- 7 hours ago
Genie make a wish episode 11 Hindi dubbed full [Full Movie] [Full Storyline]Full EP - Full
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00:06SON 2, 3, 4
00:17Yanlışlarımdan ders alacak kadar olgun değilim.
00:21Bu yalan bir mecburiyet.
00:23Yoksa sana olgun değilim.
00:25Ama gözlerinde bir ışık kalbimin tıkırtısı.
00:31İçim içime sığmıyor ya bu neyin kıpırtısı.
00:36Dön yüzünü gökyüzüne bak bir aşkın yıldızına aman.
00:43Parlayacak sönecek biliyorum.
00:49Her şey olur her şey biter.
00:56Her şey olur her şey biter.
01:02Her şey biter.
01:03Her şey olur her şey biter.
01:35İzlediğiniz için teşekkür ederim.
01:37I mean, without a strawberry?
01:40Yes, I think of that.
01:42It's a good mind, in truth?
01:44Yes, it's a good mind.
01:45Yes, it's a good mind.
01:46It's normal. This is also normal, right?
01:48Wow!
01:49When you took pictures of the scenes,
01:52the photographer took pictures of the set up.
01:56He took pictures of it and took pictures of it.
01:57What a mess!
01:58It's possible.
02:01She's very excited.
02:03Yes, I can understand.
02:04You know, acting is such a thing.
02:05Once you get into it,
02:06then the excitement is coming.
02:08It's not that it's normal.
02:10How did we come to this film business?
02:12How did we come to this business?
02:15I'll tell you.
02:17We took the paper
02:19and found out that
02:21you've never done anything in your life.
02:24And then
02:25we got on the set of you.
02:28I didn't want to do it,
02:29but you had to do it for me
02:31and have to do it for me.
02:36My love for art.
02:37Yes, for art.
02:38Yes, for art.
02:39Like you've never done it before.
02:41And then you say,
02:42I'm going to be an actor.
02:44Wow!
02:44Look, this is a real girl friend
02:46that my real girl friend
02:46has been doing a lot of time.
02:48But it's not a matter of this.
02:50It's not a matter of this.
02:50When you asked me,
02:52it's been a more time.
02:54Look, I'll remember
02:55that the scene we did
02:57after my death
02:58was forgiven.
02:59Because we did not do it.
03:01We were not.
03:03It was Faisa and Kaila.
03:04If it was such a matter of
03:05then we should be able to
03:07become Faisa and Kaila
03:08and practice in our roles
03:10and practice in our roles.
03:12What do you say?
03:13Hmm.
03:15So what do we do?
03:16Let's drink tea.
03:17Tea?
03:17Yes, I like it.
03:19Let's go inside and make a big tea.
03:21Right?
03:21Let's go Kaila.
03:23Let's go Kaila.
03:24Let's go Kaila.
03:25Let's go Kaila.
03:34Let's go Kaila.
03:36Let's go Kaila
03:36Let's go Kaila.
03:40Let's go Kaila.
03:41Let's go Kaila.
03:41Let's go Kaila.
03:42And it's been a good time,
03:42and I'm ready to sign these papers.
03:43After all,
03:44we have a whole day.
03:46You have to stay on the set.
03:48You're looking for the film.
03:49I've signed this in the movie,
03:49You've written lines.
03:50I have made it, right?
03:51Yes, you've done it.
03:51Yes, I've done it.
03:53Okay.
03:54Good.
03:54Look, I'm just going to the office, so I'm going to go quickly.
03:57I'll also go with you.
04:00And what would you like to do with me?
04:01My guardian?
04:03Your manager.
04:04My manager?
04:05So you don't go anywhere.
04:34Sir Khan, what's happening here?
04:38I don't know, Aida.
04:43I don't know what's happening here.
04:45Miss Aida, Mrs. Sir Khan, welcome.
04:48There's a little time for your scene.
04:49Will you be shooting here?
04:51Yes, we were looking for a place for office scene.
04:52We were looking for a place.
04:54Finally, we finally got this place.
04:56I think you'll know this, but we'll have a little time.
04:59I mean, our company is like Agora.
05:02The technical work is still working.
05:05We'll have a little more time.
05:08Look, you'll have to talk to me inside.
05:10Let's see.
05:15Oh, hello.
05:19Welcome.
05:20Welcome.
05:20What's welcome?
05:21It's our company.
05:23It's our company.
05:23Sir Khan, your office is so good.
05:26Thank you so much.
05:27You've given us to shoot here.
05:29This is a great thing for us, sweetie.
05:31Sweetie?
05:32You've given us?
05:33I mean, I've given permission.
05:34I've given you.
05:34Yes, you've given us.
05:35I've given you.
05:38I've given you.
05:49I've given you.
05:52You've given us, sweetie.
05:52Okay, sweetie.
05:53Who will answer me?
05:54Who are you, sweetie?
05:56Don't fear.
05:57Come.
05:57Why do you love me?
05:59What do you do?
06:00Sweetie.
06:01I will get one of hands.
06:04I will tell you everything.
06:04I am to tell you everything.
06:05What is your problem?
06:06I will tell you everything.
06:10Calm down.
06:11I will tell you everything.
06:12I will tell you everything.
06:13I will tell you everything.
06:14What are you all doing?
06:15I don't know how many people can sit in the office.
06:17They are shooting a film, Mr. Serkan.
06:19But who is the permission? I have no permission.
06:22You gave Erdem authority.
06:24He gave me permission.
06:25He asked him, but Erdem has said it.
06:28Erdem has said it.
06:29Erdem is where he is.
06:31He said that the project is busy.
06:33Sometimes it's here, sometimes it's here.
06:35I don't know.
06:36Erdem, please call it.
06:37I want it out.
06:41This doesn't happen because the contract
06:43is on the table of Erdem.
06:44I mean, it's on your table.
06:47Mr. Serkan.
06:48That guy is sitting on my seat.
06:50Yes, I told you later.
06:52The contract is written that the crew
06:54is the only one living for the day.
06:56This is a set.
06:57Here is a whole day?
07:00I will solve it.
07:01I will go here.
07:02There is no set.
07:05Where are the rest?
07:07Where are the rest?
07:08Where are the rest?
07:09Where are the rest?
07:09Where are the rest?
07:10Where are the rest?
07:10Where are the rest?
07:10Where are the rest?
07:11Erdem, you weren't here.
07:12I was here.
07:15I was here.
07:19I'm here.
07:24I'm here.
07:24I'm here.
07:24I'm here.
07:24We're back here.
07:25Okay.
07:27Okay.
07:27That's it.
07:28That's a good thing.
07:30You know Puren.
07:31You know Puren.
07:32You know Puren.
07:33He was sitting on my seat.
07:35That's Puren.
07:36Don't call him.
07:37Don't call him.
07:39Don't call him Puren.
07:39Don't call him Puren.
07:40You don't like him.
07:41You don't like him.
07:42I don't like him.
07:43I don't like him.
07:43And they will be here today.
07:45Okay.
07:45I don't like him.
07:46I don't like him.
07:48Ada, hi.
07:49Hello.
07:50Hello.
07:50I hope there's no problem on the set.
07:52No, no, no, no, no.
07:53You won't trust me.
07:55When I heard that shooting is going to be in your office,
07:57I'm very excited.
07:58My eyes are coming.
08:00I'm very excited.
08:02Why?
08:02There's no idea here.
08:03No, no.
08:04There's no such thing.
08:05My film will be Trilogy.
08:07I want to work with Ada with my third film.
08:10And I was thinking,
08:11how can I find an outsider
08:13and talk to her.
08:15When I heard about it,
08:16I'm going to see the window at night.
08:19Do you know?
08:19I'm very excited.
08:21My eyes are coming.
08:22Blood shot.
08:23Ada, I got a scenario.
08:25I want to accept it with you.
08:27Accept it, please.
08:28If I can't say anything,
08:29please tell me.
08:31Because I don't think about acting.
08:34And I'm very happy to become a landscape architect in my company.
08:37So thank you.
08:38You should have to learn about it.
08:39I'm serious about it.
08:40You know about my third film.
08:42Okay.
08:42The story of the rain.
08:44The rain drops and the clouds.
08:46A cloud of rain.
08:47A cloud of rain.
08:47The rain drops and the clouds.
08:49A cloud of rain.
08:49A cloud of rain.
08:49I mean,
08:52Metaphysics.
08:53Metamorphosis.
08:54Everything is.
08:55I'm very excited.
08:57Ada, this is a very good project.
08:59But I'm not thinking about acting.
09:01I'm not thinking about acting.
09:02So I'm really sorry.
09:03Director is ready.
09:04We can start shooting.
09:06Perfect.
09:06Then, prepare everything.
09:06You should see the scene of the rain.
09:09You should see the scene of the rain.
09:10You should see.
09:11But where are we?
09:13We're going to wrestle.
09:14Okay.
09:14I'm going to wrestle with you.
09:16Yes.
09:16Why not?
09:17We're going to wrestle with you.
09:19Let's get ready.
09:23Excuse me.
09:25We're going to wrestle with you.
09:26The doctor said that it will be a girl.
09:27John.
09:28Can you trust us?
09:30Excuse me.
09:31If we are a girl,
09:32you can trust us.
09:33If we are a beautiful girl,
09:35he will see you.
09:36He will be disciplined too.
09:38I'm asking,
09:39what's happening here?
09:40Look, four more.
09:46John.
09:47I don't know what's happening here.
09:49What's happening here?
09:50I don't know.
09:52Why are these people here?
09:53Why are they here?
09:54I don't know.
09:55I'm a married cameraman.
09:56How do I know?
09:58You guys are here.
10:00What's happening here?
10:01He's shooting a film.
10:02He's coming here.
10:03He's going to set something
10:04and he's ready for 4-5 hours.
10:06He's going to have enough time.
10:08He's going to have a lot of time.
10:09Erdem has lost us.
10:09He's lost us.
10:10He's lost us.
10:10Erdem.
10:11For this, Erdem has given permission.
10:12Yes.
10:13I'll kill him.
10:14I'll kill him.
10:15I'll kill him.
10:16What will he say?
10:17What will he say, brother?
10:18There's nothing to say.
10:19Erdem has been contracted with him.
10:21Our hands are closed.
10:22He's also closed.
10:22He's getting pissed on.
10:22Here, he's very聰明.
10:23I'm giving him back to you.
10:24Hedar and Sarkhan are acting.
10:26You're having fun.
10:27Yes.
10:30Hedar and Sarkhan are acting too.
10:32Sarkhan.
10:32Acting.
10:33You couldn't get any more fun.
10:33You don't get anything else to do.
10:35You know, the fact is that...
10:38Excuse me, who is doing casting?
10:40Can you see the scenes?
10:41Perhaps you will need a handsome actor.
10:44Sir, please do your work.
10:45But I ask the director, don't give a pilot shooting.
10:48Don't give a pilot shooting.
10:48I'll give you a pilot shooting, my dear.
10:50We'll get to our kids.
10:51Please, let's go.
10:53Let's go in the cabin.
10:55We'll work.
10:56Why does everything excite you?
10:59Take clear, ready.
11:01We're starting the scene from 2.
11:10Let's go.
11:10We'll do a rehearsal.
11:12Faye, I didn't sleep last night.
11:17Let's go.
11:18No, tell me.
11:19I didn't sleep this night.
11:20Look, what was going on.
11:21I've always said, Belta.
11:25I've always thought about our previous nights.
11:27It's not a rehearsal.
11:28It's a rehearsal for us.
11:29It's a rehearsal for us.
11:30But those nights are now still gone, Belta.
11:38my
11:52opinion
12:00right
12:01me
12:03I have understood it.
12:05Okay, just like you said, I will do it.
12:06Okay, come on, we will do it from the beginning.
12:09Puran, I have a full wish for you.
12:11What do we do from the beginning?
12:12Yes, we will do it from the beginning.
12:14Puran, you are right.
12:16Sir Khan, in the last video, your emotions are very intense.
12:19He has been very happy.
12:21You have done it for your role.
12:22We have done it with you.
12:24Good.
12:25This microphone is going to go to my feet and my feet.
12:28What do you need to do?
12:29You will not be surprised.
12:30I will start soon.
12:31Look, I don't know.
12:32I don't know.
12:32They are so close.
12:34I am confused.
12:36I am confused.
12:37Look.
12:38I don't know.
12:38How did the actors look at it?
12:43Wait.
12:44Wait.
12:45Wait.
12:47Wait.
12:48Wait.
12:48Wait.
12:49Wait.
12:51Wait.
12:57Wait.
13:02Wait.
13:03Wait.
13:03How many days can't work?işori.
13:07That's what I
13:07got from. I have seen him,
13:08too. And he G grown in
13:13the past his first days. Wait, I got a
13:18wet hine. Okay. Bye. Hate
13:23today.
13:23Take water
13:24away. What
13:26are you doing?
13:27My dear.
13:27I'm fine.
13:29I'm fine.
13:31Miss Deda, you're fine, right?
13:33I'm fine, director. Sorry, I stopped.
13:35Lela, what have we done in that meeting?
13:37No, I'm fine.
13:39Don't cancel it.
13:41If you want to do your job,
13:43we're shooting a film.
13:45What's happening?
13:46My job is not shooting a meeting.
13:47My job is in this office.
13:49I can feel it.
13:53And I'm trying to help you with this talent.
13:54I'm trying to help you with this talent.
13:56Do you understand?
13:58Director, please.
14:00Let's continue and finish.
14:02Let's go.
14:03Let's go, Lela.
14:04I've always thought about the past nights.
14:07No, I thought.
14:10I've always thought about the past nights.
14:12Let's go, start.
14:13Okay, Lela.
14:15I've always thought about the past nights.
14:19But those nights have been over.
14:21You don't think they're close enough.
14:22You don't think they're close enough.
14:26You don't think they're close enough.
14:28You don't think they're close enough.
14:29They need to be different.
14:30They're going to break up.
14:31They don't mean that they're close enough.
14:33Because the past is the love of Kaila.
14:34But what do we think they're close enough?
14:37I don't think they're close enough.
14:41Great idea.
14:43I don't think they're close enough.
14:45What a mess.
14:46This is a mess.
14:47Look, you both.
14:49A car is a metaphor that tells them.
14:53Where you can't even go.
14:55This is the chemistry.
14:56There's no answer.
14:56There's no answer.
14:57There's no answer.
15:00I can't see it.
15:01I can't see it on my own.
15:02I can't see it on my own.
15:04A metaphor.
15:06What do you mean?
15:07I'm going to take a course.
15:07You don't want to take a course.
15:08I'm going to take a course.
15:08I'm not shooting.
15:10I'm talking about the struggle of this film.
15:12This is a gold chance for us.
15:14What are you talking about?
15:15What are you talking about?
15:32how many times are you doing?
15:36Why?
15:37What do you mean I should keep holding a desk?
15:41What do you mean I should keep holding a desk here?
15:43How would you say this?
15:44But I'm looking at this and I'm going to take a course.
15:45How is this?
15:45You're asking it.
15:46You must write a sentence.
15:46I'm not taking it.
15:47Feel free.
15:47Do you believe it.
15:48What am I waiting for this?
15:50Don't ask me please.
15:51I've written it.
15:52But it won't go.
15:53I have written it.
15:54I have written it for a day and night, friends.
15:57Now we are finally doing it.
15:58We won't put it in any place.
16:00We won't stop it.
16:01But people can't do it.
16:02We're shooting the film here.
16:04I'm not an actor.
16:06But you're here.
16:07You're in the scene.
16:08Let me know that you're starting to start.
16:11We won't do any work.
16:13Start the work.
16:14Yes, from that part.
16:16Three, two, one, rehearsal.
16:20We'll be together again.
16:22Director, this is impossible.
16:24Guys.
16:25This is impossible.
16:26We haven't done anything yet.
16:27I'm not going to do it.
16:29Your meeting.
16:30Mr. Serkan, it's your meeting.
16:32We forgot the meeting time.
16:34Okay.
16:34I'm not going to do it.
16:36What will we do?
16:37Someone will tell me something.
16:38Can you give me some water?
16:45Serkan?
16:47You left the rehearsal.
16:49Where did you go to the rehearsal?
16:50No, no.
16:51I don't have any things.
16:54I don't have a habit.
16:56I just wanted to be alone.
16:58I just wanted to be alone.
16:59I understand you, Serkan.
17:01It's not popular.
17:02It's not easy.
17:03I feel like we're going to go far away.
17:08What do you want to say?
17:10Are we going to go somewhere?
17:14Yes.
17:14Why not?
17:15I see.
17:16I'm...
17:16I want to see.
17:18Hmm.
17:20Huh.
17:21Hmm.
17:22Darling, what did I get late?
17:23No.
17:24I've always got to go on the right time.
17:26Now we'll go, Miss Puran.
17:58Let's go again.
17:58Let's go.
18:00Let's go.
18:01Let's go.
18:01Let's go.
18:02Sir Khan.
18:04What's the matter, Aida?
18:05Why are we doing all this?
18:07Because we have written our wishes.
18:11And we have to complete it.
18:14And we have to complete it.
18:16Sir Khan, I have to know the truth.
18:18Tell me.
18:19What?
18:20Why are we doing all this?
18:22Is there anything that you are hiding from me?
18:25Aida, I don't have anything to do with you.
18:32I love you very much.
18:34I love you very much.
18:37And when I thought,
18:40that I didn't have a good time for you,
18:44this was a way for you.
18:47It was a different way for you.
18:49And I did it.
18:50I love you very much.
18:51And now,
18:52I want to tell you all about your life.
18:57I also want this.
18:59But...
18:59Sir Khan,
19:00what are you inside?
19:05Sir Khan,
19:06I'm waiting for you outside.
19:08Hurry up.
19:09What are you doing here?
19:10How do you know that you are here?
19:11You shut down.
19:12But how?
19:13What?
19:14You also shut down.
19:16Okay.
19:16Sir Khan.
19:18Miss Puril.
19:19Look,
19:20everyone is looking for you.
19:21Before we shoot four scenes.
19:24Come to the car.
19:25Please come to the car.
19:26Yawntem.
19:26Never leave me alone.
19:28Let's go.
19:29I'm coming.
19:34Let's go.
19:36Let's go.
19:40Let's go.
19:41Let's go.
19:43Let's go.
19:47Let's go.
19:47That's the real part.
19:50Let's go.
19:54Guys.
19:55Listen.
19:56Do you want to tell us when we're talking about some of the other political parties?
19:59What are you saying?
20:01You're enjoying the trouble.
20:02They have agreed to be safe in the trailer, but the Secretary is now becoming an actor.
20:07Look, it's this way, my friend.
20:08You never know what he's going to do because the Secretary does not.
20:13You know, they have written extra scenes for the first time.
20:16You're enjoying this.
20:17Ah, you liked both of them.
20:19But for two days, only a small role will be acting.
20:22And then they'll end.
20:23Bro, what do you know the government?
20:25He doesn't stay stable.
20:26He will find a way to keep it from him.
20:28I don't know how much he will take it from him.
20:30I know one thing.
20:31He will write himself in his absence.
20:33Ingin.
20:34How do you know?
20:35I know.
20:35When I was young, what did I do?
20:37No cheating.
20:39What happened if you helped me?
20:40You're weak.
20:42You shouldn't do it.
20:43I shouldn't do it.
20:43But what can I do?
20:44I don't understand what I think.
20:47So you wouldn't know what you think.
20:50What you think of.
20:52It's not a joke.
20:53This is something that you have to finish.
20:55You have to finish.
20:56You are not saying.
20:57You are saying, sirkan.
20:58My plan was saying,
20:59to put a note in the bottle and put it in the sea.
21:02It doesn't matter.
21:04So it could be a message for someone.
21:06And I don't understand what I'm saying.
21:09Look, how silly this is, in truth.
21:11Look, we are writing this ourselves.
21:13Not that for someone else,
21:15but if someone finds this,
21:17then how will we know that we have written it?
21:20There will be no idea of why we have written it.
21:23But why not?
21:24Why not? We can write our name.
21:27Our surname, our address.
21:30Think about it.
21:31Now we will be 90,
21:32or no, 100.
21:34We will be 100 years,
21:35then maybe someone will find us
21:37and tell us that we have written it.
21:39And we will never forget.
21:41We have done something like that.
21:42I will write something like that.
21:44Our name, our address.
21:46We will write our life story and tell them.
21:49Look, there is no guarantee
21:50that after three days,
21:52it will be 100 years.
21:55Maybe one day,
21:57I will become Ada Pulad.
22:02Don't forget your address.
22:03Don't forget your address.
22:04Don't forget your address.
22:09Don't forget your address.
22:09Why do you use my address every time?
22:11I don't do it.
22:12I don't want to be sure.
22:13Don't forget your address.
22:14Don't forget your address.
22:16My name?
22:20What do you want me to write?
22:25You have written it?
22:26I have written it.
22:26You read it.
22:27I will write it.
22:28Okay.
22:48My name is
22:50If you are helpless and hopeless, you are like,
22:54you can't forget the darkness of your mind.
22:59That's good.
23:01But, is it not sad to you?
23:03Yes, sure.
23:08I wanted to do this with my brother.
23:11I wanted to do this with my brother.
23:13When we were very small and we were going to go to the beach.
23:17We got a bottle and we were going to the beach.
23:22We thought that we could have no letter.
23:25But there was no letter.
23:27Then we said that we would have to do this one day.
23:30We would have to write a letter.
23:32We would have to throw the bottle into the water.
23:34But we had never had a chance to do that.
23:38And you are now with me.
23:42Are you ready?
23:45You are ready?
23:46Wait a second.
23:47I am ready.
23:50Let's go.
23:53What are we going to do?
23:55We will have to throw it all together.
24:00I am ready.
24:04Let's do it.
24:06Let's do it.
24:06Let's do it.
24:08What do we do?
24:08Let's throw it.
24:11Let's throw it.
24:13Ready?
24:22Do it.
24:26Let's do it!
24:27See that you've beenipnotharpist born.
24:31Don't let it.
24:31Don't say did it.
24:32Then you took care of it.
24:35Don't.
24:40Get your treatment!
24:42Secret bao calling.
24:42Yon Tam!
24:44Don't treat such a treatment like I'm ill.
24:46I don't have to push my obsessions.
24:48Okay?
24:49What do you want to do then?
24:51I want to learn how to hypnotize me because I want to do someone else.
24:56What are you saying?
24:57No one will teach you this kind of hypnosis.
25:00Yon Tam!
25:02I got a lot of information from the internet.
25:04I want to ask some questions.
25:05I want to ask some questions.
25:10We will write a special scene, okay?
25:13Hypnosis scene.
25:15What?
25:35Elimdekiler kalmadı, düştü.
25:38Bir yanda tersine döndü.
25:40Gerçeği gördüm, hayalime küstü.
25:43Aşağı sar çünkü.
25:46Elimdekiler kalmadı, düştü.
25:48Bir yanda tersine döndü.
25:51Gerçeği gördüm, hayalime küstü.
25:54Çok zor, bir de bana sor.
25:56Başladığı gibi bak yaklaşıyorsun.
25:59Tüyalarını bir kenara koy.
26:02Yandığında çünkü hiç dönüşüyor.
26:04Kapıldım, olur olma düşüncelere.
26:08Belki zaman zaman bahanelere.
26:11Çeker çeker çareler.
26:13Tükendi birer birer.
26:14Durdum dedim, daha nereye?
26:18Ama başa sar çünkü.
26:21Elimdekiler kalmadı, düştü.
26:24Bir yanda tersine döndü.
26:26Gerçeği gördüm, hayalime küstü.
26:29Başa sar çünkü.
26:32Elimdekiler kalmadı, düştü.
26:35Bir yanda tersine döndü.
26:37Gerçeği gördüm, hayalime küstü.
26:40Bir yanda tersine döndü.
26:53Bir yanda tersine döndü.
26:56Bir yanda tersine döndü.
27:09Yandı.
27:12Yandı.
27:13Yandı.
27:15Yandı.
27:17Yandı.
27:17Yandı.
27:24Yandı.
27:25Yandı.
27:26Yandı.
27:33Yandı.
27:34Yandı.
27:51Yandı.
27:52Yandı.
28:01Yandı.
28:03Yandı.
28:04Yandı.
28:05Yandı.
28:08Yandı.
28:09Yandı.
28:09Yandı.
28:15Yandı.
28:17Yandı.
28:28Yandı.
28:32Yandı.
28:36Yandı.
28:40Yandı.
28:51Yandı.
28:53Yandı.
28:54Yandı.
28:56Yandı.
28:57Yandı.
28:57Yandı.
28:58Yandı.
28:58Okay?
28:59Okay.
29:00Let's go.
29:05Do you want to tell Laila?
29:07The idea is not bad.
29:12Aida, do you want any help?
29:13No, darling, I have made it.
29:21Hubble tea is ready.
29:29I think this will be good after the day of the day of the day.
29:32You know that it's good for me.
29:33It's good for me.
29:34It's good for me.
29:36It's good for me.
29:37It's good for me.
29:39When it's not over,
29:42it's very calm.
29:45Oh, see, your calm is going.
29:48Hello.
29:48Hello.
29:50I hope that I'm not going to be frustrated,
29:52but I was here to come.
29:54Aida has to talk about the scenes of you yesterday.
29:57Which scenes?
29:58Aida also has extra scenes.
30:00Yes.
30:01There are things like this, right?
30:03At any time, you can change anything.
30:05I got a printout.
30:06Okay.
30:06But what do I have to do?
30:08I have to say, let's do it.
30:09So this will happen again.
30:12Okay.
30:13Now the scenes are written,
30:15so do it.
30:15And what?
30:16It will end.
30:16It will end.
30:17It will end.
30:19Where will we do and what will we do?
30:20Aida, the shooting is there.
30:22There is also a wide camera.
30:23We can practice well.
30:25We have to go so far.
30:26What do we need to go so far?
30:28We can do it here.
30:29We can do it here.
30:29We can do it here.
30:30But the feeling of it is also important.
30:33Yes.
30:33But we will go into it.
30:35It will be good.
30:36Okay.
30:37Then we will stop the police.
30:38We both are going.
30:40Okay.
30:41Okay.
30:41Let's do it.
30:42I will not kill him.
30:44I will not kill him.
30:45I will not kill him.
30:48I will not kill him.
30:48I will not kill him.
30:49Let's do it.
30:50And you want to come here.
30:53Thanks, Sada.
30:54See you, Sarkhan.
30:59I will not kill you.
31:04You have to do it.
31:06Enjoy.
31:08You are so little.
31:09We are going to come here.
31:11You are so little.
31:11I am alone.
31:14Let it be.
31:14Have fun.
31:46I think it's probably 3-1
31:48Yes, I think it's probably 2-1
31:49Yes, I think it's probably 2-1
31:51Yes, I think it's probably possible
31:52If you're in a small place, you'll know that
31:55That perception
31:56Our 1-1 goes up to the top
31:58And our 1-1 goes up to the top
32:00Our 2-1 goes up to the top
32:02Yes, if you look at it, your house is big
32:05This is a big deal, I'm telling you
32:08Well, when the talk came out
32:10I mean, I was thinking about this
32:15Now, Eda and Jiju are doing what they are doing
32:17Why don't we go and take them one time?
32:22What do you say?
32:23I'm happy that we're talking about this
32:25I'm thinking about it, let's go
32:26Yes, of course, she's my child
32:28I also love her
32:29Let's go
32:31Calm down, there's a small trailer
32:33We'll all go there, we're good
32:35Why are you under your skirt?
32:37You're my mother, but this way
32:40It looks better
32:40No, this looks good with you
32:43I like this brand
32:46Let's drink tea, we go
32:47Yes, okay
32:50No, I'm very excited, let's go
32:52Let's go
32:54Let's go
32:54Let's go
32:54Let's go
32:55Let's go
32:55Let's go
32:55Let's go
32:55Let's go
33:11Let's go
33:13Let's go
33:15Let's go
33:16Let's go
33:16Please
33:44Please
33:45Okay, okay
33:46Okay, okay
33:47I'm serious
33:52Yes
34:21Yes
34:22How uncomfortable you are here.
34:24Let's go, get out of the way.
34:25How far these people are coming.
34:27Let's see.
34:32Sir Khan doesn't like to stay away from the city,
34:34so why did they do that?
34:36What is it because of Eda?
34:37No, I don't know.
34:38I know that this decision has been taken together.
34:41Where are they?
34:41What is it?
34:43Eda.
34:43Oh, oh.
34:44Sir Khan.
34:45Let's go.
34:45Don't worry.
34:46Don't worry.
34:47It's so bad.
34:48He can make a coffee or something else.
34:50Sir Khan.
34:51Eda.
34:51I think he's not here.
34:53Oh, oh.
34:54There's another car coming.
34:57Who is it?
34:58Who can it?
34:59There's another one.
35:00Let's see.
35:01Who is it?
35:08Engil and Piril.
35:09Uh, this Piril and Engil are here.
35:12If I don't know, two of them are not going to be here.
35:16Hello.
35:16Hello.
35:17What are you doing here?
35:17What are you doing here?
35:18We both are here with Eda and Serkan.
35:21But they're not here.
35:22They're not here.
35:23Where are they?
35:23Ah, ah, ah.
35:24Look at that.
35:25Maybe there's another restaurant.
35:26We'll go to the next restaurant.
35:27Yes, absolutely.
35:28Let's go, let's go.
35:29Come.
35:30Come.
36:01I'll ask.
36:03You are completely relaxed.
36:07You are relaxed.
36:08You are relaxed.
36:11You are relaxed.
36:12You are relaxed.
36:17You are comfortable.
36:21You have to be relaxed.
36:25You have to focus on me.
36:28You are relaxed.
36:33You are relaxed.
36:36You love me.
36:36I love you.
36:39I love you.
36:41I love you.
36:41You like me.
36:43Okay.
36:47I'll do whatever I want to say to you.
36:51I'm feeling a little.
36:53I'll listen to you.
36:58I'll listen to you.
37:06I'll listen to you.
37:10I'll listen to you.
37:44I'll listen to you.
37:55I'll listen to you.
38:01I'll listen to you.
38:10I'll listen to you.
38:49Hello.
38:49Hello.
38:49Pyrill pregnant is a good thing to meet with you, Miss Purane.
38:57It's possible that we will sit with you sometimes and discuss the advertisement for you.
39:01Why? What do you say, Miss Purane?
39:03Why not? We can work with you.
39:06But who makes your company decisions like this?
39:10Who does it?
39:11I am, Pyrill, Ferid also.
39:14And she also uses accounts with her.
39:16Just so much?
39:17So what? It's not enough?
39:18This is a very good thing.
39:20Great.
39:23Can you tell me what you were doing?
39:25Yes, we were doing it.
39:26Eda, you're here alone in the dark.
39:30Don't you feel scared? Why are you sitting alone alone?
39:33No, auntie, I don't feel safe. I'm feeling safe.
39:36Yes, she's so strong. She's alone alone in the trailer.
39:39Yes, that's right.
39:40You're really great.
39:41You're alone alone is a lot of difficult.
39:44I also missed nature, the pool and everything else.
39:46And the rest of the room is a lot of difficult.
39:49Eda, you went to rehearsal, and you're having dinner with me.
39:53I'm waiting for you to tell me what you need to tell me.
39:56What is it? Why don't you tell me?
39:58You're calling me Eda, but who are you?
40:01I don't remember.
40:02You know Eda.
40:04Eda, you're not even here. Please.
40:05Shh.
40:06Eda, you're hungry.
40:07You're hungry.
40:08You're hungry.
40:09You're hungry.
40:09You're hungry.
40:10You're hungry.
40:11Miss Aiden, Miss Aifer, sit with us and eat food, please.
40:14What's happening?
40:15Eda, you start me.
40:17Eda, you're hungry.
40:18Don't you worry me.
40:19Don't get sick.
40:19I'm hungry.
40:20I'm hungry.
40:21Here's my mother.
40:24I'm still here.
40:25What do you think of me?
40:26Maa.
40:27A big man asked her.
40:29She's running?
40:29What are you doing?
40:30We thought that this is a set of film.
40:33But what do you think of a camera?
40:34I'm hiding my camera.
40:35You're playing me with me.
40:36You're playing me with me.
40:36I know that you guys have been playing hidden camera.
40:39what's going on?
40:41What's happening here?
40:43I don't know what's going on.
40:45What's going on?
40:47Hey, look at me. How do you know my doctor?
40:49How do you know?
40:50You don't understand me.
40:52What are you saying?
40:54How can you be so bitter?
40:56I'm your mother.
40:58You've been in the chest of 9 months.
41:00You are my mother!
41:03How do you know me?
41:04You're strange.
41:05I'm gonna be tired.
41:08You're tired.
41:08You're tired.
41:08You're tired.
41:10You're tired.
41:15Hypnosis.
41:17I'm tired.
41:18Yes, I'm tired.
41:22You're tired of me.
41:23I'm tired.
41:24I'm tired of you.
41:26So, I'm tired of you.
41:30I'm tired.
41:30Look at you.
41:31What you did,
41:32just remove your hands.
41:33I don't want my family to be hypnotized.
41:36Please.
41:37Okay.
41:38Okay.
41:39Okay.
41:39Okay.
41:40Okay.
41:41Okay.
41:44Listen.
41:47That's right now.
41:49Yes.
41:50Now take care of my pendant.
41:53I'm going to count 1-5 times and everything will be fine.
41:56What do you mean?
41:58Look at me.
41:58Look at me.
42:01Look at me.
42:02Look at me.
42:02Look at me.
42:03Yes.
42:05Do you know the government?
42:07Do you remember the government?
42:09Who is the government?
42:10I'm going to count 1-15.
42:14You will remember the government.
42:18I'm going to count 1-5 times.
42:21Now everything will be the first one.
42:251,
42:262,
42:283,
42:304,
42:325.
42:32Come on.
42:335.
42:37I'm feeling very happy.
42:39Let's go.
42:40You're all here.
42:41You're all here.
42:41You're all here.
42:41We're all here.
42:42So we can eat food.
42:42Please.
42:42What are you doing now?
42:44What are you doing now?
42:45Why are you doing this?
42:46Please.
42:47I'm going to talk.
42:48You're a man.
42:50What are you doing here?
42:51That's why we heard your story.
42:53But now you're just so much.
42:54What are you doing now?
42:55You're friends with us.
42:57Take it.
42:57Take it.
42:58Take it.
42:58Take it.
42:59What are you doing now?
43:01You've lost their hypocrisy.
43:03Don't let them go.
43:04Don't let them go.
43:05I'll call the police.
43:06I'll call the police.
43:07What are you doing now?
43:09Don't let them go.
43:10Don't let them go.
43:11Come.
43:12You're all crazy.
43:13Don't let them go.
43:14Doctor.
43:16Doctor.
43:16Sir Khan Bhulat?
43:26So, you guys do it with me?
43:27Yes, when I saw that Aida is hypnotized,
43:30I had pointed out the details of it.
43:33And I also got involved.
43:34Don't call me a mother. I'm here too.
43:36Yes, and Puran said that he can hypnotize me.
43:40He's also a pendant.
43:42He's obsessed with you.
43:43We all know.
43:44He's also a person in the first sight.
43:46But this is an exaggeration.
43:48He can make me a fool.
43:50You mean me?
43:50Yes, absolutely.
43:53But Aangin and I have done a good job.
43:56Aangin has acted on Kamal's action.
43:57He should get a Oscar.
43:58He will come back.
44:01Look how he is.
44:03Hey Aangin, Kamal.
44:04Keep your hands down.
44:06You're asking me to make a fool.
44:09He's asking me to make a fool.
44:12I'm a fool.
44:13I'm a fool.
44:14Don't tell him.
44:15Don't tell him.
44:16Oscar.
44:16Don't tell me.
44:19Don't tell him.
44:19Don't tell him.
44:20Don't tell him.
44:22Don't tell him.
44:35Listen to me.
44:36There was a woman here.
44:37There was a woman here.
44:38You remember?
44:39She's hypnotized us.
44:40And told us that we don't know the government.
44:42You're also hypnotized.
44:43What are you talking about?
44:45I'm also here.
44:46Look.
44:46Look.
44:47Look at my side.
44:52Sir Khan.
44:53Where were you?
44:55I said.
44:55I was looking for you.
44:56I was looking for you.
44:57I was looking for you.
44:57You sent me a place.
44:59What is going on?
45:00I'm looking for you.
45:03I'm looking for you.
45:05Let's go.
45:05Let's go.
45:05Let's go.
45:06I don't understand.
45:07Bye.
45:08Bye, Sir Khan.
45:09Enjoy.
45:11Bye.
45:13How was it?
45:14Tell me.
45:15How was it?
45:16How was it?
45:17You didn't remember anyone.
45:18I didn't remember anyone.
45:19I was looking for you.
45:20You were forgotten.
45:21You were forgotten.
45:21And then you were trying to remember me.
45:25How was it, Sir?
45:31I didn't like it.
45:32I didn't like it.
45:33I didn't like it.
45:33I have a few months.
45:35But the months before it happened,
45:37it wasn't happening.
45:38I don't know.
45:38I mean, when I was hypnotized,
45:41I thought I was like to do something.
45:44I have a idea.
45:46What?
45:47I have an idea.
45:48Do you remember the rules?
45:50Yes.
45:50I think we should break all the rules.
45:54We were going to eat food.
45:56Leave it.
45:57We have a beautiful trailer.
45:58We are going to eat it.
46:00Let's go.
46:01You're crazy.
46:02You're in the middle of the woods.
46:37You're in the middle of the woods.
46:40Sir Khan.
46:45Here, guys.
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