00:28You
00:34Sorry, I was fast asleep
00:38Kit, where are we?
00:40Northampton, it's taking ages
00:42We are making slow progress
00:44Because of the mud
00:46It will surely be dark
00:48Before we get back to London
00:49At the rate we're going anyway
00:50It can't be helped
00:52It has been very wet lately
00:55Hey, it's also cold
00:58Where's your jacket?
01:00Oh, you gave me your jacket
01:01It's fine, leave it on
01:03No, don't you feel cold?
01:05No, I'm not cold, I'm fine
01:06You sneezed, you're acting tough
01:08Hurry up and put it on
01:09I'm not cold
01:30Oh, I'm not cold, I'm factors
01:41Oh, I'm not cold at your night
01:57Oh, I'm not cold
01:59Good morning.
02:01Oh, good morning, Dorothy.
02:03How can you be up so early, considering that you came home so late last night?
02:07I know, but this critique session is crucial.
02:11I can't believe you've been here six months already.
02:14So this is your last chance to come top.
02:17Don't say that. I'm nervous enough as it is.
02:20How can you be so pessimistic?
02:23Kit's not back at St. Thomas' yet.
02:25Now's your chance to come top of the class.
02:27That's not exactly true.
02:30Kit arrived back here yesterday.
02:32He's been staying at Jonham Hall.
02:34Really?
02:35We were there together, for a whole variety of reasons.
02:38What? Well, well. My, my, my.
02:42Hang on, Dorothy. I think you're getting the wrong idea.
02:45Oh, it's all right.
02:47It's not as though I'll tell anyone, is it?
02:49Tell anyone? There's nothing to tell!
02:52It was just something I had to sort out yesterday.
02:54Don't imagine anything weird.
02:56Then why have you gone so red?
02:58Oh, hang on a sec.
02:59If Kit is back, then you're going to have an uphill struggle to come first in the critique.
03:04I know, but I've been thinking.
03:07I've stopped worrying so much about that kind of thing.
03:09What? Why? Are you giving up?
03:12No, I'm not giving up exactly.
03:15It's just, I no longer think that the whole point of painting pictures is to come first.
03:23Maybe it's much more important to be true to yourself, no?
03:28Lily.
03:30But having said that, I have no intention of losing to Kit.
03:33You had me worried for a moment there, but it seems you're on top of it all.
04:07There you are.
04:07Lily. Where did you disappear to? Oh, oh, just somewhere. There's only one topic of conversation
04:15right now. Huh? In six months' time, we graduate. And we're all in the same boat, aren't we?
04:23We all want to make our mark. Peter didn't come in again today.
04:30And it seems that Kit hasn't come back yet either.
04:41Good morning, students. It is plain to see that you are all very nervous today.
04:48This final critique session is vital, because this is the last chance you'll have to prove yourselves.
04:54It's our final critique session, and he hasn't even told us the topic for the assignment yet.
04:59Yes, that is rather disconcerting, isn't it? For the benefit of those of you with anxiety
05:05written on your faces, I will proceed with announcing the final task.
05:11It'll be something completely bunker again, or something really mean.
05:16He likes to see his students suffer.
05:21The theme for this assessment is the word free.
05:28Free? Just free? What does that mean?
05:31Life on Earth is incredibly brief and fleeting.
05:36I'm interested in how you young people will consider this theme,
05:41and in the limited time available, you must all explore the concept of being free.
05:49You all have until you leave school today to submit your work?
05:53There is no time to spare.
05:56Your time begins...
05:58Now!
06:05Wait! Lily!
06:06What about the assignment?
06:10Let's hurry up and get started.
06:12The clock is ticking.
06:13What about Kit?
06:15Is he not going to compete?
06:16I say, he has never done this before.
06:20Hang on. Someone else could get top marks.
06:23So let the competition begin.
06:26I wonder why Kit didn't turn up.
06:29I've got a bad feeling that something's happened to him.
06:32But you said he's back in London, didn't you?
06:34So there's nothing for you to worry about at all.
06:38Oh no, I'm sure it's fine.
06:40I mean, you know too well what Kit's like.
06:43Lily!
06:45Lily!
06:49When it's over, see you at the usual place.
06:52Yes, yes. Good luck, Joffrey.
06:53And to you, my friend.
06:55Bye.
07:06Lily, what on earth's wrong?
07:07Why are you in such a rush?
07:08I'm sorry.
07:09I'm sorry.
07:09I'm in a hurry.
07:10It's Kit.
07:10He's gone.
07:12Huh?
07:12Huh?
07:13No.
07:44Hello? Is anyone home?
07:52Mr. Kit Church?
08:00Uh, Kit, I'm coming in.
08:39I'm coming in.
08:48The Robin.
08:51I remember this one.
09:12Kids! Kids! Kids!
10:02Lily?
10:05You're awake. Are you all right? How are you feeling?
10:08What are you doing in my house?
10:10What am I doing here?
10:11Why didn't you come into school?
10:14I was so worried about you catching a cold and a fever and being sick in bed.
10:17And all because you lent me your jacket yesterday.
10:20And then, when I got here, you were lying on the ground covered in blood.
10:24That's why I'm in your house.
10:26Covered in blood? What mean?
10:30Oh, now I understand.
10:32The tomatoes?
10:36I was feeling a bit shaky, so I thought I'd eat something.
10:39I don't remember anything after biting into the tomato.
10:42Yeah!
10:44You probably collapsed.
10:46You had a really high fever.
10:49A fever? I had a fever.
10:51You don't remember?
10:52It was awful.
10:54I had to change you out of your tomato-stained clothes,
10:56carry you to the bed, and warm the room.
10:59Ah!
10:59Don't you dare ah me!
11:01You really are!
11:02And more importantly, what are those?
11:05Those what?
11:11Oh, those!
11:12I just thought I would make you some scones.
11:14The smell of them baking woke me.
11:21It feels like your temperature's coming down.
11:23I guess your appetite's returning.
11:26If you're feeling well enough, shall we have a scone?
11:31All right.
11:43It's sweet.
11:45It's an aromatic blend.
11:47The aristocracy really know a thing or two about tea.
11:54Oh.
11:58I'm sorry.
12:05I'm the one who should apologize.
12:07Huh?
12:09For the gala.
12:11And for the dress.
12:12And for the way that Catherine treated you.
12:16I really made things difficult for you.
12:20I am completely to blame.
12:23I have caused you so much trouble.
12:25No, you're wrong.
12:25Huh?
12:26You don't understand anything.
12:30I was so happy.
12:35Wearing such a beautiful dress and dancing in a big mansion.
12:39It was like the most wonderful dream.
12:43But then I got carried away and embarrassed myself.
12:47And I lashed out at you so unfairly.
12:49I shouldn't have behaved that way.
12:53Lily, I don't think...
12:55And I was rude to Catherine.
12:57I was actually intimidated by her when I first met her.
13:01But my impression changed each time we met.
13:04I discovered that she's a sweet person trying to do the right thing, even though it was wrong for her.
13:11What's more...
13:12We have actually managed to become friends.
13:17That makes me happy, too.
13:24Lily, you're...
13:26You're incredible.
13:27Huh?
13:29Whatever happens, you keep your chin up and try to move forward.
13:33That's something I can't do.
13:36Oh, what do you mean?
13:39Professor Brandt told me something once.
13:43It was the first time I had my work displayed in the gallery.
13:47Splendid.
13:49Your passion for art, young man, clearly runs in the blood.
13:53Your brushwork is certainly similar to that of your dear father's.
14:00However...
14:01His paintings were bathed in the light of dawn.
14:04They were the scenes reflected in the eyes of an adventurer,
14:08treading a path filled with hope.
14:11That's the impression he created.
14:14But, Kit, your offerings are what a troubled young man sees
14:19when he glances over his shoulder
14:21while frantically running away from something unseen,
14:25chasing him in the darkness.
14:27That's the impression you create.
14:35Professor Brandt really said that to you?
14:39That's horrible.
14:41You know, Kit, he told me once that my work
14:44was like something an art teacher would produce.
14:45My father once said the very same thing to Professor Brandt
14:48when they were students together.
14:52They were cruel words,
14:54but Professor Brandt said he was grateful to him.
14:58The professor believes in the power of words
15:01more than anyone.
15:03When he is critical of your work,
15:07it's because he expects great things.
15:13I don't know.
15:14Lily, your paintings
15:15are so full of hope.
15:17The light of dawn that is reflected
15:19in the eyes of an adventurer.
15:21What do you mean?
15:23They may not be very popular right now,
15:26but I
15:28love your paintings.
15:31Huh?
15:35Um, what?
15:41Um, you know,
15:44ever since the very first day we met
15:47on the banks of the Thames,
15:50I've admired your work.
15:53What if I could learn how to draw that freely?
15:57The joy of being able to move my brush like that
16:00whenever I wanted.
16:02I wanted to draw with freedom,
16:05just like you.
16:06I got frustrated
16:08when things didn't go
16:09as I had hoped.
16:10And I lashed out at you.
16:17But Kit...
16:26For you,
16:27who I look up to,
16:28to say that you like my art,
16:32nothing...
16:34nothing could make me happier.
16:41Now I finally know in my heart
16:43why I came to England.
16:47Lily.
16:53Christopher Church!
16:55Thank you so much!
17:08Lily.
17:10You know that I...
17:11Kit, I'm...
17:14going back to Japan.
17:43The truth is,
17:44this is the last critique session,
17:46and I have to go back to Japan
17:48if I'm not first place.
17:49And that was the condition for me
17:51to study painting here in England.
17:54But it's...
17:55already past the deadline to submit.
17:58So my time at St. Thomas' is over.
18:01It's too late.
18:04I'd be lying if I said I wasn't sad.
18:07But just now,
18:08you said such a wonderful thing.
18:11And also,
18:12what's more important
18:13is that I learned to be myself.
18:16And the one who taught me that...
18:19is you.
18:23Anyway,
18:24your fever has broken
18:25and it's getting late now.
18:26So I will be on my way.
18:28Okay.
18:35Oh, and Kit.
18:37See you tomorrow.
18:40It's a promise.
18:41Yes.
18:41Yes.
19:50I was shocked. He'd collapsed.
19:53I see. Kit's going to be Kit, I suppose, isn't he?
20:01Lily, are you sure that you...
20:03I have no regrets.
20:06I'll miss you.
20:10Wherever I am, Dorothy, you'll always be my best friend.
20:16Lily, you're my best friend. Forever.
20:20Yes.
20:25No matter how far apart we are, we'll be under the same sky.
20:29Goodbye.
20:29I don't know.
20:59I don't know.
21:50I don't know.
21:59I don't know.
22:18I don't know.
22:28I don't know.
22:30I don't know.
22:39I don't know.
22:45I don't know.
23:00I don't know.
23:09I don't know.
23:14I don't know.
23:32I don't know.
23:36I don't know.
23:41I don't know.
23:54I don't know.
24:11I don't know.
24:13I don't know.
24:38I don't know.
24:41I don't know.
24:44I don't know.
24:44I don't know.
24:46I don't know.
24:51Also, I'm sorry.
24:57Well said, kid.
24:59Excellent. I can see that you have settled your differences, then.
25:03Great. Let's have another toast.
25:06All of us are here together again.
25:08Hey, wait just a moment before we get to all that boring old stuff.
25:18I'm going to delight you all with a song to mark the occasion of you two patching things up.
25:24Joffrey, you can play the piano?
25:26I'm cultured, if nothing else. Being a lesser aristocrat has its advantages.
25:32As usual, you're so proud of things that have no particular merit at all.
25:43He's better than I expected.
25:45Splendid.
25:49Six people, all raised in different circumstances.
25:53But by a sublimely fortunate coincidence, came together at this present time and in this particular place.
26:00We're all just learning how to get along together, aren't we, my dears?
26:05We may have misunderstandings and disagreements along the way.
26:09It's simply the way of things.
26:12But every time we do, our friendship only gets stronger.
26:17We may go our separate ways, but we'll never be broken apart.
26:25That is why this song will be dedicated to the pure love that we call friendship.
26:54Kit, I'm the one who should be grateful to you.
26:57Thank you for telling it to me straight.
27:00I know it must have been hard for you to say, but I feel like what you said opened my
27:06eyes.
27:07And now I think I've come to understand a little what it is I want to do with my life.
27:11But Peter, you are you.
27:12There's no need to compare yourself to anyone else.
27:16You should value yourself more.
27:19Don't be confused by those around you.
27:21That's the mistake I made.
27:24Know that you are my precious friend.
27:29Kit.
27:34I can't bear to watch your terrible dancing anymore.
27:39Dorothy, let me cut him.
27:41What? No way.
27:42Lily's dancing with me.
27:43But those aren't the right steps.
27:45I'm a bad, Dorothy.
27:47Peter, you can dance with Shin.
27:49Right.
27:50Shin, let's show them how it's done.
27:51What?
27:52No.
27:52Peter.
27:53Shut up.
27:53Come on.
27:54Kit, help me.
27:56Let me dance too.
27:57Kit.
28:00I say, aren't you listening?
28:02Yes, Shin.
28:03Let me lead.
28:04But I am.
28:09You're leading again, Shin.
28:12I say, I'm glad you're having fun.
28:15But can't someone take over at the piano?
28:17I want to dance with you.
28:18You drop off my toe.
28:18You have two left feet.
28:57You have two left feet.
29:00I know.
29:03I can't believe it.
29:24You're coming.
29:27I'm coming.
29:29No.
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