- 6 hours ago
Love Story - Season 1 - Episode 02: The Pools Party
Category
📺
TVTranscript
00:20Good morning.
00:31How good was Florent?
00:33I told you.
00:34Carolyn!
00:36I need the updated book for the Melancho.
00:38Working on it.
00:39Okay, bring it to my desk.
00:42Morning, guys.
01:00Can you call our Moscow rep?
01:01She can't close the show for us from Russia.
01:03Hi, I'm her assistant.
01:04She doesn't want the flowers.
01:06Will you take them back?
01:07No, she told me at the casting there were no problems with her visa.
01:12Never gonna get it
01:14Never gonna get it
01:44Why does she dress like a pilgrim?
01:47It's an officer's uniform from the Continental Army.
01:49You know what I mean. Colonial times.
01:52It's an homage to the birth of our democracy, but it's chic.
01:56We would obviously be featuring A-list celebrities.
02:00And think of the access.
02:02I mean, John's just about the only person on the planet
02:05who could pick up the phone and call anyone from Saddam Hussein to Heather Locklear.
02:10I don't know about that.
02:11Maybe even Daryl Hannah.
02:13Huh? Yeah?
02:15She looked pretty good as a mermaid.
02:16Maybe we could put her in a sexy Salem witch outfit.
02:21That'd bank some ad dollars.
02:22So you can see it then, right?
02:25All the fun and innovative ways that we could market this.
02:28I mean, the options in Rolodex are endless.
02:33Look, it's one thing for people to be sitting at home,
02:36watching the news, reading the paper,
02:38but I just don't see a world in which they're going out of their way
02:41to buy a magazine about politics.
02:43But that's because politics has always been presented the same way,
02:47which is just a bunch of old guys falling asleep on C-SPAN.
02:51I genuinely believe that with the right marketing,
02:54we can get people as engaged with politics as they are pop culture or the NFL.
03:02Where are you in all this?
03:03I mean, let's be honest here.
03:05That's the real selling point.
03:08If you did this magazine like Martha Stewart Living,
03:10you put yourself on every cover,
03:12that's a different story.
03:14And some free advice from people actually in the business?
03:17Your brand's only as strong as its name.
03:20Calling the magazine George after George Washington
03:23makes it feel like homework.
03:27I'm going to do another Malbec.
03:29Oh, there she is.
03:31My wife was in the neighborhood.
03:32I told her about Popeye.
03:33Oh, that's all right.
03:35In the neighborhood.
03:37They live in Rye.
03:39You know, it was just so obvious
03:40that these guys had already made up their minds
03:42before they even stepped foot in the restaurant.
03:44It's like, why waste everybody's time?
03:46Because they want to be seen having lunch with you.
03:48You could have pitched them a magazine about hot dogs
03:51and they would have taken the meeting.
03:53And a part of you has to be okay with that
03:54because, no offense,
03:56this magazine does not come to fruition
03:58without your celebrity.
04:00Oh, really?
04:01I haven't heard.
04:02Look, I get it.
04:04You want to be taken seriously.
04:06You want to make your mark for you.
04:09Before what?
04:12I hadn't thought that far ahead.
04:13That's all you think about.
04:14That's why you never know where anything is.
04:17Is this the hand cream or the soap?
04:18You know, I just want to create something of my own.
04:21From the ground up.
04:22I just think that if anyone can bridge the divide
04:25between politics and pop culture, it's me.
04:28Well, speaking of things coming together,
04:32you're not proposing, are you?
04:34What?
04:35To Daryl?
04:37I forgot I have to be more specific
04:38when it comes to your love life.
04:40Daryl was seen buying a wedding dress
04:43in a thrift shop in Santa Monica.
04:45I just thought it seemed weirdly specific.
04:51You know, you're supposed to be a refuge
04:53from all this noise and bullshit.
04:54Oh, my God.
04:55I'm sorry.
04:55I didn't know that was my role.
04:57Fuck off.
04:57No, no, no, please.
04:58Let me try again.
04:59Mr. Kennedy?
05:00I have your sister on the phone
05:02from Cornell Hospital.
05:09Calvin has to push the meeting with creative to two.
05:12Apparently, there's some kind of emergency.
05:19Do you think you should be reading tablets
05:20while you're at work?
05:21It's people.
05:23Honey, I know you don't care,
05:25but my astrologer did see John and Daryl
05:27fighting at a Halloween store in the village,
05:29like, screaming at each other.
05:31And she also said they're both Sagittariuses,
05:33which is like, Jesus, take the wheel.
05:35Yeah, well, I'm a Capricorn,
05:36so we probably wouldn't have feared much better.
05:38Also, maybe it's people like your astrologer
05:40peddling gossip about them that's a problem.
05:43Maybe if people left them alone, they'd thrive.
05:46You know, I know you're trying to take the high road,
05:48but I don't want to.
05:51Is that the press packet?
05:52Yeah.
05:53I love having to compile favorable press clippings
05:56from each beak in order to justify the entirety
05:58of the publicity department.
05:59I know he increased your clothing allowance
06:01when he got that promotion.
06:02I do not feel bad for you.
06:04Black paper clips.
06:05I couldn't find any.
06:07There's a Staples on 57th and 3rd.
06:10Serious?
06:10He's fired people for a whole lot less,
06:12and I would rather not lose you as an assistant.
06:14Okay, let's scrap this.
06:17He hates full body shots.
06:18He thinks he has chicken legs,
06:19and let's ditch the New York Magazine piece.
06:21He doesn't like being compared to Ralph.
06:23Lauren?
06:24No, Macchio.
06:27A karate kid?
06:30You know what my dad told your father
06:32before we got married?
06:33Keep her riding, and she'll always be in a good mood.
06:37See, I wish we would have known that.
06:39We would have installed a riding ring in your apartment.
06:42Still, I recommend you stay on two feet
06:44for a while.
06:45You said you had a headache
06:46before you were thrown from the horse.
06:47Were you experiencing any other symptoms?
06:49No, I was just tired.
06:51I didn't have much of an appetite,
06:53so I didn't eat breakfast,
06:54which is probably where all of this started
06:56in the first place.
06:57And as far as lifestyle?
06:59I'm as healthy as can be.
07:01I don't eat sweets.
07:02I exercise every day, sometimes twice a day.
07:06Mom.
07:06She smokes.
07:07This is just retribution
07:09for making her meet with a nutritionist during recess.
07:12Yes, thank you again
07:12and for neutralizing my sweet tooth
07:14at such a young and impressionable age.
07:16We'll need to keep you overnight.
07:18As a precaution, monitor your vitals...
07:20No, thank you.
07:21I will not sleep a wink in this place,
07:23and what I need is a good night's rest.
07:26If you do insist on leaving,
07:28you'll need to sign discharge papers
07:30stating that you left against the medical...
07:32I've spent my fair share of time in hospitals.
07:34I know how it works.
07:37Of course.
07:38I'll be back to check on you in a bit.
07:40Thank you, Dr. Moore.
07:49Why don't you and Maurice head to the cafeteria,
07:51I'd love a cup of tea?
07:53You think that'll be enough time
07:54for him to relay all your reservations
07:56about the magazine?
08:00Why don't you and I go get some tea?
08:01Unless the fireworks...
08:05Please try to maintain inside voices.
08:14Well, I'm just trying to understand
08:16why you'd want to join the ranks of an industry
08:18that's profited off our family's misfortune for years.
08:23Generations, actually.
08:24Why is it any different from you working at Doubleday
08:26or Caroline writing books?
08:28Those are genuine interests of ours
08:29that we've cultivated over years.
08:32And this idea of seemingly out of nowhere,
08:35and you finally pass the bar exam,
08:38I mean, I just think you should...
08:39Dad wanted to be a journalist.
08:40I mean, before Grandpa roped him into politics.
08:44Is that what all this is about?
08:46Wanting to feel closer to your dad?
08:48Come here.
08:51No, I'm just saying that, like,
08:55my interest isn't entirely out of nowhere.
08:58If Caroline wanted to start a magazine,
09:00no one would bat an eye at it.
09:03I'm just...
09:04I can't stand by waiting for my life to start.
09:07I'm 33 years old.
09:09When Dad was my age, he was a father,
09:11a best-selling author, a congressman,
09:13and a war hero.
09:14Yeah.
09:16It's like you said,
09:17he didn't really have a choice.
09:19And I can tell you,
09:21success isn't all that triumphant
09:23when it's expected of you.
09:31Now, will you please
09:33break me out of this place?
09:36The brawl culminated in blows being exchanged.
09:40Marky Mark was said to have punched
09:42maverick record-labeled talent scout
09:44Guy Osiri.
09:46The fight spilled off onto the streets,
09:47but was eventually broken up
09:49by party or...
09:50Who picks a fight with Madonna?
09:53Well, he also allegedly called a member
09:56of her entourage a homophobic slur.
09:58Well, wait a sec.
09:59He only called the guy a homo.
10:02I'm just saying,
10:03I think we all assumed he meant faggot.
10:07Yeah, he's practically Harvey Milk.
10:08All right, settle down.
10:09You know what I meant.
10:10He's a loudmouth rapper from Boston.
10:12People don't give a shit
10:13if he's politically correct or not.
10:15And therefore, neither should we.
10:17That's a hell of a mission statement.
10:19The campaign is a cultural phenomenon,
10:22and we're just getting out of the red.
10:24I don't think we can afford
10:25to kick him out of bed
10:26over a drunken indiscretion.
10:28Be careful there, Todd.
10:29You're sounding a little gay.
10:30It might not be our call.
10:32According to his team,
10:33Mark feels the underwear campaign
10:35has overshadowed his burgeoning rap career.
10:40I didn't realize Marky Mark
10:42and the funky bunch
10:43were plotting global domination.
10:45They also said
10:46that he doesn't like all the attention
10:49that the campaign has brought him
10:51from gay men.
10:54Are you kidding me?
10:55I mean, he did everything short
10:56of dry-humping the runway
10:58at the L.A. show.
10:58What, did he think all those men
10:59in the crowd were just huge fans
11:00of shitty hip-hop?
11:02Well, the partnership
11:03has clearly become untenable,
11:06so we need to replace him
11:09quickly and seamlessly.
11:10And let's also issue a statement
11:12condemning his bullshit.
11:15Will you be issuing
11:16that statement personally, or...?
11:21No.
11:25So, who do we like to replace him?
11:28Uh, we have Brad Pitt,
11:30uh, Jason Priestley,
11:32Keanu Reeves...
11:33No, no, no, no, no, no, no, no, no, no, no.
11:36I don't want to get involved
11:37with another established celebrity.
11:39I want someone
11:40who our customers
11:42can bestow their fantasies onto.
11:44I want a fresh face
11:47that will instantly ingrain itself
11:50into the public consciousness.
11:51You pluck Kate Moss
11:53from obscurity.
11:55If anyone can mint a star,
11:58it's you.
12:02You catch that little dig?
12:04Ugh, he knows full well
12:05that I'm known
12:06that fought for Kate.
12:07He'll be compared
12:07to a teenage boy.
12:08I know,
12:09but you can't let him
12:10rattle you.
12:11In fact, I think
12:12it probably turns him off.
12:13Telling me to settle down?
12:14Go fuck yourself.
12:15Can you imagine
12:16if Kate called someone
12:16a faggot and assaulted them?
12:17She'd be crucified.
12:18That or young girls
12:20everywhere would be
12:21committing hate crimes.
12:22Anyway, I'll see you tonight.
12:24Yes, I'll be peddling
12:25your book with
12:26My Life Depends on It.
12:29I'm going to have to go
12:29smuggle a model
12:30out of Moscow.
12:30Oh, you're doing God's work.
12:33Amen.
12:38Welcome to Heart of the City.
12:40I'm John Kennedy.
12:41Clean air,
12:42less traffic,
12:43adequate housing.
12:44Those are some of the things
12:45that New Yorkers
12:46only dream about.
12:47But some New Yorkers
12:48are not allowed to...
12:48Get the fuck out of the way,
12:49asshole!
12:51Cut!
12:53Let's take five, everybody.
12:55Get out of the street.
12:59Sorry about that, John.
13:01Sure you don't want
13:01to use that?
13:02We are highlighting
13:03the wonders of the city.
13:04You're doing great,
13:05by the way.
13:05Really?
13:06I feel like I'm in my head.
13:07Oh, no.
13:08I will tell you.
13:09Okay.
13:10Okay, guys.
13:11On to the next...
13:12Hey, superstar!
13:15What are you doing here?
13:17The table read got postponed,
13:18so I thought I could
13:19see you in action.
13:20Well, I don't know
13:21how entertained
13:21you're going to be.
13:23Oh, I love that
13:24I get to be the one
13:25behind the camera
13:26for once.
13:28Excuse me.
13:29Can I get you anything,
13:31Miss Hannah?
13:31Uh, coffee or tea?
13:33I'd love some candy,
13:34actually.
13:35Anything sour.
13:36Huge fan.
13:40This is the whole crew?
13:43Yeah, we're just
13:43shooting a thing for PBS.
13:44I love it.
13:45It reminds me of my
13:46early days doing
13:47guerrilla shoots,
13:48no permit,
13:49sound guys also
13:50doing the lighting.
13:50It's what real filmmaking
13:52should feel like,
13:53community.
13:56What are you writing?
13:58I am just tinkering
14:00with the script.
14:01Can I hear it?
14:02Well, it's not like
14:03a monologue or anything.
14:04I'm just talking
14:05about the city.
14:06I know, but you're
14:07still on camera
14:08delivering lines.
14:09You still have to
14:10emote.
14:11I'm fine.
14:15You mad at me
14:16or something?
14:18No.
14:18No, I'm just
14:19trying to focus.
14:21I just thought
14:21you might want my input
14:22since I'm an actual actor.
14:24What the fuck?
14:26Yeah?
14:28Did they follow you here?
14:30No, maybe it was
14:31the giant film crew
14:32that tipped them off.
14:33You just said
14:34how small it was.
14:35All right,
14:36I'm gonna go.
14:38I'm sorry, all right?
14:39Yeah.
14:40I'm just trying to focus
14:40and do a good job.
14:42You're incapable
14:42of doing a bad one.
14:44I'm here.
14:46See you back at home?
14:47Yeah.
14:47I have an event tonight.
14:49It's a work thing.
14:50Tear your hair out,
14:51but I'll see you after.
14:53Maybe, um,
14:54just give them
14:54a couple good shots
14:55on your way out.
14:56See if they'll fuck off.
14:57Okay.
14:59Carol, this right.
15:00This way, please.
15:01Bye.
15:06All right.
15:07Hey, Carol.
15:10Hannah,
15:10you got your face.
15:11You got a good day?
15:13You got a good day?
15:14You got a good day?
15:14You got a good day?
15:15You got a good day?
15:15Oh, we're going to leave.
15:16It's Hannah, right this way.
15:18Get straight out.
15:18One more, please.
15:19Yeah, no.
15:29You got a good day?
15:32So, we're not going to be here.
15:34Oh, we're going to be here.
15:50Oh my God, you look so gorgeous.
15:56Oh my God, you look so gorgeous.
16:12Oh my God, so you really are.
16:21Okay, is that for me?
16:27You know, I was hoping you wouldn't notice me.
16:31It's hard not to.
16:37This feels like one of those nightmares when you show up to school and realize you're naked.
16:40Except you're getting paid, because unlike everybody else, people actually want to see
16:44you naked.
16:45We should all be so lucky.
16:49Why didn't you tell me you were working this?
16:53They don't really tell us what the events are.
16:55They just give us a time and an address and a pair of underwear.
16:58Plus, I try not to make it a habit to call someone after I've left them like 50 voicemails.
17:03No, I'm sorry.
17:05I mean, work's been crazy.
17:07No, you know what?
17:08It's fine.
17:09You should get back to the party.
17:11Hey, I'm working too.
17:12Really?
17:13Mm.
17:13Then why don't you take up all of your clothes and grab a tray?
17:17For what it's worth, I think there's about five men in this city that can pull off that uniform.
17:25Hey.
17:26How are you?
17:28I'll see you later, yeah?
17:29Have you seen the book?
17:31She did this all by herself.
17:33I had nothing to do with it.
17:35No?
17:35That's great.
17:35Thanks for having me here.
17:36I'm loving to show you the book.
17:38It's really kind of terrific.
17:41She did it all by herself.
17:44I had nothing to do with it.
17:46No?
17:46That's great.
17:48Relax, John.
17:49She's here.
18:01Hi.
18:02Hey.
18:05How are you?
18:06Good.
18:07It's nice to see you.
18:08Yeah, you too.
18:11I didn't realize Kelly was a photographer as well.
18:15Yeah, you know, I don't think she actually took any of the photos.
18:18I think she more, um, curated them.
18:22Sorry, I wanted to come over earlier.
18:24No, it's fine.
18:25I'm sure you have a lot of hands to shake.
18:30You really know how to make an entrance, by the way.
18:32Although, I'm not gonna lie, I was sort of hoping it was Prince.
18:35Oh.
18:35Is Prince supposed to show tonight?
18:37Do you think Prince are his VPs?
18:39That's a good point.
18:46Did you get my flowers?
18:47Which ones?
18:49Well, you wouldn't call me back.
18:51There wasn't much to say.
18:52It was one date.
18:53I know.
18:53I just, um, I feel terrible about how everything transpired.
18:58Multiple bouquets of flowers to my office.
19:00It was really not necessary.
19:03Did you like them, at least?
19:06Calvin only allows white orchids in the office,
19:08and my apartment's basically death row for vegetation.
19:14I just, um, I can't seem to function knowing that you hate me.
19:19I don't know you well enough to hate you.
19:21Daryl and I were not together when you and I met you.
19:23You really, you don't have to do this, seriously.
19:25It's not like you bamboozled me.
19:26I knew what I was signing up for.
19:28Well, what does that mean?
19:28It means there's your world, and then there's mine,
19:33that I inhabit with everyone else.
19:34Look, I'm gonna...
19:36It was nice to see you.
19:38Enjoy the party.
19:39Wait a sec.
20:03Carolyn!
20:05Carolyn!
20:06John, you have a girlfriend.
20:08Hey, and I don't have to turn on the TV or open up a newspaper
20:11to know that you two are everywhere.
20:13It's like we're all living in the John and Daryl fun house.
20:15Look, she came back into my life in this very weird time,
20:18and we have a lot of history together.
20:20No, you don't.
20:22You don't have to defend your relationship to me.
20:24I get it.
20:25There's obviously a reason you two keep finding your way back to each other.
20:29Plus, she understands this weird fishbowl that you live in.
20:33If I were you, I wouldn't want to throw that away either.
20:35So let's just be friends.
20:36Whatever stress or guilt you're feeling, you're absolved.
20:40I promise.
20:44I just wish I could explain to you how even the simplest things can become so complicated for me.
20:51How badly I wish I was someone else when I met you.
20:58It is what it is.
21:02I'll see you now.
21:05It is where are you?
21:18I have a great day.
21:22My...
21:23I have...
21:24My...
21:25My...
21:25My...
21:26My...
21:26My...
21:27My...
21:27My...
21:27My...
21:29My...
21:29My...
21:32just ask me for a cigarette oh absolutely not it's disgusting you scared your husband's gonna
21:39catch you please look at him i swear to god they need a program for the partners of recovering
21:50addicts and how to cope with their newfound sanctimony the other day he lectured me on the
21:54pitfalls of a diet coke i saw you talking to john earlier how was that it was fine what do
22:03i need
22:03to hang you out the window give me some details we're just gonna be friends which we should have
22:08done from the beginning you don't want to be his friend either way that ship has sailed
22:14i don't blame him he's dating a beautiful movie star what's not to love well look i love john
22:22but there's a lot of trade-offs being with someone like that i mean there's a rush walking into a
22:28room with someone everyone wants to talk to feeling like of all the people they could have on their arm
22:34they chose me i must be fascinating too but at the end of the day they may never really choose
22:41you
22:41you know not in the way that you wish they would shiny people like that they belong to everyone
22:50all i'm saying is it's better to be adored than enamored
23:00i was going out as you could imagine and i um i i had some lessons in the very first
23:07lesson
23:15hey i'm just grabbing some more rolling papers you need anything
23:27hey brother how's it going i think something's up with your stove i'm just getting like a ton of gas
23:36come on next let me turn off the stove first all right good looking out i'm gonna suck the
23:44blow up
23:55hey you're here i think you know everyone um oh wait this is my friend chandra from the retreat
24:00i didn't brew she's the one who knows your cousin bobby how do you know him again uh i guess
24:05technically riverkeeper do you guys mind not oh sorry
24:23well is it like a family thing the event tonight no why i just didn't know if maybe your mom
24:30and
24:30sister were there and that's why you didn't invite me you have to stop with this narrative that you're
24:35like persona non grata okay it's not true babe you have kennedy memorabilia everywhere it's not
24:42memorabilia daryl these are not baseball cards they're family heirlooms
24:50well can you hang out for a little you've been out all night exactly
24:55i'm exhausted from your work event you don't even have a job right now
25:03now maybe give me a heads up the next time you want to have people over at my place your
25:07place
25:07i live here too john do you ever notice how quickly it becomes your place anytime anything
25:11remotely inconvenient happens remotely inconvenient i don't even know who half these people are yeah
25:16because you don't even make an effort to get to know them oh i'm sorry why don't we get
25:19chandra over here and we can blow some lines off my dad's inaugural address
25:28i'm gonna crash it was nice to see all of you
25:35hi should we go no no stay are you sure yeah he's just tired you know no stay
25:47that was so rude you're right please apologize to the coke den in my living room for my behavior
25:52i'm not sleeping here tonight if you're just gonna act like a fucking asshole well apparently i won't
25:56be sleeping here tonight either so please let me know where you're gonna go why did you want to get
26:01back together again if you're just gonna act like this you came back to me on the condition of a
26:06clean
26:06slate which you agreed to and yet every time i look at you your mind is clearly someplace else
26:15all i want is for you to need me as much as i need you i don't even know what
26:20that means
26:23that's because you're repressed john like i say this with love but between your lineage
26:27and your heritage you're like the poster child for emotional avoidance between my lineage and my
26:33heritage yes oh my god this this what we're doing in front of your friends right now is exactly how
26:38we end up on the cover of people magazine every week who cares i'm trying to talk to you about
26:43real
26:43life our relationship becoming a global punchline is real life daryl and if you can't see that then
26:49i don't really know what to tell you
27:14i don't know what to tell you about
27:20you're not sure what to tell you about
27:27Hey, I let you keep that uniform.
27:32Ow.
27:34That didn't hurt.
27:36Didn't you play football in high school?
27:39So?
27:42So you're supposed to be tough.
27:50Why do you always like to do that?
27:52What, pinch you?
27:53Mm-hmm.
27:54I don't know. Do I do that often?
27:55Uh, yeah.
27:56I guess I didn't really notice.
27:59No, that's not true.
28:01I, um...
28:05When I was little,
28:07I was playing hide-and-go-seek with my sister and her friends,
28:10and I was hiding in this little compartment
28:12in my stepdad's entertainment unit, you know,
28:16by the TV, and...
28:20All of a sudden, I started having all these really dark thoughts
28:23that something bad had happened to them.
28:26And I got scared, so I climbed out,
28:29and they were all just sitting there making friendship bracelets.
28:35Like, they all just...
28:37They all just stopped looking for me,
28:38and no one said anything,
28:41and I just...
28:41I lost it.
28:45And I started hyperventilating,
28:46and my mom was trying to calm me down,
28:48and she just kept telling me to pinch her arm.
28:52Like, she wanted to have me focus on something else.
28:56Eventually, I stopped crying.
29:02Well, if that was me,
29:05I would have never stopped looking for you.
29:14I'm gonna get a water.
29:16I can get it for you.
29:17Oh, no.
29:18It's fine.
29:38You okay?
29:40Yeah.
29:58John, tell me what it was about Governor Florio and his record
30:02that seemed to result in his winning the award this year.
30:05Well, for this year, the award was given on the basis of the...
30:08You ready?
30:09There's a stand on gun...
30:10Yep.
30:17What?
30:20What if we did a little shopping?
30:26So, uh, are we allowed to be in here on the weekends?
30:32No, I'm serious.
30:33What happens if somebody walks through that door?
30:35Then what are we gonna do?
30:36Uh, we split up and run like hell.
30:41What shoe size are you in?
30:45Thirteen?
30:45Thirteen?
30:46Yeah.
30:49Why are you doing this for me?
30:51Hmm?
30:52Because you're a good person.
30:54And you deserve more than you think you do.
30:56Hmm.
31:01Plus, you gotta dress for the part you want, not the part you have.
31:04Right?
31:05I still know a few of their moves.
31:10Oh, Jesus.
31:13Don't act like you're not impressed.
31:18That's the opposite of an aphrodisiac.
31:20I don't know.
31:21What is it?
31:22Yeah.
31:24Come on.
31:46I, uh, I read in the trades you're gonna be working with Ann-Margaret?
31:52Yeah.
31:53How cool.
32:02Your mother isn't feeling well.
32:05She'll be taking dinner in her room, but she sends her regrets.
32:19John.
32:20Yeah.
32:35Daryl!
32:40Daryl!
32:42Daryl!
32:44Have you ever asked yourself why your mother doesn't like me?
32:47She does like you.
32:48She doesn't...
32:49Why she might have a tainted perception towards famous blonde actresses?
32:53It doesn't take Freud to connect the dots.
32:54Are you really going to do this now?
32:56She wants you to choose her.
32:58She wants you to find your Jackie, not...
33:01You barely even know her.
33:02And whose fault is that?
33:08Daryl.
33:11Daryl, come on.
33:27Daryl, come on.
33:28Thank you, Yoji.
33:34Is she gone yet?
33:44What are you doing?
33:45I can't stick around anymore hoping you're to change or start to give a shit.
33:49Give a shit? What do you think I'm doing here?
33:51It's not enough to just show up, John.
33:53You have to actually be with me when we're together.
34:01What is it that you're waiting for?
34:03What is it that I haven't proved to you yet?
34:07No one is going to love you the way that I love you, John.
34:11Okay?
34:12No one is going to be able to put up with all the cameras
34:14and the tabloids in your family.
34:17And I mean, say what you will,
34:19but there's a reason the public is so invested in us.
34:22It's because they know we have something worth paying attention to.
34:26And you know, we've talked about how I feel like work has been kind of drying up for me.
34:32Or maybe that's just the universe making space for us.
34:36For me to be more to you in this next chapter of your life.
34:42Are you even still in love with me?
34:46Of course I love you.
34:56I'm done.
34:59Because I won't accept your marriage proposal while we're at each other's throats?
35:02This has been five years, John.
35:04If you wanted to marry me, you would have.
35:06If you really believed that, why'd your friends tell the press our engagement was imminent?
35:09What are you talking about?
35:11The convenient details of your wedding dress?
35:13What, did you think you'd get through to me via the tabloids?
35:17See, this is where your family is fucked with your head.
35:20Not everything is a ploy, John, or an angle, or some machination of the Kennedy court.
35:33Where are you going?
35:35Back to L.A.
35:38I don't want you to leave.
35:39I want to work through this.
35:43We'll be back in a few days.
35:46What, are you just going to leave them?
35:51You need to ask yourself what it is you really want.
35:54Not your family, not what you think people want.
35:58What you want.
36:12Can you confirm he's been submitted?
36:13It's the biggest modeling campaign in the world.
36:16My dad's...
36:17Okay, just, um, do me a favor and flag his headshot for Calvin.
36:21Wow, really done a 180 on this relationship, huh?
36:24I just think you'd be right for it.
36:26I mean, you said it yourself.
36:28He's gorgeous.
36:29Oh, so this is just strictly professional.
36:32Jules!
36:33What are you doing with this guy?
36:41You look very familiar.
36:44Where would I know you from?
36:47Uh...
36:50I'm not sure.
36:59Wow, looks like you have quite a few notes there.
37:02Hi.
37:03Hi.
37:04Hi.
37:04Oh, some of them are just words of encouragement.
37:08Hmm.
37:08I don't recall getting any of those when you gave me notes on my book.
37:11Oh, that's because praise makes you horribly uncomfortable.
37:19Have you ever thought about writing one?
37:22A memoir?
37:24No.
37:25Absolutely not.
37:27Well, don't you tell the authors you work with it's an opportunity to make sense of the past
37:32and reclaim the narrative?
37:34Some of them, yes, but not everyone's past should be revisited.
37:41Do you ever think about what your life might have looked like if you married somebody else?
37:45I did marry somebody else.
37:47I know.
37:47You still have his last name.
37:50I wasn't talking about Ari.
37:54You know, you never called him that until after he died.
37:58Our entire marriage, you refused to call him anything other than Mr. Onassis.
38:03Well, I already had a father who didn't parade us around the Greek islands like he won us at an
38:07auction.
38:08That was because I think we needed it.
38:11Whether you or the rest of the world liked it or not.
38:15Do you ever think about what if you had married somebody other than Dad?
38:19Just lived a normal life?
38:21I think we both know if anyone had offered me anything normal, I would have been bored to death.
38:28Even knowing what you know now about some of the choices he made.
38:38All relationships have their disappointments.
38:42It's just a matter of how you're let down.
38:46What, you don't think your relationship has drawbacks?
38:50No, I don't.
38:52You might, but I didn't need the same things that you did.
38:55You've been nothing but supportive of your relationship.
38:58You acquiesced to my relationship.
39:00What?
39:01That was because I wanted to make sure you were marrying for the right reasons.
39:06What possible ulterior motive could I have had marrying Ed?
39:10Well, exactly.
39:12You made a stable choice.
39:15God forbid I choose a man I could actually depend on.
39:19At any rate, your brother, he was more overt at pressing my buttons.
39:25But you, you weren't exactly an apple polisher.
39:31Not everything we do is in reaction to you.
39:34The same way your varied love life wasn't only a reaction to your mother.
39:41At the end of the day, your wounds informed your choices, just as mine did.
39:46And once I realized that Ed was the right one for you, I shut my mouth, didn't I?
39:52I think you failed to contextualize who I was raised by.
39:58I mean, you know your grandmother, but you don't know my mother.
40:02Her only dream for me was to become the most beautiful accessory to the most coveted man.
40:10And I think, well, I think I exceeded those expectations.
40:22But I do realize that I might have gone about it in the wrong way at times.
40:32But I did have your best interests in mind, sweetheart.
40:38I know.
40:42Do you?
40:46I know, Mom.
40:54I do need notes on my latest draft, by the way.
41:16The delivery guy didn't want them.
41:21White orchids.
41:27Hi.
41:28Hey.
41:29Are we still good for lunch?
41:30Yeah.
41:31No, I'm starving.
41:35Those kids stay at my desk.
41:41Come on, Hank.
41:43Come.
41:43This way.
41:44Can I get your autograph?
41:45Oh.
41:46Sure.
41:48Thanks, John.
41:49You won't.
41:51Hank!
41:51Hank!
41:53Hank!
41:54Hank!
41:56Hank!
41:58Ah!
42:05I'm so sorry.
42:07I understand.
42:10I...
42:13I'm on the next flight out.
42:16Well, I had to wait for the ashes.
42:20All right.
42:21Listen.
42:21My car's downstairs, okay?
42:23I'll see you soon.
42:45Oh, hello, sweetheart.
42:48It's mommy.
42:50Well, I just...
42:52was checking in to see...
42:54Well, I haven't...
42:57spoken to you since you left so abruptly the other night.
43:03Anyways...
43:05Call me.
43:07All right?
43:10Very good.
43:12Bye.
43:24Bye.
43:25Bye.
43:27Bye.
43:29Bye.
43:31Bye.
43:33Bye.
43:52When you come undone
43:57Who do you need
44:00Who do you love
44:03When you come undone
44:11Lost
44:13In a snow-filled sky
44:16We'll make it all right
44:19To come undone
44:22Now we'll try
44:25To stay blind
44:27To the whole fear outside
44:33Hey child
44:36Stay wilder than the wind
44:41And blow me into the ground
44:46Who do you need
44:50Who do you love
44:52When you come undone
44:58Who do you need
45:01Who do you love
45:04When you come undone
45:12Who do you love
45:16Who do you love
45:18Who do you love
45:19Who do you love
45:33Who do you love
45:33Who do you love
Comments