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💗💗Hot Trending 💗💗 In Other Words, I Love You - Rivals forced to live together
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00:00:02I've always described the world in words, people, moments, places, all through metaphors and margins.
00:00:12You okay?
00:00:13Like my mom, self-made, stubborn, and never wrong.
00:00:18Almost there. You excited for your first day?
00:00:20She calls this a fresh start. I call it terrifying.
00:00:30You've got this. Just be yourself.
00:00:33That's kind of the problem.
00:00:43I'm stuck in space. Start a daydream running through my brain every day.
00:01:00I want to take you down.
00:01:03Okay.
00:01:05Morning, class.
00:01:08And you're not seated because?
00:01:11I don't have a seat.
00:01:14Ah, a new transfer. Alice Keaton, right?
00:01:18Let's see.
00:01:22There's a spot. Next to Charles.
00:01:24Charles case, sorry.
00:01:26Seriously? A charity case sitting next to Charles?
00:01:29Oh, God. Why is she?
00:01:31Quiet.
00:01:33Charles.
00:01:36I've always had words for everything.
00:01:39But in that moment,
00:01:42I forgot them all.
00:01:53Charles, move your things.
00:01:56I'd rather not.
00:01:57She'll be a distraction.
00:01:59From what?
00:02:00Sleeping.
00:02:01From everything.
00:02:02If anything, Charles,
00:02:04Miss Keaton will be a positive influence on you.
00:02:06She was top of her class at her previous school.
00:02:09With all due respect, sir,
00:02:11her previous school was American.
00:02:14I highly doubt that.
00:02:17That's enough.
00:02:19She can sit here.
00:02:21It's fine.
00:02:24Back to Golding.
00:02:26You got it.
00:02:27I'm Sherry Vaughn.
00:02:28Alice Keaton.
00:02:29It's very important that we look at the author's intentions.
00:02:32What he's talking about,
00:02:34their experience of the time.
00:02:38Wait.
00:02:40You sat next to Charles?
00:02:41She didn't.
00:02:42You totally shut her down.
00:02:43Oh, knew it.
00:02:44Don't take it past me.
00:02:45He's impossible.
00:02:47Can everyone stop acting like the goal is getting into his pants?
00:02:50What?
00:02:51He's hot.
00:02:52Everyone kind of is.
00:02:55I...
00:02:56I've seen...
00:02:57Connor.
00:02:57He's not my type.
00:02:59You're joking.
00:03:00I don't find bullies attractive.
00:03:02Hey!
00:03:02Be careful.
00:03:03We're talking about the king of Ashford.
00:03:06The what?
00:03:07His family basically owned the school.
00:03:09And the town.
00:03:10Maybe even the country.
00:03:11Yeah.
00:03:12Everyone's tried to get close.
00:03:14No one can get past his ego.
00:03:16You're not the first to get iced.
00:03:17Okay.
00:03:18First of all, I wasn't iced.
00:03:20It's more like a mutual decision.
00:03:23And second, I think he's arrogant, cold, thinks he's untouchable.
00:03:27But if you really look at Charles, he just seems isolated, like he's fake meal.
00:03:33Honestly, I just think he's lonely and kind of pathetic.
00:03:39What?
00:03:40No, go on.
00:03:47You were saying I'm lonely and pathetic.
00:03:54Next time, read the room before opening your mouth, American.
00:04:02We're not in Kansas anymore, Alice.
00:04:20Hey, how was your first day?
00:04:22Uh, good.
00:04:24Nothing exciting happened?
00:04:25Not really.
00:04:26Super uneventful.
00:04:29Really?
00:04:30How's your new job?
00:04:31Yeah, all right.
00:04:33Get this?
00:04:33They said we can stay in the servant's wing.
00:04:35Seriously?
00:04:36Hmm.
00:04:37Apparently, the young master won't mind the company.
00:04:39The young master.
00:04:43This is your boss's house.
00:04:45Yeah?
00:04:46Isn't it credible?
00:04:47I mean, I wouldn't call it a house.
00:04:49It's a museum with better landscaping.
00:04:57Wait here.
00:04:59I'll talk to the butler.
00:05:05Wow.
00:05:06Rich people.
00:05:07You've topped yourselves again.
00:05:12Stephen King.
00:05:14First edition!
00:05:25Breaking and entering now.
00:05:27How American of you.
00:05:39You've been paying rent here in my head.
00:05:43Time to fight it hard.
00:05:50You can get up now.
00:05:52I...
00:05:52I'm trying.
00:05:54Wait!
00:05:56Are you serious?
00:05:58Well, you said you were trying.
00:06:01What is wrong with you?
00:06:03Funny.
00:06:04I was about to ask you the same thing.
00:06:06What are you doing in my house?
00:06:09You...
00:06:10Wait.
00:06:11Your house?
00:06:13My house.
00:06:14My library.
00:06:15And now, apparently, my unwanted guest.
00:06:20Ah, Master Charles.
00:06:22You must be Miss Alice, Anne's daughter.
00:06:24She said you'd be moving in today.
00:06:26She what?
00:06:27There...
00:06:27There's been some kind of misunderstanding.
00:06:30You see, I'm not actually moving in.
00:06:32Is that so?
00:06:34Yeah.
00:06:34I'm not staying here.
00:06:36Like, at all.
00:06:36That's a shame.
00:06:37You must seem quite pleased with the arrangement.
00:06:39Well, I just don't think it's appropriate.
00:06:42Well, if you're sure, then...
00:06:44Absolutely not.
00:06:46Come on, Alice.
00:06:49You must stay.
00:06:51I'm feeling...
00:06:53It'll be...
00:06:54Fun.
00:06:55My dear...
00:06:57Classmate.
00:06:59I'm dead.
00:07:00Like mentally, socially, and actually dead.
00:07:10Just trying to figure out how exactly my life went off the rails.
00:07:14Get it together, Alice Keaton.
00:07:17You've been through hell.
00:07:18I was sure I'd never found someone who made my head spin around.
00:07:21Actually, no.
00:07:23No one's ever gonna be the thing I need.
00:07:24They all just let me go.
00:07:24This is hell.
00:07:26Baby, you saved me.
00:07:28Hi.
00:07:28Good morning.
00:07:36Wow.
00:07:44Sir, is that Miss Keaton?
00:07:47One thing doesn't know.
00:07:48That's often closed for months.
00:07:50She's going to be late.
00:07:56Hey, how long is this thing going to take?
00:07:59Maybe I'll just walk?
00:08:02Five miles to school.
00:08:05Okay, if I sprint, maybe I'll make it before first period.
00:08:09Or die of exhaustion on the way.
00:08:14Or die of exhaustion on the way.
00:08:18What are you doing here?
00:08:20Didn't you already leave?
00:08:23Wait, did you come back for me?
00:08:28Relax.
00:08:30I forgot my textbook.
00:08:31Don't flatter yourself.
00:08:33Wait.
00:08:36Since you're already here,
00:08:38maybe you could be a decent person and give me a ride?
00:08:44No.
00:08:46Seriously?
00:08:47Your car is huge.
00:08:49Yeah.
00:08:51And I'm not a fan of sharing.
00:08:53Says the guy who forced me to live in this house.
00:09:01Unbelievable.
00:09:10Ashford Institute, please.
00:09:17Who needs an entitled brat anyway?
00:09:20Sir, you called the cab.
00:09:21Why don't I just give Miss Keaton a lift?
00:09:28Why don't I just give Miss Keaton a lift?
00:09:30And have the whole school go crazy.
00:09:33She's new.
00:09:34Everybody's already talking.
00:09:36So you're worried about her?
00:09:37You're overthinking.
00:09:38And I just don't like drama.
00:09:47Asshole.
00:09:48Hey.
00:09:50Morning, Klaus.
00:09:52Back to Golding.
00:09:54Remind me what he's saying through Lord of the Flies.
00:10:01Mr. Kenwood.
00:10:03Care to share what you found so amusing?
00:10:05Not particularly.
00:10:07Oh.
00:10:07I insist.
00:10:08You seem very entertained by Golding.
00:10:11I'm not entertained by Golding, sir.
00:10:14On the contrary.
00:10:15I think his ending is...
00:10:18weak.
00:10:20Wait, wait.
00:10:21Do I actually read it?
00:10:22Quiet.
00:10:24That's an interesting take.
00:10:26Explain.
00:10:29He had the set up for something brutal.
00:10:31Something honest.
00:10:33But in the end, he backed out.
00:10:35He could have left the boys on the island.
00:10:37Forced them to confront the collapse of all morality.
00:10:40Let them choose survival.
00:10:41Or death.
00:10:43But instead, he gave them a rescue boat.
00:10:46Slapped a happily ever after on a book about savagery.
00:10:52It's a waste.
00:10:54Don't you think?
00:10:55I'm delightfully surprised, Charles.
00:10:57Didn't think you had such strong literary opinions.
00:11:00I'm always a model student, sir.
00:11:02Let's not get ahead of ourselves.
00:11:05So.
00:11:06A critique of Golding's mercy.
00:11:09Anyone disagree?
00:11:25I think Golding knew exactly what he was doing by ending the book that way.
00:11:29It's not mercy, it's irony.
00:11:31How so?
00:11:35The rescue isn't a happy ending.
00:11:37You don't just walk back into society and forget you're a monster.
00:11:41Golding didn't save them, he left us with the discomfort of pretending they could be saved.
00:11:45That's an interesting take, Miss Keaton.
00:11:47You still think it's a harsh critique?
00:11:49In some ways, but not harsh enough.
00:11:53Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:11:59And the civilized world?
00:12:01Toxic, violent, he didn't call that out nearly as much.
00:12:04So yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:12:12Thank you, Miss Keaton.
00:12:14Well said.
00:12:16Anyone else?
00:12:19Both opinions are valid.
00:12:21Okay, that's kind of epic.
00:12:23And let's not forget, Golding faced major backlash when he first published the book.
00:12:26Good literature will always divide opinion.
00:12:32What's happening to me?
00:12:39Okay, what is going on? Why is everyone staring at me?
00:12:42Well, you're new.
00:12:44And apparently had a thing with Charles.
00:12:46A what now?
00:12:47You two are in the middle of the most epic feud Asher's teen in years.
00:12:51We're not even fighting.
00:12:53Well, according to everyone, you confessed your love on day one, got rejected.
00:12:57Begged to sit next to him, got rejected again.
00:13:01And today in class, you broke down crying about not believing in happy endings and stormed out in tears.
00:13:08You were there, Sherry. That is not what happened.
00:13:12Doesn't matter.
00:13:14People believe what they want to believe.
00:13:16And they want Charles to be flawless, untouchable.
00:13:19Wow.
00:13:20Is misogyny like a rich kid thing or just a British specialty?
00:13:24Honestly, both.
00:13:26But seriously, Alice, some people already see you as a threat.
00:13:37Okay, noted.
00:13:40Looks like the new girl's in for a rough first semester.
00:13:57Hello?
00:14:00Hello? Is somebody out there?
00:14:05Oh, come on!
00:14:19Fine.
00:14:34Seriously?
00:14:37Oh, shit.
00:14:43What the hell?
00:14:45Anne, I thought you were having dinner with Alice?
00:14:48She hasn't come home. Her phone is off. Maybe you've seen her this evening?
00:14:54Yikes. Looks like the new girl's in for a rough first semester.
00:15:04Shit.
00:15:09Alice! Alice!
00:15:11Mr Pelton, Charles Kenwood here.
00:15:13I was wondering if I could get the timetable for Alice Keaton.
00:15:16She hasn't come home.
00:15:17I'll have it sent over.
00:15:20Check the common room in the library. I'll take the rest.
00:15:25Alice!
00:15:39Come on, Alice.
00:15:41Close your eyes and jump.
00:15:43It's fine.
00:15:45You're fine.
00:16:09Hey Mr. Nonchalant.
00:16:14Are you happy with how we end?
00:16:19What are you doing here?
00:16:23Can you get off me first?
00:16:27Did I ask her to mind?
00:16:32Isn't my fault I thought we would go...
00:16:35You're welcome.
00:16:37I didn't say thank you.
00:16:39I figured saving your life might only be basic manners.
00:16:41Someone just dumped swamp water on me.
00:16:44Excuse me if I'm not feeling very polite.
00:16:46You smell like a biology experiment.
00:16:48Wow.
00:16:50You should try falling out of a window into someone's arms and getting insulted for it.
00:16:54I wouldn't recommend it.
00:16:55You're heavier than you look.
00:16:58I hope you pull your shoulder.
00:17:05Are you okay?
00:17:07No.
00:17:08But I will be.
00:17:10Someone did this on purpose.
00:17:12What do you think, golden boy?
00:17:15Don't worry, I can handle it.
00:17:16You shouldn't have to.
00:17:21I'm sorry.
00:17:28Sorry.
00:17:29Sorry.
00:17:33Did you just apologize to me?
00:17:36Don't get used to it.
00:17:37I wouldn't dream of it.
00:17:41Alice?
00:17:42Over here.
00:17:44Oh my god.
00:17:46You okay?
00:17:49Why are you drenched?
00:17:50Yeah, I just took a weird shower.
00:17:54Top exploded.
00:17:57Come on.
00:17:57Stay home.
00:18:08Alice Keaton, right?
00:18:11I heard you staged the whole thing for attention.
00:18:37I know how this place works.
00:18:38If you don't do anything about it, it's only going to get worse.
00:18:43I'll look into it.
00:18:46Charles?
00:18:48Good on you.
00:18:50How many here would speak up?
00:18:55I can't believe someone actually locked you in.
00:18:58That's insane.
00:18:59Where the hell was the school when this was happening?
00:19:01Busy protecting their golden boys and trust funds.
00:19:04Well, for what it's worth,
00:19:06I heard Charles looked pretty freaked out when he ran out last night.
00:19:10Please, he just didn't want a lawsuit.
00:19:29Being a scholarship student has its perks,
00:19:32like saving a fortune on tuition
00:19:34and getting into schools that normally wouldn't even let you pass the gates.
00:19:39Hey, we miss you in Paris.
00:19:42Though there are enough Americans to remind us of you.
00:19:45But sometimes, being here means staying behind
00:19:48and watching Ashford elites go on a two-week enrichment program
00:19:52you can never afford.
00:19:55Have fun.
00:19:57Bring me something overpriced and unnecessary.
00:20:04The trip cost 20 grand in pounds,
00:20:06which translates to mom's salary for half a year.
00:20:09So, yeah, I didn't go.
00:20:20Ahem.
00:20:33What are you doing here?
00:20:34Do you not believe in shirts?
00:20:36Do you not believe in dignity?
00:20:38It's comfortable.
00:20:39You look like a rejected Ewok.
00:20:41This...
00:20:42This is not even your kitchen.
00:20:43And this is not even your house.
00:20:45And yet, you're here,
00:20:46dressed like this.
00:20:48Just don't look.
00:20:49Go away.
00:20:50Hard not to,
00:20:51when you're walking around dressed like that.
00:20:53What do you guys call it?
00:20:55Um,
00:20:56buzzkill?
00:20:57Cockblock.
00:20:59You're insufferable.
00:21:00You're the one cosplaying at breakfast.
00:21:02You know what?
00:21:03I don't get it.
00:21:04Why didn't you go on that tour?
00:21:05I thought rich people live for that kind of thing.
00:21:07Why do you think?
00:21:14Why would I go?
00:21:14I could practically recite the itinerary in my sleep.
00:21:19Florence.
00:21:20Walk in the great footsteps of Dante,
00:21:22Michelangelo,
00:21:23da Vinci,
00:21:24and Titian.
00:21:25Or Titiano,
00:21:26if you want to sound extra pretentious.
00:21:29Then Venice,
00:21:30because everybody loves a good canal
00:21:31and getting lost in the most confusing city on earth.
00:21:35Next stop,
00:21:35Napoli.
00:21:36Marvel at Pompeii.
00:21:38Pretend you're shocked.
00:21:39Ancient people had plumbing.
00:21:41The final stop,
00:21:42Harry.
00:21:43The ultimate city of romance.
00:21:46And,
00:21:47naturally,
00:21:48Woody Allen's
00:21:49favourite city
00:21:50outside of New York.
00:21:53That's
00:21:54word for word.
00:21:56I told you.
00:21:57I've done this tour so many times
00:21:59I could run it.
00:22:00Okay,
00:22:00but still,
00:22:01it's Europe.
00:22:02Most people would kill for that chance.
00:22:03Most people haven't had their phones stolen in Paris.
00:22:06Twice.
00:22:08Also,
00:22:09I hate the accommodations.
00:22:10Aren't they all five-star hotels?
00:22:12Standard rooms in five-star hotels.
00:22:15No thank you.
00:22:17Wow.
00:22:18Some were born in Rome, huh?
00:22:20Well, that's unfortunate.
00:22:20It's a very chaotic city.
00:22:23One word of advice?
00:22:24Shut up.
00:22:24That's two words.
00:22:27You're weird.
00:22:28You're loud.
00:22:29You're annoying.
00:22:30You're in my kitchen.
00:22:31You have three other kitchens.
00:22:32And I prefer this one.
00:22:34Just for today.
00:22:35Come back when you've got a shirt on.
00:22:37Come back with normal clothes on.
00:22:38You don't have to come.
00:22:39Don't tell me what I have to do.
00:22:49Master Charles,
00:22:50roads are flooded.
00:22:51Staff won't make it tonight.
00:22:52Will you be alright sorting dinner?
00:22:57I've got it sorted.
00:23:10Jesus, what are you doing?
00:23:12Relax.
00:23:15I'm here to make a deal.
00:23:16What deal?
00:23:17You nearly gave me a heart attack.
00:23:22You'll survive.
00:23:24I'm not selling my body.
00:23:30I'm not selling my body.
00:23:35Wow.
00:23:37I am deeply offended.
00:23:40That thought disgusts me.
00:23:42Then what are you doing?
00:23:43The staff's off tonight.
00:23:44I'm buying dinner.
00:23:48Did you seriously think I'd spend 100 pounds on...
00:23:51No, I...
00:23:52Jesus.
00:23:54Wait.
00:23:55You think I'm not worth 100 pounds?
00:23:59I'm not spending 100 pounds to snort Chewbacca.
00:24:02You know what?
00:24:03Dinner's cancelled.
00:24:06Are you sure about that?
00:24:10I present to you.
00:24:12Meatball spaghetti, stir-fried veggies, and french fries.
00:24:15You're welcome.
00:24:16Interesting combo.
00:24:18Well, I know we're not in Italy or France, but this will do.
00:24:21It's...
00:24:22It's...
00:24:23Good.
00:24:29Was that a compliment?
00:24:31Although...
00:24:32I am obliged to inform you.
00:24:34Meatball spaghetti isn't Italian.
00:24:36It's American.
00:24:38And french fries, likely born in South America.
00:24:40You should read more.
00:24:43Put it down.
00:24:45I paid for it.
00:24:46You really just have to win every argument, don't you?
00:24:49To be fair, you make it very easy.
00:24:53It's only easy because it costs 200 pounds.
00:24:56You know, if you'd ask for more, I probably would have given it to you.
00:24:58Make sure for the next time.
00:25:14Hey, Alice.
00:25:15It's fine.
00:25:16You're fine.
00:25:24911, what's for your emergency?
00:25:30911, what's for your emergency?
00:25:32It's my dad.
00:25:33He needs help.
00:25:34He just had a stroke.
00:25:35Okay, miss.
00:25:36Hurricane's caused by traffic shutdown.
00:25:37We'll get to you as soon as we can.
00:25:39Please, he's not well.
00:25:40I understand.
00:25:41Can you confirm your address?
00:25:45Dad, yes, I'm right here.
00:25:47All right.
00:25:49My daughter.
00:25:50Please stay with me, Dad.
00:25:52Please.
00:25:58Please, please wake up.
00:26:04Dad, please.
00:26:05Please don't leave me.
00:26:09Please.
00:26:38You...
00:26:39What are you...
00:26:39doing here you were crying loudly kind of hard to ignore right sorry for the
00:26:53night wait no snarky come back not tonight I'm too tired if you're here
00:27:00are you knock yourself out you were calling for your dad right hurricane hit
00:27:08New York power went down traffic froze dad had a
00:27:13stroke we couldn't get help in time I sat there with a candle while he laid
00:27:23there peaceful but he was asleep but he wasn't so that's why you and your mom
00:27:35moved here this used to be our hometown after dad left we had nowhere else to go
00:27:49what are you doing
00:27:54come on
00:28:11wait I thought the power was out it is we have our own generator wow rich people houses her just
00:28:19for
00:28:19tonight I'll allow it what you can call this place your house so enjoy it Stephen King's first edition
00:28:29Alan Gisberg's handwritten letters Jane Austen's notes all yours this is your home Alice Keaton
00:28:48careful almost sounded sweet don't push it okay then I have one request what is it
00:29:08are you ever going to make a move wait give me a second I'm thinking you had one wish anything
00:29:16in
00:29:16the world and in the middle of a thunderstorm inside a literal mansion you chose chess yeah got a problem
00:29:25it's just so cool like spies or genius villains in movies it's literally a board game says the guy who
00:29:33owns a custom set wait does the night go diagonally the tenth time it moves in an L shape
00:29:42one two then turn there happy ecstatic
00:29:51no that's suicide or a brilliant long-term sacrifice you are playing checkers at a chessboard still
00:29:57beating you in sarcasm you literally haven't won any past arguments golding disagrees it's going to
00:30:03be a long night oh my no you can't do you can't do that no no oh my god you
00:30:11had to shop a trip went
00:30:12about it all wrong glad to pull you in close as we're locked on your phone all your sound work
00:30:18cause
00:30:19I'm moving on well you're showing up at my door holding your heart there inside your hands
00:30:29maybe he's not so awful after all
00:30:40um who are you
00:30:46what are you doing here well your parents said you were still at home thank god you skipped that
00:30:51boring grand tour who needs italy and france again right when did you get back last night
00:30:57from zurich you didn't answer my messages i missed you anyway thought i'd come surprise you
00:31:05apparently i'm transferring to ashford your parents were so thrilled they didn't tell me about this
00:31:11i wanted to deliver the happy news myself they said it'd be lovely for us to reconnect you know
00:31:17considering the engagement and all engagement oh did no one tell you he's promised old money stuff
00:31:28very retro i i didn't agree to that you didn't have to it's never up to us
00:31:34where did you find this little toy serena i didn't hear you you know oh an american how refreshing
00:31:47goodbye
00:31:48wait
00:32:04where are you going you still owe me breakfast
00:32:07you only paid for dinner i have homework goodbye
00:32:14your little toy has quite the temper serena can you please just stop what teasing the hell
00:32:26that's her that's the one from kenwood's house
00:32:30is she like the maid or something
00:32:47oh my god what's wrong with people they're saying you live with charles oh and serena what about her
00:32:54well apparently she told everyone you were caught sneaking into his room
00:32:59of course she did
00:33:12careful alice you're starting to look desperate
00:33:26yeah can you help me about my next night
00:33:28i know it's 1066
00:33:29yeah come to the music room urgent
00:33:32i just remembered i need to check something you guys go ahead
00:33:42help is someone there seriously this is getting old
00:33:59wait
00:33:59wait music room what
00:34:04james
00:34:05was anybody in here earlier just miss serena said she was waiting for you
00:34:12sir sir it's raining
00:34:24come on alice you're fine
00:34:27well not that girl again
00:34:35wait can you remind me one more time
00:34:39okay rooks moving straight lines
00:34:42yeah
00:34:43bishops move diagonally
00:34:44and knight
00:34:45the knight's the weird one
00:34:52rooks
00:34:54straight lines
00:34:56bishops
00:34:56diagonally
00:34:59hello
00:35:13feel my soul
00:35:16the text
00:35:20are you okay
00:35:22it hurts
00:35:23i'm okay
00:35:25i i saw the text and i thought
00:35:27i didn't see the message
00:35:29serena took my phone i didn't know
00:35:31i'm sorry
00:35:32i'm okay
00:35:35you're gonna catch a cold
00:35:36you're freezing
00:35:37you didn't have to come
00:35:41don't tell me what i have to do
00:35:43give me hope
00:35:45give me hope that feels like hope
00:36:06that wasn't a mistake if that's what you're about to say
00:36:09i wasn't going to
00:36:12i see the sparks
00:36:16spreading like a wildfire
00:36:20burning in the dark
00:36:24you're really bad at this you know
00:36:27what kissing
00:36:28hiding feelings
00:36:29do you want to dance
00:36:32to the rhythm of your heart
00:36:34this is the beginning
00:36:36of flying in the unknown
00:36:38tell me what you said
00:36:40tell me what you wanted
00:36:41you keep me happy
00:36:51dump those ewok pyjamas
00:36:53oh you wish
00:36:56seriously
00:36:58it's a cock block
00:36:59you kissed me
00:37:02that's basically
00:37:04consent to everything
00:37:10dangerous words keaton
00:37:12i might hold you to that
00:37:23you'll be working in pairs on your comparative essays
00:37:25the list is on the board
00:37:29one two three
00:37:33paper planes
00:37:34are you okay
00:37:35fly me to outer space
00:37:39that's where i'll see your face
00:37:44and have you with me
00:37:50it may seem dark
00:37:53but you always like
00:37:56you're distracting
00:38:04you're welcome
00:38:09they're either enemies
00:38:11we secretly married
00:38:13honestly
00:38:14both
00:38:15i was sure i'd never found someone
00:38:19who made my head spin around
00:38:21no one's ever gonna be the thing we need
00:38:24they all just let me down
00:38:25but baby
00:38:27you saved me
00:38:28until i'm brand new
00:38:31everything's so different now
00:38:35so
00:38:35the night goes in an l shape right
00:38:38why is that the only one you remember
00:38:41because it's weird
00:38:42and i like weird
00:38:58you're cheating
00:39:00i'm winning
00:39:01there's a difference
00:39:02you are very distracting
00:39:04and you like it
00:39:06i will be the form of your day
00:39:09i'll be in the darkest days
00:39:14i'll hold you in my arms
00:39:16charles
00:39:18we need to talk
00:39:26i expected poor judgment
00:39:28but this in my house
00:39:30it isn't what it looks like
00:39:32no
00:39:33kissing a servant's daughter
00:39:35in the family library
00:39:37enlighten me then charles
00:39:38we came back tonight
00:39:39after speaking with serena
00:39:41imagine our surprise
00:39:43walking in on
00:39:44this
00:39:45she isn't just
00:39:46you have no right
00:39:48to barge in
00:39:49on my property
00:39:53i care about her
00:39:54i'm not ashamed
00:39:56that's enough
00:39:59why do you care
00:40:01we're protecting our son's future
00:40:03and our name
00:40:05you think this protects me
00:40:07we think
00:40:08she does not belong
00:40:09in your world
00:40:13then maybe i don't either
00:40:17you're ready to give up everything
00:40:19for a girl you barely know
00:40:24yes
00:40:24then
00:40:25are you sure
00:40:28she's ready
00:40:34i'm asking you
00:40:35do you think she's ready
00:40:37to lose everything
00:40:38regardless of how little
00:40:39that is
00:40:40just to be with you
00:40:42what are you talking about
00:40:43you left us no choice son
00:40:45you shouldn't disobey your father
00:40:49pelton
00:40:50it's frederick kenwood
00:40:52ah
00:40:53mr kenwood
00:40:54how can i help
00:40:55if a scholarship student
00:40:57were to violate our behavioural code
00:41:00in a public setting
00:41:01with photographic evidence
00:41:03would that warrant a review
00:41:05yes sir
00:41:09so
00:41:10answer me again
00:41:11do you think she's ready
00:41:14to lose everything
00:41:15just to be with you
00:41:26charles
00:41:27what happened
00:41:28did your parents say something
00:41:29are they mad
00:41:29is everything okay
00:41:32pack your things
00:41:34you can't stay here anymore
00:41:36what
00:41:38my parents fired your mother
00:41:40she's leaving
00:41:42so are you
00:41:42wait what
00:41:43why
00:41:44is it because of us
00:41:45we can fix this
00:41:46i'll get a job
00:41:47stop it
00:41:48you don't get it
00:41:50if i don't walk away from this
00:41:51they'll cut me off
00:41:53okay
00:41:54no card
00:41:55no trust
00:41:56no support
00:41:58nothing
00:41:58then
00:42:00then we'll figure it out
00:42:01we don't need all that
00:42:03we can
00:42:04do you really think
00:42:05i'm going to live like that
00:42:09so that's what this was
00:42:11just fun until it got inconvenient
00:42:15what did they promise you
00:42:19nothing
00:42:22they just reminded me
00:42:24of what's real
00:42:29charles i'm not stupid
00:42:30you don't just turn into a cold stranger
00:42:33because of one conversation
00:42:34what did they threaten you with
00:42:41what did they threaten you with
00:42:43this is the difference between me and you
00:42:44what
00:42:45you think you know me
00:42:48or what i have
00:42:49you don't
00:42:50alice
00:42:51you're still like
00:42:53i'm not
00:42:53alice
00:42:54look around you
00:42:55this mansion
00:42:57you thought was a museum
00:42:58it's
00:42:59my
00:42:59house
00:43:00my
00:43:02world
00:43:02i was bored into this
00:43:04i am not choosing
00:43:05between this
00:43:09and something i picked up
00:43:11for a moment
00:43:11of fun
00:43:15don't do this charles
00:43:16you don't mean it
00:43:17well it was fun
00:43:19but with you
00:43:22you don't compare to what i own
00:43:25i'll survive the loss
00:43:29right
00:43:32i should have known
00:43:34guys like you don't end up with girls like me
00:43:39you play with them then you throw them away
00:43:43go to sleep alice
00:43:56this fall is a little more than i expected
00:44:02in so deep i can barely see myself
00:44:08yeah around me feels so heavy but depleted
00:44:14but i find this the place to test myself
00:44:26i can barely see myself
00:44:27oops
00:44:27oops
00:44:44oh sorry
00:44:45didn't see you there
00:44:47Then again, nobody does move, please. Hmm. Try begging
00:44:58You know what keep it
00:45:05Poor thing so dramatic
00:45:08Don't
00:45:10Excuse me. I warned you
00:45:13Walk away Serena
00:45:34Last week's group assignments were mostly forgettable, but one pair surprised me in a good way
00:45:42Charles Kenwood and Alice Keaton
00:45:44Would you mind giving us a short summary?
00:45:47She loves the sound of her own voice. Let her have it
00:45:50I couldn't stay, I couldn't wait
00:45:53I thought that you should know that I would have
00:45:57Can hang around
00:45:58Our essay explored what happens when two fundamentally different voices meet
00:46:03Like logic and chaos, or silence and noise
00:46:07Different worlds, different rules
00:46:11At first glance, they clash
00:46:14But what makes the story interesting is what happens next
00:46:17Confusion, curiosity
00:46:20But in the end, some stories aren't about staying
00:46:24And yes, there is no such thing as a happy ending
00:46:35And yes, there is no such thing as a happy ending
00:46:40Is she still talking about the essay?
00:46:44Miss Keaton
00:46:45Miss Keaton
00:47:11Dramatic as always
00:47:11Sorry, what?
00:47:16That's... kind of insane
00:47:19Who's behind this?
00:47:20Your sponsor wishes to remain anonymous
00:47:23Can... can I meet them?
00:47:27I want to... please
00:47:30Or at least tell me a name
00:47:35Sorry, they wish to stay in office
00:47:36So they're only interested in the word, not the person
00:47:38I'd really like to meet them
00:47:40I'm sorry Miss Keaton
00:47:41They were very good
00:47:42And it's the most generous offer we've ever given in this process
00:47:46I see
00:47:47Congratulations again
00:47:52You got the interview
00:47:53It's just an interview
00:47:54I haven't gotten in yet
00:47:55Still
00:47:56Alice Keaton at Oxford
00:47:59That's iconic
00:48:07You okay?
00:48:09Yeah
00:48:11I'm so excited
00:48:13I'm so excited
00:48:25It's done Mr Kenwood
00:48:26Miss Keaton signed the contract
00:48:29Good
00:48:31It's a generous deal
00:48:32You sure you don't want it to know?
00:48:35No
00:48:36No, it's better if I stay out of her life
00:48:39I would be before you, babe
00:48:44I'd be there in your darkest days
00:48:48Congratulations, Alice Keaton
00:48:50Go live the life you were always meant to
00:48:58Your engagement and advancement should align perfectly with the Foundation Gower
00:49:03And the Browns already offered to host the London reception
00:49:08It's all coming together beautifully
00:49:13I've lost my appetite
00:49:15I've lost my appetite
00:49:18I'll go check on him
00:49:24What's your problem, Charles?
00:49:30This engagement
00:49:31Is not happening
00:49:32It's not up to you, you know that
00:49:34Serena, we're not doing this
00:49:37You've changed
00:49:42Or maybe I finally just stopped pretending
00:50:12You're the sponsor
00:50:14You've been funding Alice Keaton this whole time
00:50:19So?
00:50:20You lied to everyone
00:50:22Including her
00:50:23I protected her
00:50:27You loved her
00:50:28You loved her
00:50:29Still do
00:50:31Let it go, Serena
00:50:35There's no point
00:50:44I need a favour
00:50:45Find out when the Oxford interview is
00:50:49And make sure Alice Keaton won't show up
00:50:56Anything?
00:50:57No?
00:50:58She's not answering
00:50:59The interview is almost over
00:51:01Well, she won't just not show up
00:51:03Something's wrong
00:51:06Where's Alice?
00:51:08When was the last time you heard from her?
00:51:09Last night
00:51:10She said she was prepping all evening
00:51:16James, track someone for me
00:51:20Wait, where are you going?
00:51:25No
00:51:28Chill, okay
00:51:30We won't hurt you
00:51:31Yeah, we're just supposed to keep you away from the interview
00:51:34That's it
00:51:43Shit!
00:51:44Come back!
00:52:12I remember how I meant
00:52:16Didn't need a second guess
00:52:22Hey, hey, hey, Alice, Alice?
00:52:25Alice, stay with me
00:52:26Stay with me
00:52:26Stay with me, Alice
00:52:27Alice
00:52:34You're awake?
00:52:37Where... where am I?
00:52:38Local clinic
00:52:40Passerby brought you in
00:52:42Passerby?
00:52:43He found you on the side of the road
00:52:45He had to leave, he didn't leave a name
00:52:49Oh
00:52:51The interview, what time is it?
00:52:53Easy
00:52:53Easy
00:52:54It's okay
00:52:55Someone already contacted the university
00:52:57And sent in your writing samples
00:52:59They've rescheduled your interview for tomorrow
00:53:01Wait, what? Who?
00:53:03No idea, but it's all taken care of
00:53:08What did you say?
00:53:10Nothing
00:53:12I just...
00:53:13Had a dream
00:53:21I did, yeah
00:53:22I did, yeah
00:53:24Did you...
00:53:25I got him!
00:53:29Oh, I knew it
00:53:31Too bad Charles isn't here to watch you crush it
00:53:34He's not here
00:53:36Oh, you...
00:53:37Didn't know
00:53:38Know what?
00:53:40He left
00:53:41A few days ago, yeah
00:53:43Everyone doesn't really know where he went
00:53:45Honestly, Asher has been quieter without him
00:53:47It's probably for the best
00:53:48Come on
00:53:49I hate him
00:53:50I couldn't stay
00:53:52I couldn't wait
00:53:54I thought that you should know that I would have
00:53:57And hang around
00:53:59The summer I met Charles Kenward was loud
00:54:03Chaotic
00:54:05Unexpected
00:54:08And with his absence
00:54:09Come on
00:54:10Come sit with me
00:54:11It ended quietly
00:54:13Of the feeling of your eyes on me
00:54:15Like summers always do
00:54:17Like something from a fantasy
00:54:18Did you feel it from across the room?
00:54:23Did you feel a little enchanted?
00:54:29And joining us today
00:54:31The decade's most unexpected literary phenomenon
00:54:35Alice Keaton
00:54:36Thank you for having me
00:54:37Now, your words moved millions
00:54:40They say your stories feel real
00:54:43Especially the ones about love
00:54:45Thank you
00:54:45Which brings us to the most obvious question
00:54:48How's your dating life like these days?
00:54:50No comment
00:54:51A little bird told me that the past four years
00:54:54Has been just writing and working
00:54:57Not even a single date
00:54:58Let me guess a bird named Shiri
00:54:59Still no comment
00:55:02Alright, alright
00:55:03No matter what you say
00:55:04You write love
00:55:06Like someone who's lived it
00:55:08If you're so real
00:55:11That's why today we're here sharing the story
00:55:14Behind Alice Keaton's new book
00:55:16And no one ever quite matched the light after that
00:55:19And let's give it up for Alice Keaton one more time
00:55:32Congratulations Alice
00:55:34The numbers just came in
00:55:35You broke your own record
00:55:38That's incredible
00:55:40We're thinking celebration, press, photos, maybe tonight
00:55:44Actually
00:55:45There's something I'd rather do
00:55:48I'd like to meet with the person who
00:55:50Believed in me first
00:55:52My sponsor
00:55:53You're sure?
00:55:55Yeah, just once
00:55:58Tonight, 7pm
00:56:09Good evening
00:56:14Good evening
00:56:15Good evening
00:56:18May I sit?
00:56:28Hi
00:56:30Hi
00:56:30Hi
00:56:32You look well?
00:56:36And you look like you just stepped out of a GQ cover
00:56:39You always did
00:56:41You were expecting someone else
00:56:44I was
00:56:46Hoping
00:56:48But I guess I always knew
00:56:50I didn't come here to confuse you
00:56:53Or to reopen anything
00:56:54I just wanted to say congratulations
00:57:00Oh, thank you
00:57:04Didn't know you're still reading
00:57:06You're rich enough not to do so
00:57:09Always
00:57:11Either way
00:57:12Your sponsorship started my career
00:57:14So...
00:57:15No
00:57:15No, you've...
00:57:17You earned everything
00:57:21Every word
00:57:22Every page
00:57:25Every reader
00:57:27That's what I came to say
00:57:32It was good to see you again
00:57:34I hope...
00:57:35Charles
00:57:37Can you just...
00:57:40Wait a little longer
00:57:47I think I knew it was you
00:57:49I think I knew it was you
00:57:50There was one email
00:57:53You said something
00:57:54It felt familiar
00:57:55Really?
00:57:57Kind of had that rich asshole with a conscience energy
00:58:00Very on brand
00:58:02I should've anonymized my grammar
00:58:04Too late
00:58:05Your semicolon usage gave you away
00:58:08Still the only girl I know
00:58:09Still the only girl I know who flirts through punctuation
00:58:11Still the only girl I know who uses wiles unironically
00:58:17You've changed
00:58:18You've changed
00:58:20But...
00:58:20Not really
00:58:23You haven't changed
00:58:25But...
00:58:26Maybe you've grown into who you really were
00:58:31Anyway...
00:58:31I wanted to say...
00:58:34Thank you
00:58:36And...
00:58:38Thanks for being here tonight
00:58:40You didn't have to come
00:58:42Don't tell me what I have to do
00:58:46Yeah...
00:58:46You didn't have to come
00:58:49Don't tell me
00:58:50What I have to do
00:59:11If you could go back, if you had the chance to do it all again, would you do anything differently?
00:59:23No...
00:59:26No...
00:59:29No...
00:59:31I see...
00:59:35I know my answer now
00:59:36I didn't have the power back then
00:59:39Not enough to protect you
00:59:41I couldn't watch you get crushed because of me
00:59:44Because of my name
00:59:46My family
00:59:49I didn't want to be the reason you lost everything
00:59:51So you just disappeared
00:59:53Without a word
00:59:57If you had the chance to see the woe
00:59:59Without me weighing you down
01:00:02If you still chose me after that
01:00:07You keep saying you wanted to give me a choice
01:00:11But you made a choice for me
01:00:15Did it ever cross your mind that maybe...
01:00:19I would have chosen you anyway?
01:00:26I didn't think I was the smart choice
01:00:29You weren't
01:00:32But I never claimed to be that smart
01:00:43This is me
01:00:45Right
01:00:53I'm still mad at you, you know
01:00:57I'm still in love with you, you know
01:01:06Do you want to come in for a bit?
01:01:11You're asking your ex
01:01:12Who you haven't seen in four years
01:01:15To come into your hotel
01:01:16At approximately 11pm
01:01:20You were right
01:01:21You never were that smart
01:01:24You don't have to come
01:01:25Don't tell me what I have to do
01:01:27It's almost like you say
01:01:31Where does things burn, let go
01:01:41Stop quoting yourself
01:01:42I recycle
01:01:43Saves energy
01:01:46This feels wildly irresponsible
01:01:48You sound like a disclaimer
01:01:49You're the one who once called romance a distraction
01:01:52I said that?
01:01:53Yeah, before calling Wuthering Heights overrated
01:01:56Still is
01:01:58You're lucky you're a good kisser
01:02:03That is cute to me
01:02:05Don't you dare quote poetry
01:02:07I wasn't going to
01:02:08I forgot all of it the day you left
01:02:11Then shut up
01:02:13And prove it
01:02:19I still can't believe this is happening
01:02:21I told you that you're the worst enemies or secretly married
01:02:25And I told you that both
01:02:53I vowed to always tell you the truth
01:02:55I vowed to always tell you the truth
01:02:56If that's for when you ask how you're cooking work
01:02:59Then I lie
01:03:01Respectfully
01:03:03I vowed to keep choosing you
01:03:06Loudly
01:03:07Quietly
01:03:09Always
01:03:11Even when you forget to do the laundry
01:03:15Is he actually good at this?
01:03:17I mean, he did beat her at sarcasm
01:03:23I vowed to argue with you at least twice a week
01:03:25Especially over Shakespeare
01:03:28I vowed to write you in your every story
01:03:30Even when I say I didn't
01:03:32You will always be a part of my life
01:03:36If she quotes Austen in this toast
01:03:37I'm out
01:03:38No you're not, you're gonna cry harder
01:03:41For the rest of life
01:03:45For the rest of life
01:03:47For the rest of my life
01:03:59Woke up to the smell of roses
01:04:03I can't believe you picked Paris
01:04:05Such a cliché honeymoon destination
01:04:09Guard your phone
01:04:10Relax, just don't dress like a walking inheritance
01:04:13And you'll be fine
01:04:16You are not wearing that on our honeymoon
01:04:20Please, Alice, go change
01:04:22Don't tell me what I have to do
01:04:28No
01:04:29No, no, no, no, that is not an invitation
01:04:32Do not take off these clothes
01:04:33Overruled, you look much better without them
01:04:38I miss home
01:04:40But there's a feeling in my home
01:04:42To the ones who loved in silence
01:04:44In chaos, in chapters
01:04:47You will find your way home
01:04:53Sometimes I wanna be on my own
01:04:55Sometimes I wanna be on my own
01:04:56But I don't wanna die alone
01:04:58Cuts!
01:04:59Cuts!
01:05:00Cuts!
01:05:09Cuts!
01:05:10Cuts!
01:05:11Cuts!
01:05:22Cuts!
01:05:23So
01:05:24Cuts!
01:05:24to us to make sure that we can gain what's been passed through these books.
01:05:29Help us develop, learn, and grow.
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