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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Story]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Someone took his hand.
08:36What do you got?
08:40What's...
08:54L-E-S-R-1
09:12L-E-S-R-1
09:22Hey.
09:25I thought you might be thirsty.
09:28Obrigada.
09:30De nada.
09:33You getting ready?
09:36Yeah.
09:38You're not scared?
09:41No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is...
09:52What is L-E-S-R-1?
09:55L-E-S-R-1?
09:57It's left, straight forward, stereo on the right, first four.
10:01No.
10:02No.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:14Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always...
10:26We're always in the studio.
10:27...
10:33...
10:41...
12:57Go.
12:57Go.
12:58Go.
13:07Go.
13:11Go.
13:14Go.
13:23Go.
13:24Go.
13:25Go.
13:39He said to make his way back to school
14:05He said to make his way back to school
14:09It's not going to work.
14:13What are you doing?
14:16Pickle!
14:18Go, go, go!
14:21Oh fuck!
14:23Go, go, go!
14:39Hey!
14:41Oh fuck!
15:02Don't hit, don't hit the armhole!
15:05Don't hit the armhole!
15:09He's dead!
15:10Hold it, hold it!
15:14Ah!
15:27Hey!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:36Shit!
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What, why?
15:43He was afraid that no one had left the necessary clues.
15:46No, I couldn't handle that.
15:49I couldn't handle that!
15:51I'm sorry.
15:54Fuck.
15:58It's the way.
16:03It was supposed to be the easy part.
16:14Where's Bo?
16:15Where's Bo?
16:31Where's Bo?
16:34Where's Bo?
16:35Where's Bo?
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, give me your thoughts here.
16:48What?
16:48Chrissy hit this place earlier today.
16:52The middle of the city in broad daylight with the entire world looking for him and he robs an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02You know, I could think of 20 other ways he could get his hands on cash, right?
17:07Well, then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit, you don't seem to be
17:25any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We wanna get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora.
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it would make me feel better, but...
18:37It's like all the memories that have been poisoned.
19:18where was this?
19:22It's a park
19:28And you went there just to take the picture
19:30Yeah
19:33It's supposed to be a Christmas card
19:39My dad thought we only needed a camera and a tripod
19:43My brother is out
19:49They weren't paying attention so all the pictures kind of came out awful
19:54And we started arguing and my mom took the camera and just
20:04She just gave it to a stranger
20:09That's all I did
20:15And at the end when he gave the camera back
20:19He said we were a beautiful family
20:38That's not poison
20:49Everything you care about
20:51It's all still in there
20:56That doesn't mean that you won't have pain
21:01But you don't have to go through that alone
21:04Yeah
21:07He was going to be there
21:24I will
21:28Really?
21:31Yeah, it's mine
21:37Okay
21:53What now?
21:58He's bouncing a signal all over the place
22:00If they really put their back into it
22:02They could walk the call back to Rio
22:03But nothing closer
22:06Untraceable
22:13Are you good?
22:17Yeah, I'm good
22:25I'm good
22:38Well
22:41His name is Vico from a local favela
22:44He hasn't said much and I haven't let the locals ask
22:47What are we waiting for?
22:48I just
22:49With all the respect, Mr. President
22:50We don't know what Chris may have told him
22:52It's happening and I will interrogate him personally
22:55I want him cutting to pieces until the answers start to flow
22:58I will not tolerate one man operated with impunity
23:02Making a mockery of...
23:03I'm sorry, sir
23:04Don't interrupt me
23:06I'm sorry, but I'm in a connection here that I think you'll want to help
23:10It's John Creasy
23:28Mr. Creasy
23:30I know you got a lot going on right now, Mr. President
23:33So I'm not going to keep you for too long
23:36I just want to let you know
23:38That I'm coming to see you
23:40Is that so?
23:43Unfortunately
23:44When I get there, we won't have much time to talk
23:47You know it's illegal to make threats like that
23:50Even in jest
23:51Oh, I'm very serious
23:53I know what you did, Mr. President
23:56You
23:57Torres
23:59And Tatner
24:00And I'm going to make sure that each one of y'all pay
24:04I just called to make sure that you have the opportunity
24:07That the Redburns and all the other families in that building didn't have
24:11The opportunity to say goodbye to the people that you love
24:15Because I am coming to see, Mr. President
24:20And by then it will be too late
24:35I just called to make sure that you have the opportunity
24:38That the Redburns and all those other families in that building didn't have
24:42The opportunity to say goodbye to the people that you love
24:46Because I am coming to see, Mr. President
24:49And by then it will be too late
24:52I want an honest assessment
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely
25:02But
25:04I don't think that's what's happening here
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you
25:13He just kills you
25:15Something's not right
25:16I want this dealt with once and for all
25:19We didn't come this far to let one man screw it all up
25:22You're absolutely right, Mr. President
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up
25:30Yes
25:32Sir
25:34We will get this handle
25:35I can assure you
25:48Sir
25:50We'll get this handle
25:53Oh, I'll get this handle
25:59Correct
26:01Ssura
26:03Ssura
26:03Ssura
26:03Ssura
26:05They paid me to buy a bag.
26:07What was there in the bag?
26:09There was only a key to a bank box.
26:13Sure.
26:14I opened the bag and there was a key to it.
26:18I was wondering how they would pay with this shit.
26:22They were hoping to find money in the bag.
26:26And now they are hoping to find money in this bag.
26:31It wasn't money, it was something they wanted to sell.
26:37Like...
26:37I don't know, but I heard them talking about a recording.
26:43Or a video.
26:46It's...
26:46It's a crazy guy talking to the President.
26:49President Carmo?
26:51Was it President Carmo?
26:52Was it President Carmo?
26:53Was it President Carmo?
26:54Who was it?
26:55Ferraz.
26:58Ferraz.
26:59Is it for me?
27:01Do you know it's a recording of the President Carmo with Ferraz?
27:04Tempo.
27:06Ok, guarda parada.
27:15Junta toda a equipe agora e manda eles indo pro banco BCI, cofre 4488.
27:20Vai!
27:23Ficou.
27:32Ficou.
27:39Ficou.
27:40Ficou.
27:41Ficou.
27:45Ficou.
27:47Ficou.
27:48Ficou.
27:49Ficou.
27:49Ficou.
27:50Ficou.
27:50Ficou.
27:51Ficou.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder, that you've already
29:15released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:33It's toxic!
29:35Let's go now!
29:50Let's go now!
30:19Do you know your part?
30:21Yeah.
30:22I go in.
30:23I make sure they see me and draw security so they can get what to happen.
30:28Yeah, we'll go.
30:33You ever want that place?
30:35Yeah.
30:36You grew an eye set.
30:48Hey, I'll be okay.
30:59Crazy check-in.
31:03All right, reset, reset, reset.
31:13Let's go.
31:25I think it would be me.
31:28I think it would be me.
31:35We're here.
31:36I
31:43Best you per evening
32:01Precisamos de mais militar
32:18Oh
32:19Come in
32:22Someone found me, but they're not here yet
32:26All right just walk away with us others just give me a second, okay?
32:36No.
32:38I can do this.
33:11Fuck you.
33:25What's the location for?
33:27What's the location for?
33:44What's the location for?
33:47What's the location for?
33:49What's the location for?
33:49Let's get it.
33:51Let's go!
33:53You can hear me on one more way.
33:58Stand down, Chris. You've got her.
33:59Security's been drawn off. You have the green light for Tapp and Velo.
34:02We're headed to the staircase.
34:03Okay, co...
34:05Caralho.
34:09What?
34:22Porra, Vico!
34:25Como você saiu?
34:27Eu sou foda, porra. Desci pra isso.
34:31We're moving to the meeting point.
34:33Se afasta! Se afasta! Se afasta!
34:35Hey, you have Poe's here.
34:38And then some squeezy.
34:40This is a fucking sham.
34:44A moment of what's happening.
34:50Alright, lock it down.
34:51Get on the radio! Lock it down!
34:53You're on the radio!
34:53What the hell?
34:56What is this?
34:57What is this?
34:58Whatever it is here?
35:01No!
35:02I'm gonna be paid with you.
35:03I'm gonna be paid a private house.
35:13What the hell?
35:19I'm gonna be paid a private house.
35:21What are you looking for?
35:23What are you looking for?
35:23Oh, my God.
36:06Oh, my God.
36:47Oh, my God.
37:05Oh, my God.
37:23Oh, my God.
37:35Oh, my God.
37:43Oh, my God.
37:43Oh, my God.
37:56Are you okay?
37:58Go, go, go, go, go, go.
38:15Are you okay?
38:16Yeah, stay here.
38:28Chrissy, Chrissy, we're pinned to the second floor of the section area.
38:32We're gonna run out of ammo before they do.
38:34Can you get to us?
38:47Are you okay?
38:48Yeah?
38:50Yeah.
38:54Yeah.
38:57Yeah.
39:01No.
39:05Yeah.
39:23We can either hold them or the grenade. We can't do both.
39:26Save me. Melo, now, go.
39:43Follow, follow. Hold on, hold on.
39:48This is not fire.
40:14I got to give it to you. That tape, that tape was some inspired shit.
40:19You know, that's the crazy I used to know.
40:22You know, one who I had high hopes for.
40:25So Mexico City got you all fucked up.
40:28So let's think about this. I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:42Yeah, I think you should be.
41:01Yeah, that seems to me.
41:05Yeah.
41:06You're killing me!
41:07I'm killing me!
41:08I'm killing you!
41:09Yeah, I'm killing you!
41:21Oh
41:48Oh
42:32Oh
42:33La rua papay, la rua de cara
42:52Oh
42:53Oh
42:59This is what my bra
43:15What the hell is this?
43:21I'm not going to do it, I'm not going to do it!
43:30This is going to be a very difficult time.
43:32I'm not going to die!
43:33I'm not going to die!
43:47Oh, my God.
43:51Oh, my God.
44:21Oh, my God.
45:07Oh, my God.
45:35Oh, my God.
45:37Oh, my God.
45:40Go left.
45:40Go left.
45:42Go left.
45:43Go left.
45:47Just go.
45:47Creasy.
45:48Just go.
45:48I'll be right there.
45:49No, Creasy.
45:50I can't just leave you like this, Creasy.
45:51Go on, Paul.
45:52Go.
45:53Go.
45:58Go.
46:06Go.
46:12Go.
46:13Go.
46:15No.
46:38Stop right there.
46:40Don't move.
46:45You shoot her, you're dead.
46:46One second.
46:50Yes, I know.
46:53Given that you've killed Teppan,
46:55I'm not seeing a lot to look forward to.
46:59So...
47:02Drop your fucking gun,
47:04or the last thing you see will be another dead Rayburn.
47:09Drop it!
47:25Good boy.
47:29Now...
47:30Stand up.
47:32I'll give you the honor of going first.
47:35I can't...
47:37Stand up!
47:39With the noise of T Galileo...
47:49Hooray!
47:50Shut it up!
47:57Get me away!
48:02Help me!
48:04Who did you get away from Tfind trees?
48:08Take you toウ tasks and Monty.
48:11Yes!
48:40Ah!
48:48Ah!
48:52Ah!
49:04Gracie?
49:06Gracie?
49:09Oh, my God.
49:11Oh, my God.
49:12Oh, my God.
49:13Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17Okay.
49:17You're okay.
49:18No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:22Oh, my God.
49:25Oh, my God.
49:26Oh, my God.
49:30You're good.
49:33Christy.
49:34Oh, my God.
49:36Oh, my God.
49:42Stunning developments tonight as Brazilian President Joel Carmo was arrested after the release of documents and video evidence linking him,
49:50his Minister of Defense, Prado Suarez, and a rogue American CIA agent named Henry Tappet to a conspiracy to use
49:56the FRP as a front to conduct the bombing of a residential tower in Rio.
50:00John Creasy, at one point implicated in the bombing, instead turned out to have been coordinated with a girl orphan
50:05by the bombing.
50:06And a small group of Brazilian citizens in a high-risk effort to expose the conspiracy.
50:10Oh, I can't believe it.
50:12Hey, ma!
50:12What's up, Jane?
50:13Hey, ma!
50:14What's up?
50:14What's up, you?
50:40because they're going to improve, right?
50:42Big shit.
50:45Vibration.
50:47Not to be a fan of a car.
50:49Ivan said you need to work on your English
50:52before anything else.
50:56You don't say shit any English.
50:58And the vagabundo is going to be kidding me.
51:01If you prefer to learn Russian,
51:03that would work too.
51:22The last time I saw my family,
51:25I wasn't at my best.
51:28And sometimes it feels like that regret
51:31is going to swallow me whole.
51:35Because of what happened to them,
51:38I have nothing to bury.
51:41No ashes to spread.
51:44But I've come around to the idea that
51:48because they raised me the way they did,
51:51my family ultimately left me with
51:54all that I could have asked for.
51:58You don't always realize what you have
52:02until somebody tries to take it away.
52:08And you don't always realize what you need
52:12until you're facing something too big to tackle alone.
52:20What my family has given me
52:24is the strength to go on.
52:27And what I've learned from my friends
52:29is that I never have to do so alone.
52:32I kind of think I'm going to see you are,
52:51because I my other thing is in my life
52:54I'm not sorry for a human,
52:54it's in it,
52:57and I will be still in
53:01Hey.
53:03Hey.
53:05You know if you want, you can just stay here, have lunch with everybody else.
53:14No.
53:15No, I want to go.
53:18If I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do and a fair amount of egg
53:48on my face and one of our guys.
53:49That's the reason you had to do it.
53:51Okay.
53:52Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys with that.
54:06I don't, but they're actually long listened to that.
54:09No one else has had first-hand experience with these guys.
54:13And I do.
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something you're ready to revisit.
54:27Tell me what you got.
54:52Tell me what you got.
54:53No more.
54:54Never face.
55:01We didn't guarantee you who youじゃあ see it yet.
55:01Might be.
55:15We didn't see you.
55:15How are you rooting?
55:17Milton politique was ironic, and was Liangz.
55:18He told me what you need to watch.
55:22We do not see her.
55:22We are veryいる.
55:22We didn't get it.
55:23We are going to make it.
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