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  • 10 hours ago
Paatal Lok - Season 2 - Episode 03: Four Murders And A Funeral

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Transcript
00:004.
00:034.
00:065.
00:075.
00:076.
00:078.
00:078.
00:1810.
00:2011.
00:2011.
00:2312.
00:2415.
00:2515.
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00:2615.
00:2716.
00:2816.
00:32Fuck the gun. Fuck them all!
00:59Fuck the gun!
01:00Come here!
01:05Die! Fucking die!
01:08Where is it?
01:10Where is it?
01:11Where is it?
01:19Hey!
01:20Hey!
01:20Hey!
01:26Hey!
01:35Hey!
01:40Hey!
01:41Hey!
01:42Hey!
01:42Hey!
01:45Hey!
01:46Hey!
01:47Where is it?
01:49No!
01:50Baby!
01:52No!
01:52No!
01:53No!
02:25No!
02:26No!
02:27You're going to be too busy!
02:31Yeah!
02:32Just waiting on the luggage.
02:36Listen, I'll call you in the evening.
02:40Me too, sweetie.
02:41Fine.
02:42Can't permit, please?
02:43Yeah.
02:50What about the other one?
02:54Um...
02:55Oh, my God!
02:57Oh, my God!
03:02Oh, my God!
03:09Oh, my God!
03:09You're going to be a bit of a little bit of a dry state.
03:11You're going to sit here.
03:13You don't have to keep the bottle of the bottle, sir.
03:16It's a sealed bottle.
03:17New sealed bottle.
03:19You're going to the airport for Samathul,
03:22two hours.
03:24I was sitting there first time in the Jajam.
03:25My life is going to be a bit of a bit of a bit of a bit.
03:30You're going to be a bit of a bit of a bit.
03:36You're going to be a bit of a bit of a bit of a bit of a bit.
03:38I'm going to be a bit of a bit of a bit.
03:48I'm not going to be a bit of a bit.
03:49Hello, sir. Permit.
03:50Permit, sir.
03:52Hello, sir. Permit.
03:53Hello, sir.
03:55You need a bit.
03:57Sir, is your line permit permit here, sir?
04:00No, sir.
04:01Sir, you don't have any permit without permit.
04:02Sir, you can't get anything without permit.
04:04I'd like to show a big hotel,
04:09What's going on, sir?
04:12Get the order.
04:24Meghna Barua.
04:25Imran inside.
04:26This is my colleague, Inspector Hathiram Chaudhary.
04:28Inspector Isaac will take you to your guest house.
04:31Okay.
04:32Please consider him your guide here.
04:34We can talk tomorrow.
04:35We can talk tomorrow.
04:36Come. Let's go.
04:38But we were going to go to funeral, right?
04:41I'm sorry, but it's risky.
04:44We had to impose curfew in some areas.
04:47We're not tourists, ASP Barua.
04:48We are here to investigate this case.
04:50Would have been better if you were tourists.
05:00Tom died in your city, officers.
05:02Under your watch.
05:05So his supporters think that this investigation is a cover-up.
05:09So it will be better for your safety.
05:11It will be better for us.
05:12Our safety is not your responsibility, madam.
05:15Your responsibility is to give us information and ground support.
05:17So, please.
05:21Come on.
05:33Come on.
05:34Walk first.
05:35Take care.
05:37Come on.
05:45Time for it.
05:45I have to go.
05:46I have to go.
05:47No...
05:47He wants to come to the funeral.
05:50Jonathan is the funeral of Tom. He's coming to Nagaland.
05:54Is his son too, madam? That's Ruben.
05:57I hope not.
06:00He had a statement.
06:03In the Confession video, he gave him 10 lakh rewards.
06:08Sorry, is there a question then?
06:10Is that a cover-up in your opinion?
06:12In this case, I can't answer any questions on the father's differences.
06:17Mr. Anseri, my job is to provide information and ground support.
06:24I don't have my opinion.
06:26Even though I don't have any opinion here, you don't have any opinion.
06:31Then, madam, if you get a little information,
06:35he's a drug dealer, Max Rezo's name.
06:40You don't have any opinion, background, or anything.
06:44We're also looking for him.
06:45How does he go to the ground?
06:48He can ask a gang member to the police.
06:52Give me a list.
06:53All the names.
06:55It will be easy for you to take us.
07:16Leave your guns in the car, please.
07:20Leave your guns in the car, please.
07:23I will be safe.
07:25Men, go.
07:38Nesak.
07:39Yes, ma'am.
07:40I think you should stay here at the entrance, OK?
07:43OK.
07:44All OK here?
07:45Yes, ma'am.
07:47Send Lota to the chapel area.
07:49OK.
08:04No, no, no, no, no.
08:32Let me handle this, please.
08:49Let me go.
08:51Let me go.
08:54Let me go.
08:58Let me go.
09:21Let me go.
09:25Let me go.
09:29Let me go.
09:30Let me go.
09:30Let me go.
09:32Let me go.
09:33What happened?
09:35Reuben, his son is here.
09:37Isaac, come in.
09:38Isaac, come in.
09:39I need backup here.
09:39No, no.
09:41You couldn't take me to the house.
09:43I can't.
09:44I can't!
09:45I can't!
09:46Reuben, please.
09:47I'm here.
09:49I'm here.
09:51I'm here.
09:53I'm here.
09:54I didn't have a problem.
09:56Don't let me go.
10:00Don't let me go.
10:02Don't let me go.
10:03Don't let me go.
10:04Don't let me go.
10:04Easy. Easy.
10:07Stop.
10:10Ruben.
10:11Easy. Easy.
10:13No, no.
10:15Put it down.
10:17Ruben.
10:19Ruben.
10:20Don't let me go.
10:22I'm sure you're gonna go again.
10:25Don't let me go.
10:26Please.
10:32Get the dead body.
10:36Put it down.
10:39Put it down.
10:40Put it down.
10:45Ruben. Please.
10:46Please.
10:48It's okay. Please.
10:50Just relax.
10:52Relax.
10:54Please.
10:56Please.
10:59Easy.
11:01Javi.
11:03I'm allowed to Javi.
11:05She needs you today.
11:07Yes.
11:08Good luck.
11:33I've told you.
11:36Can you wait for the car?
11:37Go easy on them, officer.
11:40It's their first day in Nagaland.
11:42Takes a little time to understand this place.
11:46Excuse me.
11:49Hello, sir.
11:50He was the officer I was telling you about, sweetie.
11:53Oh, man.
11:54Sir.
11:54Mr. Kapil Reddy.
11:56Special advisor to the government of India.
11:58Yes, sir.
12:00Sir.
12:01Can I ask you a question?
12:04Since you know the family so well.
12:08Why did Ruben split with his father?
12:12Who knows?
12:14Maybe it was a political fallout.
12:16Maybe something personal.
12:46Why did you call your family?
12:50Why did you call your family?
12:52I don't know.
12:54Why did you call him?
12:56Why did he say his father?
12:58Why did he call his father?
13:00Why did he call him?
13:00But he was only a judge.
13:03He was a lawyer.
13:05He wanted to call him.
13:06Why did he call him?
13:12He was a lawyer.
13:34There are bigger things at stake here.
13:49There are bigger things at stake here.
14:03Ma'am, stay.
14:20They shouldn't dig too much.
14:27Do me a favor.
14:31Please don't put him next to her.
14:45Oh, oh, oh, oh...
14:49Oh!
14:54Hey, hey!
14:58Ah, oh, oh, oh, oh...
15:04Ow!
15:35God bless you.
16:08I'm sorry.
16:35Putting all speculations to this, Ruben Thong has attended his father's funeral at the Naraf of Vishnu's burial home in
16:42Kotima,
16:43leading to a moment of tension with his father's party member.
16:48Meanwhile, there's still no information of the three who confess to killing Jonathan Thong in a video that had since
16:54gone viral.
16:57They have formed the Taliban, Sasuki.
17:01We would like to remind our viewers that Ruben Thong had put out a report of 10 acts on the
17:06information...
17:07What?
17:09Sir, Saru, I'm getting a phone. I didn't get the phone.
17:13So, I'm going to check the other phone.
17:15But now, let's go.
17:17No, no, please.
17:19Listen, I'll have to call you back up.
17:21Yeah, I'll call you back up before you sleep.
17:27Yeah, me too.
17:32Girlfriend.
17:33Don't tell me before.
17:35Please.
17:38You...
17:39I mean...
17:41You and I are now.
17:43If you're talking about this, you don't have to worry about it.
17:46Just call me, sir. I'm being angry.
17:50Sir...
17:51There's a lot of people in front of the S.I. Maran, right?
17:53So, they'll call the crime of the minute before.
17:56But the ACP has been moving to the ground.
18:00What's that?
18:01I'll give them to you, sir.
18:22Don't cut the phone, Pakoad.
18:24You're doing something like I'm going to buy a loan.
18:27Are you at home?
18:29What do you want to say?
18:31What do you want to say?
18:31What do you want to say?
18:31What do you want to say?
18:31I'm trying my phone at the morning.
18:33It's getting ready.
18:35Everything is okay at home?
18:38Hello?
18:39Everything is okay at home, right?
18:42Yes, everything is okay.
18:44If you haven't come here today,
18:45you'll get a chance to do your work at home.
18:47The period started from the morning,
18:49and the rest of your voice is complete.
18:52Say it again.
18:53You keep your attention.
18:55Okay?
18:57And how is that child?
18:59Yes, that child.
19:01I don't even know her name.
19:03Okay.
19:04Either she eats or she speaks.
19:06And yes,
19:08she does not feel bad at home.
19:09She was lying on her bed.
19:11Look,
19:12her mother's accident was in front of her eyes.
19:15So,
19:15give her time.
19:16Okay?
19:18Okay?
19:19Let's go.
19:19Let's go.
19:23You'll be coming from Siddhu's dad, right?
19:27I'm trying to figure it out.
19:29How do you...
19:29How do you...
20:00My name is Renu Aunty.
20:03And your...
20:04Go ahead.
20:17After the murder,
20:18you two of your supporters had attacked Rose's house.
20:21Everyone left the house.
20:22After that, we were two houses.
20:29Where are the guards?
20:30Where did the PCO call details go from?
20:32We are trying to get the office.
20:34Yes, this is the house.
20:50Where are the guards?
20:51Where are they going to eat?
20:55They don't want anyone to protect these people.
21:00That's his father.
21:01Yes, brother.
21:04I know, father.
21:05I know, father.
21:07These are all the guards.
21:09These are all the guards.
21:15Where are you from?
21:17Where are the guards?
21:22Who are the guards?
21:24What are you doing here?
21:26What are you doing here?
21:27How are you doing here?
21:28I'm not working here.
21:30Daddy, you're coming here.
21:32You're coming here.
21:34You're coming here.
21:34Oh, my God.
21:36Daddy.
21:38Welcome, sir.
21:39Welcome.
21:40Can you have coffee, coffee, coffee?
21:43Good.
21:43I want to have coffee.
21:44Good.
21:44We'll be in here.
21:46You can leave here.
22:11I'm going to put it in a little bit, so I'm going to put it in a little bit, so
22:16I'm going to put it in a little bit.
22:20Where did you go? When did you see her last time?
22:27You've also come to ask her to ask her, right?
22:32She's been a year old.
22:34She's been a year old.
22:36Do you ever talk about your daughter's phone phone?
22:40No.
22:43Why?
22:43Why?
22:47Because she died, she's for us.
22:50Did you hear the name of Prakhupaswan?
22:55Do you know Thom a day?
22:59There's no reason to kill her.
23:03Why did Thom a day kill?
23:08Do you understand?
23:09There's no reason to kill her.
23:29There's no reason to kill her.
23:31Where is the photo?
23:32Where is the photo?
23:42Where is the photo?
23:44Where is the photo?
23:46Where is the photo?
23:48There's no photo.
23:49Did you see the girl's photo?
23:53Yes, but he didn't tell me that he was working in his wife's hotel.
23:58He has to go to his wife's hotel.
24:01Sir, you will go. I have another plan.
24:04Yes.
24:08What do you want to do with him?
24:24Are you sure not going anywhere?
24:26No. The roads are too bad. The government started a lot.
24:33Yes, but it's a lot of pain tonight.
24:36You're going to do it.
24:41Yes.
24:42Give me my car. I will not be able to go anywhere.
24:46Okay.
24:50Go to the station.
24:54Where are you going?
25:04Hey! Taxi!
25:10I don't know what you have to understand today.
25:14My mother doesn't take my name without cars.
25:16And my father doesn't take care of her.
25:18I'm going to take care of her.
25:20Isaac told me that she's been working for 14 years.
25:22She's been working with Rose's father.
25:24Is she the murder of Thum?
25:30Stop, stop, stop.
25:33Stop.
25:33He will take a bus.
25:38Let's go.
25:39I'm going to take care of the girl.
25:42Who's the girl?
25:44Do not have children.
25:50Go out.
25:53Afraid of the girl.
25:55We're holding back.
26:01We're doing it.
26:05We're holding back.
26:05Don't you?
26:06I'm going to keep you up.
26:08I have no idea.
26:08I'm going to take care of her.
26:09Find what you think.
26:16Side side side side side side side side side side side...
26:21Listen, listen, come here.
26:23Yes, sir.
26:24The police said that the police are trying to get away from the police.
26:28Please try in the shade .
26:30General's waiting room, sir, is cold.
26:32Our second lawyer, our Delhi and Dhyani module is there.
26:35Where is the shade?
26:36Sir, let's go back and get three numbers.
26:39That's it.
26:39That's it.
26:58That's it.
26:59Hello, sir. How may I help you?
27:01Imran Ansari, ACP Telepolis.
27:03I would like to speak to Mrs. Grace Reddy.
27:06Sure, sir.
27:39Yes, sir.
27:39What do you think she's doing?
27:42Yes.
27:43Ok.
27:44Ok.
27:58I saw her picture in the news.
28:01She's the main suspect, right?
28:03Yes, but what I meant was, have you ever met her?
28:07No.
28:08Why are you asking this?
28:10Are you sure, ma'am?
28:11Because she worked in your hotel for two years.
28:17Oh.
28:21Look, I run seven hotels in the Northeast.
28:25There are 400 people who work for me.
28:28I can't possibly remember each of them.
28:33But I can check with my manager.
28:35iker comes in.
28:56And I can look at her at the same time.
28:58I'm sure I don't know.
28:58I can't remember each other.
29:12you're right she used to work for us but we fired her
29:19apparently she was a drug addict my security caught her stealing from one of our rooms
29:26I'll never forget an employee like that
29:32where Eddie has talked to him, he murdered her
29:35remain suspect of his ex-employee
29:38let's go, don't remember my wife's son, he doesn't even know his employee
29:41his photo is on her TV channel
29:49okay sir, I'm going to stop my phone's battery, I'll do your phone
29:53I'm going to stop my phone, I'm going to stop my phone
29:54hello?
29:56should
30:07rego?
30:10hey
30:11police
30:12hey
30:13hey
30:15hey
30:15hey
30:15hey
30:15hey
30:15hey
30:15hey
30:15hey
30:15hey
30:16hey
30:16hey
30:17hey
30:18hey
30:19hey
30:20hey
30:21hey
30:21hey
30:22hey
30:25hey
30:26hey
30:30I'm going to get you to the police!
30:48Hey, my brother!
30:48Hey, what are you doing?
30:49Hey!
30:50Hey, I'll go.
30:51Hey, hey!
30:51Hey!
30:51Let's get up.
30:52The police are there!
30:57Okay, I'll write one number.
30:59I'll call one number.
31:01I'll call Haman's name.
31:02What's the name?
31:03Bittu Rahman.
31:04Bittu Rahman.
31:05I'll leave him in 5 hours.
31:06Okay?
31:06If you get a case,
31:08Bittu Rahman will not be able to get anything.
31:12Do you understand or do you understand?
31:13Where are you from?
31:14Chinchunapur.
31:15Chinchunapur.
31:16Chinchunapur.
31:17You'll get out of here.
31:20Sir!
31:22Oh, sir!
31:24Hey, the bottle is picked up.
31:25The Hajaab is picked up, sir.
31:26I don't know any of them.
31:27I'm a police officer.
31:29So, let me show you the ID group.
31:31No, there's nothing.
31:34No, there's nothing.
31:35Bittu Rahman?
31:42Listen to me, brother.
31:45Hey, man.
31:45You're going to pay attention, sir.
31:46You're eating fast, right?
31:53When did you tell my name?
31:55Don't you know, sir.
31:57I'm just saying that they go to a little airport to a little airport to get an appointment.
32:03I was a good one to know the police.
32:05I don't know the police.
32:05Sir, you're my wife.
32:07You don't know the people.
32:08Who knows?
32:09Oh, sir.
32:09Sir, in the past six years, I have cut so many holes in the court.
32:14Who is the officer? Who is the judge? Let me tell you.
32:17Isn't it fun?
32:19Sir, I'm telling you that the case is coming out of the case.
32:23I'll tell you for two months.
32:24I'll tell you for 10 minutes.
32:26He's going to be doing UNR, UNR, UNR, UNR.
32:29He's coming in two minutes.
32:30He's going to be doing it in two minutes.
32:33I'm going to be talking about it, sir.
32:36I'm going to be talking about the court in Gowra-Kur.
32:38It's very low, sir.
32:40It's here.
32:42What?
32:43Who'll get the ticket?
32:44I?
32:45I have.
32:47Who will come?
32:51Sir, I'll take the ticket to the court.
32:52You can't come to Delhi.
33:02The court takes the ticket.
33:04I don't know. Four days before I came to Uwad Asam.
33:07I was able to take some money from Max.
33:11We all take some money from Max, sir.
33:14There were two days before, but we went to a road accident.
33:18Now it's a forest area, sir.
33:20It's not like that.
33:22Where did Max come from?
33:23How many times did he come from?
33:25Then?
33:42The way!
33:43You're going to be able to invest to his murder?
33:46You?
33:50That's it, sir.
33:53Everything comes to Naga Land in Naga Land.
33:55Everything comes to Naga Land.
34:04Sir, your phone?
34:10Yes sir, tell me.
34:11Okay, there was an address that PCO's call detail
34:14where Rose had been phoned.
34:20Max, are you a man of thumb?
34:22Yes sir, it was five years ago.
34:25Then Max got into trouble.
34:27We didn't get out of it.
34:30After that, I got a rate of 17 crores.
34:34Max got into trouble?
34:36There's no confirmation,
34:37but there's a doubt about it.
34:43You should get to get this information in Meghna.
34:45No, no sir.
34:47The rate of 10-15 years ago,
34:49she got a migrant.
34:50She didn't tell me.
34:58I hope you didn't have trouble finding the place.
35:00I could have picked you up.
35:01Yes ma'am.
35:02That's all right.
35:04Then I told you so much about who to get here.
35:08Esther Shipong.
35:09It's a clean record of the rehab center.
35:14Yes.
35:15She had called me that night.
35:18She was very panicked.
35:20I wanted to help.
35:22Why didn't you call the police?
35:25She was my patient, ma'am.
35:27She had called me in confidence.
35:29No, no.
35:31Now tell me what she wanted to help.
35:34She was looking for a place to hide.
35:37I...
35:38I told her.
35:39Why?
35:42How was your patient?
35:43I wanted to help.
35:45I had come to the news.
35:47When did you know her?
35:48In the last year.
35:50I met in Kohima.
35:51In the rehab center.
35:54She had run away from that hotel she was working at.
35:57I was dealing with my own issues then.
36:01And we became close.
36:04My husband had died a week into my pregnancy.
36:11But the child gave me a reason to live.
36:13Mom.
36:15I was worried about her.
36:17I was worried about her.
36:19I was worried about her.
36:21I was worried about her.
36:27I was worried about her.
36:28But...
36:28There was no reason for Rose.
36:32She ran away and started using again.
36:34What did Jonathan Thomb say to you?
36:37What did Jonathan Thomb say to you?
36:41Madam.
36:43It's not your patient.
36:45It's our suspect.
36:47So if you heard Thomb's name, tell me.
36:54She was his mistress.
37:11Tom was a very colorful man.
37:13But I'm not so sure if we can trust her information.
37:16At least you got something from her.
37:19Madam.
37:20We have told her that a few months ago,
37:23a drug raid will get a few people in a drug raid.
37:26And she will get to the police.
37:30Also, from tomorrow we won't be needing your guide in your car.
37:33We'll manage.
37:35Sure.
37:53You go.
37:54I'll come back and see you.
37:55Sir?
37:56Where will I go?
37:57Sir?
37:58We have時 of police.
37:59We'll take charge on the time.
37:59You'll take a few months after that.
38:01I'll take care of your police.
38:02I'll take that many minutes.
38:02I've been exhausted.
38:04I'll take care of my police.
38:05Sir?
38:09Have you seen it somewhere?
38:13No, sir.
38:15I've never seen it before.
38:16Sir, where is it from?
38:17From there.
38:19Hey, Dolly.
38:21Where is your side?
38:28This is Raghuvay Sahib.
38:30How do you know it?
38:31We've been up down for 2 or 4 times.
38:34When did you see the last time?
38:36Before, sir.
38:40Have you ever seen this girl with her?
38:43What is it, sir?
38:45What do you mean?
38:46Once in this session,
38:49a girl came to meet her.
38:52She saw her from far away.
38:55I don't remember her face.
38:57But where is she?
38:59She went to Raghuvay Sahib.
39:01No, sir.
39:01Have you ever seen Raghuvay Sahib?
39:03No, sir.
39:04But she was still here.
39:07She would go to her.
39:09Do you know her name?
39:12Name…
39:14Maybe…
39:14She's working on a subji market.
39:17She was working in the chemical market.
39:20Sir, sir.
39:23Sir.
39:23Sir, let's just die inside of us, sir.
39:26Sir.
39:28Just let the girl leave.
39:31Sir.
39:31She used to play the road in the heart.
39:33The corona just ate everything, sir.
39:37Sir.
39:39Sir.
39:39Sir, I have seen her before.
39:40Mr. Abadantah, we have to take him here.
39:44We have to take him here.
39:50Okay, I'll see.
39:54He's translated two SMS from his phone and sent him to the murder of two days before.
39:59I'll be there on Monday night to make sure it's ready.
40:03And after that, I'm sorry for hiding it from you for so long.
40:08I had no choice.
40:11What was that looking like from Thome?
40:15Thome's phone records are also coming.
40:17At the night of the murder of the night,
40:19who was the last call from the one who was talking in the house?
40:24Who's that?
40:26The Max Resort.
40:33What's that, brother?
40:35What's going on?
40:36Who is that?
40:38I'm not going to die.
40:40Get out! Get out!
40:57Get out!
40:58Hey!
40:59Hey!
41:00Hey! State Police!
41:02State Police!
41:04Back off!
41:06Show me ID!
41:09Police?
41:10Back off.
41:16Hey!
41:18What?
41:32Who is that?
41:34Isaac,
41:36I've got a photo.
41:37I've got a forensic team.
41:40I've got a photo.
41:49Who are you looking for?
41:52Max, resume.
41:56Give him his eye card.
42:06Thank you for the timely information, madam.
42:08Why are the two officers behind us today?
42:12What do you think?
42:14Every person works for my department.
42:19Who do they work for?
42:23I've got a photo.
42:27I've got a photo.
42:28And I've got a photo.
42:30Nothing much.
42:31But I'll tell you.
42:33I'll go to Grace Reddy.
42:35You've got a photo.
42:38You've got a photo.
42:40Come get out of the hotel.
42:42You've got to call.
42:43Call him now.
42:44I'll take out of the hotel.
42:45Come on.
42:48Come on.
42:49I'll go.
42:50We'll get out of the hotel.
42:51We'll release the video.
42:52Listen.
42:53Don't do anything stupid.
42:54Ruben!
43:22Hey, hey, hey, hey, yeah.
43:26Hey, hey, let's go, let's go.
43:30What a time to be alive, that hiphop's back again.
43:33Open up the gate, it's that open season.
43:36Time for a killing spree in the northeast, let him know, let him know, let him know.
43:41Some shit is going down like a toilet flush, rap game getting cold, man, turn the keys up.
43:46I'm coming in hard like a morning sun, cuz I'm bringing in a hit like a Neil McNaughty.
44:20Let's go.
44:26I'm not the best in the East, but I like a contest.
44:29This ain't no beauty contest.
44:30All you whack-ass rappers make way for the best.
44:33Every step gotta be wise like a game of chess.
44:36My bars got me covered like a bulletproof vest.
44:39Your bars got you covered like a silicon press.
44:41See the contrast.
44:42Bitch stuck in my hand like I am Congress.
44:45I don't rap about guns, but I get a little cocky with a semi-automatic flow.
44:49Words hit you like a bullet.
44:51Fuck being Ne-Yo, sending shots to the hills.
44:53You can hear the echo, echo, echo.
44:56I finalized the analyst.
44:57He ain't on the list to be an analyst.
44:59Steal shit to me like an analyst.
45:02Talk about your workplace.
45:03Let's see who does the better flip.
45:05Let's go, let's go.
45:05Yeah.
45:06See, I like to keep it low-key, but I'm going tall, bro.
45:10Get your ass, God, I'm coming for the head, bro.
45:12They knows.
45:13Leave your bloody mess in the scene like I'm Cujo.
45:16Ruff, ruff, ruff.
45:17Yes, a penny for your thought.
45:18You ain't wise, you a clown, get it?
45:21Pennywise, you a clown, get it?
45:22I still rap ill, run a virus shit.
45:25Your rap still kneel, I'm your highness, bitch.
45:28Trying to get attention like a face with a zit.
45:30You're just a con artist.
45:31You're a con without a E.
45:33King of the North.
45:34The king who never made it to the next season.
45:36You're next dog from the Game of Thrones.
45:38Let's go.
45:39Going Kendrick on this first, man, I'm out of control.
45:41Never running out of bars like I'm on a parole.
45:44I don't do this for the fame, I just do it for the sport.
45:46It's a competition every time we get on the court.
45:49Spit the fire, hit you with that apatrice bar.
45:52Something fishy in the water, I can smell it from afar.
45:54You should stop talking shit, I'm a shark on your jaw.
45:57I'm a villain in this movie like my name is Jafar.
46:00I'm a naga, you can suck it with your pain.
46:02You can drop it, all these bombs, I survive it.
46:04Pros and cons, you're a con.
46:05I'm Akon, I'm a convict to this con artist.
46:07Your opinion don't matter like a Facebook comment.
46:10You ain't worth it enough for me.
46:12You know I have to jump on this beat, don't you?
46:14This man had the nerve to call himself J-hova.
46:17I'm so nasty, I'm an ether this shit, it's about to get over.
46:20Words going overheads like the magic carpet.
46:25I'll go get over you.
46:26Your advice has been done for you.
46:31Even after the letter, I have no reason that's not
46:31Let The why you like?
46:33The why you told me about this.
46:44If you ask him to wrap up SECRET,
46:53IIn the answer which I don'tOK.
47:01You
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