00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:47Do you think?
02:49You know
02:56It's really not
03:01It's really not
03:03You know
03:03I'm in three
03:03And I'm out
03:07You know
03:07What?
03:08You know
03:10You know
03:11You know
03:12You know
03:12You know
04:27Excuse me.
04:28Hi.
04:29My name is Alice Monroe, and I need help.
04:32My boyfriend, Tom Parker, he works for this charity, and he's missing.
04:37Can someone help me?
04:39Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One moment, please.
04:49Hi.
04:50This is Tom Parker.
04:51Oh.
04:58Alice?
05:00Yeah.
05:01Hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:13Metaphorically speaking.
05:15What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, why?
05:31I don't know why he would lie to me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but I know
05:42he's coming here after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and especially
05:53Tom, after what he's been through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if
06:20you kept me out of it, okay?
06:20Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the
06:38camps where things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night.
06:47She was very sick, had no one to help her.
06:49So Malik ran for four miles all the way to where the SOS team was staying and got Tom to
06:56drive them to the hospital.
06:58So the baby was delivered safely, but the mother's condition kept getting worse.
07:04So with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure
07:22his family was taken care of.
07:26But unfortunately, bandits were ready to camp.
07:35They took women and children no one knew who had survived, and Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and eventually they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, ten clicks outside of
08:03the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:12So, but he didn't want to pack it in.
08:15We got him a counselor, we tried to give him support, but something in him had shifted.
08:20Yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:40Sorry, I...
09:10And you didn't know any of this?
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Don't worry.
09:24I'll have to as well find him.
10:47Hello?
10:48Hey, Helen. It's Alice.
10:50Hello, Alice. Has your boyfriend returned?
10:53No, he hasn't.
10:55But does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Orly?
11:02Where did you find that?
11:04I was looking in Tom's notebook, and it was in there.
11:08Orly?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really. I was just on a post-it note.
11:18Okay.
11:19Leave it with me. I will look into it.
11:51How do you know it's a boat?
11:53Oh, I don't. It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then, they'll run away to sea with their buddies.
12:28Anyone here?
12:31Bonjour.
12:33Hello.
12:34There's someone?
12:35Mom, what are we going to do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carries them.
12:45Oh, my God.
12:46Keep lookout.
13:53Oh, my God.
13:58Is it his?
14:00Oh, my God.
14:08Alice?
14:10Alice?
14:12Alice?
14:15Tati?
14:33it's uncle brian he's in london
14:38it's uncle brian he's in london
14:42who are you going to tell me about that i was wondering what you'd notice
14:47he may be useless with cars but he could talk a dog of a mitra a dog
15:10yeah i came as soon as i could hey um yeah i i spoke to jordan you were right
15:20tom did make a call on thursday morning
15:24and he wanted to be put through to one of his colleagues
15:31alice there is no easy way to say this
15:35no um i met her actually
15:40that that woman that you're what were they are they
15:47it's really not in my place to speculate
15:50come on
15:57he's not thinking rationally
16:07so what happens now
16:12my god is he will show up somewhere
16:14or makes contact with someone in the next 48 hours
16:18and then you both need to decide what happens next
16:23if i were you i would go to all
16:26go to all
16:27there's no need to hang around i must say
16:30if he turns up
16:31he'll be the first one to know
16:32okay
16:35okay
16:37alice um
16:38i wish i had better news i'm sorry
16:41no it's okay you've been very kind to me
16:43thank you
16:48call me for tomorrow
16:49yeah
16:51if you need anything at all
16:53do you want to have a good time
16:54i wish i had to say
16:57okay
17:03you
17:04you
17:04you
17:04you
17:05you
17:06you
17:11you
17:11you
17:12you
17:13you
17:13you
17:13you
17:17you
17:20I don't know.
17:48I don't know.
18:40I don't know.
18:44I think...
18:46Okay?
18:48You came!
18:49Well, one thing I learned living here,
18:52if an attractive woman invites you to a party on a Friday night,
18:57you go!
18:58Sister,
19:01one day we will be free
19:04from fighting
19:06violence
19:08people crying
19:10in the street
19:11When the angels
19:14from above
19:15fall down and spread
19:17their wings like dove
19:19Is everyone here from the dig?
19:22Yeah, why?
19:24I kind of want you
19:26to show me your world
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there?
19:48Your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:57What?
19:59What?
19:59What?
20:00Really?
20:00Come here.
20:05Come here.
20:08What?
20:10Yeah.
20:11This was built by the Nepotians.
20:15What was that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:21Cool.
20:22Did you say the Nepotians?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I went wrong.
20:29Yeah, sure.
20:30It actually flourished due to trade routes.
20:33It's incense spices, silks, and of course, it's gorgeous rock cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically
20:47destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is...
20:59Isn't that interesting to you?
21:02Very.
21:12Andy?
21:14You guys looking forward?
21:17No, I didn't.
21:19Cachi?
21:20Go.
21:23Say.
21:25Yadong?
21:26Yadong?
21:26Yadong?
21:28Yadong?
21:30Yadong?
21:32Yadong?
21:33Yadong?
21:34Yadong?
21:34Yadong?
21:36Yadong?
21:37Yadong?
21:39Yadong?
21:40Yadong?
21:43Yadong?
21:45Yadong?
21:46Yadong?
21:49Yadong?
21:53Yadong?
21:55Yadong?
21:56Yadong?
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't. He was the conductor on a train I took recently and I need to tell...
24:37Yeah, okay.
24:38I'm sorry, I'm sorry. When was it? I... I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay. Sorry.
24:54I think she slept together about a month ago. It wasn't a big deal, kind of casual,
24:58but now it is a big deal because I'm pregnant with Maurice's child. I need to speak to him
25:01right now.
25:16I'm sorry. I'm sorry about my colleagues. Sorry. Of course, I'll give you his address.
25:22Sorry.
25:23Good.
25:25Yeah.
25:32Good.
25:38Good.
25:41Good.
25:48Good.
25:50Good.
25:51Good.
26:05Stop, stop, stop!
26:34Mon bébé, qu'est-ce que tu fais? Je t'ai perdu, c'est quoi le bordel?
26:38Viens là , pourquoi tu veux pas me parler? Je te promets que t'en viendras jamais comme la mienne.
26:43Alex, 20 minutes. Laisse-moi 20 minutes.
26:46Pourquoi ça 20 minutes? J'ai pas connu pour 2, toi.
26:492, c'est le tétongue gay, ça.
26:50Bah, tu es un fou, toi, t'es connu.
26:55Get out of my way.
26:57Oh, tu vas s'ilouer? Tranquille.
27:00Ça va, oh. Tu vas te blesser, là , arrête.
27:04Ça se voit qu'elle en a jamais tenu, hein.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on se tient, plutôt.
27:10Comment on peut avoir confiance?
27:14Comment on fait, maintenant?
27:19Regarde-moi quand je te parle.
27:23Eh, viens danser à la bachatame. Viens, viens danser à la bachatame.
27:30Oh! Cassez-vous, j'appelle la police! Oh là là ! Oh!
27:34Vous m'entendez? Vous êtes sourds? Allez, on dégage!
27:37Oh, t'es une pite à la place du cerveau.
27:39Dans ta gueule, je t'ai dit.
27:40Tu pourrais pas aller encore une fois comme ça?
27:42J'étais en collune.
27:43Bien encore.
27:44J'appelle ta mère.
27:45Enwhantner!
27:47Bonresse!
27:47Je t'ai dit.
27:47...
27:47Enquanter bleiben!
27:50...
27:50...
27:56Tu sais pas si tu vas, là peut seabije?
28:00...
32:10Here's your mom.
32:15Something has happened.
32:16I need to see you right away.
32:18Hey, Alyssa, is everything okay?
32:20I thought you'd left.
32:21No, no, it's not.
32:23I just went to see the conductor, the one from Tom's train, and when I got there, he was dead.
32:27He was dead.
32:28He was dead.
32:28He was dead.
32:29Wait, wait, wait.
32:30Slow down, okay?
32:31Are you okay?
32:32Yeah, I saw the man who did it.
32:33Yeah, I saw the man who did it.
32:35Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular.
32:38He was very muscular.
32:38He had very dark hair with like a bun.
32:42Where are you?
32:44I'm at the hotel Perron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:09She's at the hotel room, room 218.
33:14Go there now.
33:15Go there now.
33:53Go there now.
34:00What?
34:01I was right about the conductor.
34:03What?
34:04I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:10Who have you spoken to?
34:11Um, just one person from Tom's Charity is coming actually to meet me right now.
34:16Alice, which hotel, which hotel are you staying at?
34:20Perron.
34:21I'm coming now.
34:23Do not speak to anyone.
34:25You hear me?
34:25Do not speak to anyone.
34:27Come on.
34:28I'm coming out.
34:31Come on.
34:38Come on.
34:40Come on.
34:59Livraison.
35:14J'ai une livraison pour Alice Monroe.
35:38J'ai une livraison pour Alice Monroe.
36:16J'ai une livraison pour Alice Monroe.
36:31J'ai une livraison pour Alice.
36:35J'ai une livraison pour Alice.
36:43J'ai une livraison pour Alice.
36:48Mr. Rand, the works at S.O.S.
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drackson.
37:04Okay, so at least one of them is trying to kill you.
37:11I didn't tell you about S.O.S.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To know things.
37:32Okay, you better start telling me some truths or I'm going to call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:47First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:03What?
38:04What?
38:04What?
38:23I'm something like a pet noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him on the train.
38:37I was following him.
38:40I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:50I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:05I have reason to believe.
39:09Oh, no.
39:09You are, you are, you are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I with her, the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41Suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:12If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no, no.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay, so Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Gero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:11Contrôleur Maurice Giroux, nous recherchons activement la suspecte numéro 1.
41:16Une Américaine dénommée Alice Monroe, la trentaine.
41:20Vous avez la moindre information concernant cette personne.
41:22La moindre information.
41:24Contactez la police.
41:27La moindre information.
41:28La moindre information.
41:40La moindre information.
41:42La moindre information.
41:42La moindre information.
41:42La moindre information.
41:43La moindre information.
41:44La moindre information.
41:44La moindre information.
41:44La moindre information.
41:46La moindre information.
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