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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Long Version]Full EP - Full
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Someone threw his ass at her.
08:36What do you got?
08:40What's...
08:54L-E-S-R-1
09:12L-E-S-R-1
09:22Hey, I thought you might be thirsty.
09:27Obrigada.
09:29De nada.
09:33You getting ready?
09:36Yeah.
09:38You're not scared?
09:41No.
09:44No, I am.
09:46But I remember why I'm doing it.
09:50What is...
09:51What is L-E-S-R-1?
09:55L-E-S-R-1?
09:56Uh, it's left, straight forward, stereo on the right, first four.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always...
10:26We're always in the studio.
10:30We're always in the studio.
11:26We're always in the studio.
11:26We're always in the studio.
11:33I'm so excited with this guest today.
11:36Super excited.
11:37It's a pleasure to be here with you.
11:39It's your first time with us, right?
11:41Good day, Brazil.
11:43Today I'm going to...
11:44We are witnesses of a incredible cruelty.
11:48And we will respond with strength in this day so sober in our nation.
11:54In which more than 600 lives inocentes were sin fadas.
11:59By these crimes abominable, we will kill them.
12:03And the American John Creasy and the people who helped us.
12:26It looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:31You all for it?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38Que foi?
12:45Fudeu!
12:47Let's go, everybody.
12:48To the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go, let's go.
12:56Hey, hey!
12:57Go, go!
13:24Go, go, go, go, go, go, go.
13:25Go, go, go, go, going, go, go, go, go, go!
14:06What are you doing?
14:07The pistons. We didn't leave anything.
14:10What?
14:10This won't work.
14:12What are you doing?
14:16Pico!
14:18Go, go, go!
14:22Oh, fuck!
14:23Vai, vai, vai, vai, vai!
15:02Let's go!
15:05They're hot!
15:06They're dead!
15:10Hold it, hold it!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:36Shit.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that.
15:51I'm sorry.
15:54Fuck.
15:58It's the way.
16:03It was supposed to be the easy part.
16:14Where's Bo?
16:30Where's Bo?
16:35Get out.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, let me take pictures here.
16:48Crissy hit this place earlier today.
16:52The middle of the city in broad daylight with the entire world looking for him and he robs an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02I could think of 20 other ways he could get his hands on cash, huh?
17:07Well, then what?
17:13I don't know.
17:17You know,
17:19for all your talk of
17:22understanding how Crissy operates and all that shit,
17:24you don't seem to be any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Crissy.
17:39We wanna get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Crissy's up to,
17:45I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora.
18:10What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it'd make me feel better, but, uh...
18:37It's like all the memories that have been poisoned.
18:39I think that's it.
18:50It's like a lot, right?
18:52It's like a lot of time.
18:58I don't know.
18:59I don't know.
18:59If you want some more people to know something about you,
19:04you might be able to write it in your mouth.
19:05You just want some more people.
19:07I don't know.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just gave it to a stranger.
20:09It's all I've done.
20:15And at the end, when he gave the camera back, he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:04Yeah.
21:07Who's gonna be there?
21:20Who's gonna be there?
21:24I will.
21:29Really?
21:31Yeah, it's mine.
21:32It's mine.
21:38Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Well.
22:38Well?
22:41His name is Vico from Aloko Favela.
22:44He hasn't said much, and I haven't let Biloko's est.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53It's happening, and I will interrogate him personally.
22:55I want him cutting to pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, sir.
23:05Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think you're going to be able to help.
23:10It's John Chris.
23:28Mr. Greasy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately.
23:44When I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm very serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatner.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity
24:07that the Redburns and all the other families in that building didn't have
24:11the opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20And by then, it will be too late.
24:35I just called to make sure that you have the opportunity
24:38that the Redburns and all those other families in that building didn't have
24:42the opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then, it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:04But I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:32Sir, we will get this handle.
25:35Sir, I can assure you.
25:49For us.
25:51Sit down.
25:52Sir, I don't have any money to pay for this.
26:00Pagar?
26:30Tell me, answer!
26:31It wasn't money, it was something that they want to sell.
26:37Like...
26:38I don't know, but I heard them talking about a recording.
26:43Or a fita.
26:45Yeah.
26:47The crazy guy talking to the President.
26:49President Carmo?
26:51Was it President Carmo?
26:52Yes, it was President Carmo.
26:54Who was the crazy guy?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:01Are you sure that it's a recording of the President Carmo with Ferraz?
27:05I don't know.
27:06What?
27:06What's the thing?
27:15Junt the whole team now and send them to the B.C.I.
27:18Cofre 4488.
27:20Go!
27:24Don't forget him.
27:35Go!
27:37Go!
27:39Go!
27:40Go!
27:48That is coming.
27:49hire, hire, hire.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voice that you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burning sensation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:32Fuck.
29:32It's toxic!
29:35Let's go now!
29:36Let's go now!
29:58Go on.
30:00Our success targets are incoming.
30:03Copy that.
30:19You know your part?
30:21Yeah. I go in, I make sure they see me, and draw security so they can get to happen.
30:28Yeah, we'll go.
30:33You ever want a place?
30:35Yeah.
30:36You grew an eye on set.
30:48Hey, I'll be okay.
30:59Crazy check-in.
31:03All right, we set, we set, we set.
31:05All right.
31:13All right.
31:15All right.
31:27All right.
31:34We're here.
32:16What's going on here?
32:18Pope, come in.
32:22Please, someone found me, but they're not here yet.
32:26Alright, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:33Oh, get up, get up.
32:37No, I can do this.
33:11Fuck you.
33:13Fuck you.
33:14Go for it!
33:15Fire! No, no, no, no!
33:16Get off of it!
33:18Get off of it!
33:25What's the location for?
33:32What the fuck?
33:42Paul.
33:44What's your location, Paul?
33:47Oh!
33:48What the fuck?
33:49To the left.
33:51Let's go!
33:53Oh, you can hear me on one more way?
33:58Stand down, Christy. I've got her.
33:59Security's been drawn off.
34:00You have the green light for Tap and Bella.
34:02We're headed to the staircase.
34:03Alright.
34:04What the fuck?
34:06Oh...
34:09Oh, shit.
34:10Oh...
34:11Oh, shit.
34:11Oh, shit!
34:11Oh, shit!
34:15Oh, shit!
34:26So shit!
34:31Oh, shit!
34:31We're gonna get to the meeting.
34:33Oh!
34:33Let's go! Let's go!
35:03All right, let's go!
35:33Let's go!
36:04Stop!
36:06Stop him!
36:12Go! Go!
36:14Let's go!
36:15Let's go!
36:16Let's go!
36:17Let's go!
36:18Let's go!
36:22Okay.
36:26Let's go.
36:39Let's go!
36:39Headed out now.
36:41Shit!
36:43Major!
36:45Exit block, pole 9, floor 2, headed northwest, we will do the assistance.
36:49Okay, we're on our way.
37:04Oh!
37:05Oh!
37:06Oh, fuck!
37:07Oh!
37:20Stop fucking shooting!
37:24Let's shoot him! Let's shoot him!
37:25Oh!
37:34Get out of the way!
37:35Get out of the way!
37:36Get out of the way!
37:39Stop!
37:40Stop!
37:43Let's go with the girl!
37:44Kill everyone!
37:56Are you okay?
37:58Go!
37:59Go!
37:59Go! Go! Go! Go!
38:15Get out of the way!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:21No!
38:23No!
38:24No!
38:25No!
38:26No! No!
38:28No!
38:28No!
38:28No!
38:29No!
38:29No!
38:29No! No! No!
38:33I don't know what they do.
38:34Can you get to us?
38:47Are you okay?
38:48Yeah.
39:15Give me a gun.
39:17Here.
39:23We can either hold them or the grenade.
39:25We can't do both.
39:26Save me.
39:27Melo, now.
39:28Go.
39:43Follow the people out there.
39:45Get.
39:45Follow.
39:46Hold on, hold on.
39:48This is not fire.
39:52No.
39:54No.
39:55No.
39:55No.
39:56No.
39:56No.
39:58No.
39:59No.
40:02No.
40:05No.
40:07No.
40:10No.
40:11No.
40:13No.
40:14No.
40:14I gotta give it to you.
40:15That tape...
40:17That tape was some inspired shit.
40:20Yeah, that's the creasy I used to know.
40:21No.
40:23You know?
40:23The one who I had high homes for,
40:25Until Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help
40:35And neither is that girl
40:37So I think it's time we start talking about your options
40:40You think I'm negotiating with you?
40:42Yeah
40:42I think you should be
41:01Yes
41:02Basta se
41:21Greggsie, you've gotternut!
41:23Greggsie!
41:25Greggsie!
41:34I don't want to die.
41:37Get back up!
41:38Help them!
41:40No!
41:41No!
41:43No!
41:44Precise!
41:48Precise!
41:56Precise!
42:32Arroba, pai!
42:33Arroba esse caralho!
42:52Foça!
42:52Foça, pai!
42:54Empurra!
43:15Espurra!
43:21Espurra!
43:22Espurra!
43:23Espurra!
43:28Oh, my God!
43:33Get out of here!
44:10Shut her mouth.
44:25Shut her mouth.
44:53Shut her mouth.
45:23Shut her mouth.
45:36Go, go, go, go!
45:40Go left, go left.
45:47Creasy.
45:48Just go, I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Go on, Paul.
45:52Oh, shit.
46:09Oh, shit.
46:14Oh, shit.
46:19Oh, shit.
46:24Don't go, Paul.
46:25Shh.
46:25Oh.
46:26Oh, shit.
46:39Stop right there.
46:40Don't move.
46:45You shoot her, you're dead.
46:46Once I meet you...
46:50Yes, I know.
46:53Even that, if guilt happened, I'm not seeing a lot to look forward to.
46:59So...
47:02Drop your fucking gun, or the last thing you see will be another dead Rayburn.
47:09Drop it!
47:25Good boy.
47:28Now...
47:30Stand up.
47:32I'll give you the honor of going first.
47:37Stand up!
47:38No, no.
47:49This is all over for you.
48:00Get out of here.
48:02Sit up.
48:03Ah!
48:04Ah!
48:11Oh, yes!
48:50Oh, my God.
49:05Gracie? Gracie? Oh, my God. Oh, my God. Oh, my God. Okay, just stay with me, okay? Okay. You're okay.
49:18No, just stay with me. It's okay. Oh, my God.
49:22Oh, my God.
49:32Oh, my God.
49:33Gracie? Oh, my God.
49:48Oh, my God.
50:09Oh, my God.
50:12Oh, my God.
50:12Oh, my God.
50:13Oh, my God.
50:13Oh, my God.
50:15Oh, my God.
50:16Oh, my God.
50:18Oh, my God.
50:19Oh, my God.
50:21Oh, my God.
50:29Oh, my God.
50:36Oh, my God.
50:39Oh, my God.
50:44Oh, my God.
50:46Oh, my God.
50:48Oh, my God.
51:12Oh, my God.
51:15Oh, my God.
51:17Oh, my God.
51:22Oh, my God.
51:22Oh, my God.
51:23Oh, my God.
51:24Oh, my God.
51:24Oh, my God.
51:24Oh, my God.
51:25Oh, my God.
51:26Oh, my God.
51:35Oh, my God.
51:41Oh, my God.
51:42to spread but I've come around to the idea that because they raised me the way they did
51:51my family ultimately left me with all that I could have asked for
51:58you don't always realize what you have until somebody tries to take it away
52:09and you don't always realize what you need until you're facing something too big to tackle alone
52:20what my family has given me is the strength to go on
52:27and what I've learned from my friends is that I never have to do so alone
52:47so
52:48so
52:49yeah
52:51yeah
52:51yeah
53:02Hey.
53:03Hey.
53:05You know, if you want, you can just stay here,
53:09have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:22Hmm.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs,
53:41and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do,
53:46and a fair amount of egg on my face
53:49and one of our guys was the reason you had to do it.
53:50Okay.
53:52Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that.
54:06I don't, but they're actually long-laced, in fact.
54:09No one else has had, uh, first-hand experience with these guys.
54:14And I do?
54:15Yeah, you're right into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Tell me what you got.
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