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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Free Online HD]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Someone took his ass.
08:36What do you got?
08:54L-E-S.
09:02L-E-S.
09:06S-R-1.
09:23Hey.
09:25I thought you might be thirsty.
09:28We'll be together.
09:33You're getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is L-E-S-R-1?
09:57It's left, straight forward, stereo on the right, first four.
10:01No.
10:02No.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always, we're always in the
10:27studio.
10:27We're always in the studio.
11:03I don't know.
11:31I don't know.
11:57Inocentes foram sem fadas por esses crimes abominƔveis.
12:02NĆ³s vamos caƧƔ-los.
12:03E o americano John Creasy e as pessoas que o ajudaram.
12:06E o que Ć©?
12:35Yeah, yeah.
12:37Fudeu, fudeu!
12:38What was it?
12:47Let's go, everybody to the van. Let's go, let's go, let's go, let's go, let's go, let's go.
12:56Hey, hey! Go, go!
13:07Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh!
13:17Oh, oh, oh!
13:19Chrissie! No! No!
13:22Chrissie!
13:23Go! Go! Go! Go!
13:25Okay, come on.
13:39He said it make his way back just go
14:06What are you doing?
14:07The streets, we didn't leave anything
14:09If this doesn't work
14:12What are you doing?
14:16Pico!
14:18Go, go, go!
14:22Oh fuck!
14:23Go, go, go!
14:25Go, go, go!
14:25Go, go, go!
14:25Go, go, go!
14:26Go, go!
14:38Go, go, go, go, go!
14:54Oh
15:02I'm not sure that you are not allowed
15:04I'm not allowed
15:06I'm not for you
15:27Hey, are you okay?
15:30Yeah, fine, fine, fine.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What?
15:42Why?
15:43He was afraid that no one had left the necessary clues.
15:46No, I could have handled that.
15:49I could have handled that.
15:51I'm sorry.
15:54Fuck.
15:58It's the way.
16:03It was supposed to be the easy part.
16:14Where's Poe?
16:30Where is he?
16:35Get out of here.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Dave, give me a shot here.
16:48Chrissy hit this place earlier today.
16:52In the middle of the city in broad daylight with the entire world looking for him and he
16:55robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money.
17:02I could think of 20 other ways he could get his hands on cash, right?
17:07Well, then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit, you
17:24don't seem to be any better at figuring out his next move than the rest of us.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We want to get out of this room.
17:40Come talk to him and get some actionable information because if we don't figure out what Chrissy's
17:45up to, I have a strong feeling he's going to show us.
17:47And I don't think we're going to like it.
17:50Bora.
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19Yeah.
18:20That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it would make me feel better, but, uh, I call the memories that have been poisoned.
18:46Go into the room.
18:47What?
18:59I haven't seen anything in a couple of days before.
19:03Maybe then I am taking it on the table.
19:05You know, so, you know I have to see a thing.
19:09I wanted to be playing in the room.
19:09I'm playing with my fingers and I'm playing seeing my fingers.
19:09But I'm playing in the room, I usually playing around.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43And my brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just gave it to a stranger.
20:09It's all I've done.
20:15And at the end, when he gave the camera back, he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Yeah.
21:07I was going to be there.
21:24I will.
21:29Really?
21:30Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Well?
22:38Well?
22:41His name is Vico from Aloko Favela.
22:44He hasn't said much, and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53It's happening, and I will interrogate him personally.
22:55I want him cutting to pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, sir.
23:05Don't interrupt me.
23:06Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think you're going to want to be able to help.
23:10It's John Creasy.
23:28Mr. Creasy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatman.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity
24:07that the Redburns and all the other families in that building didn't have
24:11the opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20And by then, it will be too late.
24:35I just called to make sure that you have the opportunity that the Redburns and all those
24:39families in the building didn't have the opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then, it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:04But I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled.
25:36I can assure you.
25:49Zora.
25:51Zora.
25:53Zora.
25:56Zora.
25:56Sh Jerome...
25:57I can't save any of this money.
26:00Spesser?
26:02Please.
26:02Spend me.
26:05They paid myself to use what it meant.
26:07What was that made of the game?
26:09There was only a key to this book.
26:13One of those beads.
26:13Right.
26:14It's old as I opened the bag and there were the keys of it.
26:18They were asking me how they would also pay with this man.
26:21And...
26:22They were hoping to find money in the box.
26:26And now they're hoping to find money in this box.
26:31It wasn't money, it was something that they want to sell.
26:37Like...
26:38I don't know, but I heard them talking about a recording.
26:43Or a tape.
26:45Yeah.
26:47The guy talking to the President.
26:49President Kahn?
26:51It was the President Kahn?
26:52Yes, it was the President Kahn.
26:54Who was the fool?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:01Do you know that it's a recording of the President Kahn with Ferraz?
27:05I don't know.
27:06Why?
27:06What's that?
27:07What's up?
27:15If you're here, that's it.
27:17You're going to get it.
27:20You're going to save your money.
27:26The President Kahn means everything.
27:32You're missing everything.
27:33You're going to pay for it.
27:36You're missing everything.
27:36You're missing everything.
27:36We got to get it away.
27:48I need to come here, I need to come here.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voice that you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now you might be feeling a slight burning sensation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:33It's toxic!
29:35Let's go now!
29:53Hello? Come in?
29:55Yeah.
29:57Chrissy.
29:58Go in.
30:00Our success targets are incoming.
30:03Copy that.
30:19Do you know your partner?
30:21Yeah.
30:22I go in.
30:23I make sure they see me and draw security so they can get to happen.
30:27I have a girl.
30:33You ever want a place?
30:35Yeah.
30:36You were and I are set.
30:48Hey, I'll be okay.
30:59See you later.
31:01Integrč·”...
31:03All right.
31:04We set.
31:04We set.
31:05We set.
31:05We set.
31:14We set.
31:34We're here.
31:43We need to fight the perimeter, no one enters.
31:47Quick, quick!
31:52Let's go!
31:57We are dealing with this.
31:59We need to fight.
32:18Oh
32:19Oh come in
32:22Someone found me but they're not here. Yes
32:26All right, just walk away. We'll find something just give me a second, okay?
32:37Oh
32:37No, I can do this
33:07Oh
33:11Fuck you
33:25What's the location for?
33:41Oh
33:43Oh
33:44What's your location, Paul?
33:51Oh, you can hear me on one more way?
33:58Stand down, Chris. You've got her security's been drawn off. You have the green light for Tapp and Velo. We're
34:03headed to the staircase
34:31We're moving to the meeting point
34:33Stop Austin. Stop Austin. Stop Austin
34:35Hey, if Poe's here, the insult's crazy
34:40This is a fucking shame
34:44Moment what's happening
34:50All right
34:50Lock it down
34:51Get on the radio. Lock it down
34:53What?
34:55What is this?
34:57What's happening?
34:59Everybody can see me.
35:00Oh, that was a good one.
35:30Let's go.
36:25Let's go.
36:39Let's go.
36:39Headed out now.
36:41Shit!
36:43Leave it!
36:45Exit block, pole nine, floor two.
36:47We're headed northwest.
36:48We will be resistance.
36:49Okay.
36:49We're on our way.
36:53Hey!
36:55Hey!
37:00Hey!
37:07Hey!
37:08Hey!
37:20Stop fucking turning!
37:34Get out of the way!
37:39Stop it! Stop it!
37:42Let's go with the girl!
37:44Kill everyone!
37:56Are you okay?
37:58Go, go, go, go!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:28Chrissy, Chrissy!
38:29We're pinned to the second floor in the southern area.
38:32We're gonna run out of ammo before they do.
38:33Can you get to us?
38:47Are you okay?
38:48Yeah.
38:48Let's go, get out of the center.
38:50Uh-uh!
39:07Uh-uh!
39:08Uh-uh!
39:10Uh-uh!
39:12Uh-uh!
39:14Uh-uh!
39:16Uh-uh!
39:23We can either hold them with a grenade!
39:25We can't do both!
39:26Come with me, Melo!
39:28Now!
39:28Go!
39:29Go!
39:33Go!
39:34Go!
39:46Go!
39:46Go!
39:47Go!
39:47Go!
39:47Go!
39:47Come on!
39:48In case there's much fire!
40:14I gotta give it to you.
40:15That tape, that tape was some expired shit.
40:20Yeah, that's the crazy I used to know.
40:23You know, one who I had high hopes for.
40:25So Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:41Yeah, I think you should be.
41:02I don't know.
41:34I don't know what it does.
41:37I don't know what it does.
41:39I don't know what it does.
41:43No!
41:44Breezy!
41:48Breezy!
41:49Breezy!
41:54Breezy!
41:55Breezy!
41:56I don't know.
42:31I don't know.
42:59This is what my brain...
43:15I don't know.
43:22I don't know.
43:28I don't know.
43:32I don't know.
44:02I don't know.
44:04I don't know.
44:19I don't know.
44:23I don't know.
44:24I don't know.
44:28I don't know.
44:29I don't know.
44:29I don't know.
44:39I don't know.
44:40I don't know.
44:46I don't know.
44:53I don't know.
44:55I don't know.
45:06I don't know.
45:09I don't know.
45:11I don't know.
45:35I don't know.
45:36I don't know.
45:40I don't know.
45:47I don't know.
45:48I don't know.
45:49I don't know.
45:50I don't know.
45:52I don't know.
46:14I don't know.
46:23I don't know.
46:38I don't know.
46:42I don't know.
46:45I don't know.
46:45You shoot her.
46:46You dead once I get.
46:50Yes, I know.
46:53Living that if killed Teppin,
46:55I'm not seeing a lot to look forward to.
46:59So,
47:02drop your fucking gun
47:04or the last thing you see
47:05will be another dead Rayburn.
47:07Drop it!
47:25Good boy.
47:28Now, stand up.
47:32I'll give you the honor of going first.
47:37Stand up!
48:11Yes!
48:14Ah!
48:17Ah!
48:23Ah!
48:25Ah!
48:26Ah!
48:28Ah!
48:29Oof!
48:32Ah!
48:35Ah!
48:36I don't think I'm going to die.
49:09Oh my god. Oh my god. Oh. Oh my god. Okay, just stay with me, okay?
49:16Okay. Okay. You're okay. No, just stay with me. It's okay.
49:21Oh my god. Oh.
49:30You did good?
49:35Oh my god.
49:42Stunning developments tonight as Brazilian President Joao Carmo was arrested after the release of documents and video evidence linking him,
49:50his Minister of Defense, Prado Suarez, and a rogue American CIA agent named Henry Tappet to a conspiracy to use
49:56the FRP as a front to conduct the bombing of a residential tower in Rio.
50:00John Creasy, at one point implicated in the bombing, instead turned out to have been coordinated with a girl orphan
50:05by the bombing and a small group of Brazilian citizens in a high-risk effort to expose the conspiracy.
50:10Ah, atĆ© agora eu nem acredito. Ei, mĆ£e, eu quem eu achei?
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e vocĆŖ?
50:16Tudo bem, bom te ver.
50:17Tava falando pra Marina que eu nĆ£o acredito te ver no jornal. Minha vizinha ajudando a derrubar o governo. Que
50:23loucura Ć© essa?
50:24VocĆŖ acha uma loucura, mas nem eu.
50:27Escuta, e que boato Ć© esse de vocĆŖs que estĆ£o indo embora?
50:29Ah nĆ£o, a gente nĆ£o vai pra lugar nenhum.
50:32EntĆ£o vocĆŖs acham que as coisas vĆ£o melhorar com a saĆda do Carmo? Acho difĆcil de acreditar, hein? TĆ“ preocupado.
50:37Eu tambĆ©m. Mas se todo mundo ficar preocupado, as coisas vĆ£o melhorar, nĆ©?
50:42Grande esmerda.
50:45VibraĆ§Ć£o.
50:47NĆ£o foi pra ser flamengo de Carmo, nĆ£o.
50:49Ivan disse que vocĆŖ precisa trabalhar em inglĆŖs antes de qualquer outra coisa.
50:56VocĆŖ que nĆ£o fala porra nenhuma de inglĆŖs. E vagabundo tĆ” cagando pra isso.
51:01Se vocĆŖ preferir aprender o russo, entĆ£o vai trabalhar tambĆ©m.
51:21A Ćŗltima vez que eu vi minha famĆlia, eu nĆ£o estava no melhor.
51:28E Ć s vezes, parece que o desespero vai me derrubar.
51:35Por causa do que aconteceu com eles, eu nĆ£o tenho nada a curtir.
51:41NĆ£o as ferramentas para expor.
51:44NĆ£o as ferramentas para expor.
51:45Mas eu venho com a ideia de que...
51:47Porque eles me criaram como eles fizeram...
51:51Minha famĆlia me deixou com tudo que eu pudesse ter pedido.
51:58VocĆŖ nĆ£o sempre percebe o que vocĆŖ tem...
52:02AtƩ que alguƩm tenta tirar isso.
52:08E vocĆŖ nĆ£o sempre percebe o que vocĆŖ precisa...
52:12AtĆ© que vocĆŖ enfrenta algo muito grande para fazer.
52:20O que minha famĆlia me deu...
52:24Ć a forƧa para continuar.
52:27E o que eu aprendi de meus amigos...
52:30Ć que eu nunca devo fazer isso sĆ³.
52:31Tchau, nhau.
52:35Tchau, tchau.
52:49Ć a ser tĆ£o grande87.
52:55Com umaaha inteira pra sair.
53:02Hey.
53:03Hey.
53:05You know if you want, you can just stay here, have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do and a fair amount of egg on
53:48my face at one of our guys.
53:49That's the reason you had to do it.
53:51Okay.
53:52Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that.
54:06I don't, but they're actually long listened to that.
54:09No one else has had, uh, first-hand experience with these guys.
54:14And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Send me what you got.
54:29Get back to bed.
54:30Take care.
54:31Yeah.
54:44Okay.
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