- 4 hours ago
Bos ili Hadžija (2026) - Epizoda 22 - Domaća serija
Category
📺
TVTranscript
00:07You
00:30Life is, brother, the old band, when it starts, it's all over.
00:35But you don't want to be drunk, be alive, don't want to be drunk.
00:41We're on the motor to the desk and the glass.
00:44How beautiful is all around us.
00:49It's not life, it's not something, either you're a fan or you're a boss.
00:54It's not life, you're a fan or you're a fan of your life or you're a fan of your house.
01:21Come on let's give two days
01:25Black music
01:26The music is still all Star references
01:29Black music is still all.
01:33Black music is still all the way down
01:35Black music is also all theenciares
01:37Black music are turned all over
01:37Black music is just an accent of art
01:38Black music is still all the way down
01:38Black music in that sense
01:41To your life, it's not something, or you're a host, or you're a boss,
01:47now it will only be written.
02:09How can we help you?
02:11This is a mural from Murga, from Travnika.
02:16Could you ask me?
02:18He's sitting, I'm Murgin.
02:20I'm not a mural.
02:21I've got a job.
02:23A job?
02:24Do you know how to copy a machine?
02:29No, I'm not a man.
02:31That's why I'm in the building.
02:33I'm going to go to the building.
02:35Bro, ljudno, bro.
02:37No, you're not a man.
02:40Murga is a little bit weak for the building.
02:43I'm not a building, I'm already doing it.
02:46I know what I've heard.
02:48I've seen the internet on Murga,
02:51when she was shooting TV.
02:53Wait, is it when you have a manjara?
02:56Yes, yes.
02:57That's what you're watching.
02:58I'm going to show you some hits from Travnika
03:01to Busovače.
03:02That's why I'm not a student.
03:03You'll have to leave the internet.
03:05No, you're not a manjara.
03:06Yeah.
03:07How are they?
03:08Where are people?
03:10Who's here?
03:11Who's here?
03:11Who's here?
03:12Who's here?
03:14Who's here?
03:15Who's here?
03:15Who's here?
03:15No, there's a lot of people.
03:18No, no, no.
03:19You're not a manjara.
03:20We're still a manjara.
03:24No.
03:24No, no.
03:26No, no, no.
03:28Here you go! Here you go, Rođo!
03:32What is Rođo?
03:35Dear Sedine, where are you from?
03:38Where are you from, Rođo?
03:39What's the name of that video?
03:42Or you don't have internet on the planet?
03:45I don't have internet, I wouldn't have it, Rođo!
03:48Ah, you got it!
03:50I want to tell you that you are the internet star.
03:53That video on TV is always full.
03:55Where are you from?
03:56Where are you from?
03:58Where are you from?
03:59Where are you from?
04:01What will you do here?
04:03Dear Rođo, you know my situation.
04:05You have to look at me as I am with you.
04:08Wait, wait, I see you are familiar with me.
04:10Are you from the reality that you have two women?
04:13Yes, yes.
04:13Man, let me, let me, let me, let me, let me, let me, let me, let me.
04:18Dear Rođo, we are the most famous in the region.
04:21I am.
04:22I am.
04:23Oh, I am.
04:23I am the city of the world who is the world.
04:28What is it?
04:29What is it, Rođo?
04:30I saw that I am coming right here.
04:32We are doing something together.
04:34I am not even the wrong Rođo.
04:38We could take two or three little jacks and get out of it.
04:42And we will get out of it.
04:43I have some funny stuff here.
04:47Listen, listen.
04:51If I'm going to get hurt, I'll do two Udovice.
04:58I'm working on German.
05:00I'm going to go for three months.
05:02I'm going to go, I'm going to go, I'm going to go.
05:04I'm going to go with some money.
05:06Don't pay me more.
05:09I've been back to Ukraine.
05:11I'm just going to ask you,
05:12I'll ask you,
05:13I'm just going to go.
05:14You have to go.
05:15You have to go.
05:16You have to go.
05:17You have to go.
05:19All those people who were going to talk about marriage,
05:24you're the third person.
05:26Yes, if you have one problem with the wife,
05:29I guess I have a problem with the wife.
05:31I think I've got it all.
05:34How did you do it to me?
05:35When did you die, you got the chair.
05:36Yes, yes, yes.
05:38How do you know that?
05:41It was a family story.
05:43Oh, how do I do this.
05:45If not, I don't need to sue my lord.
05:47Help me help me.
05:47Help me help me.
05:50Help me help me help me.
05:51Help me help me.
05:54They help me the mayor.
05:59Help me help me.
06:02Help me help me,
06:02help me help me.
06:03What is the job?
06:06No job.
06:07How do you have?
06:08I have no job. I have this one.
06:10I have this job for the last half years.
06:12I only have the support.
06:14No, no, no.
06:16I don't like it.
06:18Why me, Maslar?
06:20I'm a man, I'm a man.
06:21What should I do?
06:23I know what you're doing.
06:26I know...
06:28...to do drugs.
06:30I know...
06:31...the drugs in the spring.
06:33Thank you to God.
06:33It's all of us singing.
06:37I am not my parents.
06:44I am a man.
06:45I won't remember you in the world.
06:47I've got a lot of drugs.
06:48You don't have this job.
06:52I have many problems.
06:55I am a lot of problems.
06:56I don't have time for you.
07:00I am not now.
07:02Excuse me, if I could, for a stupid question.
07:06How do you think you should go to work here,
07:09and leave two women home?
07:12I said to go to Germany.
07:14Go!
07:14No more!
07:16No more!
07:17When we fall,
07:20he said to me,
07:21he said to me,
07:22he said to me,
07:22he said to me,
07:24yes, I can't.
07:25Yes, yes.
07:28You know, by the people of the country
07:29or what you want to do?
07:29Mr. Kavanaugh,
07:30maybe you should go for the Germans?
07:33Yes, yes, I can't.
07:36Now let me too!
07:37No, no, no, no, no.
07:42I'll ask you,
07:42the little girl,
07:45I can't wait because I'm going to go home to food.
07:49Later, I will tell a minute,
07:52I don't know that it's four of us.
07:57Thank you for this.
07:58I don't want you to talk about it.
08:01Let's go.
08:03God knows what you said.
08:06Let's go.
08:08No, no, no.
08:09Sit here and talk about your experiences with your two women.
08:13And he's going to see how he's waiting for you with one woman.
08:17You're going to see me as soon as I saw you on TV.
08:22Yes, I'm a woman.
08:27We're family.
08:29We're going to see you in the village.
08:30You're going to see you in the village.
08:34You're going to see you in the village.
08:37We're going to watch a story about you and your favorite women.
08:42Tell me who is better.
08:43Let's go.
08:44Let's go.
08:45I'm got some.
08:46I'm going to watch this one.
08:48Perhaps, maybe I'm a little Ukrainian guy.
08:52You know, I didn't know what something would be doing.
08:55And you all do.
08:56Just when we watched this podcast, we didn't get a sense of what was going to do.
09:01I'm not a man and you're gonna know, and you're kids.
09:02But you're right, we're all six women who are the giant women who have to be alive.
09:08You've got money, we're going to have two families.
09:10And you're right, who are you, kids?
09:11Do you know that?
09:12Yes.
09:13Two sisters and children.
09:15The mother came to her farm from our village.
09:20The first place.
09:22And she said, where did you find her?
09:24We went to the middle school together.
09:27What a nice thing to do.
09:29Let's eat this here.
09:31There is a big portion for all of us.
09:34I knew I would buy one more.
09:35Thank you, my brother.
09:37I don't get out of my mouth.
09:39I don't believe that I'm going to die, but I'm going to die.
09:41I don't care about that.
09:42It's not easy to die.
09:44It's not easy to die.
09:45It's a man who's going to die.
09:47Why are you hungry?
09:49I don't like that.
09:51I don't like that.
09:53What?
09:54I have a lot of people.
09:56I don't understand.
09:58I don't know.
10:01I don't know.
10:01I don't like that.
10:03I don't like that.
10:04I'm a bureaucratist.
10:06I don't like that.
10:07But I don't like that.
10:11I mean, I don't like that.
10:12I don't like that.
10:13I don't know anything about that.
10:14I can only do it with me.
10:16I don't know that I have a girl.
10:19A baby.
10:20She is an old woman.
10:21Her son is not.
10:23She is not a baby.
10:24Yeah.
10:26I'm a baby.
10:27I don't like that.
10:27Yes.
10:28She's quite a slave.
10:30You're just a slave.
10:31Yes, love.
10:37I don't know if you are together.
10:41I didn't tell you that you were a woman.
10:42I didn't know that.
10:44I don't know.
10:45Not yet, but soon.
10:51What is going on?
10:54Who is this year?
10:55I pray.
10:56Who is this?
10:57How do you say that?
11:00How do you say that?
11:01You can't ask for years.
11:04I know that you are about 35-36.
11:12And if you are a man, you are a man.
11:15God.
11:16God.
11:17God.
11:20God.
11:21God.
11:21God.
11:26God.
11:31Good.
11:37God.
11:38She's working until she's young.
11:40She's a woman when she's got it.
11:42Please, O'Han, please leave me.
11:44No, no, please.
11:45Let me tell you something.
11:47I'd love to tell you something.
11:49You tell me what you think.
11:50I don't want to blame you.
11:52You don't have to blame me.
11:53I've heard you.
11:57I know you've been out of the age.
12:00I know you don't have to be able to tell you.
12:02But, Arane, can you tell me?
12:05I'm telling you, just like it is.
12:07But it's not like it.
12:09No, because a woman can handle a successful career,
12:13and a marriage.
12:14She's not created to be a machine for a job.
12:17What a woman career.
12:19What is the woman's job?
12:20What is the woman's job?
12:21We are together.
12:23Women and women have the same rights.
12:25We are in the family.
12:29What is the problem?
12:31We are in the village for these people.
12:33You are not the same.
12:36I'm sorry.
12:37You don't have anything to say.
12:39You really don't have anything to say.
12:40You won't have anything to say.
12:41You won't have to be married with me.
12:44You are my family.
12:46But I'm not the same.
12:48You are not the same.
13:02I'm not the same.
13:06I'm not the same.
13:13I'm the only one to be married with me.
13:17I'm not the same.
13:20But you don't have anything to say.
13:24I am very happy that we have known ourselves, but now I have to do it.
13:28What do you think about this?
13:29I don't think about this.
13:31I don't think about this.
13:35I don't think about this.
13:37I don't think about this.
13:38You are just the victim of the patriarchal, the primitive patriarchal.
13:44Talk about it.
13:46His wife will be very grateful.
13:49Yes, I will.
13:51Thank you for the true truth.
13:53Jelena.
13:54I can't get to the court.
13:56I can't.
13:57I can't.
14:03Did you have something to say?
14:06I didn't say anything.
14:07I didn't think about it.
14:08I don't think about it.
14:11I don't think about it.
14:12I mean, the fact that the court is not fair to say.
14:17What can I say?
14:20I can't.
14:22I can't bore you, but you can't.
14:24I can't do it.
14:26It's what I can say there is.
14:27I can't do it.
14:28It's a hit.
14:28You can't do it?
14:38Yes.
14:38But we do not believe that women are dead.
14:39Not because women are dead.
14:42We believe that a queen is dead.
14:44I am a woman who is dead.
14:46I am fine to go.
14:48I will be eating a little while I am tired.
14:51God.
14:52Sit here, come to the world.
14:54I will change a little bit.
14:56What?
14:56I will be blessed to be a friend of my Sarajevo.
15:00You are my most famous.
15:01You are the most famous skeletons and them.
15:04Take a picture of me.
15:08No, thank you. It's an appetite for me.
15:13Let's go.
15:14Let's go, let's go.
15:17Take the time.
15:19We'll see.
15:20Let's go.
15:23Oh, my mother...
15:25How will you clean your heart?
15:4169, that's...
15:42Pa, da.
15:4569, that's...
15:49Здravo.
15:50Здravo, izvolite, kako vas možemo pozvati na piće?
15:52Omo, kako vam možemo pomoć?
15:55Amela.
15:56Drago mi, ja sam Amela.
15:57To' bio komplik...
15:59Faruk, fuck, he, извinte. Ja potpuno sam pogubljen
16:01i ne znam zašto nikam se o nije prideslo.
16:05Donijela sam mu USB-stik.
16:08Zvinte, da li mi možete molim vas ubaciti slike u letke za moj studio Yoge?
16:16Znate one letke koje se ostave na vidnom mjestu ili ih dijele ljudi na ulici, da?
16:21Znam, znam, kako ne znam, evo, baš sam radio neki dan letke za jednu revoluciju.
16:25Super, pa onda mi možete to izvesti.
16:28Može, može, naravno, sad ćemo to ispraviti.
16:31Mislim, ovaj...
16:32Eto ga.
16:34Moment.
16:44Aha.
16:48Aha.
16:49Aha.
16:51Aha.
17:03A...
17:04I would like to say that it is a bit sterile.
17:09Today, professionalism is working for money.
17:12It's just capitalistic.
17:13It's just that money.
17:17I think it's better to start to be amateur.
17:20They work with the heart, with the soul,
17:23with the energy of the product.
17:26What do you suggest?
17:28I don't know.
17:29We can create a new set of photos with an amateur.
17:37I would like to say that you are the amateur.
17:41Yes, I am the amateur.
17:43I don't understand that.
17:45If we don't need anything,
17:48would it be your interest to bring you a new client?
17:53I would like to say that you are not going to do it.
17:55I would like to say that you are the first time.
18:00I am not going to do it.
18:01I am the same.
18:02These photos are very sterile.
18:04I would like to see that I would never begin to do it.
18:08I would like to say that I would not like this.
18:11I would like to say that I would not like this.
18:12But if you feel the stress of the product between them,
18:16you will be able to attract the new client.
18:20You will not like this.
18:21Now we will be able to do it.
18:22We will be able to do it.
18:24We will be able to do it.
18:27And we will be able to do it.
18:30Okay, what do I need to do?
18:32Here we go.
18:33Here we go.
18:34Hello, Džidžo.
18:36Oh my dear Amela, you are you?
18:40I am.
18:41Good morning.
18:43I am Džidža.
18:44Do you know it?
18:45We are even out of the way.
18:46No, no.
18:47We know it on TV.
18:50I am a yoga.
18:52Yes.
18:53No.
18:55One.
18:55One.
18:57One.
18:57One.
19:00That's why I would like it to be.
19:02Good morning, my dear.
19:04Amela, the set is ready.
19:15Opa!
19:20Do you know what I'm missing now?
19:24I don't know, is Mr. Djeidja going to do this?
19:29I understand.
19:30You said that you wanted to try yoga.
19:33We can show you a couple of things,
19:36and we can take a photo of it for the catalog.
19:39I don't know if I knew it.
19:42Don't be afraid of him.
19:44He's amazing.
19:46I know him when he was a child.
19:48He's just known him when he was a kid.
19:51He was so nervous that he was a big fan.
19:54I'm going to talk about him.
19:56I'm going to talk about you.
19:58Okay, thank you.
20:00My dear, I'm going to take a photo of it.
20:02I'm going to take a photo of it.
20:03You don't need anything.
20:05Don't be afraid.
20:05That outfit is ideal.
20:07Casual.
20:09I'm going to take a photo of it.
20:11I'm going to take a photo of it.
20:15Wait, wait for me to see the hair so nice.
20:19What do I want?
20:21I'm just getting ready.
20:24Here, stand there.
20:27Here, stand there.
20:27Here, I'm standing.
20:29Let's take a photo of it.
20:32Here, stand there.
20:33Ah, good.
20:34Good.
20:36Let's take a photo of it.
20:41That's it.
20:43Here, I got it.
20:45Here, I got it.
20:45On the other side.
20:46And on the other side.
20:49Good.
20:51Let's take a photo of it.
20:53What do you think?
20:54Let's take a photo of it.
20:55A.
20:58That.
20:59Mhm.
21:00Mhm.
21:00Mhm.
21:00Oruče.
21:01Dišite.
21:03Kukove gore.
21:05Tako, tako.
21:07Kukove gore.
21:09Njero.
21:10Ja.
21:11Ja.
21:13Krava, pas.
21:15Krava.
21:15Tako, pas.
21:16Aha.
21:17Ja.
21:17Gore, još gore.
21:18Gore, gore.
21:19Aha.
21:20Aha.
21:21Aha.
21:22Aha.
21:23Haa.
21:24Hajmo sad most.
21:25I can't see the bridge.
21:28I can't see it.
21:28Where is it?
21:33That's it.
21:34Don't show me the bridge.
21:39That's it.
21:42That's it.
21:43Look at me.
21:44Look at that.
21:45Look at that.
21:48What's this, dear?
21:49Fuck it, old and old.
21:50Fuck it, dear? What's this happening?
21:53We have a great catalog for yoga.
21:55Come on.
21:56What's this?
21:58What's this?
21:59I don't know.
22:02Yoga is an essential part.
22:07It's an essential part.
22:09It's an essential part.
22:11It's not a problem.
22:12If someone asks me,
22:14I'm going to do yoga,
22:15I'm going to do yoga.
22:17What do you want to say?
22:19It's not a bit of a language.
22:20You have to speak?
22:22It's good to see it.
22:24You want to know what it is?
22:26Go to the church.
22:27You run for two women.
22:30Do not know how to do yoga.
22:35Scraps the man, Maco Bože, smarps!
22:37Ma i ti mene, Rođ, znaš, ma malo si napet s onom, s onom svojom, djeti ja kažem nešto.
22:41E! Ako je ti, ne uzijaš još ona će tebe, eto da znaš.
22:45E! Evala sam ja to gledao, nisu to meni čista posla, nije to u ljubavi.
22:49Ovo će ona tebe da oguli, Rođa.
22:51O, budale, majko! Ona mene da oguli!
22:54Pa kako će ona mene ogulit?
22:56Ima ženska šest puta više para od mene.
23:00Ima svoju advokatsku kancelariju.
23:02and she's allowed me to do it, and she's allowed me to do it,
23:05and she's allowed us to do it, and that I don't have anything to do it.
23:10I'm sorry, guys, can you help us a little bit if we have a male population?
23:14A couple of people from yoga?
23:16No, I'm sorry, I don't have to do it with yoga.
23:19I'm sorry for my studio yoga.
23:21I don't know that yoga is only for women.
23:24I'm sorry, I'm sorry.
23:26I'm sorry, I'm sorry.
23:28I'm a good trainer for you.
23:30I'm sorry, I'm sorry.
23:32I'm sorry, I'm sorry.
23:35I'm sorry, I'm sorry.
23:38That's it, right?
23:41I don't have to do it, I don't have to do it.
23:43I don't have to do it.
23:44I don't have to do it, I don't have to do it.
23:48I'm sorry, we can't put our hands together?
23:51No, I don't have to do it.
23:53We're already out of the original idea.
23:55I don't have to do it.
24:01I don't have to do it.
24:03I don't have to do it.
24:04You know what?
24:08No, I don't have to do it, I don't have to do it now.
24:10I don't have to do it.
24:10I don't have to do it.
24:11No, I don't have to do it.
24:13What is this?
24:13He's going to be like the trigger.
24:15Okay, let me move on.
24:17Okay, go to the position.
24:17This is the same.
24:18That's right.
24:23That's right.
24:25I'm sorry.
24:25I'm going to buy all these negative genes.
24:31Look at that.
24:33Is it his machine and two women and children?
24:37Or is it his own?
24:39I don't know.
24:40I'm really sorry.
24:41It's a tough question.
24:43Right.
24:44Okay, I'm going to use my wife.
24:49I'm a bridge.
24:51Where is the bridge?
24:52Down here.
24:53Where is the bridge?
24:57Bravo, Jiđo.
25:01What are you doing now?
25:02Up there.
25:04Up there.
25:05Wait.
25:06Okay.
25:07Okay.
25:10Guys, can you take a picture a little bit?
25:13You're my brother.
25:15Okay.
25:16We're ready for three minutes.
25:18Let's go.
25:18Let's go.
25:28Let's go.
25:36Let's go.
25:39Let's go.
25:45Let's go.
25:47That's what I'm talking about, man.
25:51That's what I'm talking about.
25:52That's what I'm talking about.
25:54She didn't see me in the middle of the night.
25:58She didn't see me before.
25:59She was like a Turskog roblo.
26:01I wrote a song for her.
26:04I didn't know anything.
26:06And now, after so many years,
26:07she was looking at one thing.
26:09I'm talking about it.
26:14I'm talking about it.
26:16They're all the same.
26:18When you're talking about the princesses,
26:20you know, when you're talking about the princesses.
26:21It's all that same.
26:24I'm talking about it.
26:25When I'm talking about the film,
26:27you know what's her story?
26:29She's in the house, this guy's in the house,
26:32but she's in the house,
26:33so she's around her.
26:34Why did she fly to me?
26:37Why did she leave?
26:38Why did she leave a car on the wall?
26:40That's what I need.
26:42I don't have to ask her.
26:46She asked me to ask me.
26:48That's another story.
27:01People, listen to TV.
27:03There will be a break of the day.
27:06What a break?
27:07It's always tomorrow.
27:08Yes, but we were alive.
27:10Who are you?
27:14Yoga Academy.
27:16Amela Sedin.
27:17What are you doing?
27:19Look, look, look.
27:20What's your life?
27:23My friends, from amateur to TV,
27:26for only 5 days.
27:29But you can see that Sedin is an old yoga master.
27:33It's a bit wider and longer.
27:34Where are you going?
27:35Yes.
27:35Why are you going to take your shorts?
27:39No, no.
27:40Why are you going to take your shorts?
27:43No.
27:53Why are you going to take your shorts?
28:06Why are you going to take your shorts and get stuck?
28:12You mean you haven't even seen that.
28:13I am going to take your shorts.
28:14You need to take my shorts and keep me still.
28:15I have to go in and get the shorts.
28:17I have to do it again.
28:19Evo, nek neko kaže, nek neko samo proba reći da veličina nije bitna.
28:24Oh, mo kako nije?
28:25Pa moj, za oka.
28:34Ružo, evo, došlo vrijeme da se rastanimo.
28:38A ide šta zad, jel?
28:40Ia, kako nazad, samo naprijed. Pravac, Beograd.
28:43Opa!
28:44Čekaj ba, štašu Beograd?
28:46Jaja, pozvalo me u realiti tamo 5.000 eura mjesečno, znači bit, hajde, neću ti ispičat, ali moramo da ne
28:52zakazi na autopsku, da me dučeš.
28:54Odvuču ja tebe, i znaš šta, sam za odovoljstvom ću ti kupit kartu, ali u jednom pravcu.
29:00E, fake, ljudeskara, drago, ja sam te upoznao, Boga, eto, pratija rano, tamo glasaj, zobiš, eto, čalji, eto.
29:06Takođe, mangupićno moja, ništa se ne skira, je moj glas imaš.
29:10A završćemo ih još ako treba.
29:12Pazi ti da ti treću ne nabaviš.
29:14Aj, ako je suđeno, suđeno, ja, aj, aj, aj, idimo se, aj, aj, aj, polako, polako.
29:19Razvalit ćeš vrata, konju jedna.
29:21Sretan put!
29:41Život je, brate, banji stari, taman kad krene, sve pokvari, al ti nemoj da se brukaš, budi žilav, nemoj da
29:51kukaš.
29:53Pali motor do taske gaz, velike sjajne svuda oko nas.
30:00To je život, to nije štos, ili si hađija, ili si bos, svega će biti samo neče nas.
30:11To je život, to nije štos, ili si hađija, ili si bos, svega će biti samo neče nas.
30:32Sve opcije leže na stolu, znađi se, znaš parolu.
30:38Parola je poznata oko, ciljaj visoko, udriži stoko.
30:43Pali motor do taske gaz, velike sjajne svuda oko nas.
30:52To je život, to nije štos, ili si hađija, ili si bos, svega će biti samo neče nas.
31:02To je život, to nije štos, ili si hađija, ili si bos, svega će biti samo neče nas.
31:11To je život, to nije štos, ili si bos, svega će biti samo neče nas.
Comments