- 10 hours ago
Category
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CreativityTranscript
00:01Wake up!
00:03Maythra lit, Pod!
00:04Aw, what now?
00:07I got to see Shell yesterday!
00:09Did you really?
00:12And when I told him that I'll be able to set him free if I'm successful at my job here,
00:16he said he would wait for me.
00:17He did?
00:18That's wonderful!
00:20I thought he'd say,
00:21Go away, I don't need your help.
00:23So this is a surprise!
00:26Having to be that girl's companion must really be unbearable.
00:30She might be making him do sordid things we can't even imagine!
00:33Um, what do you mean by sordid?
00:35Don't worry about it!
00:38Let's rebuild this place as quickly as we can,
00:41and then rescue Xiao Fenxiao!
00:43Oh, right.
00:49The future is no one.
00:52I've never seen any one.
00:55I don't know who any one.
00:57I don't know who any one.
01:11I don't know who any one.
01:52I believe I can, but you do not know what I am, but you think I can?
02:22a girl and a fairy too what's your problem hey come out i've never seen a fairy as small as
02:31you
02:31let me look at you please please easy nadir that's quite enough ah looks like everyone's here
02:40aren't you going to introduce us elliot i was about to this is anne halford starting today
02:46she'll be working here as our very own head of artisans and this fairy is her helper mithril lid pod
02:58wait alfred the one who made a confection for the former duke of felix one in the same and as
03:05of this
03:05year she's become a silver sugar master are you serious but why would someone so amazing work
03:12here and she's a girl at that so mr glenn approved this yes then who am i to object
03:22hello there my name is king that's your name well i forgot my real name some time ago i see
03:31it's an honor to meet you king what's this a handshake oh yes of course a handshake
03:44and my name is nadir so will you come out now no a wise decision little fairy my name is
03:53valentine it's lovely to meet you nice to meet you too oh orland's here perfect
04:03so now that you've met all five of our workers we're at your service miss head of artisans
04:14let's see where to start oh dear i don't really have a clear understanding of what i've agreed to
04:23um for now please continue your work from yesterday sure will do right
04:36and what should i do perhaps you could get a little bit of the cleaning done leave it to me
04:43in the meantime i'll assess the situation
04:49my he's very talented mr langston what sort of commission are you working on at the moment
04:59don't bother with the formalities there's no need to say mister
05:03oh all right then so what's that it's an order from a shop owner apparently it's for their son's
05:13birthday i see so the son likes horses i wouldn't know i suggested a few ideas and they chose a
05:20horse
05:21did they say why was i supposed to ask them there may be something they'd like better
05:27or perhaps there's a specific type of horse they'd prefer honoring the customer's every whim doesn't
05:32always make for a quality product we employ all of our skill to make what speaks to us
05:39otherwise we can't create anything good
05:43i always thought giving the customer what they want was the best way
05:53it's lovely the color is so nice you don't have to get so close you know
05:58oh pardon me maybe aunt should start wearing men's clothes maybe i should punch you
06:06it seems like he's uncomfortable around women excuse me yes i've finished maintenance on the tools
06:14what's next do we have more orders no only two in that case could you assist one of the other
06:22artisans oh i could never do that it's their work after all but it would be faster that way
06:29it isn't right to interfere with another person's work
06:33huh i thought it was normal for everyone in a workshop to collaborate
06:37uh is there something strange about what i said
06:42so each of you completes the task assigned to you on your own
06:46well yes we're artisans we take ownership of our work
06:51then what is the head of artisans supposed to do
06:53manage the supply deal with clients
06:57and of course you'll assess every sugar confection that we produce
07:01to determine whether it might bring shame upon the page workshop
07:05did you say shame
07:06we can't deliver work that tarnishes the name of page
07:10therefore it's imperative that you have us make corrections if the product is lacking
07:16but if the piece is not an embarrassment you will approve it
07:20then mr glenn will give it the main workshop seal
07:24that's your job as head of artisans
07:28that's very different from my experience so far
07:31how odd
07:34hello
07:36nice to meet you
07:37i'm anne halford
07:39oh hello there miss my name is dana
07:42and this one's name is hal
07:44you two look practically identical
07:46i imagine you must be siblings
07:49yes
07:49apparently we were born from the very same tree
07:52at the exact same moment
07:54so in human terms i believe you would say that we were twins
07:57oh really
07:58i didn't realize fairies could be twins too
08:01have you two have dinner yet
08:03i would be happy to have you join me
08:05oh no we couldn't
08:06this table is only for artisans and family
08:09we all live in the same house
08:11that's family enough isn't it
08:13no not in the slightest
08:15we're fairies after all
08:16please excuse us
08:20what a shame
08:24turned you down huh
08:26mr collins
08:27i'm sure you amazed everyone on your first day at the workshop
08:30so what did you think of it anne
08:34i learned a lot about this place today
08:36the artisans make what they want
08:38and they don't help each other
08:40everyone takes responsibility for their own work
08:43that's how it's been at page for three hundred years now
08:46mr glenn drills that into all our heads more than anything else
08:49it sounds nice in theory
08:51except
08:52go on
08:54i don't know it just bothers me somehow
08:56hmm
08:58well
08:59since i was the one who put you in this position
09:01got some time
09:06what's that
09:07promissory notes
09:08you mean debts
09:09right
09:10for about ten thousand crests with this land as collateral
09:13did you say ten thousand
09:15it's left over from the last headmaster
09:18if it's not paid off this year
09:20we will lose half of this place
09:21can you afford it
09:23no
09:25which is why i went out to try and negotiate again today
09:28oh
09:29by the way
09:30don't tell
09:31don't tell mr glenn
09:32he knows we're in debt obviously
09:34but not that we're having a difficult time paying it back
09:38and because of his illness
09:39the lenders are becoming concerned about the future of the workshop
09:43that's awful
09:45you said earlier that something didn't sit right with you
09:48i did
09:50well
09:50i have opinions myself
09:53huh
09:54none of us want to turn our backs on mr glenn
09:56but something's gone wrong here
09:59i've given it a lot of thought
10:01and i still can't put my finger on what the problem is
10:04eh
10:05i'll pay off the debt somehow
10:07as for you anne
10:08just do what you think is best
10:10like the first silver sugar master
10:12you keep talking about that
10:14what is it you're trying to tell me
10:19you're dining alone
10:20why not join the others
10:22that's simple
10:23i prefer to spend my time alone with you
10:26and yet your expression looks lonely
10:30i'm not lonely at all
10:38hold me shell
10:46carry me to bed
10:52now lay me down carefully
10:53stroke my hair
10:57stay till i fall asleep
11:00please don't go see that girl
11:03stay with me
11:04and only me
11:06you see that
11:07will block me
11:17you're talking about or are you
11:18you are
11:18it's this
11:35diagnosing your time
11:45Stare all you like, nothing's going to happen.
11:52You scared me!
11:55I thought you couldn't sneak out or Miss Bridget would make you do more sordid things.
11:59Sordid?
12:00Well, that's what Mithril Lidpod told me, anyway.
12:03Mithril Lidpod has a wild imagination.
12:05Well, she's a normal girl.
12:08She's not forcing you to do things?
12:10No, she's not.
12:12I'm so glad.
12:15I'm going to work hard. Just hold on.
12:26What? What's the matter?
12:28Nothing. Are you forming an opinion about all these?
12:35Orlin's work carries a certain sense of power and strength. He's very quiet and a little hard to approach sometimes,
12:42but I can tell he cares about his creations.
12:46This one is by King, who seems like a sincere person. He's awkward around women for some reason, but his
12:55confections still have such a romantic feeling to them. Don't you think it's beautiful?
13:01They've both done excellent work. But we've only got these two commissions right now. I wonder why business has gotten
13:09so slow. Hm? What's wrong?
13:14Nothing.
13:16Chill!
13:18I asked you not to see her again.
13:22You didn't ask for that. You ordered. And I don't intend to obey you. Do what you must.
13:29You're saying you won't consider my feelings?
13:32You are my master now. And that means just as there's no expectation for you to consider my feelings, I
13:39can't think of any reason to consider yours either.
13:42Is that so? Well then, I suppose there's not a single person in the world who cares how I feel.
13:51In that case, you are to be punished!
13:56Wait!
13:57It's alright, Anne.
13:58No, Shell! I don't want anything to happen to you!
14:03So meddlesome.
14:14It's not here.
14:20Only I know about this hiding place.
14:23So who? Who could have stolen it?
14:27If you mean the wing, Mr. Glenn has it.
14:33What? Why is it with my father?
14:35Bridget.
14:37Listen. Someone came and placed the wing by my pillow. So I'll save this now.
14:43Going forward, the wing will remain in my care.
14:47Whoever left it with me probably feels that it's for the best.
14:51Why, father? You said it was alright until I get married!
14:54I can no longer tolerate the way you're acting.
14:57Locking that fairy in your room.
14:59Forbidding that he spend time with anyone but yourself.
15:02Really, dear, it's as though you've become obsessed.
15:07Bridget, I beg you to be sensible.
15:10Whose daughter are you?
15:13I don't care!
15:18Does this mean that you're my new master?
15:20Yes, I am. And your orders are to interact with Bridget in moderation.
15:25There is no need to respond to her every demand.
15:28But please, don't do anything that would hurt her.
15:31But Mr. Glenn, Shell doesn't...
15:33I will decide what happens to him now.
15:37You actually got your wing back?!
15:39Not quite. It's just that Mr. Glenn has him instead of her.
15:43But you can go where you please now!
15:44What a torturous existence!
15:46Letting that miserable woman have her way with you all day and night!
15:50Spare me your moronic imaginings.
15:52Well, we have a visitor, so excuse me.
15:54Right!
15:57It's been quite some time, Mr. Radcliffe.
16:01Mr. Radcliffe? And Keith?
16:03I'm glad you're faring better than the rumors would suggest.
16:06Oh, and you've employed a new silver sugar master.
16:11This is our head of artisans, actually.
16:13Hmm.
16:15Judging by the timing of her acceptance here,
16:17are you taking part in the selection for the Holy Beginnings Festival?
16:21Hm? Selection?
16:22Of course not. My father rejected it.
16:26I see.
16:27I had a suspicion that that might be your answer.
16:30Ah, yes. And Powell's son is here with me as well.
16:34My name is Keith, sir.
16:36I've heard talk about you.
16:38They say you've become a great artisan.
16:40Thank you. And I'm...
16:43Sorry.
16:45There's no reason to be.
16:47You chose your path.
16:49Keith!
16:52I was surprised to see you.
16:54Mr. Radcliffe didn't give me much notice.
16:58But I was wondering how you've been doing.
17:00Have you had any trouble?
17:02And how are things with Shell?
17:03Oh, we're managing.
17:05What about with you?
17:07How are Kat and Jonas lately?
17:09Actually, Mr. Hingley has returned to his own shop.
17:12Sadly.
17:13No one's been able to get in touch with Jonas.
17:16He never went back to his old hometown.
17:18Oh, is that so?
17:21By the way, Keith, can you tell me about the selection for the Holy Beginnings Festival?
17:26It's part of the New Year's celebrations.
17:28As you know, they set out sugar confections in the Church of St. Lewiston Bell.
17:33Workshops create the sample pieces for it.
17:35And one of them is selected to produce the work that year.
17:38Oh, I see.
17:40It's a great honor to be picked.
17:42And if the school successfully delivers all the pieces, the kingdom's religion awards 10,000 crests.
17:48Then naturally, that school becomes popular and more commissions come in.
17:53Oh, it looks like she has company.
17:56Her lover.
17:56Nadir!
17:57It's nothing of the sort!
17:59Don't say such awful things to him!
18:01Oh, there's nothing awful about that.
18:07I'm Keith Powell of the Radcliffe workshop.
18:11So, you're him?
18:13Yes, I understand.
18:14Feel free to stay, then.
18:16We should go.
18:17Hm?
18:19But...
18:20Well...
18:21Um...
18:22Bye!
18:23Why'd they rush off?
18:25They had to.
18:27Because from their perspective...
18:29I'm a traitor.
18:30What do you mean?
18:32My father became the Silver Sugar Viscount while he was with the Page Workshop.
18:36It really invigorated this place.
18:40So...
18:41After he passed away, naturally everyone assumed that I would come to Page as he had done.
18:45But in the end, I chose the Radcliffe workshop.
18:49And then...
18:50The rumor went around saying Powell has given up on Page.
18:55That caused the artisans who worked here to begin transferring to other schools all at once.
19:02That's just terrible.
19:04But...
19:05The truth is...
19:06I hadn't given up on this place.
19:09If I'd come here, I would've been affected by my father's influence.
19:13I didn't want to follow in his footsteps.
19:16That was the only reason.
19:18I endured it while he held his position.
19:21But even still, after he died, I resented the idea of being seen as the son of Edward Powell.
19:27The name Keith Powell means something on its own.
19:31Don't worry.
19:33Don't worry.
19:35It's not your fault that the Page Workshop ended up this way.
19:38And everyone here knows that.
19:41But their feelings haven't caught up yet, that's all.
19:44Given some time, that resentment will go away.
19:51Thank you, Anne.
19:53Truly.
19:55If we can turn this place around, then maybe Keith will stop blaming himself.
20:00And the artisans will accept him again.
20:03I have to succeed.
20:05Keith!
20:06It's time.
20:07Right!
20:09We're leaving so soon?
20:11I wonder if Mr. Radcliffe is worried.
20:13The selection's only half a month away.
20:16The selection...
20:18Oh wait, that's it!
20:22Thank you so much!
20:24Of course.
20:25I'm not too certain what I did for you.
20:28But still, you're very welcome.
20:31Yes!
20:32If we win, more people will notice us!
20:34And we'll get 10,000 crests!
20:37What Mr. Collins said,
20:38and the things that were weighing on my mind...
20:41It could be...
20:44I have a request.
20:45I would like for our workshop to take part in this year's festival selection.
20:49If we do, it might help us return to our former...
20:52No.
20:55We will not participate.
21:02But sir...
21:05My moon's last practiceеля
21:08What
21:09may need a back现? How
21:21was the future? How
21:23was the future? How
21:24was it? How
21:28were you?
21:58Sous-titrage ST' 501
22:26Sous-titrage ST' 501
22:34Sous-titrage ST' 501
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