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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Recommended]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Someone was supposed to see her.
08:36What do you got?
08:37Oh, my God.
08:55L-E...
09:01S.
09:06S.R.1
09:24Hey, I thought you might be thirsty.
09:27We'll be together.
09:30Jeanette.
09:34You're getting ready?
09:36Yeah.
09:38You're not scared?
09:41No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is...
09:52What is L.S.R.1?
09:55L.S.R.1?
09:57It's left, straight forward, stereo on the right, first floor.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always...
10:24We're always in the city of...
10:28We're always in the city of...
10:31We're always in the city of...
10:32...
10:44We're always in the city, and I hope you are.
10:49It's about me!
10:49We're just in the city of...
10:55We're always in the city of...
10:57I don't know.
11:31I don't know.
12:04I don't know.
12:25I don't know.
12:26Looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:31You a fool?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38What was that?
12:47Let's go, everybody to the van. Let's go, let's go, let's go, let's go.
12:56Hey, hey!
12:57Go, go!
13:24Go, go, go, go, go, go.
13:25Go, go, go, go, go, go, go.
14:16Go, go, go, go.
14:22Oh, fuck!
14:23Go, go, go, go, go, go!
14:31Go, go, go, go, go.
14:36Go, go, go, go, go!
14:48Go, go!
14:52Go, go, go!
14:53I'm not going to get it.
15:27Hey!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that!
15:50I'm sorry.
15:54Fuck.
15:58It's the way.
16:02It was supposed to be the easy part.
16:14Where's Bo?
16:29Where's Bo?
16:35Get out.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, give me a shot here.
16:48Chrissy hit this place earlier today.
16:52Middle of the city in broad daylight with the entire world looking for him and he robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02You know, I could think of 20 other ways he could get his hands on cash, right?
17:07Well, then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit, you don't seem to be
17:25any better at figuring out his next move than the rest of us.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We want to get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're going to like it.
17:50Bora.
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it would make me feel better, but...
18:37It's like all the memories that have been poisoned.
19:18It's a park.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:31Yeah.
19:33It's supposed to be a Christmas card.
19:39My dad thought we only needed a camera and a tripod.
19:43My brother is out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started...
19:56We started arguing, and...
20:01My mom took the camera and just...
20:04She just gave it to a stranger.
20:06Mm-hmm.
20:09That's all I did.
20:15And at the end, when he gave the camera back...
20:19He said we were a beautiful family.
20:39That's not poison.
20:40Mm-hmm.
20:49Everything you care about...
20:51It's all still in there.
20:56And that doesn't mean that...
20:57You won't have pain.
21:01But you don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07I was gonna be there.
21:10Yeah.
21:23I will.
21:28Really?
21:31Yeah, as mine.
21:37It's okay.
21:38It's okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it,
22:02they could walk the call back to Rio,
22:04but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:24I'm good.
22:38Well?
22:41His name is Vico from a local favela.
22:44He hasn't said much,
22:45and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President,
22:51we don't know what Chris may have told him.
22:52What's happened, and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity,
23:02making a mockery of...
23:03I'm sorry, sir.
23:05Don't interrupt me.
23:06I'm sorry,
23:07but I'm in a connection here
23:08that I think you're going to want to help.
23:10It's John Chrissy.
23:30I know you got a lot going on right now, Mr. President,
23:33so I'm not going to keep you for too long.
23:36I just want to let you know
23:38that I'm coming to see you.
23:40Is that so?
23:43Unfortunately.
23:44When I get there,
23:45we won't have much time to talk.
23:47You know it's illegal to make threats like that,
23:50even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families
24:10in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:15Because I am coming to see, Mr. President.
24:20And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:32Sir.
25:33We will get this handle.
25:36I can assure you.
25:48Sir.
25:53Sir.
25:54Sir.
26:06Sir.
26:08Sir.
26:13Sir.
26:14Sir.
26:18Sir.
26:21Sir.
26:35Sir.
26:46Sir.
26:48Sir.
26:57Sir.
26:59Sir.
27:00Sir.
27:05Sir.
27:06Sir.
27:08Sir.
27:17Sir.
27:22Sir.
27:24Sir.
27:26Sir.
27:36Sir.
27:38Sir.
27:39Sir.
27:40Sir.
27:41Sir.
27:47Sir.
27:52Sir.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burning sensation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:33It's toxic!
29:35Come on now!
29:50Come on now!
29:54Hello?
29:55Come in?
29:56Yeah.
29:57Chrissy.
29:58Gloria.
30:00Our success targets are incoming.
30:03Copy that.
30:19you know your part yeah i go in i make sure they see me and draw security so they can
30:27get to happen
30:27i have a girl you ever want a place yeah you grew an eye set
30:48hey i'll be okay
30:59crazy check-in all right we said we said we said
31:15oh
31:16oh
31:25oh
31:27oh
31:27oh
31:29oh
31:34we're here
31:35oh
31:37oh
31:38oh
31:39oh
31:40oh
31:40oh
31:40oh
31:41oh
31:41oh
31:44oh
31:45oh
31:48RƔpido! RƔpido!
31:49RƔpido, rƔpido!
31:52Vamos!
31:57NĆ£o sabemos com o que estamos lidando aqui. Pode seguir o que vai ser violado.
32:01Precisamos de mais de lidar.
32:20O que estĆ” acontecendo aqui?
32:22AlguĆ©m encontrĆ”-me, mas eles nĆ£o estĆ£o aqui.
32:26Ok, vĆ” embora e vamos encontrar um outro.
32:28SĆ³ me dĆŖ um segundo, ok?
32:33Pau, nĆ£o.
32:36Aqui.
32:37NĆ£o.
32:38Eu posso fazer isso.
32:40Aqui.
32:42LƔ, fecha forƧa.
32:46Grito!
32:46VocĆŖ estĆ” com tudo.
32:49DeixĆ£o de mĆ£o!
33:11F*** vocĆŖ.
33:25What's the location for?
33:44Paul, what's your location, Paul?
33:51Paul, you can hear me on one more way?
33:58Stand down, Chris. You have got her. Security's been drawn off. You have the green light for Tapp and Bella.
34:02We're headed to the staircase.
34:04Okay, go.
34:21What the hell, Vico?
34:26How did you get out of here?
34:27I'm a bitch, I didn't get it.
34:31We're moving to the meeting point.
34:33Get out, get out, get out!
34:36Hey, if Po's here, then so it's crazy.
34:40This is a fucking shame.
34:44Moment, what's happening?
34:50Alright, lock it down. Get on the radio, lock it down!
35:18Get out of here.
35:19Go, go!
35:21Come here!
35:23Go!
35:27Forget the hell.
35:30You're here.
35:31I'll get out of here.
35:33Don't step in here, you can't get out of here.
35:34No!
35:38You're here, you're here.
36:04Let's go!
36:08Fuck!
36:12Go! Go!
36:13We're going!
36:15We're going!
36:15We're going!
36:16We're going!
36:17Go! Go!
36:22Okay.
36:26Let's go.
36:39Headed out now.
36:43Major!
36:45Exit 1, pole 9, floor 2, headed northwest with the resistance.
36:49Okay. We're on our way.
37:20Stop fucking tuning!
37:34Get out of the way!
37:35We lost the sight!
37:39Stop!
37:42Let's go with the girl!
37:44Kill everyone!
37:56Are you okay?
37:58Go! Go! Go! Go! Go! Go!
38:08Go!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:28Chrissy! Chrissy!
38:29We're pinned to the second floor of the resistance area.
38:32We're going to run out of ammo before they do.
38:33Can you get to us?
38:47Are you okay?
38:48Yeah.
38:48Peter!
38:48He's going to be killed!
38:50Let's go!
38:51He's going to be killed!
38:52Oh, no, no!
38:53Oh, no, no, no, no, no...
39:07Oh, no, no!
39:23We can either hold them or the grenades! We can't do both!
39:26Come with me! Melo! Now! Go! Go!
39:29Go! Go! Go! Go!
39:43Melo, let's get out there!
39:45Get! Melo!
39:46Hold on! Hold on!
39:48This is not fire!
40:14I gotta give it to you. That tape? That tape was some inspired shit.
40:20Yeah, that's the greasy I used to know.
40:23You know? One who I had high hopes for.
40:25So Mexico City got you all fucked up. So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:42Yeah. I think you should be.
41:04You've got a gun!
41:05My physique!
41:07I'm all too hard.
41:19You've got a gun!
41:19No!
41:20No!
41:20No!
41:21No!
41:22If I'm not getting back, I'm not getting back in a fight!
41:25No, no.
41:34I don't know what he does.
41:37Get back up! Get back up!
41:39No!
41:42No!
41:43No!
41:44No!
41:44Precise!
41:48Precise!
41:49Precise!
41:53Precise!
41:55Precise!
41:57Precise!
42:32Precise!
42:33Get back up!
42:59This is for my breath.
43:16This is for my breath.
43:21Here we go.
43:22Get up!
44:10Shut her mouth.
44:22Shut her mouth.
44:51Shut her mouth.
45:16Shut her mouth.
45:36Go, go, go, go, go.
45:40Go left, go left.
45:45Shit.
45:47Just go.
45:47Creasy.
45:48Just go, I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Just go on, Paul.
45:51Shit.
45:58Shit.
46:11Shit.
46:14Shit.
46:17Shit.
46:38Stop right there.
46:40Don't move.
46:43Don't move.
46:45You shoot her, you're dead.
46:46One second.
46:50Yes, I know.
46:53Even that you've killed Teppan, I'm not seeing a lot to look forward to.
46:56Shit.
46:58So, drop your fucking gun, or the last thing you see will be another dead Rayburn.
47:07Drop it!
47:10Drop it!
47:19Drop it!
47:25Good boy.
47:28Now.
47:30Stand up.
47:32I'll give you the honor of going first.
47:37Stand up!
47:39Ready.
48:02Hey!
48:03Hey, hey!
48:04Oh!
48:05No!
48:07It's a big part of the roof.
48:07You're the only one.
48:08Don't move.
48:08It's a big part.
48:11Yes!
48:3827.
48:3928.
48:4129.
48:4129.
48:4230.
48:4330.
48:4331.
48:5133.
48:5432.
48:5733.
49:0634.
49:10Oh my god.
49:11Oh my god.
49:12Oh my god.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay? No, just stay with me. It's okay.
49:21Oh my god.
49:23Oh my god.
49:30Dick.
49:33Christy.
49:34Oh my god.
50:03Oh my god.
50:10Oh my god.
50:12Oh my god.
50:12Hey, man, o que eu achei?
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e vocĆŖ?
50:16Tudo bem, bom te ver.
50:17Tava falando pra Marina que eu nĆ£o acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura Ć© essa?
50:24VocĆŖ acha uma loucura, mas nĆ£o.
50:27Escuta, que boato Ć© esse que vocĆŖs estĆ£o indo embora?
50:29Ah nĆ£o, a gente nĆ£o vai pra lugar nenhum.
50:32EntĆ£o vocĆŖs acham que as coisas vĆ£o melhorar com a saĆda do carno?
50:35Acho difĆcil de acreditar, hein?
50:36TĆ“ preocupado.
50:38Eu tambƩm.
50:39Mas se todo mundo ficar preocupado, as coisas vĆ£o melhorar, nĆ©?
50:43Grandes merda.
50:45VibraĆ§Ć£o.
50:47NĆ£o foi pra ser fĆ£ nem de parco, nĆ£o.
50:49Ivan disse que vocĆŖ precisa trabalhar em inglĆŖs antes de qualquer coisa.
50:56VocĆŖ que nĆ£o fala porra nenhuma de inglĆŖs.
50:58E vagabundo tĆ” cagando pra isso.
51:05O que Ć© que eu conheƧo a minha famĆlia, eu nĆ£o estava melhor.
51:28and sometimes it feels like that regret is gonna swallow me whole
51:35because of what happened to them i have nothing to bury no ashes to spread
51:44but i've come around to the idea that because they raised me the way they did
51:50my family ultimately left me with all that i could have asked for
51:58you don't always realize what you have
52:02until somebody tries to take it away
52:08and you don't always realize what you need until you're facing something too big to tackle alone
52:20what my family has given me is the strength to go on
52:27and what i've learned from my friends is that i never have to do so alone
52:32and i have to do so
52:49so
52:51so
53:02Hey.
53:03Hey.
53:05You know, if you want, you can just stay here,
53:09have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs,
53:41and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do,
53:46and a fair amount of egg on my face
53:49that one of our guys...
53:49That's just the reason you had to do it.
53:51Okay.
53:52Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that?
54:06I do, but they're actually long listening to that.
54:09No one else has had first-hand experience with these guys.
54:13And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Send me what you got.
54:57I'll see you next time.
55:28I'll see you next time.
55:57I'll see you next time.
56:27I'll see you next time.
56:58I'll see you next time.
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