- 4 hours ago
In Other Words, I Love You [Full Movie] [Recommended]Full EP - Full
Category
🎥
Short filmTranscript
00:00:02I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:01:04okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27a charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:11respect sir her previous school was American I highly doubt that that's
00:02:19enough she can sit here it's fine
00:02:24back to Goldie thank you you got it I'm Sherry Vaughn Alice Keaton it's very important that we look at
00:02:33what he's talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it
00:02:46personally he's impossible can everyone stop acting like the goal is getting into his pants
00:02:51what he's hot everyone kind of is I I've seen Connor he's not my type you're joking I don't find
00:03:01bullies attractive hey be careful we're talking about the king of Ashford the what his family
00:03:08basically own the school and the town maybe even the country yeah everyone's tried to get close no
00:03:15one can get past his ego you're not the first to get nice okay first of all I wasn't iced
00:03:21it's more
00:03:21like a mutual decision and second I think he's arrogant cold thinks he's untouchable but if you
00:03:29really look at Charles he just seems isolated like he's making honestly I just think he's lonely and
00:03:36kind of pathetic what no go on you were saying I'm lonely and pathetic next time read the room
00:03:59before opening your mouth American we're not Kansas anymore Alice hey how was your first day I good
00:04:25anything exciting happen not really super uneventful really how's your new job yeah all right get this
00:04:34they said we can stay in the servants wing seriously hmm apparently the young master won't mind the
00:04:40company the young master this is your boss's house yeah that's not credible I mean I wouldn't call it a
00:04:50house it's a museum with better landscaping wait here I'll talk to the butler wow rich people you've topped
00:05:10yourself again Stephen King first edition breaking and entering now how American of you
00:05:52you can get up now I I'm trying wait are you serious well you said you were trying what is
00:06:04wrong with
00:06:04you funny I was about to ask you the same thing what are you doing in my house you wait
00:06:13your house my
00:06:15house my library and now apparently my unwanted guest ah master Charles must be miss Alice and daughter
00:06:26she said she said you'd be moving in today she what there there's been some kind of misunderstanding you
00:06:32see I'm not actually moving in that's up yeah I'm not staying here like at all that's a shame you
00:06:40must
00:06:40seem quite pleased with the arrangement well I just don't think it's appropriate well you're sure then
00:06:46absolutely not come on Alice you must stay it'll be fun my dear classmate I'm dead like mentally socially
00:07:04and actually dead just trying to figure out how exactly my life went off the rails get it together
00:07:18Alice Keaton you've been through hell actually no this is hell good morning
00:07:46Alice Keaton what thing doesn't know that stops been closed for months she's going to be late
00:07:59okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:07okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:20what what are you doing here didn't you already leave
00:08:26wait did you come back for me relax I forgot my textbook don't flatter yourself wait
00:08:39since you're already here maybe you could be a decent person and give me a ride
00:08:48no seriously your car is huge yeah and I'm not a fan of sharing says the guy who forced me
00:08:58to live in
00:08:59his house unbelievable
00:09:13Ashford Institute please thank you
00:09:20who needs an entitled brat anyway sir you called the cab why not just give miss Keaton a lift
00:09:32why not just give miss Keaton a lift and have the whole school go crazy she's new everybody's
00:09:38already talking so you're worried about her you're overthinking I just don't like drama
00:09:51asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies
00:10:04Mr Kenwood care to share what you found so amusing
00:10:08not particularly oh I insist you seem very entertained by Golding
00:10:14I'm not entertained by Golding sir on the contrary I think his ending is weak
00:10:22wait wait do I actually read it quiet
00:10:28that's an interesting take explain
00:10:32he had the set up for something brutal something honest in the end he backed out he could have left
00:10:39the boys on the island force them to confront the collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:56it's a waste don't you think I'm delightfully surprised Charles didn't think you had such strong
00:11:02literary opinions I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:29I think Golding knew exactly what he was doing by ending the book that way it's not mercy it's irony
00:11:35how so
00:11:38the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keeter you still think it's a harsh critique
00:11:53in some ways but not harsh enough yes it's a critique of toxic masculinity but still Golding
00:12:02sympathize with them and the civilized world toxic violent he didn't call that out nearly as much
00:12:07so yeah I don't think Golding pushed far enough but I think it's unfair to call it a happy ending
00:12:16thank you Miss Keeter well said anyone else
00:12:23both opinions are valid okay that's kind of epic Golding faced major backlash when he first published
00:12:30the book good literature will always divide what's happening to me
00:12:43okay what is going on why is everyone staring at me well you're new and apparently had a thing
00:12:49with Charles oh what now you two are in the middle of this epic feud as your teen in years
00:12:56we're not
00:12:56even fighting well according to everyone you confessed your love on day one got rejected
00:13:01begged to sit next to him got rejected again and today in class you broke down crying about not
00:13:08believing in happy endings and stormed out in tears you were there Sherry that is not what happened
00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless
00:13:23untouchable wow is massage any like a rich kid thing or is a British specialty honestly both but
00:13:31seriously Alice some people already see you as a threat okay loaded it's like the new girls in for a
00:13:46rough
00:13:47first semester hello hello is somebody out there
00:14:08oh come on fine
00:14:24fine
00:14:38seriously
00:14:42oh shit
00:14:48what the hell
00:14:51Anne I thought you were having dinner with Alice
00:14:52she hasn't come home her phone is off maybe you've seen her this evening
00:15:00yikes looks like the new girls in for a rough first semester
00:15:09shit
00:15:14Alice
00:15:15Alice
00:15:16Mr Pelton Charles Kenwood here I was wondering if I could get the timetable for Alice Keaton
00:15:21she hasn't come home she hasn't come home I'll have it sent over check the common room in the library
00:15:26I'll take the rest
00:15:30Alice
00:15:44come on Alice close your eyes and jump it's fine you're fine
00:16:00you're fine
00:16:13going on
00:16:16on joys
00:16:18maybe you'll get out of the house
00:16:20are you happy with how we are
00:16:24What? What are you doing here?
00:16:29Can you get off me first?
00:16:41You're welcome.
00:16:42I didn't say thank you.
00:16:44I figured saving your life might earn me basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:50Excuse me if I'm not feeling very polite.
00:16:51You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it. You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:11Are you okay?
00:17:13No, but I will be.
00:17:16Someone did this on purpose.
00:17:18What do you think, golden boy?
00:17:20Don't worry. I can handle it.
00:17:22You shouldn't have to.
00:17:26I'm sorry.
00:17:34Sorry.
00:17:39Did you just apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:48Over here.
00:17:52You okay?
00:17:55Why are you drenched?
00:17:56Yeah, I just took a weird shower.
00:18:00Taff exploded.
00:18:03Come on.
00:18:04Let's go.
00:18:15Alice's cheating, right?
00:18:17I heard you stay to the whole thing for attention.
00:18:43I know how this place works.
00:18:45If you don't do anything about it, it's only going to get worse.
00:18:50I'll look into it.
00:18:52Charles?
00:18:55Good on you.
00:18:56How many here would speak up?
00:19:02I can't believe someone actually locked you in.
00:19:04That's insane.
00:19:05Where the hell was the school when this was happening?
00:19:08Busy protecting their golden boys and trust friends.
00:19:11Well, for what it's worth,
00:19:12I heard Charles looked pretty freaked out when he ran out last night.
00:19:17Please, he just didn't want a lawsuit.
00:19:36Being a scholarship student has its perks,
00:19:39like saving a fortune on tuition
00:19:41and getting into schools that normally wouldn't even let you pass the gates.
00:19:46Hey, we miss you in Paris.
00:19:49There are enough Americans to remind us of you.
00:19:52But sometimes, being here means staying behind.
00:19:55And watching Ashford Elites go on a two-week enrichment program
00:19:59you can never afford.
00:20:02Have fun.
00:20:03Bring me something overpriced and unnecessary.
00:20:10The trip cost 20 grand in pounds,
00:20:13which translates to mom's salary for half a year.
00:20:17So, yeah, I didn't go.
00:20:40What are you doing here?
00:20:41Do you not believe in shirts?
00:20:43Do you not believe in dignity?
00:20:45It's comfortable.
00:20:46You look like a rejected Ewok.
00:20:48This, this is not even your kitchen.
00:20:50And this is not even your house.
00:20:52And yet, you're here, dressed like this.
00:20:55Just don't, look, go away.
00:20:57Hard not to, when you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:02Um, buzzkill?
00:21:05Cockblock.
00:21:06You're insufferable.
00:21:07You're the one cosplaying at breakfast.
00:21:09You know what?
00:21:10I don't get it.
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing.
00:21:15Why do you think?
00:21:21How would I go?
00:21:22I could practically recite the itinerary in my sleep.
00:21:26Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:21:32Or Tiziano, if you want to sound extra pretentious.
00:21:36Then Venice, because everybody loves a good canal and getting lost in the most confusing
00:21:40city on earth.
00:21:42Next stop, Napoli.
00:21:44Marvel at Pompeii.
00:21:45Pretend you're shocked.
00:21:47Ancient people had plumbing.
00:21:48The final stop, Paris, the ultimate city of romance.
00:21:54And, naturally, Woody Allen's favourite city outside of New York.
00:22:01That's word for word.
00:22:03I told you, I've done this tour so many times I could run it.
00:22:07Okay, but still, it's Europe.
00:22:09Most people would kill for that chance.
00:22:11Most people haven't had their phones stolen in Paris.
00:22:14Twice.
00:22:16Also, I hate the accommodations.
00:22:18Aren't they all five-star hotels?
00:22:20Standard rooms in five-star hotels.
00:22:23No, thank you.
00:22:25Wow.
00:22:26Some were born in Rome, huh?
00:22:27That's unfortunate.
00:22:28It's a very chaotic city.
00:22:30One word of advice?
00:22:31Shut up.
00:22:32That's two words.
00:22:35You're weird.
00:22:36You're loud.
00:22:37You're annoying.
00:22:37You're in my kitchen.
00:22:38You have three other kitchens.
00:22:40And I prefer this one.
00:22:42Just for today.
00:22:43Come back when you've got a shirt on.
00:22:45Come back with normal clothes on.
00:22:46You don't have to come.
00:22:47Don't tell me what I have to do.
00:22:57Master Charles, roads are flooded.
00:22:59Staff won't make it tonight.
00:23:00Will you be alright sorting dinner?
00:23:05I've got it sorted.
00:23:18Jesus, what are you doing?
00:23:20Relax.
00:23:23I'm here to make a deal.
00:23:25What deal?
00:23:25You nearly gave me a heart attack.
00:23:31You'll survive.
00:23:32I'm not selling my body.
00:23:38I'm not selling my body.
00:23:44Wow.
00:23:44I am deeply offended.
00:23:48That thought disgusts me.
00:23:50Then what are you doing?
00:23:51The staff's off tonight.
00:23:53I'm buying dinner.
00:23:57Did you seriously think I'd spend a hundred pounds on...
00:24:00No, I...
00:24:01Jesus.
00:24:03Wait.
00:24:04You think I'm not worth one hundred pounds?
00:24:08I'm not spending one hundred pounds to snort Chewbacca.
00:24:11You know what?
00:24:11Dinner's cancelled.
00:24:15Are you sure about that?
00:24:18I present to you.
00:24:20Meatball spaghetti, stir-fried veggies, and french fries.
00:24:23You're welcome.
00:24:25Interesting combo.
00:24:26Well, I know we're not in Italy or France, but this will do.
00:24:31It's...
00:24:31Good.
00:24:38Was that a compliment?
00:24:40Although...
00:24:40I am obliged to inform you.
00:24:43Meatball spaghetti isn't Italian.
00:24:45It's American.
00:24:46And french fries, likely born in South America.
00:24:49You should read more.
00:24:52Put it down.
00:24:54I paid for it.
00:24:55You really just have to win every argument, don't you?
00:24:57To be fair.
00:24:59You make it very easy.
00:25:02It's only easy because it costs you a hundred pounds.
00:25:05You know, if you'd ask for more, I probably would have given it to you.
00:25:07I'll make sure that.
00:25:23Hey, Alice.
00:25:24It's fine.
00:25:26You're fine.
00:25:339-1-1, what's with your emergency?
00:25:399-1-1, what's with your emergency?
00:25:41It's my dad.
00:25:42He needs help.
00:25:43He just had a stroke.
00:25:44Okay, miss.
00:25:45Hurricane's constant traffic shut down.
00:25:47Get to you as soon as we can.
00:25:48Please, he's not well.
00:25:49I understand.
00:25:51Can you confirm your address?
00:25:54Dad, yes, I'm right here.
00:25:56Hi.
00:25:58My daughter.
00:26:00Please stay with me, Dad.
00:26:01Please.
00:26:06No.
00:26:08Please wake up.
00:26:13Dad, please.
00:26:15Please don't leave me.
00:26:17Dad, please.
00:26:18Please don't leave me.
00:26:26I don't know.
00:26:47You... what are you doing here?
00:26:53You were crying... loudly.
00:26:58Kind of hard to ignore.
00:27:00Right.
00:27:02Sorry for the night.
00:27:04Wait, no snarky comeback?
00:27:07Not tonight, I'm too tired.
00:27:09If you're here to argue, knock yourself out.
00:27:13You were calling for your dad, right?
00:27:16A hurricane hit New York.
00:27:19Power went down, traffic froze.
00:27:22Dad had a stroke.
00:27:24But he couldn't get help in time.
00:27:28I sat there with a candle while he laid there.
00:27:35Peaceful.
00:27:36Like he was asleep.
00:27:39But he wasn't.
00:27:43So that's why you and your mum moved here?
00:27:47This used to be our hometown.
00:27:50After dad left, we had nowhere else to go.
00:27:59What are you doing?
00:28:04Come on.
00:28:20Wait, I thought the power was out.
00:28:23It is.
00:28:25We have our own generator.
00:28:26Wow.
00:28:27Rich people houses her.
00:28:29Just for tonight, I'll allow it.
00:28:33Allow what?
00:28:35You can call this place your house.
00:28:37So enjoy it.
00:28:38Stephen King's first edition.
00:28:39Alan Gisberg's handwritten letters.
00:28:42Jane Austen's notes.
00:28:44All yours.
00:28:47This.
00:28:49Is your home.
00:28:52Alice Keaton.
00:28:57Careful.
00:28:59Almost sounded sweet.
00:29:01Don't push it.
00:29:02Okay then.
00:29:05I have.
00:29:07One request.
00:29:11What is it?
00:29:19One request.
00:29:19Are you ever going to make a move?
00:29:21Wait.
00:29:21Give me a second.
00:29:23I'm thinking.
00:29:24You had one wish.
00:29:26Anything in the world.
00:29:28And in the middle of a thunderstorm.
00:29:30Inside a literal mansion.
00:29:32You chose chess.
00:29:34Yeah.
00:29:35Got a problem?
00:29:36It's just so cool.
00:29:37Like spies or genius villains in movies.
00:29:40It's literally a board game.
00:29:42Says the guy who owns a custom set.
00:29:45Wait.
00:29:46Does the knight go diagonally?
00:29:48The tenth time.
00:29:49It moves in an L shape.
00:29:52One.
00:29:53Two.
00:29:54Then turn.
00:29:56There.
00:29:58Happy?
00:29:58Ecstatic.
00:30:01You know.
00:30:02That's suicide.
00:30:04Or a brilliant long term sacrifice.
00:30:06You are playing checkers at a chess board.
00:30:08Still beating you in sarcasm.
00:30:09You literally haven't won any past arguments.
00:30:11Golding disagrees.
00:30:13It's going to be a long night.
00:30:15Oh my.
00:30:15No.
00:30:16Why?
00:30:16What's going on with that?
00:30:17You can't do that.
00:30:18No.
00:30:19Oh my god.
00:30:20You got a gun.
00:30:21You had to shop a trip and about it all wrong.
00:30:24Time to pull you in close as we're locked on your phone.
00:30:28All your cell work cause I'm moving on.
00:30:32Oh yeah.
00:30:33Showing up at my door.
00:30:36Holding your heart there inside your hands.
00:30:40Maybe.
00:30:41Maybe.
00:30:41He's not so awful after all.
00:30:51Um.
00:30:51Who are you?
00:30:57What are you doing here?
00:30:58Well your parents said you were still at home.
00:31:00Thank god you skipped that boring grand tour.
00:31:03Who needs Italy and France again, right?
00:31:06When did you get back?
00:31:07Last night.
00:31:08From Zurich.
00:31:09You didn't answer my messages.
00:31:12I missed you.
00:31:14Anyway, thought I'd come surprise you.
00:31:16Apparently I'm transferring to Ashford.
00:31:19Your parents were so thrilled.
00:31:21They didn't tell me about this.
00:31:22I wanted to deliver the happy news myself.
00:31:24They said it'd be lovely for us to reconnect.
00:31:28You know.
00:31:29Considering the engagement.
00:31:31And all.
00:31:32Engagement.
00:31:34Oh.
00:31:35Did no one tell you?
00:31:36He's promised.
00:31:38Old money stuff.
00:31:39Very retro.
00:31:40I didn't agree to that.
00:31:41You didn't have to.
00:31:42It's never up to us.
00:31:45Where did you find this little toy?
00:31:48Serena.
00:31:48You know.
00:31:49Oh.
00:31:51An American.
00:31:53How refreshing.
00:31:58Goodbye.
00:31:59Wait.
00:32:15Where are you going?
00:32:16You still owe me breakfast.
00:32:19You only paid for dinner.
00:32:21I had homework.
00:32:22Goodbye.
00:32:26Your little toy has quite the temper.
00:32:28Serena.
00:32:28Can you please just stop?
00:32:30What?
00:32:31Teasing the help?
00:32:38Oh!
00:32:38That's her!
00:32:39That's the one from Kenwood's house?
00:32:42Was she, like...
00:32:43the maid or something?
00:32:59oh my god what's wrong with people they're saying you live with Charles
00:33:03oh and Serena what about her apparently she told everyone you were caught
00:33:08sneaking into his room of course she did
00:33:24careful Alice you're starting to look desperate
00:33:41come to the music room urgent I just remembered I need to check something you guys go ahead
00:33:47yeah okay
00:33:54help is someone there seriously this is getting old
00:34:12wait music room what
00:34:17James is anybody in here earlier just miss Serena said she was waiting for you
00:34:24sir sir it's raining
00:34:36come on Alice you're fine you're not that girl again
00:34:48wait can you remind me one more time okay rooks move in straight lines yeah bishops move diagonally
00:34:59hello
00:35:11hello
00:35:31the text are you okay are you hurt I'm okay I saw the text and I thought I didn't see
00:35:41the message
00:35:42Serena took my phone I didn't know I'm sorry I'm okay
00:35:48you're gonna catch a cold you're freezing you didn't have to come
00:35:53don't tell me what I have to do
00:35:56give me hope that feels like hope
00:36:19that wasn't a mistake if that's what you're about to say I wasn't going to
00:36:37you're really bad at this you know what kissing hiding feelings
00:36:48don't tell me what you said tell me what you wanna
00:36:54tell me how to go
00:37:04dump those Ewok pajamas
00:37:07oh you wish
00:37:09seriously it's a cock block
00:37:13you kissed me
00:37:15that's basically consent to everything
00:37:24dangerous words Keaton I might hold you to that
00:37:36you'll be working in pairs on your comparative essays the list is on the board
00:37:42one
00:37:43one two three four
00:37:45paper planes
00:37:48are you okay
00:37:49fly me to outer space
00:37:52that's where I'll see
00:37:55your face
00:37:57and have
00:37:59you with me
00:38:09you're distracting
00:38:18you're welcome
00:38:22they're either enemies or secretly married
00:38:27honestly
00:38:27right
00:38:28i was sure i'd never find someone to make my head spin around
00:38:35no one's ever gonna be the thing i need
00:38:37they all just let me down
00:38:39but baby
00:38:40you saved me
00:38:42time been new
00:38:45everything's so different now
00:38:49so the night goes in an L shape right?
00:38:52why is that the only one you remember?
00:38:54because it's weird
00:38:56and i like weird
00:39:06check
00:39:12you're cheating
00:39:13i'm winning
00:39:14there's a difference
00:39:16you are very distracting
00:39:17and you like it
00:39:20there's a difference
00:39:25there's a difference
00:39:26there's a difference
00:39:30there's a difference
00:39:30charles
00:39:32we need to talk
00:39:40i expected
00:39:41poor judgement
00:39:42but this in my house
00:39:44it isn't what it looks like
00:39:46no
00:39:47kissing a servant's daughter
00:39:49in the family library
00:39:51enlighten me then charles
00:39:52we came back tonight
00:39:53after speaking with serena
00:39:55imagine our surprise walking in on
00:39:58this
00:39:59she isn't just
00:40:01you have no right to barge in
00:40:03on my property
00:40:07i care about her
00:40:09i'm not ashamed of that
00:40:10that's enough
00:40:13why do you care?
00:40:15we're protecting our son's future
00:40:17and our name
00:40:19you think this protects me?
00:40:21we think
00:40:22she does not belong in your world
00:40:28then maybe i don't either
00:40:31you're ready to give up everything
00:40:33for a girl you barely know
00:40:38yes
00:40:38then
00:40:39are you sure
00:40:42she's ready?
00:40:48i'm asking you
00:40:50do you think she's ready
00:40:51to lose everything
00:40:53regardless of how little
00:40:54that is
00:40:55just to be with you?
00:40:56what are you talking about?
00:40:58you left us no choice son
00:40:59you shouldn't disobey your father
00:41:04Pelton
00:41:05it's Frederick Kenwood
00:41:07ah
00:41:08Mr. Kenwood
00:41:09how can i help?
00:41:10if a scholarship student
00:41:11were to violate our behavioural code
00:41:14in a public setting
00:41:15with photographic evidence
00:41:17would that warrant a review?
00:41:20yes sir
00:41:23so
00:41:25answer me again
00:41:27do you think she's ready
00:41:28to lose everything
00:41:29just to be with you?
00:41:41Charles!
00:41:42what happened?
00:41:43did your parents say something?
00:41:44are they mad?
00:41:44is everything okay?
00:41:46pack your things
00:41:49you can't stay here anymore
00:41:51what?
00:41:53my parents fired your mother
00:41:55she's leaving
00:41:56so are you
00:41:57wait what why?
00:41:59is it because of us?
00:42:00we can fix this
00:42:01i'll get a job
00:42:02anything
00:42:02stop stop it
00:42:03you don't get it
00:42:05if i don't walk away from this
00:42:06they'll cut me off
00:42:08okay?
00:42:09no card
00:42:10no trust
00:42:11no support
00:42:13nothing
00:42:13then
00:42:15then we'll figure it out
00:42:16we don't need all that
00:42:18we can
00:42:19do you really think i'm going to live like that?
00:42:24so that's what this was?
00:42:26just
00:42:27fun until it got inconvenient
00:42:30what did they promise you?
00:42:34nothing
00:42:38they just reminded me
00:42:39of what's
00:42:40real
00:42:40no
00:42:43Charles
00:42:44i'm not stupid
00:42:46you don't just turn into a cold stranger
00:42:48because of one conversation
00:42:49what did they threaten you with?
00:42:56what did they threaten you with?
00:42:58this is the difference between me and you
00:43:00what?
00:43:01you think you know me
00:43:03or what i have
00:43:04you don't
00:43:05Alice
00:43:07you're still lying
00:43:08i'm not
00:43:08Alice
00:43:09look around you
00:43:11this mansion
00:43:12you thought was a museum
00:43:13it's
00:43:14my
00:43:15house
00:43:16my
00:43:17world
00:43:17i was bored into this
00:43:19i am not choosing
00:43:20between this
00:43:24and something i picked up
00:43:26for a moment
00:43:27of fun
00:43:30don't do this Charles
00:43:31you don't mean it
00:43:33it was fun
00:43:34but you
00:43:37you
00:43:37you don't compare to what i own
00:43:41i'll survive the loss
00:43:44right
00:43:47i should have known
00:43:50guys like you don't end up with girls like me
00:43:55you play with them then you throw them away
00:43:59go to sleep Alice
00:44:11wouldn't
00:44:12this fall is a little more than i expected
00:44:17in so deep i can barely see myself
00:44:24yeah around me feels so heavy but depleted
00:44:30But I find that's the place to test myself
00:44:42Oops
00:44:59Oh sorry, didn't see that
00:45:02Then again, nobody does
00:45:04Move please
00:45:07Try begging
00:45:14You know what, keep it
00:45:20Poor thing, so dramatic
00:45:24Don't
00:45:25Excuse me
00:45:27I warned you
00:45:28Walk away, Serena
00:45:50Last week's group assignments were mostly forgettable
00:45:54But one pair surprised me
00:45:56In a good way
00:45:58Charles Kenwood
00:45:59And Alice Keaton
00:46:01Would you mind giving us a short summary?
00:46:04If she loves the sound of her own voice
00:46:05Better have it
00:46:13Our essay explored what happens when two fundamentally different voices meet
00:46:19Like logic and chaos or silence and noise?
00:46:22Like logic and chaos or silence and noise?
00:46:24Different worlds, different rules
00:46:28At first glance, they clash
00:46:30But what makes the story interesting is what happens next
00:46:35Confusion, curiosity
00:46:36But in the end, some stories aren't about staying
00:46:40And yes, there is no such thing as a happy ending
00:46:52And yes, there is no such thing as a happy ending
00:46:56Is she still talking about the essay?
00:46:59Is she still talking about the essay?
00:47:01Is she still talking about the essay?
00:47:35Because she is there
00:47:38Is she always a good question?
00:47:55not the person. I'd really like to meet them. Oh, I'm sorry Miss Keaton. They were very
00:47:58stupid. I think it's the most generous offer we've ever given in the New York City. I see.
00:48:04Congratulations again.
00:48:09You got the interview. It's just an interview. I haven't gotten it yet.
00:48:13Still, Alice Keaton at Oxford. That's iconic.
00:48:25You okay? Yeah.
00:48:28I'm so excited!
00:48:42It's done, Mr. Kenwood. Miss Keaton signed the contract.
00:48:47Good.
00:48:48It's a generous deal. You sure you don't want it to know?
00:48:53No. No, it's better if I stay out of her life.
00:49:05Congratulations, Alice Keaton. Go live the life you were always meant to.
00:49:15Your engagement and announcement should align perfectly with the Foundation Gala.
00:49:21And the Browns already offered to host the London Reception.
00:49:25It's all coming together beautifully.
00:49:31I've lost my appetite.
00:49:36I'll go check on him.
00:49:42What's your problem, Charles?
00:49:48Disengagement is not happening.
00:49:50It's not up to you. You know that.
00:49:52Serena, we're not doing this.
00:49:55You've changed.
00:49:59Or maybe I finally just stopped pretending.
00:50:02I'll go check on him.
00:50:29Tals, you're the sponsor.
00:50:32You've been funding Alice Keaton this whole time!
00:50:37So?
00:50:38You lied to everyone, including her.
00:50:41I protected her.
00:50:44You loved her.
00:50:47Still do.
00:50:49Let it go, Serena.
00:50:52There's no point.
00:51:02I need a favour.
00:51:04Find out when the Oxford interview is.
00:51:07And make sure Alice Keaton won't show up.
00:51:14Anything? No?
00:51:16She's not answering.
00:51:18The interview's almost over.
00:51:20Well, she won't just not show up.
00:51:21Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night.
00:51:29She said she was prepping all evening.
00:51:34James, track someone for me.
00:51:38Wait, where are you going?
00:51:41No!
00:51:46No!
00:51:47No!
00:51:47No!
00:51:47No!
00:51:50No!
00:51:51No!
00:51:51No!
00:51:51No!
00:51:51No!
00:51:55No!
00:51:57No!
00:52:00No!
00:52:01No!
00:52:01No!
00:52:02No!
00:52:03No!
00:52:30I remember how a man
00:52:35Didn't need a second guess
00:52:40Hey, hey, hey, Alice, Alice
00:52:43Alice, stay with me, stay with me, stay with me, Alice
00:52:46Alice
00:52:53You're awake?
00:52:55Where, where am I?
00:52:57A local clinic, passerby brought you in
00:53:01Passerby?
00:53:02He found you on the side of the road
00:53:04He had to leave, he didn't leave a name
00:53:08Oh
00:53:10The interview, what time is it?
00:53:12Easy, it's okay
00:53:13Someone already contacted the university
00:53:16And sent in your writing samples
00:53:18They've rescheduled your interview for tomorrow
00:53:20Wait, what, who?
00:53:22No idea, but it's all taken care of
00:53:27What did you say?
00:53:28Nothing
00:53:29I just
00:53:31Had a dream
00:53:41I got him!
00:53:48Oh, I knew it
00:53:50Too bad Charles isn't here to watch you crush it
00:53:53He's not here
00:53:55Oh, you didn't know
00:53:57Know what?
00:53:59He left
00:54:00A few days ago, yeah
00:54:02Everyone doesn't really know where he went
00:54:04Honestly, Asher's been quieter without him
00:54:06It's probably for the best
00:54:08Come on
00:54:08I couldn't stay
00:54:10I couldn't wait
00:54:12I thought that you should know
00:54:15Us
00:54:18The summer I met Charles Kenwood was loud
00:54:22Chaotic
00:54:23Unexpected
00:54:27And with his absence
00:54:28Come on
00:54:30It ended quietly
00:54:34Like summers always do
00:54:48And joining us today
00:54:50The decade's most unexpected literary phenomenon
00:54:54Alice Keaton
00:54:55Thank you for having me
00:54:56Now, your words moved millions
00:54:59They say your stories feel real
00:55:02Especially the ones about love
00:55:04Thank you
00:55:05Which brings us to the most obvious question
00:55:07How's your dating life like these days?
00:55:10No comment
00:55:11A little bird told me that the past four years has been just writing and working
00:55:16Not even a single date
00:55:17Let me guess a bird named Sherry
00:55:19She caught me
00:55:20Still no comment
00:55:21Alright, alright
00:55:22No matter what you say
00:55:24You write love like someone who's lived it
00:55:28If you're so real
00:55:29Because once
00:55:30I did
00:55:31That's why today we're here sharing the story behind Alice Keaton's
00:55:36And no one ever quite matched the light after that
00:55:38And let's give it up for Alice Keaton one more time
00:55:52Congratulations Alice
00:55:53The numbers just came in
00:55:55You broke your own record
00:55:58That's incredible
00:55:59We're thinking celebration
00:56:01Press
00:56:01Photos
00:56:02Maybe tonight
00:56:03Actually
00:56:04There's something I'd rather do
00:56:08I'd like to meet with the person who believed in me first
00:56:12My sponsor
00:56:13You're sure?
00:56:14Yeah
00:56:15Just once
00:56:17Tonight
00:56:187pm
00:56:30Good evening
00:56:34Good evening
00:56:38May I sit
00:56:43Hey Mr. Noncelon
00:56:48Hi
00:56:50Hi
00:56:53You look well
00:56:56And you look like you just stepped out of a GQ cover
00:56:59You always did
00:57:02You were expecting someone else
00:57:04I was
00:57:06Hoping
00:57:08But I guess I always knew
00:57:10I didn't come here to confuse you
00:57:12Or to reopen anything
00:57:16I just wanted to say congratulations
00:57:20Oh
00:57:21Thank you
00:57:24Didn't know you're still reading
00:57:26You're rich enough not to do so
00:57:29Always
00:57:30Either way
00:57:32Your sponsorship started my career
00:57:34So
00:57:35No
00:57:35No
00:57:37You earned everything
00:57:41Every word
00:57:42Every page
00:57:45Every reader
00:57:47That's what I came to say
00:57:53It was good to see you again
00:57:54I hope
00:57:55Charles
00:57:57Can you just
00:58:00Wait a little longer
00:58:07I think I knew it was you
00:58:10There was one email
00:58:13You said something
00:58:14It felt familiar
00:58:16Really?
00:58:17Kind of had that
00:58:18Rich asshole with a conscience energy
00:58:20Very on brand
00:58:23I should have anonymized my grammar
00:58:24Too late
00:58:25Your semicolon usage gave you away
00:58:28Still the only girl I know who flirts through punctuation
00:58:31Still the only guy I know who uses wiles unironically
00:58:37You've changed
00:58:39But
00:58:41Not really
00:58:43You haven't changed
00:58:46But maybe you've grown into who you really were
00:58:51Anyway
00:58:52I wanted to say
00:58:54Thank you
00:58:56And
00:58:58Thanks for being here tonight
00:59:00You didn't have to come
00:59:02Don't tell me what I have to do
00:59:04You didn't have to come
00:59:09Don't tell me what I have to do
00:59:31If you could go back
00:59:33If you had the chance to do it all again
00:59:35Would you do anything differently?
00:59:42No
00:59:47No
00:59:52I see
00:59:56I know my answer now
00:59:57I didn't have the power back then
01:00:00Not enough to protect you
01:00:02I couldn't watch you get crushed because of me
01:00:05Because of my name
01:00:07My family
01:00:10I didn't want to be the reason you lost everything
01:00:12So you just disappeared
01:00:14Without a word
01:00:18If you had the chance to see the world
01:00:20Without me weighing you down
01:00:23If you still chose me after that
01:00:29You keep saying you wanted to give me a choice
01:00:32But you made a choice for me
01:00:36Did it ever cross your mind that maybe
01:00:41I would have chosen you anyway
01:00:48I didn't think I was the smart choice
01:00:51You weren't
01:00:54But I never claimed to be that smart
01:01:05This is me
01:01:06Right
01:01:14I'm still mad at you, you know
01:01:18I'm still in love with you, you know
01:01:28Do you want to come in for a bit?
01:01:32You're asking your ex
01:01:34Who you haven't seen in four years
01:01:37To come into your hotel
01:01:38At approximately 11pm
01:01:41You were right
01:01:43You never were that smart
01:01:45You don't have to come
01:01:46Don't tell me what I have to do
01:02:03Stop quoting yourself
01:02:04I recycle
01:02:05It saves energy
01:02:08This feels wildly irresponsible
01:02:10You sound like a disclaimer
01:02:11You're the one who once called romance a distraction
01:02:14I said that
01:02:15Yeah
01:02:15Before calling Wuthering Heights overrated
01:02:18Still is
01:02:20You're lucky you're a good kisser
01:02:25That is cute to me
01:02:27Don't you dare quote poetry
01:02:29I wasn't going to
01:02:30I forgot all of it the day you left
01:02:33Then shut up
01:02:35And prove it
01:02:41I still can't believe this is happening
01:02:43I told you
01:02:44They're either worst enemies
01:02:46Or secretly married
01:02:47And I told you
01:02:47They're both
01:02:52It's more than a night to night
01:02:55I don't know
01:03:02It's enough to let it be
01:03:15I vow to always tell you the truth
01:03:18Except for when you ask how your cooking was
01:03:20Then I lie
01:03:23Respectfully
01:03:25I vow to keep choosing you
01:03:28Loudly
01:03:30Quietly
01:03:31Always
01:03:33Even when you forget to do the laundry
01:03:37Is he actually good at this?
01:03:39I mean
01:03:40He did beat her at sarcasm
01:03:45I vow to argue with you
01:03:46At least twice a week
01:03:47Especially over shakespeare
01:03:50I vow to write you
01:03:51Into every story
01:03:53Even when I say I didn't
01:03:55You will always be part of my life
01:03:58If she quotes Austin in this toast
01:04:00I'm out
01:04:00No you're not
01:04:01You're going to cry harder
01:04:03For the rest of life
01:04:07For the rest of life
01:04:25I can't believe you picked Paris
01:04:28Such a cliche honeymoon destination
01:04:31Guard your phone
01:04:32Relax
01:04:33Just don't dress like a walking inheritance
01:04:36And you'll be fine
01:04:39You are not wearing that on our honeymoon
01:04:43Please Alice go change
01:04:45Don't tell me what I have to do
01:04:51No
01:04:52No no no no
01:04:53That is not an invitation
01:04:54Do not take off these clothes
01:04:56I have a reward
01:04:57You look much better without them
01:05:04To the ones who loved in silence
01:05:07In chaos
01:05:08In chapters
01:05:10You will find your way home
01:05:15Sometimes I want to be on my own
01:05:18But I don't want to die alone
01:05:21God
01:05:21God
01:05:22God
01:05:22God
01:05:23God
01:05:23God
01:05:23God
01:05:24God
01:05:24God
01:05:24God
01:05:25God
01:05:26God
01:05:27God
01:05:28God
01:05:32Oopsie
01:05:34My king
01:05:38Okay
01:05:39Okay
01:05:40Okay
01:05:40One day is coming now
01:05:42God
01:05:44God
01:05:45I don't want to die
01:05:46It's up to us
01:05:47To make sure that we can gain what's been passed through these books
01:05:51Help us develop
01:05:53learn and grow.
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