- 16 hours ago
Bos ili Hadžija (2026) - Epizoda 22 - Domaća serija
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TVTranscript
00:30Life is, brother, the old band, when it starts, it's all over.
00:35But you don't want to be drunk, be alive, don't want to be drunk.
00:41We're on the motor to the desk and the glass.
00:44How beautiful is all around us.
00:49It's not life, it's not something, either you're a fan or you're a boss.
00:54Sve ga će biti samo te neće nas.
01:00To je život, to je štos, ili si radčija, ili si boss,
01:06Sve ga će biti samo te neće nas.
01:09It might be a little more
01:41To your life, it's not something,
01:44or you're a host,
01:45or you're a host,
01:47or you're a host,
01:47or you're a host,
01:48or you're a host.
02:09How can we help?
02:11This is a mor from Murga,
02:14from Travnik.
02:16Could you ask me?
02:18It's his own, Murgin's son.
02:20I'm not a morgan.
02:21I'm not a morgan.
02:22You're a morgan?
02:24You know,
02:27you're a copy of the machine.
02:29I'm not a morgan.
02:31I'm not a morgan.
02:33I'm a morgan.
02:34I'm a morgan.
02:35You're a morgan.
02:36You're a morgan.
02:37No, you're a morgan.
02:38You're a morgan.
02:40Murga is a little bit of a town.
02:42I don't know.
02:44I don't have a town.
02:45I've been working.
02:46I've been working on this.
02:48I've seen an internet
02:50Murga that is recording
02:51when TV shows.
02:53Wait,
02:54is it when you have manjare
02:55and I'm going to say it?
02:56Yes.
02:57That's how you watch it?
02:58I've seen another hit
02:59from Travnik
03:01to Busevac
03:02and I've seen it.
03:03You can't be allowed, let people leave there while they have internet.
03:06No, I don't have Zaza. What are the reactions?
03:08Where are those people?
03:10A man who got married, got married, got married, and...
03:15A man who got married.
03:16I don't have a lot of people.
03:19They have a lot of people.
03:21Mlasti, I can see Murgi and the son of Sakic.
03:24I don't know who they are, but I don't know who they are.
03:26Where is the young man?
03:28Ha! SIRANE!
03:29Here's him!
03:29Here, Rođe!
03:31Where are you, Rođe?
03:33What is Rođe?
03:35Dear Sedine, where are you from?
03:38What do you want to see, Rođe?
03:39What do you want to call me, Rođe?
03:42Or you don't have internet on the planet?
03:45I don't have internet, I wouldn't have access to it, Rođe!
03:48Ah, did you see it?
03:50I want to tell you that you are the internet star.
03:53That video on TV is always a lot.
03:55And you ask me, where am I going?
03:58Where are you from?
04:00Where are you from?
04:01What do you want to call me?
04:03Dear Rođe, do you know my situation?
04:05You have to look at me as I am with you.
04:08Wait, wait, I see you.
04:10Is this the reality that you have two women?
04:13Yes, yes.
04:13Man, do you want me to call me.
04:16You're wrong, you're wrong.
04:18Dear Rođe, we are the most famous in the region.
04:21I am.
04:22I am.
04:22Man, I am not.
04:24I am a farmer.
04:25It is the age of 11,000 so they are people.
04:28What am I talking about?
04:30I am at this point of day, a woman.
04:33Who are you, Rođe?
04:34Look, I am coming at me.
04:37I am just recording something together.
04:37What is that, Rođe?
04:38I am not even sure.
04:38We don´t have two or three pajamas of Jack's,
04:41and we leave it over there.
04:44And we leave it over there.
04:45I am going to go!
04:46I'm going to go here.
04:47Listen, listen, I'm not going to do it.
04:51If I'm going to get a gun, I'll do two Udovice.
04:58I'm working on Germany.
05:00I'm going to go three months.
05:02I'm going to go, I'm going to go, I'm going to go.
05:04I'm going to go with some money.
05:06Don't pay me more.
05:08I'm going to go with Ukraine.
05:11I'm just going to ask you to find out who I'm in the biblioteca.
05:14I'm going to go and see you.
05:15Come on, don't you want me to be a woman.
05:17You have to go with me, but I'm not going to take a look.
05:19I'm going to take a look.
05:21You're the last person who should talk about what's going on.
05:24You're the last person who should talk about what's going on.
05:27If you had a problem with a woman,
05:29I just had to be a problem with a woman.
05:32I had to make it over.
05:34How was it that?
05:37I'm going to go with that.
05:41It was an ancestral heat, right?
05:43How do you do it?
05:44There's no money, I'll have a lot of money.
05:47Oh, my wife, my wife.
05:49My wife?
05:50My wife, she is from Ukraine, from war.
05:52We don't know what to say, I can't tell you.
05:55I'm not sure if she's a humanitarian organization.
05:59She's a woman who is going to help you.
06:02Tell her, what are you doing here?
06:04What's going on here?
06:05What's going on here?
06:06I don't know.
06:09I have this one, a couple of years ago,
06:11I was just paying for the last half years.
06:14No, my son, don't worry.
06:18Why am I a man?
06:20I'm a man, not a man.
06:21What does that mean?
06:24I know what you are doing.
06:26I know what you are doing with drugs.
06:30I know what you are doing with drugs.
06:31I know what you are doing with drugs.
06:33I can't do that.
06:39For my life, for the next time, I have a lot of problems.
06:55It's not a problem.
06:55I have a lot of problems.
06:56I am not a problem.
06:58But I have a lot of problems.
07:00Let me tell you what I want.
07:02I can't do that.
07:03I can't do that.
07:03I am a lot of problems.
07:06How do you think you should go to the work and leave two women home?
07:12I said to go to Germany.
07:14I don't want to do it anymore.
07:16I don't want to do it anymore.
07:17I don't want to do it anymore.
07:19When I was in trouble, I said to myself,
07:22I said to myself, I can only do it in Sarajevo.
07:24I can only do it anymore.
07:25Yes, yes.
07:28You know what?
07:29Maybe you should go to Germany.
07:32You can get the record.
07:33I have to tell you what about.
07:34That's how I'm speaking.
07:36Let me get one.
07:37Ha ha ha!
07:39Mangupino!
07:40Mangupino!
07:41Evo moje jece!
07:44Jelena, ya just a little bit before might have to ask us to go to the kitchen.
07:50Hello.
07:51How are you?
07:51Not the need to do it.
07:53I didn't know that four was just in my house.
07:57Thank you for this.
07:58You won't want us to talk about this?
08:00I don't want to listen to you!
08:03I'm sure you know what you're talking about.
08:05Oh, Elena, let's go.
08:07Fuck it, I'm not going to get you.
08:08No, no, no, no.
08:10I'm talking about your experiences with your two women.
08:13And Murga is looking for a experience with your one woman.
08:18You can't see me, I'm going to see you on the TV.
08:22I'm going to see you on the TV.
08:23I'm going to see you on the TV.
08:25I'm going to see you on the TV.
08:27I'm going to see you on the TV.
08:32I'm not one of those people who were born in the TV.
08:37I'm going to see you on the TV.
08:40You have been watching your own stories and the same podcast.
08:42I'm going to watch you.
08:43Oh, I'm going to see you on the TV.
08:44I'm going to watch you on the TV.
08:48I passionately, I'm going to see you on the TV.
08:52Not that you can see you on the TV.
08:52Yeah, it's a fun day to me here.
08:54It's hard to see you on the TV.
08:56It's hard to tell you on the TV.
08:59I was hoping you saw this.
09:01I will say that you're a kid.
09:02I'm glad you're doing it.
09:05I'm glad you're doing it.
09:05We've got family here.
09:08We need two cars to do it.
09:10Who are you?
09:13I'm two sisters.
09:15My mother went to farm
09:18from our village.
09:20I'm glad you're up.
09:24We also got him to come.
09:26We went to school together.
09:27We did it.
09:28You have a lot of people here, eat it, I'll eat it here.
09:32I'm really excited to buy it.
09:35Thank you, my brother, don't get rid of it.
09:39I think that you have a lot of people who are born.
09:41I don't know how to do it, but it's not easy to get two women.
09:44I don't know how to do it.
09:46I don't know how to do it.
09:46Why are you hungry?
09:50I'm hungry.
09:51I'm hungry.
09:53What?
09:54I have a lot of people.
09:55I don't care about it.
09:57I don't understand it.
09:59I don't know.
10:01I don't care about it.
10:03I don't care about it.
10:04I'm a birokratist.
10:06I'm a lot of people who love to live.
10:11I don't care about it.
10:12I don't care about it.
10:14I'm just a little bit of a woman.
10:18She's a woman who is a private woman.
10:21She's not.
10:22I'm hungry.
10:25It isů
10:25a boss I'll pick up it.
10:27The problem is what I want to do with a skill base.
10:32Come on, love.
10:37It's not.
10:39She wives, couple contracts.
10:41You're quite not?
10:42I won't know.
10:44I will tell you very soon as you see them.
10:51What are you doing?
10:54What are you doing?
10:54Who is this year?
10:55I pray.
10:56Who is this year?
10:58How are you doing?
11:00What?
11:01You can't ask for years.
11:04I'm just one year old.
11:06I know you're about 35-6 years old.
11:12But you're not going to be with them.
11:14You're not going to be with them.
11:15I'm actually going to be with you.
11:17You're not going to be with them.
11:19I'm just going to be with you.
11:21We're going to be with you.
11:23See you later.
11:26Everything is changed until then.
11:30We're coming back.
11:31We've got to be with you.
11:31We need to be with you.
11:33I'll be with you.
11:35Come on.
11:37A woman is playing while she's young.
11:40She's ever going when she's young.
11:42No one will go to the house, oh no, oh no, do you want to go to the house?
11:44No, no, no, no, no, no, no, no, no, pussi go, neka kaže,
11:46svoje mislednje bi voljela da si ti malo povukao ta agenda
11:49i ti nekad kaže šta misliš, ajde.
11:51Ne mojesti ništa vrida, no, nema ništa proti tebe.
11:53Ti kao, ne, malo si okasnilo.
11:56Bože, sačula.
11:57Ja znam da si ti ušo mi odrasto, ja znam da ti nemaš tih manira,
12:02ali Arane, možeš li nekad bar da šutiš?
12:05No ja sam kajam na kukako jest.
12:07But it's not like that.
12:09It's not.
12:10Because women can lead a successful career and marriage.
12:14It's not just a machine for work.
12:17What is women's career?
12:19What is women's job?
12:20What is women's job?
12:21What is women's job?
12:23Women and women have the same rights.
12:25Today, women have the same rights.
12:26What is it?
12:30No, no, no, no.
12:31In the village village, they're so cute.
12:33I'm sorry.
12:34I'm sorry.
12:36I'm sorry.
12:37You don't have anything to say.
12:38I really don't have anything to say.
12:40You don't want me to be together with this Neanderthal.
12:44He's my family, but I don't have to take care of it.
12:48You know what I'm saying?
12:50I'm saying that every man is the same.
12:52It's the same.
12:53It's the same.
12:54It's the same.
12:55I know what I want from the man.
12:57I've got everything I want.
13:00It's the same.
13:04It's the same.
13:05You got everything.
13:06No, no, I'm not sure, I don't know, I'm never learning to do it.
13:10But that's why he's stuck in the kitchen.
13:12I'm going to put it to the end of the kitchen.
13:14I'm going to go to the house in Germany.
13:16But I'm going to do a good question.
13:20I'm going to do a good question.
13:21I'm going to ask him to ask him to ask him to ask him.
13:24It's been very nice that we've been here.
13:27Now I have to go.
13:28Let me stop.
13:29I don't know what to say.
13:30I'm going to be wrong.
13:31You're a little upset?
13:33Yes.
13:33I don't think I'm going to be wrong.
13:34No, no, no, no.
13:35I don't think that I should be afraid of it.
13:38No, you're not jad or krivi.
13:40You're just the victim of the patriarchal,
13:42the primitive patriarchal,
13:44talk a little bit about it.
13:46His wife will be very grateful.
13:50Thank you for the true truth.
13:53I pray.
13:54Do you want me to go to the council?
13:56No.
13:57No, I won't.
14:03You shatly.
14:05I didn't say anything.
14:06I didn't say anything.
14:07I needed to.
14:08Yes, I'm sorry.
14:09I don't have the chance to get it.
14:12No, no, no.
14:13It's enough to say.
14:14Whatever you say, it's enough to say.
14:17My father, you know what I can do?
14:20I'm going to kill you.
14:23I'll kill you, and I'll kill you.
14:24I can't wait for you.
14:26I can't wait for you.
14:27Yes.
14:28After that, you would have to wait for three people,
14:32you would have to wait for something sweet.
14:34And where are you going?
14:36I'm going to pay for you.
14:38I'm going to pay for two women.
14:39I'm not paying for a woman.
14:42I'm paying for one woman.
14:43I'm paying for one woman.
14:44I'm going to go.
14:47I'm going to go for a while.
14:50I'm going to hurt you.
14:51Please.
14:52Sit down.
14:53I'm going to go for a while.
14:54You can change your mind.
14:56What will I do to do to my Sarajevo?
15:00You are the most famous.
15:02The skeletons and the drawers.
15:04Take the toilet.
15:08Take the toilet.
15:10I'm a little appetite.
15:12I'm going.
15:13Take it.
15:15Take it.
15:17Take it.
15:19Take it.
15:20Take it.
15:21Take it.
15:22Oh, my mother.
15:25Who will you clean your heart?
15:38You are the best.
15:40That's a great job.
15:49Take it.
15:51Take it.
15:51Hey, my mother.
15:51You're the best friend.
15:51You're the best friend to me in the case.
15:55Bye.
15:56Good.
15:56I'm a little bit, but I'm a little bit.
15:58No, I'm sorry. I'm lost. I don't know why. I've never had this before.
16:05I've given you my USB stick.
16:09Can I ask you a picture of my yoga studio?
16:16Do you know those things that leave people on the street?
16:21No, I don't know. I've been working for a day for a revolution.
16:24That's great. You can tell me.
16:27Yes, of course.
16:29Here we go.
16:33A moment.
16:41Yes.
16:44Yes.
16:48Yes.
16:49Yes.
16:49Yes.
16:51Yes.
16:52I don't think you're wrong. They're not something like this.
16:58How do you think? I've worked in a professional studio.
17:03I can't imagine. You know, it's kind of sterile.
17:10Profesionalists nowadays work for money. It's capitalistic.
17:13The money is destroyed. I think it's better to start amateur.
17:19Amateurs work from heart, soul, and the energy of the product.
17:26What do you suggest?
17:29You can do a new set of photographs with an amateur.
17:37I think you're the amateur.
17:41Yes, I'm the amateur. I don't know.
17:43I don't know. If we don't need anything new,
17:48would you like to invite you to a new client?
17:54It was my goal to invite you to invite you to a new client.
18:11And when you feel the pride in the product,
18:14you've noticed me.
18:17Then you're the new client.
18:20No, you don't want to do anything.
18:21Now we're going to get to the room.
18:22We're going to make a photo session.
18:27And then you're ready for a photo session.
18:30What do you need to do?
18:32Now I'm going to ask you a little bit.
18:34Hello, Gidjo.
18:36Hello, dear Amela.
18:39I'm good.
18:41Good morning. I'm Gidja.
18:44I'm good.
18:46I'm good.
18:47I'm good.
18:48I know you from TV.
18:50You're doing yoga.
18:52Yes.
18:53I'm good.
18:54I'm good.
18:55I'm good.
18:56I'm good.
18:56I'm good.
18:58I'm good.
18:59I want to try it.
19:04Amela, the set is ready.
19:06Are you ready?
19:15Opa.
19:20Do you know what I remember?
19:24I don't know.
19:26Is Mr. Gidja on this place?
19:29I understand.
19:30You said you wanted to try yoga.
19:33Can I show you a couple of things?
19:36I'll show you a couple of things.
19:36I'll show you a photo session for the catalog.
19:39I don't know if I knew it.
19:42You don't care.
19:44He's amazing.
19:46I know him when he was a child.
19:48He knows him when he was a child.
19:51He's so nervous.
19:53He's so nervous.
19:54I'm good.
19:56I'm good.
19:59I'm good.
19:59I'm good.
20:01I'll show you a little bit.
20:02I'll show you a little bit.
20:03I'll show you a little bit.
20:04Don't be careful.
20:05That outfit is ideal.
20:06Casual.
20:09Now I'll show you a little bit.
20:11Okay.
20:15Wait, wait, wait.
20:16I'm so nice.
20:19What do you want, my mother?
20:21I'm just getting out of here.
20:24Stay here.
20:27I'm standing here.
20:29That's what it takes.
20:31Good.
20:33Do it.
20:36Did for a break.
20:40Let's go.
20:45Drinking.
20:46I was with a other side.
20:49Okay.
20:51Let's give me one thing.
20:53What do you think?
20:54Put the drop.
20:58So.
20:59Yes, that's right.
21:01Let's breathe.
21:03The fingers are up.
21:04Yes, that's right.
21:13The wolf is up.
21:15The wolf is up.
21:15Yes, the wolf is up.
21:17Up, up, up.
21:23Now the bridge.
21:25The bridge.
21:27I can't see it.
21:28The bridge.
21:28Where is it?
21:32Yes, that's right.
21:34Don't show me the bridge.
21:36This is the bridge.
21:38Yes, that's right.
21:38Look at this.
21:48What's this, dear?
21:49What's this, dear?
21:55What's this, dear?
21:58What's this?
21:59I don't know.
22:01One, one.
22:03Yoga is a real world.
22:07A real world.
22:08It's a real world.
22:09No problem.
22:12Yoga is a real world.
22:14I don't know.
22:23I don't know.
22:25I don't know.
22:27I don't know.
22:31My son.
22:31No way is a real world.
22:35I don't know.
22:38I don't know.
22:38I don't know.
22:39Yes, my son.
22:40Yes.
22:42I'm looking for you.
22:44My son.
22:46I don't know.
22:47It's not my job, it's not my job, it's not my job.
22:49She's going to kill you.
22:51Oh my god, she's going to kill me.
22:54How will she kill me?
22:56She's going to kill me.
22:58She's going to kill me.
23:00She's going to kill me and she's going to kill me.
23:03She's going to pay for it.
23:07She's going to pay for it.
23:07I'm sorry.
23:11Can you help us a little bit if we have a male population?
23:14I'm sorry.
23:17I'm sorry.
23:17I'm sorry.
23:17I'm sorry for my studio.
23:21That's not just for women's job.
23:24Here you go.
23:26Don't look too hard.
23:28I'm a good trainer for you.
23:30I'm going to be a good friend.
23:32I don't want to kill me.
23:35I'm going to kill you.
23:36There you go.
23:39Here I have to.
23:41You have to go.
23:42I'm going to kill you.
23:43I'm going to kill you.
23:46I'm going to kill you.
23:48Do we have to go?
23:51We can't do it.
23:52We will do it.
23:53We are from original idea.
23:59I'm going to kill you.
24:01Like you.
24:02I'm not going to kill you.
24:04I'm not going to kill you.
24:04I'm going to kill you.
24:08I'm not going to kill you.
24:09That's a project.
24:09What's it going to do?
24:10Just let me die.
24:12Let me know.
24:12Pulling you?
24:13Like a trigger.
24:15Good, come on.
24:17That's it.
24:19That's it.
24:21That's it.
24:25That's it.
24:26I have to buy all these negative genes.
24:31Look at that, Buras.
24:33Is it his machine and two women and children,
24:37or his own and his freedom, Buras?
24:39I don't know, but it's a difficult question.
24:43I'm right.
24:44Okay, I'm going to go with my wife.
24:48I'm going to go with my wife.
24:49I'm a bridge.
24:51What's the bridge?
24:52Down here.
24:53Here we go.
24:56Good bridge.
25:01What are you doing now?
25:02Go up.
25:04Go up.
25:05Wait.
25:08It's okay.
25:10Guys, can you see me a little bit of a picture?
25:13I'm going to go with my friends.
25:15Okay.
25:16We're ready for three minutes.
25:18Let's go.
25:33What's up?
25:34What's up?
25:35What are you doing?
25:36What's up?
25:37What's up?
25:38What's up?
25:38What's up.
25:39What's up?
25:42What's up here?
25:43What's up there?
25:44I'm shaking.
25:44What's up?
25:47Oh man.
25:48I'm flying Theresa.
25:49Ah, what does that mean?
25:52You don't have to be afraid.
25:54She didn't see me in the middle of the middle.
25:57She was not looking for me.
25:59She was like a Turkish grave, a man.
26:01I wrote a song for her.
26:03I wrote a song for her.
26:05And now, after so many years,
26:07she appeared in a crazy way.
26:09She came from her head.
26:13That's how she is.
26:14She likes a little bit.
26:16She likes to eat.
26:16She likes to eat.
26:18She likes to eat.
26:20She likes to eat.
26:21All of them are the same.
26:24When I go back to the film,
26:28you know what's her story?
26:29She got it.
26:30She got it.
26:32She got it.
26:32She got it.
26:34Why did she fly to her?
26:37Why did she leave?
26:38Why did she leave?
26:39Why did she leave?
26:41I don't have to ask her.
26:44She got it.
26:45I asked her,
26:46I asked her.
26:48She asked her,
26:49I asked her,
26:50I asked her.
27:01People, listen to TV.
27:03Now is the episode of the morning program.
27:06What is the episode of Gigi? It's always tomorrow.
27:08Yes, yes, but we were alive in the morning.
27:12Who are you?
27:14We, Yoga Academy, Amela Sedinia.
27:18What's up?
27:19Look, look, look.
27:20What's your life?
27:22Look at this.
27:23And my friends, from Amatera to TV for only 5 days.
27:29Yes, but you can see that he's an old yoga master.
27:33Okay, so this is a bit wider and a bit longer.
27:35Yes, now I'm going to get you out of shorts.
27:39No, I don't think so.
27:40Yes, God.
27:43Come on.
27:43Yes, I'm going to get you out of the gym.
27:50I'm going to get you out of the gym so you can do it in the gym.
27:52Now you can see why two of them can live together.
27:58Yes, I'm going to get you out of the gym.
28:02What?
28:04What?
28:08What?
28:10You're going to get me out of the gym.
28:13You leave me.
28:15I keep building up.
28:26My God!
28:36It's time to be done!
28:39What's going on in the back?
28:40What's going on in the back?
28:42What's going on in the back?
28:43Wait, what's going on in the back?
28:46I'm calling me in realty 5k € a month.
28:51I'll have to check it out, I'll buy a car and buy a car to me.
28:53I'll give you a card to you.
28:56I'm happy to buy you a card, but in one place.
28:59Hey, friends, I'm good to meet you.
29:02I've been listening to you in the morning,
29:03I'm calling you in the morning.
29:06You don't have anything to do with me.
29:08You have my voice.
29:10We'll finish them if you need.
29:12You don't have the third one.
29:14If you have the third one.
29:16Come on, come on.
29:17Come on, come on, come on.
29:20Come on, come on, come on, come on.
29:21Great way!
29:51Here we are.
29:51Want to.
30:03Be a gift for me.
30:19Come on, come on, come on.
30:22La la la la la la la la la la la la la la la la la la
30:32Sve opcije leže na stolu, snaži se, znaš parolu
30:38Parola je poznata oko, ciljaj visoko, udviš listoko
30:43Pali motor do taske gaz, velike sjajne svuda oko nas
30:52To je život, to nije štos, ili si hađija ili si boss
30:57Svega će biti samo neće nas
31:02To je život, to nije štos, ili si hađija ili si boss
31:08Svega će biti samo neće nas
31:11To je život, to nije štos, ili si hađija ili si boss
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