00:28Transcription by CastingWords
00:38CastingWords
01:11CastingWords
01:19CastingWords
01:24What are you doing?
01:25No, he's not going to be there.
01:26He's not going to be there.
01:26He's a politician, I've never done anything.
01:59I don't know.
02:29I don't know.
02:50I don't know.
03:38I don't know.
03:38I don't know.
03:41I don't know.
03:42If your mother is awake, I'm going to die.
03:48Do you understand?
03:49I don't know.
03:49I don't know.
04:04I don't know.
04:06I don't know.
04:10I don't know.
04:21I don't know.
04:28I don't know.
04:31I don't know.
04:40I don't know.
04:53I don't know.
04:58I don't know.
04:59I don't know.
05:03I don't know.
05:04I don't know.
05:06I don't know.
05:06I don't know.
05:07I don't know.
05:08I don't know.
05:08I don't know.
05:09I don't know.
05:11I don't know.
05:12I don't know.
05:12I don't know.
05:20I don't know.
05:23I don't know.
05:24I don't know.
05:24tangible hands.
05:31I don't know.
05:33I don't know.
05:49I don't know.
05:53Olaj?
06:31Olaj, Vator, Olaj, OK?
06:58Olaj, Vator.
07:03Olaj, Vator.
07:05Vil du?
07:06Hva vil du komme med en hit?
07:06Traset døren er åpen.
07:09Hva vil du? Hva ser du?
07:11Det tror jeg du vet.
07:14Nei.
07:16Jeg er kommet for å hente deg.
07:20Hvem er vi? Du er helt alene.
07:22What are you doing now?
07:25Are you full, or?
07:27Marius Welland.
07:30Camilla Loom.
07:31Visbeth Bali.
07:33Barbara Svendsen.
07:34What are you talking about?
07:46Police operations center.
07:47It's Rachel Ferguson.
07:48My son has been kidnapped.
07:50Can you explain why you think he's kidnapped?
07:53Some have been in my room.
07:54But he's not here, so I know.
07:56And he's taken on his jacket.
07:58He hates the jacket.
07:59He's never taken on his jacket.
08:01If he didn't do it for us, tell me that it's something wrong.
08:04But that jacket is here, does not mean that he's...
08:07Perl, I've worked in the police.
08:08I know the instructions for the person.
08:10And I know, I know that some have taken on it.
08:13Okay.
08:13Yes, he's done it for us. Tell me that it's something wrong.
08:16What?
08:17How did you have given us fingers?
08:20To Lisbeth?
08:23The excrement we found under the island.
08:25We found frø there.
08:27Finickel, frø, from the theater cafe.
08:29Yeah, that's where you ate in the morning, Lisbeth Forsman.
08:34And the problem is that it takes a minimum 12 hours for the frø.
08:38And now, the whole way down in the end of the end.
08:41So, regardless of how much her finger-pulled you,
08:44So, the girl must have ended under the island of her house after the inforn.
08:48What does that mean?
08:50That you killed her, cut her finger, put her in the house,
08:54before we got home.
08:58That's what we call a technical evidence, Virre.
09:00Okay, technical evidence.
09:03That's a concrete and untarable factor.
09:08Okay.
09:15I understood that when they came here, they used a picture, right?
09:19So I understood that it was the best place in the house.
09:22For her fingers.
09:24Smart.
09:26So it was a certain degree of sentimentality.
09:33The picture. I didn't see the picture in the first class.
09:38And then I saw a new picture today.
09:40The same with the two tårners.
09:43Martin Amin and I had to take care of them.
09:45They could protect them.
09:47They were like, why?
09:49And I understood why.
09:52But you discovered that Lisbeth had made a relationship to Amin
09:55But all of them were on a trip to Praha.
09:57Is that right?
10:01You would just have to take care of them.
10:03You would have to take care of them both.
10:08I understood that Lisbeth had a short relationship to the man.
10:15But I understood that it wasn't before we had to take care of them.
10:20I found two books.
10:23I loved my country.
10:25I was in my thoughts.
10:28Next time we will love you in a sky.
10:30Not on the back.
10:32You will earn more than what you write.
10:34About a family that is a practical solution.
10:37A loving life.
10:41As I told you, I've become deceived by affairs.
10:45I need to pay a little more money from you.
10:47So that I can come up on the floor again.
10:49As soon as I have ordered it, I will come home from you.
10:52I will have my account number on the back side of you.
10:55But I remember that he was born four years ago.
10:57He came to our house.
10:58He wanted to sell us a face-to-face with a stone form of the mat.
11:02Then we got a card with an address on it.
11:05If we were to buy more.
11:08How much do you think it is when you understand the person you love?
11:13Not just to take care of you, but not to take care of you.
11:19What was the other thing?
11:20What was the other thing?
11:22What was the other thing that wrote?
11:24It was the other thing that wrote.
11:25It was a post-template in check.
11:27It came to you in return, it was an unknown address.
11:30Kjere Martin, it's been so long since I heard from you.
11:33I hope that the money I sent you helped.
11:35I still don't want to think about anything else.
11:39When I love my husband, I can think of you.
11:44Where are you?
11:45It wasn't the worst.
11:46It wasn't the worst way to see the data-stemplate.
11:48Yeah, for it was sent in February, in the year.
12:01What's going to do here, then?
12:05I saw you in the draped on your kona.
12:09And you put on him.
12:12It's a bit of energy.
12:13There you go.
12:15You said you should find him.
12:18Never mind.
12:20He told us that he was on the hunt, no worries.
12:23A diamond, which hotel it depends on.
12:27He was just sitting there waiting.
12:34And I told him that I needed a man who could find diamonds and weapons,
12:41not in between.
12:43And then we told him that he would come to Oslo
12:46and put his clothes in a bottle in the farm every 5th day.
12:50You knew that he was here.
12:52He didn't have all the beer.
12:53You took it four times.
12:58And then you played a cassette that you did.
13:02It's a five-kant course.
13:04I'm going to ask you.
13:05I'm going to ask you.
13:08So send us a finger to my kona.
13:12Why are you doing this so complicated?
13:16Because I needed a synde book.
13:19If this thing didn't have been explained,
13:21and Lisbeth just had fallen,
13:22then everyone would have thought over me.
13:24Right?
13:24For it's always the real man.
13:28Where are you?
13:30I'm sorry.
13:31Great.
13:34Let's go.
13:35Let me get down to him, let me get him, pass her off.
13:40KISS!�SETTEN
13:41HEN EGG! Go down. Set her
13:42off! It
13:45was like why I
13:46jagged together.
13:46Boy.
13:59I'm just a single man who has followed his heart.
14:03Can you tell me what heart is most broken?
14:07Is it a heart that has never been able to love it?
14:10Or is it a heart that has never been able to love it?
14:25Where are you?
14:27Where are you?
14:31She's always here.
14:33And this is what you don't understand.
14:34For I have just laid off a place that I know.
14:37Just for me.
14:39And for her.
14:42And I want her to have her here for always.
14:46I don't understand.
14:46I have taken it so broad.
14:48My problem is that I have just tried to do it again.
14:52And I don't understand.
14:55What are you talking about now?
14:57Okay, I'm going to go up.
14:59What are you talking about?
14:59I'm going to go up!
15:03Go run!
15:07That's what are you doing?
15:17Do you understand?
15:18I can cry…
15:21Come.
15:23I think I should have done everything.
15:25Just like this.
15:32You're very good.
15:36See.
15:40Helt nød.
15:41Helt nød.
15:45The idea here is a good end.
15:49The public will never be aware of
15:51that I will just be with you at the police station.
15:54You need a happy ending.
15:56If I don't have a happy ending,
15:58I will make a happy ending.
16:01It's my life motor.
16:05In this case.
16:07A death motor.
16:10Let's take down from...
16:135.
16:19You're so ill.
16:244.
16:29What the hell are you doing?
16:33It's not your problem.
16:35That's what I did.
16:363.
16:39You're a man of the time.
16:422, Helga!
16:432.
16:46They are mine.
16:501.
16:562.
16:582.
17:062.
17:112.
17:143.
17:152.
17:172.
17:203.
17:42I can't let her go.
17:45I can't let her go.
17:46Let's get out of here!
18:07What are you doing he's doing?
18:09What?
18:13It's a real happy ending.
18:40Yes.
18:41Do you have a notice?
18:42Yes, no.
18:43Okay.
18:44What the hell are you doing, Nathan?
18:46Do you have any contact with me?
18:48No.
18:55I'm in here.
19:12I'm in here.
19:13I'm in here.
19:32How are you.
19:32I'm in here.
19:32Come on.
19:33Come on.
19:34Come on, Nathan!
19:34If we have a friend of mine, what are you doing?
19:35Come on, Nathan!
19:35Fuck!
19:36Fuck!
19:37Fuck!
19:37Fuck, fuck!
19:38Fuck!
19:38Fuck!
19:42Hello.
19:43Hey, Harry.
19:44I'm trying to ring you.
19:45I don't want to call you.
19:48No, he's gone.
19:50I'm at the police.
19:52I'm waiting for him.
19:53If they don't miss him, I know.
19:56I'm going to find him.
19:59Where are you?
20:01Let's go.
20:03Let's go.
20:05Let's go.
20:06You're not safe in the police.
20:07Stop on me.
20:09You're fine.
20:10Stop on me.
20:16Are you ready to go home?
20:19Stop on me.
20:26Hey, Harry.
20:28I'm looking for you.
20:30Where are you from?
20:32Where are you from?
20:34Where are you from?
20:36Where are you from?
20:37What do you want?
20:39Just put everything right.
20:43It's not for sure.
20:44Tom, listen.
20:46Give me the address.
20:47Tom, where are you from?
20:57Tom.
21:01Tom.
21:09Tom.
21:13Tom.
21:16Tom.
21:25Tom.
21:28Tom.
21:33Tom.
21:43Tom.
21:48Tom.
21:51Tom.
21:53Tom.
21:53Tom.
21:55Tom.
22:00Tom.
22:01Tom.
22:02Tom.
22:05Tom.
22:06Tom.
22:07Tom.
22:07Tom.
22:13Tom.
22:18Tom.
22:19Tom.
22:22Tom.
22:22Tom.
22:23Tom.
22:24Tom.
22:35Tom.
22:44Tom.
22:45Tom.
22:48Tom.
22:50Tom.
22:52I don't know yet candy
23:04Cry for love China girl. No, I was actual it's for
23:10Um
23:17Cold metal
23:26Good.
23:28Come on, stay with me.
23:36Oleg, are you okay?
23:38I'm totally okay.
23:41Are you okay?
23:43I'm sorry.
23:44I'm standing there.
23:45I thought you were sitting in your room.
23:48Do you know what?
23:51I'm going to hold my hand.
23:54I'm going to hold my hand.
23:55Matu!
23:56Spot him!
24:02I'm going to do it on your plan.
24:05What's your plan?
24:07I think you were thinking
24:09that you were going to have me
24:10there in there.
24:11You didn't see me.
24:14You didn't know what you were doing.
24:16But...
24:18You forgot about that a girl
24:20just dumped you.
24:21And that you kidnapped her son on the road.
24:24So he was with you.
24:26And when did you have him?
24:34I thought I knew you were going to find us.
24:36It was difficult enough.
24:38I'm sure you would have gotten a mistake.
24:40Stop! Oleg!
24:42Come back!
24:43Come back!
24:43Come back!
24:44Or I'll shoot you out!
24:46I'm going to drive with a friend,
24:48because there's almost no job.
24:50What are you talking about?
24:51Everything is being said.
24:53For example, I can't do it on camera over walking.
24:57I winked to Otto,
24:58and I can wink to him.
25:00I'm going to...
25:01You're done.
25:08What are you doing?
25:08What are you doing?
25:11What are you doing?
25:11The camera shows me that I've grabbed a colleague
25:13who has completely beaten you
25:15and kidnapped her.
25:17I'm just saying,
25:18I'm always trying to get up
25:18from the camera.
25:20I'm talking to him.
25:21What the fuck are you talking about?
25:21There's no sound effects on me.
25:31Hey, guys.
25:33Hey.
25:33Hey, what are you talking about?
25:38I'm talking to Otto.
25:43In the cockpit?
25:44It's all the time.
25:46Hey.
25:46Hey!
25:47What are you talking about?
25:47You're looking behind the camera.
25:49What's happening?
25:50In me! In!
25:54In, say I.
25:59I'll find your pistol.
26:01I'll throw him in the pistol.
26:10Go in me.
26:16Come, come, come!
26:24Come, come!
26:25Look at him.
26:26I'm so smart.
26:28Get him! Get him!
26:50No!
26:53Get me!
26:57Ulek!
26:58Ulek!
26:59Let's go.
27:00Ulek!
27:02Come here, Harry.
27:03You've got the pieces in the last month of Beethoven.
27:20Come on, come on!
27:22Come on, come on!
27:24Stop!
27:30Come on, come on, come on!
27:42Come on, come on!
27:43You're not there?
27:44Yes!
27:47You're not there!
27:49No, it's just a boat.
27:55Fuck!
27:56Come on, come on!
28:03Come on, come on!
28:05Come on, come on, come on!
28:14Come on, come on!
28:16Come on, come on!
28:21Come on, come on!
28:23Come on!
28:27Oh!
28:28I don't know.
28:59I don't know.
29:33I don't know.
30:16I don't know.
30:32I don't know.
30:54I don't know.
31:42I don't know.
31:46I don't know.
31:56I don't know.
32:21I don't know.
32:49I don't know.
32:55I don't know.
33:28I don't know.
33:29I don't know.
33:40I don't know.
33:43I don't know.
34:10I don't know.
34:10I don't know.
34:19I don't know.
34:32I don't know.
35:11I don't know.
35:12I don't know.
35:15I don't know.
35:38I don't know.
35:44I don't know.
35:47I don't know.
36:17I don't know.
36:55I don't know.
36:59I don't know.
37:52I don't know.
38:00I don't know.
38:28I don't know.
38:33I don't know.
38:36I don't know.
39:00I don't know.
39:26I don't know.
39:41I don't know.
39:58I don't know.
40:01I don't know.
40:57I don't know.
41:21I don't know.
41:24I don't know.
41:24I don't know.
41:55I don't know.
42:24I don't know.
42:27I don't know.
42:30I don't know.
42:31I don't know.
42:33I don't know.
42:35I don't know.
42:35I don't know.
42:36I don't know.
43:07I don't know.
44:04I don't know.
44:09I don't know.
44:12I don't know.
44:13I know.
44:15I don't know.
44:44I don't know.
44:45I know.
44:46I know.
44:52I don't know.
44:55I don't know.
45:25I don't know.
45:49I don't know.
46:28I don't know.
46:58I don't know.
47:28I don't know.
47:55I don't know.
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