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فسيلة - transplant
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هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
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LearningTranscript
00:00Ya Sin De Badi, the matter is settled.
00:01You just need to disable the paperwork.
00:03And I've finished everything for you.
00:04Okay?
00:05Okay, my love
00:06May God protect you
00:07My greetings to the clever and decisive one
00:08Huh?
00:09Oh God, my beloved, may God protect you
00:11May God protect you
00:13Good morning, Professor Jenny
00:15It's just a morning like any other morning.
00:16Fadl ya sir amr
00:18I have a wish
00:18That's great, may God bless her for you.
00:20And may you see a bride, God willing.
00:21no
00:21I'm here to submit a wish
00:23What kind of wish?
00:25Is all your piety derived from this?
00:27You're going to give me a hard time, aren't you?
00:28I myself, Lay
00:29Except for forty thieves
00:30They're all dumped in Switzerland
00:31What does that mean?
00:32What do you mean by that?
00:33What a genie
00:33Didn't you swear an oath to me?
00:35No, not someone I have in mind.
00:35I am Ali Baba
00:36No, by God
00:37Ali Baba, who is
00:38Ali Baba of the storytellers?
00:40What exactly?
00:41You forced and you failed
00:43And his grandfather Ali Baba's house
00:44Ha ha ha ha ha ha hey
00:48What should I tell you?
00:49I'm not a Hadila
00:50This is a respectable security clearance office.
00:53Why my son?
00:53I only have one wish
00:55If the captain finds a thief
00:56okay
00:57I am the smallest and most stubborn of them.
00:59Starting like this
01:00This is a material wish
01:01I need ten gold pounds
01:03They are present
01:05Show me the paper
01:05Aww
01:06I have a letter from the governor.
01:25The last address on the papyrus is my address.
01:28And with you, light and gas arrived
01:32Great, so where is the kid from the Forty Thieves?
01:36Huh?
01:37He'll remind me of a magician's scent on the back of my hand; I'll bring out the cooking pot; I must be pious.
01:42Look, you're going to get me the birth certificates of the forty thieves
01:45With the family registration of each one of them
01:47Bring me the death certificates of those who died.
01:50And bring me the certificate of the doctor who witnessed his death
01:53Otherwise, you need to bring me the stock exchange.
01:55To make sure that this person is dead
01:57And these people took their money
01:58Hey, you, the one who's going to get all the papers, make three copies of them.
02:02Type 40 printed stamp
02:04And two spiros bat al-safah
02:05What is their need for friendly people?
02:07Yeah, it's so dry, I swear. This work is driving me crazy!
02:09Not a lover
02:13Cut the water of fire and sugar outside
02:15Please make it two, please.
02:24Welcome to the program, viewers, and those who follow the new episodes.
02:28And for those who missed it, peace, mercy and blessings of God be upon you.
02:32Welcome to a new episode of Al-Daheeh programs
02:35Please give him more likes
02:36And I will break him from his observations
02:38A message to you, dear viewer
02:40The rational comment
02:41I am a young boy in China
02:42Abu Mat
02:43So he went down to the market to work
02:44Meet one
02:45And they say, "I am your uncle."
02:46And I was traveling
02:47I'm here now to help you
02:48This magic turns out to be evil magic.
02:50The young man wants to help him.
02:51So that he can find a big cat
02:53The young man and the magician wander until they reach the cave.
02:55And here the magician asks the young man
02:57He enters this cave and sees the treasures
03:00The young man enters and finds support, rubies, and coral.
03:03iPhone 15 Pro Max
03:05And he begins to transfer these treasures to the magician bit by bit.
03:08Look, uncle, what did we find?
03:09We're going to be wallowing in the ghanna
03:11One second
03:11We
03:12That's very kind of you.
03:13The important thing is that the young man Fidel is transferred to the last transfer
03:16His uncle came and threw a big brick
03:18And she put it in front of the door
03:20So that the young man would be locked inside
03:22The cave is completely sealed off.
03:23The uncle wanted to make sure that no one knew he was the one who stole the treasure.
03:27And here is the young man's appreciation of the truth that was hidden from him.
03:29It seems like he's a man, firstly, not my uncle.
03:31Years seem to be from the soap
03:32I think that the whole rock thing was a deliberate move.
03:43My dear young man, he prefers to cry inside a cave.
03:45He remembers his only mother and his beloved, the king's daughter.
03:48Osh Da'wa
03:49My dear Imam, this young man finds a rusty lamp with a weak light.
03:53He wipes the lamp with his hand and rubs it
03:55And his love turned into a genie
03:56The genie appears to him and says to him
03:58Your wish is my command, your servant and slave, the property of your hands.
04:01This, my dear, is the story of Aladdin and the magic lamp.
04:04One of the most famous stories from One Thousand and One Nights
04:06You probably hid it in the text and understood when I said "the lamp".
04:08But my dear, in a small twist country
04:10These aren't stories from One Thousand and One Nights.
04:12Consider what you're saying.
04:13Aladdin from One Thousand and One Nights is well known
04:15This, my dear, is a story that adds to One Thousand and One Nights.
04:17It was added by the French physician Antoine Galland
04:20The one who is considered the most famous translator of One Thousand and One Nights
04:22But my dear, this story is not found in any manuscript.
04:26Work on it
04:27God
04:27Where did Amal translate this story from?
04:28And who gave him this story to translate?
04:30Waiting
04:30If I told you now, you wouldn't finish the episode
04:32Our relationship today, my dear, is like something out of One Thousand and One Nights.
04:34The legendary book
04:35What the book describes in the West and in the East
04:37It is the inspiring book of the whole story
04:39The second one tells you, my dear, that in truth and origin
04:41They're not exactly a thousand and one nights
04:42But Akshli Akshli, they are between
04:44Two hundred and seventy nights and seven hundred nights
04:45The second one tells you, my dear, that the answer is definitely not "Arzat".
04:52In his book, Amazing Thieves, the Brazilian writer tells
04:57Paulo Lemos Horta on many stories
04:59Added to One Thousand and One Nights
05:00Hello
05:01So how could Abu Hamid, the original author, agree to this?
05:03How can someone tamper with their own story?
05:05His daughters' ideas
05:05Your question, my dear, is a valid one.
05:07And this leads us to a very important question
05:08Who originally wrote One Thousand and One Nights?
05:10The answer, my dear, is that no one wrote it.
05:11The truth is, these weren't written stories.
05:13These were stories told
05:14Nobody wrote it
05:15Transmitted by many people
05:17And then, during a period
05:18It was written at some point
05:19This leads us to an important question.
05:20What exactly is One Thousand and One Nights?
05:22Who is Aladdin?
05:23Who is Ali Baba and the Forty Haram?
05:24Who is Sindban?
05:25Who are all these people?
05:25What a world!
05:27Once upon a time, in times long past
05:29Indian owner
05:30His name is Shahra
05:31بسحع صد
05:32He found his Emirates betrayed him
05:33Its absence
05:34He decides that every day
05:36He will marry a virgin girl
05:37And the morning kills her
05:38And the famous ones prefer to do that
05:39Until the girls of the Kingdom finish
05:41And here it appears in the month of Dhat
05:42The daughter of the king's minister
05:43And she says to her father, "Oh, one!"
05:44Your king looks crazy
05:45He has a lot of women
05:47All the women die
05:48He tells her frankly, "You have a right, my daughter."
05:50But...
05:51Hey, Skinning
05:52And I grew up on the crescendo
05:53You put my picture in the link, just like that.
05:55It's because nobody cares about me.
05:56Then his illnesses arise
05:57Okay, Dad
05:57Marry me
05:58And like any good girl says
06:00I can fix him
06:00Dear Baba Azizin
06:01You know the endings
06:02The topic doesn't take three days to discuss.
06:03Sometimes you come and mess with him
06:04Byron Herr
06:05And they see
06:06They see me
06:07Why should I listen to these stories?
06:08Here, my dear
06:09The minister refuses to print
06:10No, you are not a stabber
06:11He'll marry you so he can sleep with you again tonight.
06:13I'm putting you last in the White Angeles
06:14She tells him
06:15It's none of your business, I'll handle it.
06:16After much insistence, the minister agrees.
06:18Scheherazade gets married in the month of Yaar
06:20And the story begins
06:21Scheherazade tells a wondrous tale
06:23And dawn arrives at the height of events
06:25Fall
06:25I'm not in the mood
06:26This, my dear, is in the field of screenwriting.
06:28It is called sclera.
06:29The Zaba dialect is captivating; the character will watch the next episode.
06:32Jafar Al-Umda's outfit
06:33Here the king follows the dramatic events
06:35And his curiosity is eager to eat it
06:36She'll live another night
06:38To complete the story
06:39Here, Scheherazade was telling the tales using a technique
06:41They remain told within each other
06:43Each story branches out into another story.
06:45To create a new story
06:46The frame he has
06:47It contains an infinite number of stories
06:50These are called nights
06:51And Scheherazade continues to tell her stories until the first night after the thousandth.
06:55And then you get married
06:56She tells him, "I'll finish tomorrow."
06:57And the executioner's money goes
06:59This, my dear, is the basic frame that no one else has changed.
07:01Scheherazade, Shahryar, and the storytellers
07:03But everyone started to hide
07:05Every night there's a story about him.
07:07Scheherazade says it and Shahraat listens to it
07:09We're still inside the frame
07:10Just like the French hospital did, Glan
07:12Whose story begins in 1670
07:14When he travels to work at the French Consulate in Istanbul
07:16He goes to meet someone named Charles Oller
07:18So that he could work with him in the manuscript collection.
07:21The goal, my dear, was far removed from what we are discussing.
07:23The goal was to collect manuscripts about the Eastern Synagogue
07:26And complete manuscripts
07:27Pay close attention to this entire topic because we will need it.
07:29The babbling of the instigator searched for the manuscripts and brought them.
07:31The original was copied by Malik Lewis
07:33The fourteenth of it
07:34He begins to talk about collecting manuscripts, stipulating that they must be complete.
07:37Complete
07:37Because he had a manuscript of One Thousand and One Nights in his hand
07:40But I'll find 282 nights in it only
07:42It means a huge shortage.
07:44719 nights are not available
07:46Jalal bought it with his own money and decided to translate it.
07:49And he says, "The first part of this Arabic night..."
07:511704
07:52Oh, my dear friend, advice from here
07:54And France is in flux here.
07:56Oh, these stories
07:57Oh, these stories
07:58The strange consequences of dreams
08:00Wow
08:00It must happen, my dear Western friend, one by one.
08:02He is joking about One Thousand and One Nights
08:03It's like he's watching a series with its episodes and seasons.
08:06But my dear, don't forget
08:07We only have 2282 episodes.
08:09The Turk is weaker than him by four hundred
08:10We need to increase
08:12We want to cover the Thousand Seasons
08:13Simsons, my dear
08:14761 episodes
08:15And it's still working
08:16Indeed, my dear
08:17Jalal Behajeb's problem
08:18Because the year 1709
08:19I found his post and went to it.
08:21And he tells him
08:21Yes, teacher
08:22Where is the one who told me?
08:23The exhibition is near and the season is inside
08:24enough
08:25There are no more nights
08:26The original one is finished
08:27So the publication tells him
08:28Don't worry, sir
08:29Original multiplication
08:30And here Jalal will take from the publishing
08:31New stories
08:32From One Thousand and One Nights
08:33We are filled with entirely new stories.
08:35Where did you get it from, Mr. Publisher?
08:36He will tell Jalal that it has a Persian translation
08:38One Thousand and One Nights
08:39She carried it, named
08:41François Petit
08:42The truth is, my dear, this is all a system.
08:43Ha Jayce
08:44The only goal is for publishing to complete the stories.
08:46Stories of the French astrologer
08:48It has no original manuscripts.
08:49Most of them are characteristic and contagious.
08:51But the word "masatib" means it has nothing to do with One Thousand and One Nights.
08:53Jalal doesn't measure or think of a solution
08:55It makes him continue with stories of the same quality.
08:58The one about the stories he missed
08:59Bigell resolved the issue on March 25, 1709
09:02This happens when Jalal and his friend Lucas visit Paris
09:05There is a dear young man named Hanna Diab Al-Marouni.
09:08This man will change Jalal's life
09:10Hanna is from the Murid of Aleppo.
09:12This is the city of coffee, where it was widespread.
09:14The storytellers enter to tell stories
09:16It was an important event for the storyteller to come and tell the story.
09:18Because of this upbringing, Hannah was a storyteller during that period.
09:21When he meets Jalal, he tells him about Aleppo and the East.
09:23And about his travels with his friend Paul Lucas
09:25Here, Jalal sees henna as a very important feature.
09:28Hannah has a skill in telling his stories.
09:30Jalal sits there thinking
09:33Hey, I found her! This guy will solve my problem!
09:35This man was in the strange lands located in the East
09:39He listens to his stories and knows how to tell them.
09:42Come here, Hannah
09:43I felt very comfortable with you, tell me.
09:45Between March and June 1079
09:46Hanna Diab tells Jalal 16 stories
09:49Among them is the story of the relationship between religion and the magic rosary.
09:51The most famous story in One Thousand and One Nights
09:53Disney's Tankio and Ali Baba and the Forty Thieves
09:56Thank you Ali Al-Qassar
09:57The story of Prince Ahmed and the fairy Briban
09:59Jalal completes two full volumes
10:01From the tales of Hanna Diab
10:02Jalal, my dear, Aleppo is henna
10:04He found a solution to his problem in it
10:05The thirsty man narrated the tales of One Thousand and One Nights
10:08Three seasons have passed with Netflix
10:09With new stories that will live forever
10:11And here we come to the important question
10:12Why would a French European people be so easily influenced by stories from the East?
10:16It contains a lamp, a princess, curses, and a genie.
10:19At some point it will turn into a trn
10:20Why all this success?
10:22The previous one, my dear
10:22Is there a case of obsession with the East?
10:25You will recognize this condition as Orientalism
10:27Orientalism is a term
10:29It was revived by the Palestinian scholar Edward Said
10:32In his book Orientalism
10:34Edward Said defines Orientalism as a vision organized by the British after they occupied the region.
10:39So, Abu Hamman
10:40We, my dear English, are going on a journey to conquer distant lands.
10:43In order to get people excited that they will come to this country with them, it is necessary
10:47They create a situation, they create a perception, they create curiosity.
10:51Despite the trips, it's like they're saying the trip is still pending.
10:53Hello, there are limited places to go, but we're going to special places. Will the business be successful in the end? Will it be Flouka, Mall of Arabia, and Foot Court?
10:58In India, it's a bit spicy, but
11:00A fictional name so we can come
11:01We need a vision that answers the questions: Who are we going to?
11:04Who are we going to occupy and why are we going to occupy them?
11:06This perception is Orientalism, not the Orient.
11:08This is the Western perspective on the East.
11:10All over our Middle East, the Far East of India and China
11:14The Near East, including Türkiye and the Balkans
11:16For example, it was in the interest of the British occupier
11:18He sees the East as barbaric, lustful, and backward.
11:21Why? Because that's why occupying it becomes a humanitarian mission.
11:24Its purpose is to civilize this backward people.
11:27No thief, my dear, will ever come and tell you he's a thief.
11:29I'm going to the trouble of getting a haircut.
11:31So, Hamad, is Orientalism the cause of the occupation?
11:33The truth is, this is a type of Orientalism.
11:35But there is another type
11:36He had preceded him by a little while
11:38English Orientalism stemmed from a position of occupation.
11:40There remained Orientalism, which began before the occupation.
11:43What was built was not based on contempt.
11:45But about being impressed
11:46They were indeed dear to the Europeans, professional among us.
11:49Just like that, we'll go and see the system and see the things.
11:52They used to come to us and say
11:53Yalla, what's going on here?
11:55How is the East doing like this?
11:56It retains its authenticity, heritage, and mandi.
11:58Naturally, humans are fascinated by everything that is strange.
12:00The East was truly magnificent, with amazing civilizations.
12:03And full of spices
12:04Whether in dishes or in stories
12:06This is the image that was transmitted to Europeans
12:08Picture: It's a strange, wonderful place.
12:10Sometimes this type of Orientalism is called
12:12Berque's Orientalism
12:13Referring to the Broken Age in Europe
12:15How much he imagines the East to be a free place
12:17No fuchsia, no tact, no etiquette, no prestige
12:19Nobody there is wearing a wig
12:21And now, as you can see, it's like this
12:22Honor, in their imagination, was the place for all of humanity's strange and wondrous dreams.
12:26A place where sex happens in ways no one can imagine.
12:29We are the limit
12:30Thank God, no one could have imagined it.
12:31A place inhabited by jinn and demons
12:33It contains stories about dazzling monuments
12:34But it wasn't exactly like that.
12:36The truth is, Galan couldn't have conveyed that exact statement.
12:39As it is written for the French citizen
12:41His task was to reconcile and verify what he had read in the manuscripts.
12:45And the one who reads French expects that he will see when he buys
12:47Let me explain how Galan changed these stories to suit European tastes.
12:51Our perceptions of alienation are appropriate
12:52For example, my dear, One Thousand and One Nights had many sexual stories.
12:55Of course, Abu Ahmed, Jalan will add to it.
12:58To suit European tastes
12:59Hush for me, my dear
13:00The husky one is what happened
13:01Let me tell you, my dear, with utter rudeness
13:03Europe was not ready for this liberation.
13:06Our burning is ours, Abu Ahmed
13:08It wasn't suitable for Europeans
13:09By God, he didn't know there was a dish named after him.
13:11My dear, there are campaigns in France.
13:13It calls for an endowment of pornographic scenes
13:16Which is in Moga Comedy
13:17Galan was indeed a figure who softened the intensity of sex.
13:19The ones that are actually in these stories
13:21Of course, Ahmed, you won't let it slide.
13:22A man who acts as a supervisor
13:23Not only that
13:24Galan also changed the endings of the stories.
13:26For spoiler removal, burn
13:28no
13:28Where are the copyrights, Abu Ahmed?
13:29Where is the integrity of the translation?
13:30Dear friend, do you remember we are from the word Qurna 18?
13:32If you remember, my dear
13:33This man had published his story
13:34Approximately 1079
13:35Copyright at that time
13:37It wasn't still like it is now
13:38This is based on the book we know.
13:39This entry is based on a series of stories.
13:41We don't know anyone today
13:43Who wrote them?
13:44It is said that on the third night
13:46The limit is the ninth night
13:47From the nights of One Thousand and One Nights
13:48The Need of Scheherazade: The Story of the Fisherman and the Genie
13:50The fisherman is simple and has three daughters.
13:52He goes down to fish and every time he comes back with something strange
13:54And then he finds their mother sealed with Solomon's seal.
13:57I don't understand why we can't just go out with half a plate, that's normal.
13:59The fisherman opens the mother or the vessel
14:01Then a huge, terrifying genie appears and fills the sky.
14:03He tells him to ask and be denied
14:04How would you like to die?
14:06The fisherman takes him and says, "What's this? What's this?"
14:08Where is your servant, Sho, who is in your hands?
14:10What is this? What is this Omani thing? What do you mean you want to die?
14:12Genie tells him, "That's how my system works, whoever gets me out..."
14:14By dying the way he likes
14:16The hunter understood, he thought for a moment
14:18And he said to him, "Oh genie, be honest before you kill me."
14:20I'm going to let you kill me, but I have a question.
14:22He said to him frankly, "Jenny."
14:23I'm not happy that you're the big genie.
14:26This little one came out of the nations
14:28Yasta, I swear he left
14:29It's not a joke, you're big and the nation is small
14:32Show me how you went in and out
14:34Understanding Paradise is what Horek tells him, uncle.
14:35I used to live here, I was inside, look
14:38The understanding of Paradise led the nations in before the hunter locked it up.
14:40You might think, Assisi, that the story ends here.
14:42But the truth is that the hunter agrees with the paradise inside
14:45He tells him, "Look, my son, I'm willing to take you out."
14:47In return, you go to heaven, no problem.
14:49Who is the one who grants wishes?
14:50So he goes to heaven, and heaven fulfills his promise, and then...
14:53And the fisherman's life is changing for the better
14:55At the end of this story, the hunter rapes their daughters.
14:57For the prince and the king, that was the story.
14:59The original version of One Thousand and One Nights
15:00The hero suits the king, but this is what Glan deliberately did, changing this ending.
15:03And instead of the fisherman's daughters, they get married
15:05The king and his son are getting married
15:07People are just because this wasn't anything
15:09Socially acceptable in France
15:10In monarchical France, something like that could make people
15:13France is a country where social classes are clearly visible.
15:15Any mix causes problems
15:17Joul Aidi Al Na'ima and Ahmed Mazhar
15:18Salah Zulfikar is no good
15:20Not only did he change the ends of the fences
15:22He was also jealous of her own self.
15:25To suit European elegance
15:26The story of Sinbad, for example, was written extensively so that it remains similar to the story of Odes
15:29Which is an epic journey undertaken by the Greek hero Odysseus
15:32So that he can return to his city
15:33Galan thought that this would bring her closer
15:35The European mentality suddenly
15:36The Eastern Sinbad remained a European hero
15:38In a European journey in his book
15:42The author says that the modification and alteration of the two sources
15:45That was something scary, like...
15:46A process of literary colonization, similar to colonialism, is taking place.
15:49What the East has been exposed to is exactly what makes
15:50Most translations of One Thousand and One Nights are in need of...
15:52She undergoes a procedure
15:53We need to free it from the interference of those who exploit it.
15:56So we can know the true stories
15:58Or the stories that are closest to the truth, meaning
15:59Over time, many Western perceptions of the East have changed.
16:02It will be taken from translations of One Thousand and One Nights
16:04Not from manuscripts, but from translations
16:05So you wrote a story based on your perception of me.
16:07And Dina, the harmful one, decided to see me through this story.
16:09Brother, this is the inhaler, come here, things
16:12In a political referendum, we will close it on 15
16:14Some American public members are asking questions
16:16Regarding important organs such as preventing reception
16:18Arab and Muslim American immigrants
16:20And among the questions, my dear, that you ask
16:22Do you support bombing Aghriba or Ajriba?
16:32The fictional city of the cartoon character
16:34This tag is what brought the youth together
16:36And we go carrying it to the city of ducks
16:37Or we hit Sesame Street
16:38The girl isn't just from the past, she still exists today.
16:40My question, dear friend, is that without it, my brain is my brain.
16:42These are Western perceptions, this is the Western interpretation, this is the Western vision.
16:45Where is our version of One Thousand and One Nights?
16:48If we go back to the origin, then the oldest thing we know
16:50About One Thousand and One Nights, as mentioned by Al-Mustashiq
16:52Austrian von Hammer
16:54It was a reference to a book whose name was in Persian.
16:56This was in the middle of the fourth century AH
16:59Al-Mas'udi mentions that the book
17:00Translate the days of the hoped-for caliph
17:02This book tells the story of a king, a minister, and his daughter.
17:04What's this, Abu Hamid? It's like One Thousand and One Nights!
17:06Isn't it Arabic? Arabian Nights
17:08Hey, don't rush.
17:10This is a book that we haven't seen and that no one else has seen.
17:12And most likely no one will see him, but all we know
17:14The general framework of the tale of One Thousand and One Nights
17:16What is the origin of this Persian frame? Indian?
17:18Because the story is actually about Shahryar
17:20The Indian King One Thousand and One Nights
17:22It mainly features three types of stories
17:24These stories that happen in India are similar to Kalila wa Dibna
17:26Wisdom and sayings attributed to animals
17:28The second type of story takes place in Baghdad.
17:31Especially during the time of Harun al-Rashid
17:32This was mostly discussed in Iraq.
17:34And a third type occurs in Egypt
17:35These three types of stories are classified by some researchers.
17:39Let me tell him that the oldest existing copy of One Thousand and One Nights
17:41It appears in the fifteenth law
17:43William Lyle says that these stories were most likely written in Egypt.
17:45But the truth is that even the Arabic language in which the stories were written
17:48Written in an Egyptian dialect
17:50This means that One Thousand and One Nights
17:51It was written again in Egypt
17:53The tales of India, Iraq, and the Levant
17:55She added her own details, and it was all rewritten from an Egyptian perspective.
17:58And a thousand and one nights remained
17:59These are stories told by Nasr
18:01But there are other stories that exist in a completely different form from One Thousand and One Nights.
18:05For example, the story of Sinbad
18:06We found a manuscript of it separate from One Thousand and One Nights.
18:08This tells us that this book kept growing and growing and increasing over time.
18:12Additions are made to it and deletions are made from it in every place, and the second
18:15Every country, my dear, has experienced such stories.
18:18She would take from it and put in it
18:20These stories are a cultural repository
18:21This container contains a blender
18:23We have, my dear, a book called "The Mixer of Civilizations".
18:26It does not represent one country, but several countries.
18:28Without them saying it's a specific author or author.
18:31In a certain area, I squeezed it in.
18:32The book "The West is Impressive" is because it truly has no path.
18:35Not just because it's the right of the East to have a Western perspective
18:37But it was also a flexible vessel capable of taking everything.
18:41From the countries he visited, including European countries
18:44One Thousand and One Nights, my dear, was taken from Europe.
18:46The translations we are reading today
18:48These are European translations
18:49The stories that we sometimes enjoy
18:51It comes from stories translated from Europeans
18:54Even if these stories didn't come from their own homes
18:55Storytelling style
18:56He was able to make all these peoples
18:59And all these civilizations speak and tell stories
19:01And it is concluded through
19:02I'm going to do something terrible.
19:04I read it when I was little and was amazed, it was so beautiful
19:06Even if we try to investigate and see the origin in all these countries
19:09Iraqi investigator Mohsen Mahdi
19:11He says that the book One Thousand and One Nights
19:12It cannot be achieved in the traditional way.
19:15The investigation is whether you are reviewing an original manuscript.
19:17She says that "ah, that's similar to the author's writing."
19:19It often remains from his own writings.
19:20This is the original text.
19:21He listened to another part of this sort of writing
19:23But in the case of a work like One Thousand and One Nights
19:25This wasn't useful because it doesn't have a single author.
19:27Something strange also happened to her; every time the stories were copied
19:30The copies were altered by the narrators themselves, meaning it wasn't just the storytellers who changed them.
19:33Those who were writing changed, meaning the first
19:34Each collection of stories was based in a different country.
19:36And every country that these stories entered was changed from within
19:39So he kept a copy of the Egyptian Night
19:41A Levantine version, an Iraqi version, and a European version.
19:43You will have a dear collection of texts
19:45According to the great writer Borges
19:47These are texts that beg for translation.
19:49And often, it resorts to distortion.
19:51The stories are so good that you want to improve them.
19:54Literature in its modern form, specifically the art of the novel
19:56He is primarily European
19:57Understanding emerged in the seventeenth century
19:59The sources for the narrative were always few.
20:01It contained talk about the values of the Pharaohs and all ancient civilizations.
20:03It contains a Greek crypt and a Roman crypt.
20:05Arabic poetry, but the novel is a modern construct.
20:08It was always believed that the idea of the novel
20:10The concept of novelty is European, but when it appeared
20:12Something like One Thousand and One Nights was very inspiring.
20:14Because she introduced a new OLP and also
20:16The earliest time period that didn't catch up with the European novel
20:19She will take care of it or formulate it
20:20According to Professor Richard Van Leeuwen
20:22In One Thousand and One Nights you can find historical figures
20:25The truth about the costume of Harun al-Rashid or the poet
20:27Abu Nuwas, but they are drowning in a plot
20:29A fantasy filled with a paradise of monsters
20:30And the real-life demon and its characters
20:32In his imagination, he will become a modern pilot.
20:34A pilot known for his magical realism
20:36And of course, the most famous writers of magical realism
20:39Gabriel García Márquez
20:40Shahrzad is one of the founders of Ecliffe Hunger
20:42Nidflex lives off the work of Shahrazad
20:44The entire Ramadan season is based on Scheherazade.
20:46According to Borges, a romantic literary movement would emerge in Europe.
20:49This is a movement that compromises the individual.
20:50His feelings and love come at the expense of material things.
20:52Dry, rational thinking
20:53What helped Europe develop was science.
20:55And it despises imagination in all its forms
20:57And what does this movement have to do with One Thousand and One Nights?
20:58Simply put, my dear, if you think about One Thousand and One Nights
21:00You will find stories of the Western revolution
21:02Which begins as an industrial process and develops
21:04And suddenly she tells him about an impossible love story
21:06Between a fearsome king and a brave girl
21:07She decides that she will redeem all the girls in her world with stories.
21:11A feminist story, full of monsters and blood.
21:13And a swordsman is standing outside
21:15Love is lacking in all the characters in these stories.
21:17This is a concept unlike all European novels.
21:20According to Stephen King
21:21No story can be completed unless it has one condition.
21:24The suspense that makes you want to keep watching
21:26Imagine a story where a sword hangs over the storyteller.
21:28If he stopped talking
21:29Here you have two important elements and a promise of suspense
21:32And worrying about your hero
21:33And this is much more important than the fact that the talking won't stop.
21:35The influence of One Thousand and One Nights can be found in thousands of books.
21:37Many of them are famous for the idea of suspense or adventure.
21:40The one where the hero constantly encounters adventures
21:42You're always exaggerating if you follow in his footsteps.
21:44So you can find out what happened to him
21:45From the first voyages of Gulliver and Gals in the Land of the Oysters
21:47Up to the characters of Charles Dickens, such as A Christmas Carol
21:49Ashour Al-Naji, Shams Al-Naji, and Mohsen Al-Naji
21:52Naguib Mahfouz
21:52My dear Harfish, by the way
21:54And your dish, dear Harfoush, is old
21:55The Harfish area has real-life thugs.
21:57Living next to a magical, empty tavern
21:59In the year 938, Nabokov will tell a story
22:02Her name
22:04It features a person sentenced to death who tells his life story in more than one way.
22:07He uses a long and engaging style in his storytelling.
22:10So that they wouldn't carry out the death sentence on him.
22:12He tries, through the story, to avoid this judgment.
22:15And postpone it for as long as possible
22:17Literature, as you might say, is based on logic.
22:19The story
22:20This is the most important deal between the reader and the writer
22:22You'll keep reading because I'm going to tell you a story.
22:24It's impossible to know, don't finish it
22:25That's why
22:26Professor Oran Elmases will consider that One Thousand and One Nights contains
22:29Universal Element
22:30A universal element that transcends space and time
22:32Each story is a blend of reality and magic.
22:34Every story with suspense needs a strong ending.
22:37Every story has a romantic hero
22:38I see this story as so important that it deserves books.
22:41And she tells a story in the night
22:42As for what she said, my dear, it's a rumor about the reader.
22:44One Thousand and One Nights will all die
22:45But the Moroccan writer Abdel Fattah Klitou
22:48He says in his book The Eye and the Needle that this is an impossible condition
22:51No one will be able to read all of One Thousand and One Nights.
22:53Because the book has no limits
22:54If you finish a copy of it, there are stories in other books.
22:57You haven't even touched it yet
22:58Actually, my dear, I advise you at the end of the episode
23:00If you give it a chance and try reading stories from One Thousand and One Nights
23:03Don't worry, you won't finish them off, so you won't die.
23:05Please live forever
23:06This is truly a world that belongs to the past, present, and future.
23:09But my dear brother, not our brother
23:10We'll look at the cases that have passed.
23:11Let's see what cases come next.
23:12You go look at the sources and we'll subscribe to the YouTube channel
23:14Mohamed, the health expert who finishes all the episodes of the program, dies, my dear.
23:17Anyone who doesn't finish the episodes of the program will surely die.
23:19I'm sure of that
23:20I don't know when, and I don't know what will end, that it's happening.
23:22But I know it doesn't end, it dies, that's for sure.
23:24As for you, my dear, let's get to know each other. Why did you like the relationship of religion?
23:26Did I break up with him?
23:27Because, my dear, my love, spoil her, but tell her, Yasmina
23:29Get to know each other, my dear
23:30Why do I always want to cut your throat every time I see you?
23:32Because I'm still insistent
23:33This is a referral to the executioner.
23:36If someone doesn't understand, then don't talk.
23:38The problem isn't with her.