- 1 day ago
"Juego de amor prohibido" (1975), dirigida por Eloy de la Iglesia, narra la historia de Miguel y Julia, dos estudiantes adolescentes que escapan juntos durante las vacaciones escolares. La trama se intensifica cuando su profesor de literatura, Don Luis, los recoge mientras hacen autostop y los invita a su lujosa mansión.
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Short filmTranscript
00:00:57Eight ten.
00:00:59It's going to get late.
00:01:22Are you also afraid of going to the hairdresser?
00:01:24You could go to the bathroom, couldn't you?
00:01:26I don't think the kitchen is the most appropriate place to get a haircut.
00:01:30Don't you think so?
00:01:32No, keep going, keep going. What does it matter?
00:01:35Today the holidays start, right?
00:01:38Yes, why?
00:01:40Today marks two years.
00:01:42Two years of what?
00:01:44I've been here, in this house, for two years.
00:01:46Not exactly.
00:01:48Today is the fourteenth.
00:01:51When you came it was seven.
00:01:55Don't give it too much importance.
00:01:57It's just that I have a very good memory for dates.
00:01:59Yes, an excellent memory.
00:02:02What's wrong? Do you want to leave?
00:02:04You can do it whenever you want, as far as I'm concerned.
00:02:06Do you understand?
00:02:10There are special combs for cutting hair.
00:02:14I'll buy you one.
00:02:15It will be like an anniversary gift.
00:02:21Excuse me, but the thought that you don't even dare to go to the hairdresser is amusing to me.
00:02:26Do you really think they still remember you?
00:02:30Leave.
00:02:32I have to teach my first class at nine and I'm going to be late.
00:02:52I hope and wish you have a good time during these short holidays.
00:02:55Even if you have to hand in a piece of work when you get back.
00:02:58Nothing difficult for some, really.
00:03:00Take it from us.
00:03:01Ready?
00:03:03You'll see.
00:03:04This is a theme that has entered literature through folk tales told about love.
00:03:09fire.
00:03:10It is in all literatures.
00:03:12In Spain and in the world.
00:03:14The postponed revenge.
00:03:17The offended party, who cannot fulfill it in his always short earthly life,
00:03:22He returns from beyond the grave to put into practice his long-cherished desire.
00:03:26From here on, I want you to try to analyze the suggestive power of this myth in your exercise.
00:03:31I think it's better.
00:03:33Miss Julia.
00:03:35Miguel, please, what were we talking about?
00:03:39Well, class is over.
00:03:41This way Miguel and Julia can continue to take care of their own business.
00:03:47See you soon.
00:03:48Happy holidays to all.
00:04:39You try it, see if you have better luck.
00:04:43It's possible someone I knew had been there.
00:04:45Okay, Julia, please.
00:04:53Now is not the time to be afraid.
00:04:54No, let's see if you have better luck.
00:04:57No, let's see if you have better luck.
00:05:05No, let's see if you have better luck.
00:05:27You go first, Julia. I'll follow behind.
00:05:29Okay.
00:05:33What are you doing here?
00:05:36Well, there you have it. Hitchhiking.
00:05:38I'm very close. I can drop you off at the gas station.
00:05:41There you will find someone to pick you up if it's not too late.
00:05:44Aren't you going on vacation?
00:05:46No. I live in a quiet place, actually very close to here.
00:05:49And I don't suffer from a particular need for oxygen.
00:05:53And are you allowed to travel alone?
00:05:56Of course, why wouldn't they let us?
00:06:10Thank you very much, Don Luis.
00:06:11Thank you.
00:06:18What's wrong with you?
00:06:20Would you mind dropping us off a little further ahead?
00:06:23I understand. I'll leave you later.
00:06:28I imagined it as soon as...
00:06:29This couple looks like they've run away from home.
00:06:33Good idea not to get off.
00:06:35Motorcyclists would have noticed it just like I did.
00:06:38Leave us here, please.
00:06:40Nobody will pick you up at this hour.
00:06:42Nobody except the police.
00:06:44You will come home with me.
00:06:45I invite you to dinner.
00:06:47And go to sleep, if you want.
00:07:17And won't his wife be upset?
00:07:19No, I live alone.
00:07:21Well, almost alone.
00:07:32Forward.
00:07:41Hello, Jaime.
00:07:44Julia and Miguel, two of my students.
00:07:46Incidentally, Jaime was also at the academy.
00:07:48Although that was a long time ago, of course.
00:07:50He lives here now.
00:07:51Are they going to stay?
00:07:52Yes, they will sleep in the large bedroom.
00:07:55Jaime is...
00:07:56How would I say it?
00:07:58You will sympathize with him.
00:07:59Should I put dinner in the dining room?
00:08:00No, man, in the kitchen.
00:08:01In the office, as always.
00:08:03This is a trustworthy visit.
00:08:07Come on.
00:08:17What silence.
00:08:19An angel has passed by, isn't that how you say it?
00:08:22Well, you should be more cheerful on your first night away from home.
00:08:26On your first night of freedom.
00:08:33We'll have coffee in the library.
00:08:37This is just a small part of my library.
00:08:41Good heavens, Don Luis, no...
00:08:42I didn't know that teaching paid so much.
00:08:46Being your teacher is the least of my hobbies.
00:08:49Oh, really?
00:08:50Yeah.
00:08:50Well, to be honest, I don't understand it.
00:08:52It's not hard to understand.
00:08:54At 25, I had completed two degrees,
00:08:57a considerable inheritance,
00:08:59and 24 hours a day to use.
00:09:01In what?
00:09:03I took up hunting, which I enjoyed quite a lot,
00:09:06but I found it too gory.
00:09:08There is a risk involved with books.
00:09:09To come to believe that their mission is nothing else
00:09:11than feeding the fire,
00:09:13as the priest in Don Quixote believed.
00:09:15The theatre was also one of my great passions.
00:09:19I dedicated a lot of time and money to it.
00:09:21I formed a group of fans.
00:09:22Everything we collected was handed over in full.
00:09:25for the formation of a Wagnerian society.
00:09:28But it ended up boring me.
00:09:30Like everything else.
00:09:31And tell me,
00:09:32Doesn't going to teach every day bore you too?
00:09:36I've been doing this for years,
00:09:37But I have a feeling that at any moment...
00:09:39I'll find some entertainment
00:09:40more exciting.
00:09:42Do you have ammunition for these weapons?
00:09:44Naturally.
00:09:45Can...
00:09:45Can I see them?
00:09:47Yes, open the window.
00:10:17Don't play with that.
00:10:18It's dangerous.
00:10:27Okay, let's get on with the coffee.
00:10:29And then we'll toast to celebrate this meeting.
00:10:34I think you'd prefer a single room.
00:10:37Of course, naturally.
00:10:39I figured as much.
00:10:41I suppose it will take you a long time
00:10:42waiting for the opportunity to spend a night together.
00:10:45Well, well, don't be so sure.
00:10:47This is nothing new to us.
00:10:48Ah.
00:10:54This alcove is almost a museum piece.
00:10:56It was my grandparents' unofficial gift to my parents.
00:11:00I think that...
00:11:01It would be better if we slept in another room.
00:11:05It would be a shame if...
00:11:06No pity.
00:11:08I'm glad to think that it's finally going to be useful for something.
00:11:11Although it's nothing new to you.
00:11:13But at least use it to get around...
00:11:16a happy night.
00:11:18Thank you.
00:11:19And don't believe anything Miguel has told you.
00:11:22This is the first time, isn't it?
00:11:24What do you mean, the first time?
00:11:26Yeah.
00:11:27The first time.
00:11:51Don't believe anything he's told you.
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00:20:11Come on.
00:20:40What do you think all this means?
00:20:44What do you think?
00:20:44He will have notified our parents and will keep us here until they come to pick us up.
00:20:48It can't be anything else.
00:20:50You think?
00:20:51I'm sure.
00:20:58Don Luis.
00:20:59Yeah.
00:21:00We'll have to prepare dinner for the boys.
00:21:02Of course we have to prepare it. What do you think?
00:21:04I don't know. Ask them.
00:21:08Why ask him?
00:21:09I know better than they do what's best for them.
00:21:12No, there's no need to ask them.
00:21:15At their age they need foods that are especially rich in protein and fat-free.
00:21:19Meat, fish, eggs, milk, and so on.
00:21:24They need to be strong.
00:21:25Very strong.
00:21:39You haven't lost your appetite, have you?
00:21:42They'll get anything, except worry me.
00:21:47If they have notified our homes, why are they taking so long to come and get us?
00:21:50They'll arrive, don't worry.
00:21:54Stop eating me, you're making me nervous.
00:21:57Girl, it's not that big of a deal.
00:21:59Look, first...
00:21:59Our mothers will cry.
00:22:03After...
00:22:04Our parents will scream.
00:22:05You know how it is, as always.
00:22:11You've already managed to make him lose his appetite.
00:22:22We're locked in the mouse room like naughty children.
00:22:30Isn't that funny?
00:22:36Let me.
00:22:38Can they come?
00:22:39What does it matter?
00:22:39Let everyone come.
00:22:40Don Luis, your parents, mine, everyone.
00:22:43Let them come and find us here together, in bed.
00:23:09Our parents wouldn't have let us spend another night outside.
00:23:13If they only knew where we are.
00:23:14Already.
00:23:16But they don't know it.
00:23:18Don Luis has not notified anyone.
00:23:20So, what's the point of all this?
00:23:23Yeah.
00:23:24What kind of game is this?
00:23:29Look, they've left something there for us.
00:23:32How kind, the breakfast.
00:23:38Well, you know what I say?
00:23:40I'm hungry.
00:23:40I'm going to see what they've brought.
00:23:54Julia, the door is open.
00:24:14A great day, isn't it?
00:24:18It's a truly splendid morning, isn't it?
00:24:21It hasn't exploded, Don Luis.
00:24:23I think that's enough.
00:24:25What's wrong with you?
00:24:26Didn't you like the breakfast?
00:24:27You seem to be in a bad mood.
00:24:32Already.
00:24:34You simply want to take a walk in the garden.
00:24:41Okay, let's cut one of those branches.
00:24:46Take.
00:24:52Come on.
00:24:53Miguel, cut that branch, please.
00:25:08Good morning, Mr. Luis and company.
00:25:10Hello good morning.
00:25:11I'll bring you the order.
00:25:12Thank you so much.
00:25:13You can leave it here.
00:25:13Here?
00:25:14Yeah.
00:25:16I see you have a visitor.
00:25:18We are not a visitor.
00:25:20We are...
00:25:20Yes, they are my sister's children.
00:25:23They've come to spend the holidays with me.
00:25:25Very well, good.
00:25:26Thank you very much, Don Luis, and until next time.
00:25:28You're welcome, Damian.
00:25:29Goodbye, good morning.
00:25:33That branch, Miguel.
00:25:41I told you so.
00:25:43You cannot leave.
00:25:45But explain why.
00:25:47Are you missing something?
00:25:49Do you have a good diet?
00:25:50A bed?
00:25:51Of course, being locked in the basement is a temporary measure.
00:25:55Soon you will be able to occupy a comfortable room.
00:25:59You will have comforts like you've never had before.
00:26:02As you can see, the house is full of books.
00:26:04You can have as many as you want.
00:26:06Provided that I consider them appropriate for your training.
00:26:10I can bring you a television.
00:26:11Even in color.
00:26:12Right, Jaime?
00:26:14What we want is to get out.
00:26:15I don't care what you want.
00:26:18Honestly, I'm not interested.
00:26:19What do you plan to do with us, Don Luis?
00:26:21I am forced to suppress those urges to escape.
00:26:25Which, on the other hand, stifle your best qualities.
00:26:28You have them.
00:26:29What do you think you are?
00:26:31Do you believe you have the right to...?
00:26:32Calm down, Miguel, calm down.
00:26:34Do you realize what you've done?
00:26:36No, what have we done?
00:26:37I left the door ajar to see how you would react.
00:26:40And the only thing you could think of was trying to escape.
00:26:43So, naturally, what was your intention?
00:26:45That you would obey me.
00:26:46I told you that you couldn't leave.
00:26:48But what did I expect?
00:26:49You are here.
00:26:50And you will not get out of here.
00:26:51That is why it is necessary that we live in good harmony.
00:26:55And I warn you that if we don't succeed, it's going to be very difficult to stay together under this roof.
00:27:03You are completely insane.
00:27:04Well, you'll understand me in time.
00:27:08Now I am forced to apply the corrective measure.
00:27:11What does it say?
00:27:12You heard right.
00:27:13The corrective measure.
00:27:16Calm down, Julia.
00:27:18This time you are forgiven.
00:27:21As for Miguel...
00:27:24Listen, I'm warning you that if you touch me with that stick...
00:27:28Jaime, come closer.
00:27:36See?
00:27:37It is a highly accurate weapon.
00:27:40He won't dare to shoot.
00:27:42A very personal opinion, Julia.
00:27:45Hey, Jaime?
00:27:48Miguel, prepare for punishment.
00:27:50What punishment can you think of, Jaime?
00:27:54Let's see.
00:27:56I know.
00:27:58I will punish you like a bad child.
00:28:02Don Luis, enough with the jokes, don't you think?
00:28:05Miguel, you know.
00:28:07Like bad children.
00:28:08Take your pants off.
00:28:10That?
00:28:10Take your pants off.
00:28:12No, Miguel, no.
00:28:13Watch out, Jaime.
00:28:14A bullet of that caliber could pierce his skull from side to side.
00:28:19That would be regrettable.
00:28:20Don't you think so, Miguel?
00:28:22Please take your pants off.
00:28:38The slip too.
00:28:40Don't be suspicious.
00:28:41It's just about giving you a few spankings.
00:29:08Very good, Miguel.
00:29:09From now on, everything will be better.
00:29:13Let's go, Jaime.
00:29:21Well, now they'll be quiet for a good while.
00:29:32Don Luis?
00:29:34Yes, Jaime.
00:29:36Nothing, I'm going to the kitchen to prepare.
00:29:38Wait, come with me to the attic.
00:29:39I want you to help me find something.
00:29:45Come, Camille, come.
00:29:46Quiet.
00:29:47Leave me alone.
00:29:50Let me.
00:30:02Did you hurt yourself?
00:30:03I scratched myself on the wires of the gelbon.
00:30:09Let's see.
00:30:13It's no big deal.
00:30:26It's no big deal.
00:30:58Thank you!
00:31:05I've almost lost my taste for fear.
00:31:10There was a time when my senses would freeze at the slightest scream during the night
00:31:15And upon hearing a grim story
00:31:18My hair trembled
00:31:20As if life were animating them.
00:31:24But I've had my fill of mistakes
00:31:28The most terrifying things
00:31:31They have become like family to me
00:31:34What did you think?
00:31:36Not bad
00:31:44We had great success with this performance of Magda
00:31:47It was organized by the Wagnerian circle.
00:31:49Even the press took notice of us
00:31:52We made a good group, you know?
00:31:54All fans, of course.
00:31:55But very rigorous
00:31:57Always demanding
00:32:01Ah, very good.
00:32:09Knees!
00:32:16In the name of the high and holy institution
00:32:24I'm going to prepare the food
00:32:26We already have enough distractions in the basement
00:32:28Wait, man
00:32:30I admit that every time I come up here
00:32:31I can't resist the temptation to play with these things
00:32:35But we didn't come here for that.
00:32:37I want to find something really interesting for the boys.
00:32:41Come on
00:32:49Look, look, come closer
00:32:53What is all this?
00:32:55They belonged to Uncle Albert
00:33:04Here, open it
00:33:06Let's see, let's see
00:33:11Your uncle Alberto is very funny, isn't he?
00:33:13Poor man
00:33:14He loved jokes
00:33:16He spent his life collecting this nonsense.
00:33:18Look, look at this
00:33:21One day when I have time, I'll show you the collection.
00:33:27Here's what I was looking for
00:33:29You don't expect me to open it, do you?
00:33:31Don't be afraid
00:33:32It's for a much funnier joke.
00:33:36I'll explain it to you.
00:33:56Someone is at the fence
00:33:59Don't be scared, Jaime
00:34:00It's from the restaurant
00:34:01I'll order food by phone.
00:34:03Today we will all eat together.
00:34:04The boys too
00:34:05He's going to get them out of the basement
00:34:06Of course, today is Easter Sunday
00:34:08A good day for a family meal
00:34:10Go on, hide
00:34:11I'm going to open
00:34:22Well
00:34:24Now we could use a coffee.
00:34:30I'll bring it right away
00:34:32Did you like the food?
00:34:34I get the impression that you've lost your appetite
00:34:37What's wrong with you?
00:34:40Okay, I'm going to put on some music.
00:34:42I won't play Wagner today.
00:34:43We'll hear something that's more in keeping with the style.
00:34:45With an Easter Sunday
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00:35:50Don Luis
00:35:54Don Luis
00:35:56Don Luis
00:35:58Can you hear me?
00:36:01Of course I hear you, Miguel
00:36:03What's happening?
00:36:05Well, it turns out that Julia and I left
00:36:08Do you understand?
00:36:09Are you saying that because you have the gun?
00:36:11Yeah
00:36:11He says that precisely for that reason.
00:36:14Don't you think that's a pretty compelling reason?
00:36:19The coffee is ready.
00:36:24It's a shame you got upset, Jaime
00:36:27Apparently the boys don't want to take it.
00:36:30We assume the door will be closed
00:36:32Indeed
00:36:34Here are the keys
00:36:36Demelas
00:36:36No
00:36:38Let Miguel come and get them
00:36:40I warn you that if you don't open the door for us
00:36:42I will shoot
00:36:44Come on, come on, Miguel
00:36:45Don't get like that
00:36:46If you want the keys
00:36:49Come and get them
00:37:03Drop that and give me the keys
00:37:05Weren't you supposed to come and get them?
00:37:08Come closer
00:37:08I assure you that I intend to shoot
00:37:10Well
00:37:13If you don't dare to come and get the keys
00:37:15I'll have to come up to you to take the gun away from you.
00:37:25Shoot
00:37:26Shoot
00:37:28Shoot, Miguel
00:37:29Shoot
00:37:42If you are good
00:37:46One day I'll take you up to the attic
00:37:48And I'll show you Uncle Alberto's collection of jokes.
00:37:52But for that you have to behave yourselves
00:37:54Do you understand?
00:37:56Very good
00:38:02And besides being good kids
00:38:03I want you to be intelligent
00:38:06I'm ashamed to have foolish students.
00:38:14What if I now
00:38:16Will it pierce your throat?
00:38:18No?
00:38:31Another funny piece from Uncle Alberto's collection
00:38:36Jaime, can you serve the coffee?
00:38:38Please, in the library
00:38:40You know, I've always liked having it there
00:38:49Don't you feel like coffee either?
00:38:50Well, coffee is exciting.
00:38:52Perhaps a decaf would be better.
00:38:54Don't you think so, Jaime?
00:38:55It is possible
00:38:56It is possible
00:38:57Oh, by the way
00:38:58Remind me that we need to take the boys' luggage down to the basement
00:39:02You should change your clothes
00:39:04You're not going to be dressed like that forever.
00:39:07Yes, Julia
00:39:08I've said it all my life
00:39:35Very badly
00:39:41I have used other procedures
00:39:44I have chosen to be understanding
00:39:46Cordial
00:39:48But you see
00:39:49Your attitude forces me to behave this way too.
00:39:55Good
00:39:58I must punish you again
00:40:01I hope you won't make it so difficult for me this time.
00:40:05I don't intend to give him the satisfaction of resisting.
00:40:07What do I do? Do I pull my pants down?
00:40:09No, it's very humiliating.
00:40:12Just take off the coffee and clear your head
00:40:14But why doesn't he just kill us already, huh?
00:40:16What are you waiting for?
00:40:26Come closer, Miguel
00:40:32But how can that be?
00:40:34How far are you going to let him get away with it?
00:40:35I told you to take off that shirt so you'd be more comfortable
00:40:39How would I say it?
00:40:40I don't know, more relaxed, more agile
00:40:44Grab it
00:40:46Grab it
00:40:56And now, what do you want me to do?
00:40:59You don't realize
00:41:00Julia must be punished
00:41:03And who better than you?
00:41:07I don't understand
00:41:10It's very clear, Miguel.
00:41:12He's telling you to hit me.
00:41:24Miguel, can you start?
00:41:27No
00:41:28This game is over.
00:41:30It's over!
00:41:33You're sure?
00:41:35Already
00:41:36You don't scare me anymore.
00:41:38Not this time
00:41:41They've gotten too comfortable now.
00:41:44Excessive trust
00:41:47They probably think that gun is a joke too.
00:41:50Come on, Jaime
00:41:51Give them a demonstration using this vase
00:42:08Hit me
00:42:21Hit me
00:42:26What's wrong with you?
00:42:26Were you scared?
00:42:29Are you scared?
00:42:31No
00:42:33But you have it.
00:42:46What are you waiting for, Miguel?
00:42:48Miguel
00:42:52No, no, no
00:42:53With force
00:42:54With great force
00:42:56Like a man
00:43:13Enough
00:43:35You've left them locked in the basement
00:43:37Yeah
00:43:38Good
00:43:57There you have them
00:44:00Stay calm
00:44:01Calm
00:44:02They will gradually get used to it.
00:44:05You'll see
00:44:08Why is he doing this?
00:44:11A very difficult question, Jaime.
00:44:13When one acts in accordance with an idea
00:44:15He finds it difficult to explain why he does it.
00:44:18If I were to ask you
00:44:20Why did you get involved in that?
00:44:22Could you answer me?
00:44:24I don't think they have anything to do with each other.
00:44:48Look
00:44:51Far away
00:44:53There is the city
00:44:55Full of people
00:44:57Unknown to me
00:44:58But I could help her
00:45:01To forge their own destiny
00:45:02I think those people need
00:45:05Someone like me
00:45:07Able
00:45:07To guide them
00:45:10Think about those kids
00:45:11They ran away from home
00:45:13They were looking for an absurd adventure
00:45:14Without them knowing for sure.
00:45:17What were they looking for?
00:45:19But then I appeared in their path
00:45:21With enough energy
00:45:22To prevent that escape
00:45:23And that's important, Jaime.
00:45:25That people like me still exist
00:45:27Capable of demonstrating that energy
00:45:30And to know how to apply it to all those who flee
00:45:32Without knowing where they are going
00:45:35When it was in all the newspapers in the country
00:45:37My photograph appeared
00:45:38You offered me refuge.
00:45:39I am indebted to you
00:45:41I'm simply helping him pay off that debt.
00:45:44No further explanation is needed.
00:45:47Come on, Jaime
00:45:48Don't do it again now
00:45:49The obedient and grateful boy
00:45:51That role has never suited you.
00:45:52You're helping me
00:45:53And you will continue to do so
00:45:54Because this is a game
00:45:56What are you passionate about?
00:45:57Just like me
00:45:59I'm going to prepare dinner
00:46:01I want to go to bed early tonight.
00:46:03It's the last day of vacation
00:46:05I have to get up early tomorrow
00:46:12It's eight ten
00:46:19It's going to get late for him
00:46:43I'll leave with the car in neutral
00:46:45It's not a good idea for the children to hear the noise of the engine.
00:46:47Come back as soon as possible
00:46:48I'm not very reassured
00:46:49Don't worry, they're tamed.
00:46:51Yes, but...
00:46:52And remember that
00:46:53Tell them I'm still at home
00:46:54And he always carries a gun.
00:46:56When you go down to the basement
00:46:57Until tonight
00:47:17Look
00:47:18Let's ask
00:47:19OK
00:47:28Police
00:47:29Are you the professor?
00:47:30Don Luis Espinoza Castro?
00:47:31Yeah
00:47:33Something wrong?
00:47:35Do you know these guys?
00:47:38Of course I know them
00:47:41Yeah
00:47:41They are my students
00:47:42From the university orientation course
00:47:45Has something happened to them?
00:47:47They have disappeared from their homes
00:47:48We are conducting an investigation
00:47:50You can go ahead and give your classes
00:47:52We'll see him later
00:47:53OK
00:47:58Hello
00:48:01I've brought you another blanket
00:48:03Times have changed
00:48:05Isn't he coming with you?
00:48:06No
00:48:08We won't get out of here alive, will we, Jaime?
00:48:10I don't know, Julian
00:48:11Don't know
00:48:13Revolver!
00:48:14No, you're not wearing it.
00:48:14Grab that bottle
00:48:15Come on
00:48:19Now you're going to help us get out of here, right?
00:48:22I don't think I can
00:48:23Don Luis is watching the house
00:48:24And their classes
00:48:25The holidays are over
00:48:26Don't be naive
00:48:28He has said goodbye
00:48:29This amuses him
00:48:31Further
00:48:34He's upstairs keeping watch with his gun.
00:48:36If you don't believe me, try it.
00:48:37Upon leaving
00:48:38We're not going to expose ourselves
00:48:39We'll take you ahead
00:48:41That way he won't dare to shoot
00:48:42Do you want to use me as a hostage?
00:48:45It won't work for you.
00:48:48What do you mean, no?
00:48:49Are you drowning me?
00:48:51Let me speak and I'll explain it to you.
00:48:58Speak, but be careful.
00:49:01If I had to shoot
00:49:04I would shoot even if it killed me too.
00:49:05You don't matter to him either?
00:49:08You're his friend, aren't you?
00:49:11Exactly
00:49:12So why are you with him?
00:49:13Why are you helping him?
00:49:15It has me more captivated than it has you.
00:49:17We don't understand anything you're saying.
00:49:19Don't you want to explain yourself?
00:49:27It was a little over two years ago
00:49:28The police were looking for me.
00:49:31I needed to hide somewhere
00:49:33I didn't know where, and then I thought of Don Luis.
00:49:36I assumed he would be able to understand the situation
00:49:41And indeed she understood, although...
00:49:43But what did you do? Why were they looking for you?
00:49:45I'll tell you someday
00:49:46We have plenty of time ahead of us
00:49:55At your service, Commissioner
00:49:57At your service, Commissioner
00:49:58Anything new?
00:49:58Nothing, commissioner
00:49:59It is worth insisting
00:50:00Someone must know something
00:50:01Some students
00:50:02Even some teachers
00:50:03Come on
00:50:32He's already moved
00:50:33And like with the bishop
00:50:39This is your classroom
00:50:40The class of comrade
00:50:41Are your colleagues inside?
00:50:43Yeah
00:50:43They are with the literature teacher
00:50:44With your permission, we will proceed
00:50:45Please
00:50:45And this is precisely what one notices first.
00:50:47Upon learning about your work
00:50:48Don't take it as a sermon
00:50:52To what?
00:50:55But if
00:50:56Don't think about it anymore
00:50:58It's mate
00:51:03Fuck it
00:51:07You have to know how to lose, Miguel.
00:51:19That?
00:51:20Do you like it?
00:51:22A lot
00:51:24I'm going to go up
00:51:25Don Luis may become impatient
00:51:26No, wait
00:51:28So you like it a lot, huh?
00:51:31I already told you yes.
00:51:32I'm going upstairs
00:51:34Don Luis is going to ask me
00:51:35That Jaime
00:51:37I understand that you like it
00:51:39She's a great girl
00:51:40Really
00:51:42Great
00:51:43For everything
00:51:44I suppose so.
00:51:46You can't imagine it
00:51:49Would that price be sufficient?
00:51:52No
00:51:58So, what is it that you like?
00:51:59I have to offer you
00:52:00What do you want?
00:52:01I never imagined you could get to this point
00:52:03But listen
00:52:04I
00:52:04I need to get out of here
00:52:06I want to leave
00:52:07I can't take it anymore
00:52:09He's up there.
00:52:10As usual
00:52:11Waiting for the slightest opportunity
00:52:12For
00:52:13To play with us again
00:52:16I can't take it anymore, Jaime
00:52:17Can't
00:52:18You have to help me
00:52:19You have to get rid of him.
00:52:20I beg you
00:52:21I will do whatever you ask.
00:52:23Whatever you want
00:52:24But get me out of here
00:52:26I can't take it anymore, Jaime
00:52:27You are the only one
00:52:29Can you help me?
00:52:30I'm sure you can
00:52:31Tell me
00:52:31Tell me what I have to do
00:52:33Please, Jaime
00:52:33Please
00:52:34Get me out of here
00:52:35Get me out of here
00:52:42You can rest easy, Julio.
00:52:47Don't worry
00:52:49By the way, Miguel
00:52:51There's something I don't quite understand.
00:52:54When you say you want to go out
00:52:55What are you talking about?
00:52:58Are you leaving this house?
00:52:59To confront your parents
00:53:00And what about those who are waiting for you outside?
00:53:03Or simply
00:53:05Get out of here
00:53:05From this basement?
00:53:08I don't know what you mean
00:53:11I ask you
00:53:11If what you want
00:53:12It's about getting rid of Don Luis.
00:53:13To submit
00:53:14To those who are waiting for you outside
00:53:16Or what you want
00:53:16It's that nobody
00:53:17Absolutely no one
00:53:18Did I dominate you?
00:53:20I still don't understand you
00:53:23You understood me, didn't you?
00:53:25Right, Julia?
00:53:27Yeah
00:53:31I have my own ideas too.
00:53:34But first it is advisable
00:53:35Let's do an analysis
00:53:36From the situation
00:53:40It is also advisable to calculate
00:53:41What will be happening
00:53:42With regard to you
00:53:43Outside these walls
00:53:44Let's see
00:53:45When did you see them?
00:53:46Last?
00:53:47I don't know
00:53:48The day they announced the holidays
00:53:49And they didn't tell you anything?
00:53:50In particular?
00:53:51No
00:53:53No, sir
00:53:53Didn't it catch your attention?
00:53:55Did they carry travel bags?
00:53:57No, sir
00:53:58I didn't notice
00:53:59Sit down
00:54:00Miss, please
00:54:01Let's see, your name
00:54:02What is your name?
00:54:04Maribel
00:54:05Maribel what?
00:54:06García Hidalgo
00:54:07Miss
00:54:08Did you hear any comments?
00:54:09About where
00:54:10Were his classmates planning to go?
00:54:12I don't know
00:54:13I don't remember
00:54:15It's just that I get really nervous
00:54:17I swear, I don't know anything
00:54:20Commissioner
00:54:21That boy wants to talk.
00:54:23Tell me
00:54:24My name is Alfonso Díaz Carrión
00:54:26Do you have something to say?
00:54:29Yeah
00:54:29Go ahead
00:54:30Everyone he has questioned
00:54:32They have lied
00:54:32Commissioner
00:54:33They try to hide
00:54:34The true intention
00:54:36What prompted him to flee
00:54:37To Julia and Miguel
00:54:37They got fed up
00:54:39To tell everyone
00:54:40They were planning to escape
00:54:41From their homes
00:54:42With the purpose
00:54:43To practice freely
00:54:44A sexual relationship
00:54:46Fleeing from their parents
00:54:47And of all kinds of authority
00:54:50Already
00:55:01Aha!
00:55:02Aha!
00:55:03Aha!
00:55:04Aha!
00:55:04Aha!
00:55:04Aha!
00:55:04Aha!
00:55:05Aha!
00:55:05Aha!
00:55:06Aha!
00:55:06Aha!
00:55:06Aha!
00:55:06Aha!
00:55:07Aha!
00:55:08Aha!
00:55:08Aha!
00:55:08Aha!
00:55:14Aha!
00:55:20Aha!
00:55:34Jaime.
00:55:39Jaime, are you here?
00:55:43Jaime.
00:55:46Jaime.
00:55:50Jaime.
00:56:01Hello.
00:56:02Didn't I hear him arrive?
00:56:03Did you come from the basement?
00:56:04I've been with the boys.
00:56:06And how did you get down without the gun?
00:56:08It's no longer necessary.
00:56:09You were right.
00:56:10They are tamed.
00:56:13You shouldn't get overconfident.
00:56:15Always carry it with you.
00:56:17Don Luis.
00:56:19That?
00:56:19That?
00:56:20There's something new.
00:56:22The boys don't want to leave anymore.
00:56:26Yes, yes, they have decided to stay.
00:56:28They don't lack food, they don't have to work, they can both be together.
00:56:33What more could they ask for?
00:56:37The gun will no longer be needed.
00:56:55Are you looking for something, Don Luis?
00:57:00Where are the weapons?
00:57:01I took them out to clean them.
00:57:03It doesn't bother you, does it?
00:57:06No.
00:57:07At all.
00:57:08As soon as I finish, I'll put them in their place.
00:57:11She still hasn't told me what she thinks about the news about the boys.
00:57:15So they want to stay.
00:57:17Exactly.
00:57:19Already.
00:57:24I have an idea.
00:57:26Now they no longer have to stay in the basement.
00:57:29Also, with this rain.
00:57:31It's very humid.
00:57:33We could prepare a dinner to celebrate your decision.
00:57:38Good.
00:57:39But a truly lavish dinner.
00:57:41And for dessert, reminiscing about his acting days, he might recite something for us.
00:57:45Or better yet, give us a little performance.
00:57:49I'm sure the boys would love it.
00:57:56Don't tell me any more.
00:57:59Let all my defenders leave.
00:58:01If that's what they want.
00:58:03I will know no fear.
00:58:06Until the Birman forest advances towards Danciney.
00:58:13Who is Malcolm?
00:58:16He is not the son of a woman.
00:58:20The spirits who know the secrets of the events have told me formally.
00:58:28Fear not, Macbeth.
00:58:30Because no man born of woman will ever be able to do anything.
00:58:36Against Macbeth.
00:58:39Bravo!
00:58:39Bravo!
00:58:40Bravo!
00:58:41Very good!
00:58:42Did you like it?
00:58:44You are a great actor.
00:58:47Well.
00:58:48If I had had the sword, I would have emphasized it more.
00:58:51But Jaime insisted that she not use it.
00:58:55Here you go.
00:58:56A drink will do you good.
00:58:59To what part of the work does that fragment belong?
00:59:03A very tragic moment, Julia.
00:59:06Macbeth tries in vain to cheer himself up.
00:59:09Of deceiving oneself.
00:59:12But he knows it.
00:59:15He knows that all is lost.
00:59:17That his strength is slipping away.
00:59:19Yeah.
00:59:21He knows it.
00:59:24And how does he know that?
00:59:28It's easy to sense the moment when the game is about to be lost.
00:59:35Can you sense it?
00:59:36Really?
00:59:38Yeah.
00:59:40Jaime.
00:59:43Glad to hear it.
00:59:45That way, explanations won't be necessary.
00:59:50And there will be no surprises.
00:59:52There will be no surprises.
01:00:26There will be no surprises.
01:00:29There will be no surprises.
01:01:16Good morning.
01:01:18Hello, Jaime.
01:01:26A wonderful morning, isn't it?
01:01:28Yeah.
01:01:29How was your first night as the homeowner?
01:01:38What a drag!
01:01:39In this house there is only classical music.
01:01:41We would need modern records.
01:01:43So we bought them.
01:01:44What do you think, Jaime?
01:01:46Yes of course.
01:01:48This house needs a lot of things, right?
01:01:52Oh!
01:02:04Here!
01:02:07Here!
01:02:16Here!
01:02:21Yes, I know this is going to cause you a problem, but please understand.
01:02:25That he understands it?
01:02:27No, I know, for you these classes were simply entertainment.
01:02:32But after so many years, I assumed you had acquired a certain level of professional responsibility.
01:02:38Believe me, I'm sorry, but it's a final decision.
01:02:44I'm going on a trip through Europe, I'll be away for several months.
01:02:49Sorry.
01:02:52Bye bye.
01:02:59Satisfied?
01:03:02It's a shame he didn't become a professional. The stage has lost a great actor.
01:03:05Thank you.
01:03:08By the way, will you at least let me remove my makeup and change my clothes?
01:03:13Of course, he's not going to dress like that forever.
01:03:18Nothing lasts forever, Julia.
01:03:21Come on, don't give us any more lines.
01:03:25We found this checkbook in your office. We need you to sign it.
01:03:32The boys want to make improvements to the house. And of course, they need money.
01:03:36Uh-huh.
01:03:41Now, you will have to solve these problems yourselves.
01:03:48Be sporty.
01:03:51Understand that the economic blockade is my only weapon.
01:03:59You can kill me, of course.
01:04:02But that wouldn't fix things.
01:04:05We were expecting him to say no.
01:04:10Indeed.
01:04:11It would be better to change it.
01:04:14It would be a shame if these clothes got ruined.
01:04:20Come on, sign.
01:04:25You won't find it easy to convince me.
01:04:27You see, Jaime. He says it's not going to be easy.
01:04:30I think you should be more cooperative.
01:04:33Remember, he promised us that this house would be a paradise full of comforts.
01:04:39You see, the boy is trying to be convincing.
01:04:43Sure, sure.
01:04:45I try to convince him nicely.
01:04:47Correctly.
01:04:50With a lot of...
01:04:52Correction.
01:05:07It turned out quite well.
01:05:11Very good.
01:05:12Do you think anyone will recognize me?
01:05:13Don't walk where someone you know might see you, and act naturally.
01:05:19Thank you.
01:05:20Don't worry.
01:05:20As soon as the bank gets paid, I'll go straight there to do the shopping.
01:05:23And I'll be right back, okay?
01:05:24Hey!
01:05:25You forgot the check.
01:05:27What an idiot! I was taking the mirror with me.
01:05:30Of course, with the excitement of going out.
01:05:34Okay, see you later.
01:05:40Let's hope Mr. Luis signed the check correctly.
01:05:45After this beating.
01:06:17It's unlikely he'll meet anyone.
01:06:19Besides, with the way he looks...
01:06:21In any case, it's dangerous.
01:06:23It's best to avoid going out.
01:06:25Although I understand that you will eventually get bored here.
01:06:28No.
01:06:34Yeah.
01:06:37Yeah.
01:06:39Yeah.
01:06:40No.
01:06:42Yeah.
01:06:44No.
01:06:44No.
01:06:45No.
01:06:47No.
01:06:48No.
01:07:16Thank you!
01:07:39Thank you!
01:08:09Thank you!
01:08:47Thank you!
01:08:51Thank you!
01:09:00Thank you!
01:09:09It's very late, Jaime.
01:09:11Miguel will be back soon.
01:09:14And that worries you?
01:09:17No, I'm not worried.
01:09:21I know perfectly well what I proposed to you the other day in the basement.
01:09:26Already.
01:09:27You slept with me for that reason, didn't you?
01:09:31No, that wasn't it.
01:10:03No, no, no.
01:10:16No, no, you dance.
01:10:17We've put on a rock song specifically in your honor.
01:10:19Listen, I'm warning you that I have no problem with that.
01:10:21The three of us can dance.
01:10:27You dance fantastically, you're an old-timer.
01:10:46Okay, so what's at stake?
01:10:48Anything but money would be foolish.
01:10:50We need to think of something to give it a bit of an incentive, don't you think?
01:10:53I know, the loser gets punished by the other two, okay?
01:10:57OK.
01:10:59Great.
01:10:59I warn you that I don't intend to lose.
01:11:02I'm very well trained for this.
01:11:05Don't be foolish, or you'll be the ones who lose.
01:11:09Ready.
01:11:13Fire!
01:11:24No, no, please.
01:11:33Enough, enough.
01:11:34Honestly, I can't take it anymore.
01:11:35You've lost, and you have to hold on!
01:11:38You'll lose, you'll lose!
01:11:55Ha ha!
01:12:29Good morning, I'm bringing you your order.
01:12:31Good morning.
01:12:32Should I pass it inside?
01:12:33No, no, leave it here, please.
01:12:36His nephews are still here at home, aren't they?
01:12:38How do you know?
01:12:39Because it places larger orders.
01:12:42Yes, people do come here to eat from time to time, you know?
01:12:47This must be something his nephews did, right?
01:12:50Yes, yes.
01:12:52Funny.
01:12:53Well, goodbye.
01:12:54Bye bye.
01:12:55Here's the basket.
01:12:56Thank you so much.
01:13:29I started the game.
01:13:31You have taken your revenge, I agree with that so far.
01:13:35But this will have to end sometime.
01:13:38Because?
01:13:39My situation is starting to become worrying.
01:13:43I'm on the verge of losing my balance.
01:13:46I assure you that he won't be able to stand being locked in the basement much longer.
01:13:49What is his goal?
01:13:51Let the boys take pity on you.
01:13:53No, Jaime.
01:13:55I simply want to negotiate with them.
01:13:58Not with you.
01:14:00Because you...
01:14:01We all three decided it here.
01:14:03Do you understand?
01:14:04The three of them.
01:14:05The three of them.
01:14:07Understand.
01:14:08But, Jaime, I can't offer you anything.
01:14:12On the other hand, to you.
01:14:14What's it to us?
01:14:16I have money in the bank.
01:14:18I can give you whatever you want.
01:14:20We don't need it.
01:14:22We haven't even spent half of what he gave us yet.
01:14:25But don't you realize?
01:14:28You...
01:14:28I am offering you a lot of money.
01:14:31Tell me.
01:14:32Tell me what you need to fix your life.
01:14:36You...
01:14:36You can go abroad.
01:14:39For the moment we don't plan on going anywhere.
01:14:42We're doing very well here.
01:14:44TRUE?
01:14:59Dawn will soon break.
01:15:01And?
01:15:01You look like Count Dracula.
01:15:02As soon as the sun rises, you want to go back to your grave.
01:15:05It's out of precaution.
01:15:06But what precautions are you talking about?
01:15:07All the houses in the surrounding area are uninhabited.
01:15:09And nobody ever comes through here.
01:15:11Miguel, you're very nervous.
01:15:12What's the matter?
01:15:13No, I'm not nervous.
01:15:14And nothing happens to me.
01:15:15Absolutely nothing.
01:15:16What do you want to happen to me?
01:15:17Sure.
01:15:18Sure.
01:15:21We shouldn't miss the opportunity presented by Don Luis.
01:15:25We could have accepted the money from him.
01:15:27That?
01:15:27We could just bark at each other already.
01:15:29This is a dead end.
01:15:32So what do you want to leave with, huh?
01:15:33Naturally.
01:15:35Well then, talk to him and tell him that you accept his generous offer.
01:15:42And what do you plan to do, Julia?
01:15:43I know things have changed, but we've been here for two months.
01:15:47Understand it.
01:15:48A decision must be made.
01:15:51Let me think about it.
01:15:53And you, Jaime?
01:15:54How long are you going to stay in this trap?
01:15:56Don't you think that would be better?
01:15:57Don't give me advice.
01:16:00Let's go inside.
01:16:03I want to think about it.
01:16:05I'll tell you my decision tomorrow.
01:16:54We're going to stay in this trap!
01:17:04Is he dead?
01:17:07No, he's still alive. Come on, a bandage, quick.
01:17:52No, he's still alive.
01:18:00Please, the number for the emergency medical service.
01:18:03We need to call a doctor, he's going to die, don't you realize that?
01:18:06Don't be an idiot, that would be crazy.
01:18:08But they have to take care of him, otherwise he could die.
01:18:11Calm down, don't get nervous, tomorrow will be fine.
01:18:13If he dies they'll accuse us, don't you understand?
01:18:15Are you acting like a scared child?
01:18:17Sure, because you have nothing to lose.
01:18:19You will not call anyone.
01:18:20What are you going to do? Are you going to stop me with a gun?
01:18:23It won't be necessary.
01:18:28No, no, no, no.
01:18:36No, no, no, no, no.
01:19:18You'll be happy, won't you?
01:19:21You have shown me that you are real men.
01:19:23That was the point, wasn't it?
01:19:26You're just two kids, that's what you are.
01:19:29Come on, a drink will do us all good.
01:19:32Okay, I'll get some ice and some glasses.
01:19:35But don't do anything stupid, okay?
01:19:38Fiance?
01:19:38No, no, no, no, no?
01:20:03Thank you!
01:20:58Thank you!
01:21:08Thank you!
01:21:10Julia, are you here alone?
01:21:12Yeah.
01:21:13And them?
01:21:15Sleep.
01:21:17What have you come for?
01:21:20To kill him.
01:21:22It will be easy for you.
01:21:24Just let me know about the sale.
01:21:27Already.
01:21:28And why do you want to do it?
01:21:31Before...
01:21:32Tell me why you tried to commit suicide.
01:21:36I have no interest in living.
01:21:39But above all I did it to punish you.
01:21:42You would feel guilty.
01:21:45And most likely they would end up accusing you of my death.
01:21:49I suspected as much.
01:21:50Now you tell me why you want to kill me.
01:21:54Miguel...
01:21:54He has decided to ask her for money and leave.
01:21:59And you don't want to, do you?
01:22:01You don't want it to get away...
01:22:04Neither of them?
01:22:05No.
01:22:06I don't want to.
01:22:09Do you want to bind them with my death?
01:22:11Miguel is a coward.
01:22:12The fear of being accused of his death will hold him back.
01:22:16Sure.
01:22:18He will be in the same situation as Jaime.
01:22:21He will also feel accused.
01:22:23Pursued.
01:22:25In need of shelter.
01:22:30You understood perfectly, Julia.
01:22:38Come on, Julia.
01:22:44Before...
01:22:45Sign here.
01:22:49We'll need money.
01:22:50Yeah.
01:22:52Clear.
01:23:02You can rest assured.
01:23:04I have no friends or family.
01:23:07Nobody will come asking for me.
01:23:28Goodbye, Don Luis.
01:23:31Julia.
01:23:32A warning.
01:23:35Miguel is very young.
01:23:37And sooner or later he'll get bored...
01:23:39of all this.
01:23:41As for Jaime...
01:23:43You've already seen what he did to me.
01:23:45Despite his fear, you shouldn't trust him.
01:23:48You shouldn't trust either of them.
01:23:52That's why...
01:23:53Make sure you always have your revolver handy.
01:24:13Despite his fear, you shouldn't trust him...
01:24:18It's out...
01:24:18of all this.
01:24:18Information about its rays?
01:24:23It's a great essence.
01:24:23Guadal, guadal.
01:24:24No!
01:24:25No!
01:24:26No!
01:24:26No!
01:24:27Us!
01:24:27No!
01:24:30No!
01:24:33No!
01:24:57He is dead.
01:25:06He probably regained consciousness and removed the bandage.
01:25:09It was a mistake to leave him alone all night.
01:25:40We can tell the truth. We are not to blame. We are innocent.
01:25:44Nobody would believe us.
01:25:48If you want to leave, then leave.
01:25:50I don't plan to leave.
01:26:05Doesn't all this filth disgust you?
01:26:08We cannot continue living in these conditions.
01:26:11A major cleaning needs to be done.
01:26:13Can you hear me?
01:26:15We need to fix everything.
01:26:17I want to leave the house as it was.
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01:29:01Thank you!
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