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فسيلة - transplant
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هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
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LearningTranscript
00:01music
00:02Zaki Khawadi
00:04I'll give you what you asked for.
00:06I want moka
00:07Skempt Milk
00:08besieged
00:12The sticks weakened
00:16Live and work
00:26What is this?
00:28Is this the family-oriented approach we requested?
00:30Yes
00:30What's so great about it?
00:32What's so great about it?
00:33What are the Qarfoura?
00:34This is not an antique dish.
00:35What is this trick, Khawaja?
00:37The print doesn't look antique.
00:39So that you can use it from the airport
00:41Ah, okay, okay
00:43But surely if an expert can solve it
00:45He'll look like an archaeologist, right?
00:47Even if
00:47You'll become an archaeologist in the world
00:50They'll think it's just a regular print from the market.
00:54Do you know why, sir?
00:55Because this is a normal market practice
00:59Because all these people
01:01Look at the view
01:03Not for the sake of substance, Khawaja
01:05What if they looked at the essence?
01:07They will remember too
01:08It's a regular dish
01:10Look, I'm trying to understand the lesson, but I don't know how.
01:12So, if I cut this plate
01:14I will find a treasure in its essence
01:16Look, Mr. Foreigner
01:23I am setting a trap for you
01:24I am in a position
01:26Why didn't you say so earlier?
01:27I'm actually half-flowered
01:29I say God
01:30I am a big man, not a Khawaja
01:32I'm originally from Aleppo, specifically from the olive grove.
01:33My name is Bodi
01:35Why would you do that to your fellow human being?
01:37Because she's not preoccupied with appearances
01:40And look to the essence
01:41actually
01:43Now you'll apply it
01:43Lana, the view is beautiful, don't look at it, Amida.
01:45Hello
01:54I'm already on the new episode of Al-Daheeh program.
01:58I want to ask you a question, and I want you to answer it honestly.
02:00Huh?
02:00Have you visited the pyramids?
02:01Oh, Abu Hamid
02:01On the school trip
02:02Did you visit the Karnak Temple?
02:03Oh, Abu Hamid
02:04On the university trip
02:05Have you visited Greece and Italy?
02:06Oh, Abu Hamid
02:07honeymoon
02:07So, my dear, you visited all of these countries?
02:09Let's talk about China, which you've faked. Long live China!
02:11per year
02:11The one you forged lived
02:12Shah
02:13Emperor Chenxi Hon
02:14Making statues of an entire army
02:168000 soldiers
02:17650 horsepower
02:18130 warships
02:19And my dear, it's not just small toy figurines that he puts in his sleeping quarters.
02:22no
02:23He did all this
02:24And in true size
02:25So that they can be placed with him.
02:26Not in the sleeping cat
02:27In the grave
02:28There's a strange observation, my dear.
02:29It's not just found in China.
02:30But it exists in all the countries I asked you about.
02:32It seems that the Egyptians' servants
02:33and the servants of Greece
02:34Chinese servants
02:35And almost every place has its own service.
02:36They had a taste that historians and archaeologists call
02:39German Johann Winkleman
02:40Noble simplicity and quiet grandeur
02:43They didn't like colors or clowns.
02:45They all love to see their buildings and statues
02:47From natural materials
02:48So they can enjoy the natural beauty of marble.
02:50Copper and even pottery
02:52Over thousands of years
02:53Not one of them thinks to suggest
02:54Colorful buildings
02:56or
02:56Dear Plutoste
02:57Perhaps the opposite.
02:58The buildings were indeed colorful
03:00But in the global conspiracy
03:02Continuous for thousands of years
03:03A conspiracy to make us imagine the past
03:05Colorless
03:05Because these colors hold a great secret
03:07And that's the truth.
03:08All these buildings and statues were colorful.
03:10She was also very fickle
03:11For example, it doesn't have a blue accent in a certain corner.
03:14To create a movement and style
03:16no
03:16Every year in color
03:17In 2017
03:18René Dreyfus
03:19He was accompanied by a group of researchers
03:21They published a book
03:24He said it in colors
03:25Polychrome in the ancient world
03:27They presented experiments in coloring statues.
03:29In its original colors
03:30This is an experience, my dear.
03:31I revealed this dangerous secret
03:32The secret, my dear, in concealing colors is
03:36The colors are precious, their shape is a shaker
03:37any?
03:38The colors are shaped like a shaker
03:39Look at this picture
03:39Do you see the two pictures?
03:40This is in color
03:41This is in different colors
03:42I mean, after the statue
03:43Throwing the Trojan horse
03:44This is beautiful
03:45It made you think about what he looked like
03:47and his body position
03:48And the poison I throw
03:49He was still wearing women's pajamas.
03:51Stretch from Unity of Light
03:52no?
03:52Onyx statue Zu the shield
03:54Marble statue
03:55He has a piece of a ball
03:56Six months left
03:57I'm drinking Bree Workout
03:59Post Workout Workout
04:00And I don't know how to translate it.
04:02I can't even see two muscles.
04:03But also when you color
04:04All the dignity he had
04:06The man went with shoulders and a carnation
04:07And here, my dear, is the path to your goal.
04:09Even though I told you there was a conspiracy
04:10Although I assured you there was a conspiracy
04:12But there is no conspiracy
04:13any?
04:13Yes, my dear, this
04:14This is what I was hiding from you
04:15There are no conspiracy theories in the world, I mean.
04:16But the Greeks had good taste in colors.
04:18It wasn't like that.
04:18If you go to the temple of Khanum in Esna
04:20You will see a Pharaonic temple in incredibly beautiful colors
04:23And the colors didn't diminish its magnificence.
04:25And I am from his greatness
04:26I've reduced the number of small ones I've grilled.
04:27Lazza for white and black
04:28For them and their home?
04:29The important summary of this, my dear, is...
04:30He tells you that the ancient world
04:32His appearance is different from the image we have in our minds.
04:34And the world is not strong
04:35It was recognized that he was wearing all the pictures.
04:37Fesasin Khadra and Banafseji
04:38As if SpongeBob were the source of the problem
04:40Prayer
04:40Not the dark, dignified oil that can be used to thicken things
04:42My love, everything is predestined.
04:44We repeat it, for example, three times four times.
04:46We did not create ourselves to be miserable.
04:48And we repeat it three or four times as well.
04:49You're saying this to her, my dear
04:50As much as Benor is wonderful
04:51Of course, if you don't believe me
04:53You can check for yourself
04:54You can see her dresses
04:55It's still there in its original colors in the museum.
04:57Her photos are only in black and white.
04:58Even the pictures
04:59It's simple
05:00We make it dirty and color it
05:01But the buildings and statues
05:03It is itself black and white.
05:04God is the best, what a habit, Abu Hamad
05:06Let's return it to its origins
05:06Let's color it again
05:07So that people can see its colors as they are.
05:09What is this curse?
05:10This is an excellent memory
05:11Believe the architects and restorers
05:12They didn't think of anything like that.
05:13There are twenty restorers and architects now
05:15They will rise from their graves
05:16And they will return to life to appease you
05:18Until you get rid of it, you won't say "aha al-Faqar" again.
05:19His companions will share every grain of knowledge and wisdom from it.
05:22Because this understanding seems to lead to great things.
05:24Of course I'm making fun of you, my dear.
05:25Twenty countries met in 1964 in Venice.
05:28for him?
05:29To solve a major dilemma and widespread chaos in Europe at this time
05:32Europe, my dear, had just emerged from another world war.
05:35You know the story
05:36The Europeans decided to fight amongst themselves
05:37They concealed the whole world in alms
05:38The result of all this talk
05:40Hundreds of historical buildings are being destroyed
05:42Thousands of household items were damaged
05:45Here, restoration specialists faced a very important question.
05:48What should we do about these things that have happened?
05:49Of course, one of them will tell me
05:50What's broken, Abu Hamad, can be fixed.
05:52But my dear, it's a big problem.
05:54Because before you say what's broken can be fixed
05:56We need to ask
05:57What needs fixing and what doesn't need fixing
05:59That's how anything breaks
06:00Shall we fix it?
06:01Of course, it's easy to say that certain things
06:03It's important that she fixes it.
06:04The pyramids, for example
06:05If it breaks, we need to fix it.
06:06Because they are old and important buildings
06:08We're still learning things about it.
06:09But for example
06:10What about an ordinary city whose entry is occupied?
06:12His only goal is to take revenge on everyone and anyone.
06:15Then everything would break.
06:17Are you going to restore it?
06:18All Arabic tickles
06:19Are you taking it to the mechanic?
06:20You might think this is a fictional scenario
06:22But let's see
06:23He inherited it as the capital of Poland in 1944
06:26The Germans were occupying Poland
06:27The Polish resistance carried out a very serious attack on August 1st.
06:31What crazy Germans!
06:32And Abu Tayheen is in the whole country
06:33They brought the city down on the heads of the Poles
06:35They fought 15,000 members of the resistance.
06:38They fought 200,000 civilians
06:39And of course, on top of all that
06:4085% of the debtors, my dear.
06:43It was calmed
06:43And here's the question that just distracts you
06:45What should we do?
06:47Of course you'll tell me, Muhammad
06:48Not every threat will be resolved.
06:49I'll tell you right, my dear
06:51You're right
06:51But I don't see this
06:52If you visited his heirs today
06:54You'll find the city center is exactly the same.
06:57What existed before the war
06:58It's as if nothing happened.
07:00They didn't just build everything else.
07:01The entire region has been included in UNESCO's World Heritage List
07:04This remains to clarify for us
07:06The building doesn't have to be as important as the pyramids for us to restore it.
07:09And why are we restoring it?
07:10If you look at the UNESCO World Heritage Site
07:12You'll find them saying that the foundation upon which it was built
07:14Rebuilding the Waratha Center
07:16It is the inner resolve and will of the nation
07:18In very simple terms, the Poles decided
07:21The importance of this place is not that it is a historical site.
07:23And this reconstruction expresses their strength and will after the war.
07:28And this is something historic for them.
07:29They wanted to do this through this process
07:31They say the war didn't spare them.
07:33They are still here
07:34And they rebuilt everything that was broken.
07:36One of them said, "Abu Hamid, that's nice talk, but it's a trick."
07:38If I were someone right now, God would open the door to Schengen milk.
07:40She asked me to leave all of Europe and go to Poland.
07:43We'll go there. The city seems very old, even though it's new.
07:46Haley's question, my dear, is excellent, great, take the prize
07:48Thank you, Abu Hamid. I would like to dedicate this award to them, my father, and my aunt.
07:51What do you say? Give me that prize again.
07:53Why, Abu Hamid? I'll explain.
07:54Because you were fooled after the chaos
07:56What are you, my dear?
07:57If you remember, these are the original buildings.
07:58When you're not focused on the episode
08:00The English also had many buildings destroyed during the war.
08:02But they thought differently from Poland.
08:04For example, Coventry Cathedral
08:06This is a beautiful cathedral built in the Gothic style.
08:09They added a church about a thousand years ago
08:11An important building means
08:11If it has artistic importance because of its appearance
08:13Even if it has historical importance because of his age
08:15And of course, above all this, religious significance.
08:17After the war, nothing remained of the building but rubble and walls.
08:20And he locked it for them alone.
08:20He said, "How can we act like this, Abu Hamid?"
08:22My first suggestion, my dear, was that we do the same thing that Poland did.
08:25We are rebuilding the cathedral once again.
08:28But for some reason, the government decided to reject this proposal.
08:31An architectural competition was held, in which more than 200 architects participated.
08:35One of these architects was named Bezil Svens
08:38Sevens suggested something very different
08:39Guys, we'll leave what's left as it is.
08:42So, my dear, it's a simple matter.
08:43The caravan is standing there like that, without clapping, let them settle down.
08:47It remains an unstable facility
08:49It's possible they might fall and become weak, so we need to provide them with support.
08:52And the man, my dear, went and collected all this rubble.
08:55And the walls are empty
08:56And he went to the cathedral that was broken and destroyed.
09:00Construction of a new cathedral
09:01And he used a stone of the same type as the stone in its face
09:05The one from the cathedral that was destroyed
09:06So that their appearance is consistent with each other
09:08It is said that one of the builders found
09:10Two pieces of wood from the old ceiling
09:12Located in the center of the valley in the shape of a cross
09:14So the church decided that they would take them and put them in the swimming pool area.
09:17And write "Father Forgeef" after them
09:18Spencer's caravan, my dear, is very different from Poland.
09:21That's exactly the opposite.
09:22He said, "We're not going to rebuild the buildings that were destroyed."
09:25So that it remains exactly like before.
09:27No, we will keep this as the original.
09:29This, my dear, is due to differences in will.
09:31For Poland, the restoration was proof that they were strong.
09:34And the demolition of the buildings did not affect them.
09:36On the contrary, the one who is broken can be repaired and dealt with even better.
09:39But Spencer in England didn't finish all that.
09:41He wasn't interested in taking the cathedral back in time.
09:43On the contrary, he saw here that pickling the size of the cathedral
09:47More important than the cathedral
09:48Here the goal is different
09:49Here we want to let people see the impact of the war
09:52And you think war causes such destruction?
09:55When people see this shape
09:56This important building is damaged and broken
09:59And nothing remains of it except Hattin.
10:00It can be strengthened
10:01Sorry, Mohamed, I turned out to be a duck.
10:02Which of these people is right?
10:04My dear, if you have a friend studying architecture
10:05They ask about the hardest thing in his life
10:07Not too much drawing or endless deadlines
10:09Do you know, my dear, what the nightmare of applying for a building permit is?
10:11The true eternal
10:12His nightmare, my dear, is that he knows who's right.
10:15He inherited the old buildings exactly as they were.
10:17In England, they left the remains and built new buildings.
10:20Each one used a different method.
10:22Because each one achieves something different
10:23The idea is not in the building
10:25But in the importance of the building to the people
10:27That's not how it is, my dear, the topic is very open.
10:29In this situation, everyone acts according to their own whims.
10:31Then he starts to justify his words philosophically from the outside.
10:34But he is in the sense of the inside
10:36That's why, my dear, in 1964
10:38A group of 20 specialist architects
10:41Those I was talking about at first
10:42They got together and held a conference called the Second International Conference
10:45For architects and specialists in historical buildings
10:48The name is strange given the conference's name.
10:49This conference, as I told you, was in Venice.
10:52The most important thing that happened in the history of modern restoration came out of this conference.
10:56What emerged, my dear, from this conference was the Venice Biennale.
11:00This is a very small message, my dear. I can show it all to you now.
11:03But of course, if you do that, the case's retention will drop.
11:05The advertiser will be upset
11:06And I, my dear, am still dear to the advertiser.
11:08The advertiser is almost always ahead of them, but
11:10Okay
11:10okay
11:11This short section contains very strict instructions on how to deal with the building.
11:17Look, guys, we can't change the building's shape, color, decorations, location, or the material it's made of.
11:23Not only that, but there are threats, intimidation, and insults directed at any creature.
11:27It will burn and change something fundamental about the building.
11:30If you go to the Al-Darb Al-Ahmar neighborhood in Islamic Cairo, specifically to Bab Al-Wazir Street
11:34You will find there a mosque called the Mosque of Al-Tanbugha Al-Mardani
11:38This, my dear, is one of the most beautiful mosques of the indifferent.
11:40A building approximately 800 years old
11:42The building has seen many terrible days, to be honest.
11:44Someone had to catch him.
11:45The Ministry of Tourism and Antiquities decided to carry out restoration work on the building.
11:48The building's restoration work was carried out by the Aghan Development Network.
11:52My dear friend, this is a large organization working on development and cultural projects.
11:55A very large part of her work is related to architecture.
11:58In particular, the wooden architecture has a cultural character.
12:01It is well known, my dear, that he is a temporal engineer with controls that govern the restoration process.
12:04For example, they will begin restoring this mosque.
12:06First, they need to lift the building.
12:08And full documentation of every detail thereof
12:10We need to know everything about it.
12:13All material
12:14And they redraw completely
12:16And they see how each piece of marble is now a man in the one next to it?
12:19What color is the marble? What color exactly?
12:21What is this, Abu Hamad?
12:22Did the Mamluks use iron in construction?
12:23The truth, my dear, is that the direction of prayer (Qibla) contains rusty iron.
12:26So how do we know about this?
12:28We need to look at all the historical documents that mention this building.
12:31Has anyone been fair to him?
12:33And here we discover, my dear, that the French had restored it once in 1896
12:38Oh my dear, if they had demolished the building and rebuilt it first, it would have been easier.
12:42Let me tell you that the architect who decides to undertake this restoration
12:46He's going to commit suicide
12:47Can you imagine?
12:47You don't just study the thing and try to fix it and make a difference.
12:50no
12:51What is the original material?
12:52What model is this?
12:54No, who repaired this tribal building?
12:56Many questions, many readings, many experiences, and many philosophical questions.
13:00Why am I doing this, what is the purpose of it, and how can I maintain this without doing this?
13:04The important thing, my dear, is that the second phase of the restoration of this mosque was completed this year.
13:07What else can you visit?
13:09God bless you, Abu Hamad, thank you very much.
13:10Isn't it open anyway, since you're open?
13:12No, my dear, I can't imagine that this is something automatic like that. You'd be wrong, foolish, and reckless.
13:17No, Abu Hamad, that's all.
13:18Of course, my dear, the best thing would be for us to close it up and leave it clean and well-preserved.
13:23Ahmed doesn't like them anymore, and he doesn't like the silly drawings they post.
13:26This, of course, my dear, is the logical and apparent form.
13:29But according to the Venice Charter that I told you about at the beginning
13:33You've effectively killed the building; it would have been better if it had been demolished.
13:35The fifth clause in the charter, my dear, says
13:40How come Abu Hamad doesn't need it?
13:45How does your area of expertise, Hot, tell him that we should preserve the building?
13:48Anyone who touches the building will be cut off, and then you'll tell them we have to use it.
13:51He asked him how we would preserve it while we were using it.
13:53Of course, my dear, in certain cases we are forced to use the building.
13:56We can't just empty all of Islamic Cairo and turn it into a historical site.
14:00But my dear, the logic doesn't say that.
14:02This also tells you that even if you don't have to use the building
14:05You also need to check the usage.
14:07This is because there is a common belief among specialists and Muslims.
14:10An unused effect is a lost effect.
14:13So, this guy says that one way to preserve an artifact is to use it.
14:17This means, my dear, that the effect will die if we don't use it.
14:19If his eyes and his secret were hidden, you would be proud of him.
14:21And I think that's a beautiful thing, my dear, truly.
14:23Because it makes the building come alive, not just a shape or a picture we look at.
14:26It's not just a discarded property that needs to be preserved.
14:29No, this is a living building; people are trying to enter it, and people are trying to protect it.
14:34There's something romantic about this, I think.
14:35The building's image is like a movie poster.
14:37The film includes cinematography, writing, directing, and music.
14:40And the building as well, because when you visualize it you can feel its texture, color, temperature, and scent.
14:44What is the shape of the lighting and the sound inside it?
14:47And experiencing the full impact is the best way to preserve it.
14:50Not just to preserve you as a static building, but as a living monument
14:53It's a wonderful idea if you implement it.
14:55But at the same time, my dear, if you are a restorer in particular, it's a very big problem.
14:59Because, as you know, my dear, the building's consumption ruins it.
15:01Dear friend, the family living in Beit Al-Sinnari has a child who scribbles on the wall.
15:05The second problem is that, for example, the mosque of Zay Tabdagha al-Mardani
15:07There is no mosque at all, the reconciliation house.
15:09He asked her, "What are these names? Are you Abu Hamali?"
15:10This means, dear, a dewdrop falls from it onto a camel on the back of the desert, but in the horseman's language.
15:15Come on, my dear, the building names were difficult to find.
15:16I'll tell you about my dear's sleep in another episode.
15:17Now, let's talk about development. We were saying that the problem of reusing the building...
15:21It's been around for hundreds of years.
15:23There were no cars available at that time.
15:24And the correct one does not use those bathrooms
15:26All of these things have nothing to do with what we're doing today.
15:28Dear viewer, there was no electricity at all.
15:30They were maneuvering buildings with moles and oil lamps
15:32The factory here needs to make modifications to the building.
15:34And sometimes these modifications require a change
15:37So, tell me, are you here, dear viewer?
15:39How to make changes to the building
15:40Is the building preferred as the original?
15:42At the time the course was held, he had a very specific point of view on this subject.
15:46For example, in clause nine it says
15:47Anything extra, my dear, you'll love it
15:58It absolutely must be different from the old building.
16:01It is necessary, inevitable, and inevitably required that it have a contemporary imprint.
16:05Oh my God
16:05What is this, Bahmad?
16:06Okay, I looked at the picture very carefully and focused on it.
16:08You'll notice that there's a new building added to an old one.
16:11The building below was a residential building.
16:12And then he put a fire station
16:14And now it is the Antwerp Port Authority building in Belgium
16:17And the administration wanted to expand it a bit.
16:19But Zahra Hadid, may God have mercy on her, her hands were a little loose.
16:21Not a little bit of actual
16:22The point here is that we are preserving the old.
16:25Because the new remains different from it
16:27This contradiction is what reveals the old ways.
16:30And he will be his trustee and he will celebrate him
16:32Now try saying this to an employee on the first or second floor.
16:35While his colleague is sitting in that space block you see here
16:37Of course, my dear, not all buildings are done like that.
16:39This is a dear design, a cast iron flower.
16:41Huge budgets and a big night
16:43Zahra Hadid also likes to leave her mark as an architect.
16:46But for example, in Torre della Caprella
16:48The elderly saw that there was important value in outward appearance.
16:51In the midst of his surrounding environment
16:52Part of this is the building's relationship to the sky.
16:54The building's top ends with projecting sections for surveillance purposes.
16:58We call them the "bow of heaven" in our region.
17:00These arches make the building's shape blend or intertwine with the sky.
17:03The elderly see this as an important aspect of the building's character.
17:06We are supposed to protect it.
17:08But one year, my dear, they'll make one of them
17:10So they made two workers, one in its place, with the same dimensions.
17:12But it's made of a type of iron called cortensteel.
17:15So here there remains a clear difference between the new, the old, and the original.
17:18It's always clear that this is the original.
17:20No! Why all this fuss, Abu Habil?
17:21I'm not the same as the original, that's all.
17:23Tell me, my dear, who I am, purely.
17:24I want you to go down now and go up to the palace
17:26What are you doing?
17:27Wait, my love, I'll go to her house right away.
17:29No, my dear, it's just a temporary leave, I'll go later.
17:30But do you agree that you're going to the palace by train?
17:32In very rare cities in the world
17:34The same thing that happened to you when you were in the palace will happen to you there now.
17:37The train will arrive
17:38You will get off and on at the station
17:40Azizi Station in the heart of the country
17:41Surrounded by streets below
17:43And houses, shops, barnyards, and showers
17:46And in the middle of all this, there remains a station that is 3500 years old.
17:50That's how it is in the street
17:51It sits on the whims that are in the air
17:52Leaning against his wall
17:53And you're relying on your speech
17:55Go get bread and houses
17:56Now imagine that the grocery store you buy your house from
17:59In the presence of a continuous project for thousands of years in this location
18:03That means there is a very high probability
18:04In one of five thousand years
18:06He was standing right there in your place, wasn't he?
18:07Now enter the temple
18:09What will you find inside?
18:10Are you satisfied, Abu Ahmed?
18:10No, my dear
18:11no
18:11We'll find inside this temple, and listen, this is a mosque.
18:14any?
18:14Is he the complete pharaoh of the Muslims?
18:15Oh my love, what is this?
18:16What's this? Wait
18:17It's just like you heard, my dear.
18:18Not, for example, a mosque next to it and right after it, for example
18:21no
18:21Inside the temple there is a mosque
18:24That means you'll go in and pray the greeting of the mosque.
18:25You will stop in front of a pole
18:27It has inscriptions of the goddess Maadi.
18:29It's easy to say, my dear.
18:30What is the point of desecrating the mosque and restoring the temple to its original state?
18:32The problem, my dear, is that this mosque is also a family mosque.
18:35Abu al-Hajjaj Mosque is over 800 years old
18:38This is a mosque that was built during the reign of Al-Salih Najm al-Din Ayyum
18:41At that time the temple was submerged
18:43It doesn't appear that there is a temple in this area.
18:45Because, my dear, we're not going to let anyone get away with this.
18:47Before the mosque there was a cathedral
18:49any?
18:50What happened, Abu Ahmed?
18:51Al-Qassar says she is numb with some
18:52So what should we do now?
18:53Tonight there are three or four chapters stacked on top of each other
18:55In the same place
18:56Different religions
18:57We go back here because it happens to them
18:58The question here, my dear, is one you must answer before making any decision regarding the renovation.
19:02he
19:02Why are we doing this?
19:04Why are we renovating?
19:05What is the point?
19:06What is the purpose of the restoration?
19:07Let's get back to our lovely course, my friend.
19:10Soro, my dear, I have a cold.
19:11You will find the goal that people currently agree upon written in the first paragraph.
19:15The aim of the restoration process is
19:16Preserving heritage as a historical document
19:20Remember this sentence with me, my dear Aziz
19:21The building is a historical document
19:23What does that mean?
19:24Meaning what indicates the event
19:24Building construction event
19:26Its demolition occurred
19:27And his discovery happened
19:28What happened in it and what is happening in it is an event
19:31And we, my dear, according to our understanding of this course
19:33We preserve the document that records these events.
19:37In item number 11 of the rifle course
19:39We will find that all the historical prints are located in the building
19:42You must respect
19:43So you respect the temple?
19:44The cathedral is respected
19:46And respect the mosque
19:47And she also respects
19:48Maybe after that
19:49The man who sells the item
19:51We are not renovating the building.
19:52To restore it to its earliest form
19:53Or its correct form
19:55But we are renovating the building.
19:57To be a witness to history
19:59And this spot in Luxor
20:01People gather and worship there
20:03With their different religions
20:04From 3500 years ago
20:05And continuously until today
20:07And we're still going
20:08I see this, my dear, the building is enchanting.
20:09sorcerer
20:10And I see that he is offering us
20:11The sweetest metaphor and the sweetest example
20:14Due to the importance of this issue
20:15And for romance
20:16Our relationship with our buildings
20:17You're looking at a building, my dear
20:19The first feeling you will have
20:20If you return it to how it was before
20:22Then you think about the matter and realize
20:23This building is like
20:25He grows up, he lives through
20:26Events happen to him in his life
20:28He gains experience
20:29His features change over time
20:30It's still me.
20:31But I am different from my time.
20:33And that's the same thing that happened with the building.
20:34The same thing happened with the cathedral.
20:36In England
20:37At that time, my dear
20:38Adding cast iron work to a building
20:40someday
20:40If this building
20:41And this addition
20:42She lived long enough
20:43It will also be an effect
20:45It indicates her era
20:46And that's why, my dear
20:47I'll go back to the first thing I talked about.
20:50For this reason
20:51We don't paint temples
20:52Restoration process
20:53Regardless of how different its methods are
20:54Its goal is not to go back in time
20:55Nor producing outstanding works of art
20:58But in reality
20:58The goal is learning
20:59Whether it's the architect who works in restoration
21:01Or the person who uses the restored building
21:03Two people learn to sift
21:05That's right, my dear.
21:06The Venice Charter states that the goal is documentation.
21:08But why do we still make a mess?
21:10So that we can learn
21:10This is a very important opportunity, my dear, to tell you
21:12The Charter of Venice is not a holy book.
21:15What is the Quran?
21:16Many architects have problems with him.
21:18They criticize parts of it.
21:19And we are absolutely certain that it will be in the future
21:21There is a new charter
21:22That's why the field of design is a very special field.
21:24Because it is a field that is extremely precise and rigorous in its techniques.
21:27All this rigor is built on a foundation of thought and dialogue.
21:31Based on a personal assessment
21:32Personal assessment
21:33For a community that sees that there is an important impact here
21:35And there is an unimportant trace here.
21:36There is a trace here
21:37We'll change it
21:38And it has an effect
21:39We will rebuild it again, just like before.
21:41And it has an effect
21:42We'll leave him as he is.
21:43Based on a personal assessment
21:44The community sees that there is an important impact
21:45No
21:46I see it as important that it be in the form of a specific image.
21:48He's interested in going back to her
21:49It's not important because of his story and history.
21:51Is the story of the building's construction the most important thing?
21:53Nor the story of its demolition
21:55Nor the story of its discovery
21:56Nor the way to build it
21:57Nor its restoration
21:58Is it more important to look at past cases?
22:00We won't see the next cases.
22:01Nor should we look at the sources.
22:02Nor should we subscribe to the channel.
22:04That's all, my dear
22:04Good and good, oh good
22:05Let's look at the previous case.
22:06See the upcoming cases
22:07We rely on sources
22:07If we're on YouTube
22:08Subscribe to the channel
22:09I'm telling you, Zee, the point is awful.
22:10No, Abu Ammain
22:11Present
22:11You know, my dear, that iron is
22:12And the senses
22:13When they become like Amin
22:15They bring cards
22:16They don't play hymns
22:16They play restoration
22:18Seriously, you're being too sensitive with your sense of humor.
22:20I swear to God, you'll be in a different place.
22:22I don't need anything, just a mother.
22:23That's what put me in this situation.
22:24If you always follow me, I want a point at the end of the episode.
22:26Fadazem, give me one
22:28Sometimes I have something good in mind.
22:30So, I'll give you what I have.