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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Storyline]Full EP - Full
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:22What do you got?
08:24What do you got?
08:37Oh, my God.
08:55L-E...
09:01S...
09:06S.R. 1.
09:23Hey.
09:25I thought you might be thirsty.
09:28We'll be together.
09:30Jeanette.
09:34You're getting ready?
09:35Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is...
09:51What is less...
09:54Or what? Lesser one?
09:57It's left, straight forward, stereo on the right, first floor.
10:01No.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic
10:10made out of the first letters of all of our names.
10:14Because, you know, we moved around a lot.
10:17So...
10:18He always said,
10:19no matter where we are,
10:21as long as we're together,
10:23we're always...
10:26We're always in the studio.
10:27We have...
10:31Ben...
10:45On the right,
10:45we have...
10:45We have and...
10:46We have and...
10:55We have a baby.
10:57We have so much.
10:57We have...
10:57We have the baby.
10:57We have a baby.
11:03I don't know.
11:31I don't know.
11:57Inocentes foram sem fadas.
11:59Por esses crimes abomináveis, nós vamos caçá-los.
12:03E o americano John Creasy e as pessoas que o ajudaram.
12:26looks like a robbery to me who's doing the breadcrumbs
12:32you a fool yeah yeah fudeu fudeu que foi
12:47let's go everybody to the van let's go let's go let's go let's go let's go let's go
13:07oh
13:09oh
13:09oh
13:09oh
13:18crazy
13:21crazy
13:39He said it make his way back to school
14:05He said it make his way back to school
14:09We didn't leave anything
14:09This will not work
14:13What are you doing?
14:16Pickle!
14:18Go! Go! Go!
14:19Go!
14:21Oh, fuck!
14:23Wait, wait, wait!
14:49Go!
14:56Go!
15:02Go!
15:04Go!
15:09Go!
15:11Go!
15:13Go!
15:15Go!
15:22Go!
15:23Go!
15:23Go!
15:24Go!
15:25Go!
15:27Go!
15:29Are you okay?
15:30Yeah, fine, fine, fine
15:36Shit
15:38Where's Vico?
15:39He jumped out of the van in the garage
15:42What? Why?
15:43He was afraid that no one had left the necessary clues
15:47No, I could have handled that
15:49I could have handled that
15:50I'm sorry
15:54I'm sorry
15:58It's the way
16:02It was supposed to be the easy part
16:13Where's Paul?
16:19Where's Paul?
16:30Where's Paul?
16:35Where's Paul?
16:36Where's Paul?
16:36This is bullshit, you know
16:41You can't just keep me here like a prisoner
16:45Davy, give me a picture here
16:48Chrissy hit this place earlier today
16:52In the middle of the city in broad daylight
16:53With the entire world looking for him
16:55And he robes an apartment
16:57Whatever was in here
16:58He thought was worth the considerable risk
17:01Money
17:02I could think of 20 other ways
17:04He could get his hands on cash, huh?
17:07Well, then what?
17:13I don't know
17:17You know
17:19For all your talk of
17:22Understanding how Chrissy operates
17:23And all that shit
17:24You don't seem to be any better
17:25At figuring out his next move
17:26Than the rest of us
17:31Prepara todo mundo
17:31Que a gente vai sair
17:34We picked up one of the guys
17:36That hit the condo with Chrissy
17:39We wanna get out of this room
17:40Come talk to him
17:41And get some actionable information
17:42Because if we don't figure out
17:44What Chrissy's up to
17:45I have a strong feeling
17:46He's going to show us
17:47And I don't think we're gonna like it
17:49Water
17:50Water
18:10What's going on?
18:14I got in
18:16I don't know
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again
18:29Thought it'd make me feel better, but
18:37It's like all the memories
18:38That have been poisoned
18:59How is this?
19:04I just wanted to see my face
19:07I was этом
19:07In that room
19:09We're almost going to have
19:10That's the last room
19:10We can't do it
19:10We we can't do it
19:15But there's no one
19:18Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39My dad thought we only needed a camera and a tripod.
19:43My brother is out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just gave it to a stranger.
20:09That's all I did.
20:15But at the end, when he gave the camera back, he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07Who's gonna be there?
21:24I will.
21:28Really?
21:31Yeah, it's mine.
21:37Okay.
21:52What now?
21:58He's bouncing a signal all over the place.
22:00If they really put their back into it,
22:02they could walk the call back to Rio,
22:04but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:28I'm good.
22:38Well...
22:41His name is Vico from a local favela.
22:44He hasn't said much,
22:45and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President,
22:51we don't know what Chris may have told him.
22:53It's happening and I will interrogate him personally.
22:55I want him cutting to pieces until the answers start to flow.
22:58No.
22:59I will not tolerate one man operated with impunity,
23:02making a mockery of...
23:03I'm sorry, Mr. President.
23:05Don't interrupt me.
23:06I'm sorry,
23:07but I'm in a connection here
23:08that I think you're going to want to help.
23:10It's John Chrissy.
23:28Mr. Chrissy.
23:30I know you got a lot going on right now, Mr. President,
23:33so I'm not going to keep you for too long.
23:36I just want to let you know
23:38that I'm coming to see you.
23:40Is that so?
23:43Unfortunately.
23:44When I get there,
23:45we won't have much time to talk.
23:47You know it's illegal to make threats like that,
23:50even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatman.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity
24:07that the Redburns and all the other families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:15Because I am coming to see, Mr. President.
24:20And by then, it will be too late.
24:35And by then, it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:04But I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled.
25:36I can assure you.
25:50Sir, sit down.
25:53Bloody hell.
25:56I don't have any penalty for this time.
26:00I can't afford it.
26:01Did it pay ?
26:02Say it, answer.
26:03Responde!
26:37Tipo...
26:38Eu não tenho certeza, mas eu ouvi eles falando de uma gravação.
26:43Ou uma fita.
26:45É.
26:47Do maluco falando com o presidente.
26:49Presidente Carmo?
26:51Era o presidente Carmo?
26:52Era, era, era o presidente Carmo.
26:54O que era o maluco?
26:55Ferraz.
26:58Ferraz.
26:59Olha pra mim.
27:01Você tem certeza que é uma gravação do presidente Carmo com o Ferraz?
27:05Tem, pô.
27:06Por quê? Cuide a parada.
27:15Junta toda a equipe agora e manda eles indo pro banco BCI, cofre 4488.
27:20Vai!
27:24Fica do olho nele.
27:30É.
27:36Vai!
27:36Fuora!
27:39Fo way truck!
27:40Me dormiu!
27:47Não é.
27:49Faria!
27:49Ai, ai, ai, ai!
27:55Aiena extrau.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:17What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:25I want to assure you that it will not last long.
29:29In 230 minutes, you will be dead.
29:31Fuck.
29:33It's toxic!
29:35Come on now!
29:53Hello? Come in?
29:55Yeah.
29:57Chrissy.
29:58Go in.
30:00Our success targets are incoming.
30:03Copy that.
30:19You know your part?
30:21Yeah.
30:22I go in.
30:23I make sure they see me and draw security so they can get to happen.
30:28Yeah, we'll go.
30:33You ever want that place?
30:35Yeah.
30:36You grew an eye set.
30:48Hey, I'll be okay.
30:59Crazy check-in.
31:03All right.
31:04We set.
31:04We set.
31:05We set.
31:14We set.
31:34We're here.
31:36We're here.
31:42We set.
31:59We need more shields.
32:18oh come in someone found me but they're not here yet all right just walk away we'll find
32:27just give me a second okay okay no I can do this
33:11fuck you
33:25what's the location for
33:44oh it's your location
33:49let's get it
33:52oh you get him no more
33:58stand on Chris you have got her security
34:00it's been drawn off you have the green light for tap and villa we're heading to the staircase
34:31we're moving to the meeting point
34:36hey if Poe's here
34:37this is a fucking shame
34:44moment what's happening
34:50all right lock it down get on the radio lock it down
34:57what's going on
35:00oh
35:01I'm going to get back to the area.
35:59I'm going to get back to the area.
36:08I'm going to get back to the area.
36:31I'm going to get back to the area.
37:12I'm going to get back to the area.
37:23I'm going to get back to the area.
37:41I'm going to get back to the area.
37:45I'm going to get back.
38:16I'm going to get back to the area.
38:32We're going to run out of ammo before they do.
38:34Can you get to us?
38:47Are you okay?
38:48Are you okay?
39:03I'm going to get back to the area.
39:17I'm going to get back to the area.
39:26I'm going to get back to the area.
39:42I'm going to get back to the area.
39:44I'm going to get back to the area.
40:09I'm going to get back to the area.
40:14I'm going to get back to the area.
40:16I'm going to get back to the area.
40:20I'm going to get back to the area.
41:02I'm going to get back to the area.
41:06I'm going to get back to the area.
41:06I'm going to get back to the area.
41:18I'm going to get back to the area.
41:34I'm going to get back.
41:37I'm going to get back to the area.
41:39I'm going to get back.
41:42I'm going to get back to the area.
41:57I don't know.
42:32I don't know.
42:57I don't know.
42:59This is what my brain...
43:15I don't know.
43:21I don't know.
43:22I don't know.
43:28I don't know.
43:32I don't know.
43:59I don't know.
44:04I don't know.
44:08I don't know.
44:10Shut her mouth.
44:12I don't know.
44:21I don't know.
44:23I don't know.
44:29I don't know.
44:30I don't know.
44:39I don't know.
44:51I don't know.
44:56I don't know.
45:00I don't know.
45:01I don't know.
45:09I don't know.
45:11I don't know.
45:12I don't know.
45:23I don't know.
45:35I don't know.
45:36I don't know.
45:40Go left, go left.
45:47Creasy.
45:48Just go on, be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Just go on, Paul.
45:52Oh, shit.
46:39Stop right there.
46:40Don't move.
46:45You shoot her, you're dead.
46:46One second...
46:50Yes, I know.
46:53I'm leaving that you've killed Teppan.
46:55I'm not seeing a lot to look forward to.
46:59So...
47:02Drop your fucking gun,
47:04or the last thing you see will be another dead Rayburn.
47:09Drop it!
47:25Good boy.
47:29Now...
47:30Stand up.
47:32I'll give you the honor of going first.
47:36sit up!
47:38Stand up!�
47:38Please.
47:39Please.
48:11Please.
48:38Please.
48:39Don't!
48:39No!
48:41Ah!
48:43Ah!
48:50Ugh!
48:51Ah!
48:51Ah!
48:53Ah!
49:04Gracie?
49:07Gracie!
49:10Oh, my God. Oh, my God.
49:12Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay? No, just stay with me. It's okay.
49:21Oh, my God.
49:22Oh, my God.
49:26Oh, my God.
49:30You're good.
49:33Christy, oh, my God.
49:44Oh, my God.
50:08A high-risk effort to expose the kids.
50:10Ah, até agora eu nem acredito.
50:12Ei, mãe, o que eu achei?
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e você?
50:16Tudo bem, bom te ver.
50:17Eu tava falando pra Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura, mas nem eu.
50:27Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah, não. A gente não vai pra lugar nenhum.
50:32Então vocês acham que as coisas vão melhorar com a saída do Carmo?
50:35Acho difícil de acreditar, hein?
50:36Tô preocupado.
50:38Eu também.
50:39Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:43Grandes merda.
50:45Libração.
50:47Não foi pra ser flamengo de Carmo?
50:49Ivan disse que você precisa trabalhar no seu inglês antes de qualquer outra coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E o vagabundo tá cagando pra isso.
51:01Se você preferir aprender o russo,
51:03então vai trabalhar também.
51:04O que você acha que eu vi minha família,
51:25eu não estava no melhor.
51:28and sometimes it feels like that regret is gonna swallow me whole because of what happened to them
51:38i have nothing to bury no ashes to spread
51:44but i've come around to the idea that because they raised me the way they did
51:50my family ultimately left me with all that i could have asked for
51:58you don't always realize what you have
52:02until somebody tries to take it away
52:08and you don't always realize what you need
52:12until you're facing something too big to tackle alone
52:20what my family has given me
52:24is the strength to go on
52:27and what i've learned from my friends
52:29is that i never have to do so alone
52:44uh...
53:02Hey.
53:03Hey.
53:05You know if you want, you can just stay here, have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do and a fair amount of egg on my
53:48face and one of our guys...
53:49That's just the reason you have to do it.
53:51Okay, well...
53:55I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that?
54:06I do.
54:07I do.
54:07I do, actually.
54:08Long listen to that.
54:09No one else has had, uh, first-hand experience with these guys.
54:14And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Send me what you got.
54:28Send me what you got.
54:54Go, go, go.
54:55Go, go.
55:02Go, go, go.
55:10Go, go, go, go.
55:13Go, go, go.
55:131
55:16Go, go, go.
55:18Let's do it.
55:22We'll just take a look at thatesoorts and ethical irgendwann or într Morecloud into the PDFs.
55:23The answer is Dr.hando Hurricane 말씀드� packets computadora for division,
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