20that he had bought.
19:22I couldn't go
19:23with him
19:24and the next day
19:25I was supposed to be in Mexico
19:27for an interview.
19:28Then he tried
19:29with two others
19:30or three friends.
19:31He wanted to have someone
19:33near him,
19:34but nobody
19:35was available.
19:37I was working
19:38in Switzerland
19:39but I had
19:40a great need
19:41to see it.
19:44I was there
19:45for a film
19:47therefore
19:47I took a plane
19:48and a mutual friend
19:50it came to me
19:50to take
19:51at the airport
19:52of Los Angeles.
19:53We went right away
19:54at Jimmy's house.
19:55I remember him asking me
19:56come to a race
19:57with me
19:58this weekend.
19:59I answered him
19:59very willingly.
20:01But then
20:01something pushed me
20:02to say
20:03no, I can't.
20:05I have no idea
20:05of why.
20:06it came to me like this
20:07on the fly.
20:08No, sorry
20:09I cannot.
20:11The day before
20:12of his death
20:13the new Porsche
20:14by James Dean
20:15it's finally ready.
20:16When we went
20:18at the car showroom
20:19to collect the Porsche
20:20he was very excited.
20:24I didn't understand
20:25How much
20:25he was excited
20:27until
20:28he didn't start
20:29to talk to me
20:30of his latest purchase
20:31describing
20:32every little thing
20:33particular
20:33of the car.
20:35we passed
20:36four hours
20:36standing
20:37in front of
20:38at Porsche
20:38to speak
20:39of all his
20:40detail.
20:41He was going away
20:42very proud
20:42I think that
20:43loved her more
20:44how much
20:44have ever
20:45loved a woman.
20:50and above all
20:51thanks to James Dean
20:52that also
20:53that Porsche
20:53she entered
20:54in the myth.
20:55For over twenty years
20:56the star
20:57of the Fairmount
20:57Show
20:58it's a replica
20:59exact
20:59of the Spider
21:00by Dean.
21:01Positioned
21:02at the entrance
21:02of the show
21:03it's an attraction
21:04irresistible
21:04for all visitors.
21:17we made
21:18his car
21:18in six weeks
21:19let's say that
21:20we did it
21:21quickly
21:22we worked
21:23day and night
21:24but I was
21:25even organizing
21:25a great show
21:26in Detroit
21:27this was
21:28in 1987
21:30over the years
21:31I learned a lot
21:32on the machines
21:33and on Jimmy
21:34he was an enthusiast
21:35he loved cars
21:36the motorcycles
21:37the races
21:38the same things
21:39that they like
21:39Me too
21:41I feel close
21:42to him
21:43for this part
21:43of his life
21:44more than for his films
21:47the original models
21:48there aren't any
21:49many around
21:50only 90
21:51this is a replica
21:53there are many companies
21:54that produce the pieces
21:55you can buy them
21:57and build it yourself
21:58of course they are rare
21:59those with 130
22:00the writing
22:01Little Bastard
22:02and all the details
22:04of the car
22:04by James Dean
22:10I read that
22:12many fans
22:12they attributed themselves
22:13paternity
22:14of the nickname
22:15Little Bastard
22:17personally
22:18I think that
22:18to coin it
22:19it was
22:20Jack Warner
22:21he couldn't do it
22:22to manage
22:22James Dean
22:23on the set
22:23and so
22:24he nicknamed him
22:25the little one
22:26bastard
22:26immediately after
22:27to have bought
22:28the machine
22:29Dean took her
22:30by George Burris
22:31and Burris
22:31he wrote
22:32Little Bastard
22:33on the hood
22:34James Dean
22:34he went on purpose
22:35to park
22:36under the office
22:37by Jack Warner
22:37so that
22:38when he looked outside
22:39he would have seen her
22:42in Hollywood
22:44is still in force
22:44the star system
22:45a producer
22:46like Jack Warner
22:47can't afford
22:48that another study
22:49commercially exploited
22:50the popularity
22:51by Dean
22:55James Dean
22:56it was one
22:56of the first stars
22:57to sign a contract
22:58for nine films
22:59he signed it
23:00the last day
23:01of his life
23:02there were also
23:03Jack Warner
23:03and the director
23:04George Stevens
23:05Warner
23:06he meant
23:07check Dean
23:08and the only way
23:09was to make him sign
23:10a contract
23:11for nine films
23:12for a million
23:12of dollars
23:13at the last moment
23:15but
23:15he lowered the figure
23:16at 997 thousand dollars
23:18so that Dean
23:19didn't arrive
23:20at the psychological threshold
23:21of a contract
23:22from a million
23:24Dean anyway
23:25he feels honored
23:27after all
23:28can choose
23:28at least three
23:29of the nine films
23:30provided for by the contract
23:32the night before he died
23:33he came to my house
23:34to talk to me
23:35he intended
23:37to realize
23:37a version
23:38in a modern key
23:39by Dr. Jekyll
23:40and Mr. Hyde
23:43it seemed to me
23:44a perfect subject
23:45for him
23:45why Jimmy
23:46he had a personality
23:47schizophrenic
23:48so changeable
23:49let's talk about it a little
23:52and it came out
23:53some ideas
23:54his presence
23:56would have so to speak
23:57the film was financed
23:58while I should have
24:00write the script
24:04he had big plans
24:06for the future
24:07he wanted to become a director
24:08he didn't want to stay
24:10just an actor
24:11for him
24:11the acting
24:13it was a departure
24:14of the path
24:15to become a director
24:16when he bought
24:17his first car
24:18photographic
24:19he started shooting
24:20lots of photos
24:21in all that
24:22that he saw
24:22there was a potential scene
24:50hey Jimmy
24:51try to find the rhythm
24:54on Sunset Boulevard
24:55evening falls
24:56James Dean
24:57book for the last time
24:59to the Boogie
24:59a trendy bar
25:01where the new Hollywood stars
25:02they go to listen to music
25:05my father played the bongo
25:07he did it with James Dean
25:09and James Dean
25:11after filming
25:12he was going on Sunset Boulevard
25:14he listened to music
25:16of my father
25:16and Bob Romeo
25:19and after a while
25:20he went up on stage
25:21he sat down
25:22next to my father
25:23with Bob Romeo
25:25on the flute
25:26I liked it a lot
25:27draw and paint
25:29I saw his drawings
25:30and his paintings
25:31possessed a strong
25:32artistic streak
25:33when he was at home
25:35most of the time
25:36he spent it drawing
25:37and he told me
25:38why don't you draw too?
25:41the people
25:42he identifies with him
25:43in different aspects
25:45there is the boy
25:47of the Indiana countryside
25:48the beautiful athlete
25:50the high school student
25:53the New York bohemian
25:55the Hollywood star
25:58he also painted
25:59and he played the bongo
26:00and precisely this wealth of his
26:03this complexity of its
26:04allow so many people
26:06to find a feature
26:07in which to identify
26:10I think it was
26:13especially curious
26:15I don't think so
26:17which would necessarily have
26:18had the same success
26:20in other fields
26:38the morning of September 30, 1955
26:41James Dean travels through Los Angeles
26:43for the last time
26:44by contract then
26:46he still couldn't get behind the wheel
26:50we met him
26:52before he left
26:53as he got out of the car
26:54with Hickman and Sandy Roth
26:57they went out
26:58from the gas station
26:59and the Porsche
27:00it was on the trailer
27:01I'm taking it down
27:03because he wanted to drive it right away
27:06Obviously
27:07Bill and the others
27:08they told him
27:08don't do it
27:09you can't drive
27:10for 3-400 miles
27:12up to Salinas
27:13for a race
27:15he replied
27:16I want to get familiar with
27:18with the car
27:18we must become
27:19one thing only
27:20this is one of the reasons
27:22which brought him
27:23to the tragedy
27:28it's a tragedy
27:29which seems inevitable
27:30nor the ban
27:32by Warner
27:33nor the hundreds of miles
27:35that separate him
27:35from Salinas
27:36they can stop it
27:37James Dean
27:38he gets behind the wheel
27:44he liked to take away
27:45the foot off the accelerator
27:47and then
27:47crush it
27:48all the way
27:49Jimmy was driving fast
27:51he crossed the line
27:53of speed
27:54and got a fine
27:57we have rebuilt
27:58the path
27:59from the moment in which
28:00he got the fine
28:01until now
28:02of the accident
28:03he drove
28:04to an average
28:05of over
28:05110 km per hour
28:07from the point where
28:08it was intercepted
28:09from the road
28:10to the one in which
28:11the accident happened
28:12but we know
28:13that in this period of time
28:15he stopped
28:16at least once
28:17so he went
28:18much faster
28:20that day
28:21James Dean
28:21it's not alone
28:22once again
28:24accompanies him
28:24the photographer
28:25Sandy Roth
28:26who has already photographed it
28:28on many occasions
28:32I am grateful
28:33some photos
28:34that we took
28:35that day
28:35we succeeded
28:37to immortalize
28:38his last
28:38moments of life
28:42Alone
28:42behind the wheel
28:43of his Porsche
28:44James Dean
28:45continues to accelerate
28:48his last photo
28:49while alive
28:52Sandy
28:52he will see it
28:53one last time
28:53at Blackwell's Corner
28:55a drug deal
28:56in the middle of the desert
28:59everyday
29:00people come
29:00to ask
29:01by James Dean
29:02how he died
29:03where he died
29:04it seems that he has
29:05purchased
29:06an apple
29:07and a Coca-Cola
29:09or at least
29:10this is that
29:11that tell
29:11and in fact
29:12people ask me
29:13Always
29:13do you have any apples
29:15and Coca-Cola
29:17today our shop
29:18it got bigger
29:19and we are building it
29:20another even bigger one
29:22which will host
29:23James Dean memorabilia
29:25the people
29:26they come here
29:27because they know
29:28which is here
29:28that James Dean
29:29he did
29:30his last stop
29:32that's why they come
29:33because they want
29:34to retrace
29:35his way
29:36It's a simple story
29:38he stopped here
29:39he drove
29:40for another 35 miles
29:42towards the west
29:43and he died
29:46in the late afternoon
29:47James Dean
29:48takes to the streets
29:49for the last time
29:50on his elegant
29:51silver car
29:52and he heads off
29:53towards the last crossroads
29:57It's September 30, 1955
30:01James Dean
30:02headed to Salinas
30:03runs on the road
30:04for the last time
30:05the young actor
30:06he has an appointment
30:07with destiny
30:08behind the wheel
30:09of his Porsche
30:10the star of wasted youth
30:11he's in a hurry
30:12to become a legend
30:18thank you all
30:20for the last crossroads
30:33for the last crossroads
30:35thank you all
30:35for the last crossroads
30:36thank you all
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