- 9 minutes ago
CIA - Season 1 - Episode 02: Fatal Defect
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TVTranscript
00:01Once you start the car, put it in neutral, tap the brake twice, and press the volume control three times.
00:16You're looking at the best trap money can buy.
00:20RFID safe.
00:24X-ray won't penetrate.
00:27You could hide a nuke in there, nobody would have known nothing.
00:30Just because I'm Middle Eastern, you think I'm smuggling a nuke?
00:32Ha, ha, ha, ha.
00:34Yeah.
00:39You could hide.
00:54Move, move, move, move.
00:59Unlock your doors in the trunk, please.
01:03Where you head tonight, sir?
01:05Climate change conference in Chicago.
01:07This guy's guzzler.
01:10ID, please.
01:16Wait here a sec.
01:17Sure.
01:32Yeah, okay.
01:34Nikki?
01:35Yeah?
01:35Border patrol's on the line.
01:36A POI hit at the Champlain border crossing.
01:39Hey.
01:40Yeah, we got it.
01:41Should we detain him, ma'am?
01:42How fast can you reroute a satellite?
01:44Oh, give me 60 seconds.
01:46You'll get 30.
01:47Yeah, let him through.
01:48We'll keep an eye out.
01:54You're free to go.
01:55All right.
01:58And, sir?
02:01Welcome to America.
02:34You're free to keep again.
02:35Come on.
02:37Howdy.
02:43Can you enjoy this?
02:45Come on.
02:48even next?
03:00저도いるique'd
03:00say
03:00Three-bedroom? Sounds expensive.
03:04I was saying it's exciting.
03:06When do we meet the realtor?
03:08Katie, I think I'm losing you.
03:10I'm headed in the elevator.
03:13Yeah, I...
03:14Evening.
03:15Evening.
03:22I change it every week.
03:25Thanks for telling me.
03:27Sorry.
03:28Must have slipped my mind.
03:34Oh, arriving together.
03:35What is this, a sleepover?
03:37Gina, you have something for us?
03:39Yes, this is Omar Hayel.
03:42Freelance courier.
03:43Shuttles weapons and other contraband for everyone.
03:45From Iran to ISIS.
03:46And lucky us, he just crossed into our border
03:48with unknown cargo.
03:50Surveillance satellite tracked him to a motel in Plattsburgh.
03:54Appears to be holed up for the night.
03:56Who the hell let him in?
03:58I did, Bill.
04:00Sorry.
04:01All due respect, why?
04:03Known weapons smuggler carrying God knows what, shouldn't we?
04:06Scoop him up before something goes boom?
04:08He's just the bag man.
04:09I want to know who's expecting a bag and what's in it.
04:11Yeah, exactly.
04:12You don't arrest the postman if you want to catch the uni bomber.
04:15Local PD is sitting on the perimeter right now,
04:17but they'll only move if he bolts.
04:19I'll talk to counterterrorism and see what they've got on Hayel.
04:22Okay.
04:24Great.
04:25I'm driving, by the way.
04:27I'd quite like to get there this year.
04:28Do you have a license?
04:36This is the guy here, isn't it?
04:38Yeah.
04:38It's, um, what was his name?
04:40Officer Malloy.
04:43Officer Malloy?
04:45Yo.
04:45Hey, can you tell us what you saw, mate?
04:47Your guy?
04:48Checked in the room 118 last night.
04:50No one's come in or out since.
04:53Thanks for the OT guys.
04:54Stay warm.
04:55I'll try.
05:00I'll be comfortable.
05:01Could be watching that door a while.
05:03Well, you watch.
05:04I plan on listening.
05:08Assume you have a warrant for that.
05:10What's a warrant?
05:12Oh, now he's getting it.
05:13Yeah.
05:13Hold that.
05:22Hey.
05:22Omar Hayel.
05:24Who's he working with?
05:25Right.
05:25Hayel.
05:26So, he used to be strictly freelance.
05:28DHL for the damned.
05:30But now, get this, our sources say he's on contract with the Lebanese military.
05:33Why does Lebanon need someone like him?
05:35Do you follow baseball?
05:36Not really.
05:37It's a beautiful game.
05:38It's a perfect metaphor for international security.
05:40If you want to go to a game sometime.
05:42Kevin.
05:42Yeah.
05:43The point.
05:44Lebanon's in a rebuilding phase.
05:45They're desperate for new prospects.
05:47Historically, they don't operate outside the Middle East.
05:49Just listening and surveillance.
05:51Defensive specialists.
05:52But Hayel signals an intent to change the face of the franchise.
05:55They're not looking to play defense anymore.
05:56They want to score.
05:57Big time.
05:58They're not just listening anymore.
06:00They're planning an attack.
06:01Grand slam.
06:02Grand slam.
06:30Are you waiting for me to say that was pretty slick?
06:33Oh, I think the slickness was self-evident.
06:35Debatable.
06:38Want me a protein bar?
06:40All organic.
06:41100% bioavailable plant protein.
06:44Yeah, I'm good, thanks.
06:45I prefer my nutrition, processed and carcinogenic.
06:54You want to answer that?
06:56Not particularly.
07:01It's my fiancee, Katie.
07:03We were supposed to go condo hunting this week.
07:05Third time I've canceled.
07:07I only know so many synonyms for I'm sorry.
07:10You're engaged.
07:12How am I only just learning this?
07:13Well, maybe if you ever ask me a single personal question.
07:19Have you been married?
07:21No.
07:23No.
07:23No.
07:24If you have someone you care about, then you have a weakness, and weakness gets you killed.
07:28But, uh, congratulations.
07:35We got company.
07:45I feel like in case.
07:47Yeah.
08:04He's delivering a poison.
08:06You speak Arabic?
08:08I'm pretty slick, huh?
08:11Untraceable.
08:11And talks report instantly deadly for a hit, Anna.
08:23Who is that?
08:26Okay, let's just keep eyes on her.
08:27See if she leads us somewhere.
08:34Nope, no, wait.
08:48Oh, God.
09:08You're under arrest.
09:10Wait, wait.
09:13Who are you?
09:15Who are you?
09:15My name is Mona Azar.
09:16I'm an intelligence officer for the Lebanese military.
09:20I want to defect.
09:36You tackle like a man with significant rage issues.
09:39You should look into that.
09:40You say you wanted the fact.
09:41We're going to need an explanation.
09:43Who are you guys, anyway?
09:45You, your FBI, posture's a dead giveaway.
09:48But you, stumbles.
09:51You're trouble.
09:52What kind, I wonder.
09:53You're right.
09:54He is FBI.
09:56Which means he can arrest you here for these two murders.
09:58So, Bill, why don't you go and call it in?
10:00Happily.
10:01Wait.
10:01No.
10:02Hold on.
10:07I work for the Duceyam Bureau.
10:11What, your second bureau?
10:12Mm-hmm.
10:14It's the Black Ops wing of the Lebanese military.
10:16They sent me here to take out a target in New York, but I got cold feet.
10:20I'm done killing for the state.
10:22Could have fooled me.
10:24Omar Hayal, is he your target?
10:26No.
10:26Hayal was my ride.
10:28So, who was your target, then?
10:29Your original mission?
10:31I was supposed to meet my contact tonight to get the details.
10:34His name is Khalil Malib,
10:37director of the Levant Cultural Exchange in Astoria.
10:41Mona Azar's story checks out.
10:43Her contact, Khalil Malib,
10:45who counterterrorism has been watching him for years.
10:47They think he's using his cultural center as a recruitment hub for radicals.
10:50He recruits Americans with Middle Eastern roots.
10:53We have nothing concrete on Malib.
10:55He keeps his hands clean.
10:56He is totally insulated.
10:57He's insulated from us, but not from Mona.
10:59Protocol says we take defectors to Langley for debrief,
11:02but if she misses her meet with Malib,
11:05Beirut will just find another assassin and go ahead with the hit.
11:07Right, so we use her as bait, take her to that meeting,
11:09we stay in the loop, make a bigger play.
11:11Exactly.
11:12We play this right.
11:14We don't just stop this attack.
11:15We dismantle their entire network.
11:25You're so tense.
11:27If you uncuff me, I can give you a shoulder up.
11:29You touch me, I'm adding assault to the double homicide charge.
11:33Relax.
11:34I'm on your side now.
11:35You're not on my anything.
11:37Those guys under a sheet back there,
11:38they were on your side, and you killed them.
11:40Spycraft isn't a religion.
11:42It's a game.
11:44I played for my team, you caught me.
11:46Now I switch jerseys and play for yours.
11:49You'd spend your life in prison.
11:50Or worse.
11:51Plattsburgh.
11:52I bet you spent your whole life being a good boy,
11:55following the rules.
11:56That's why you're so angry.
11:58She's got you pecked, Bill.
12:06I picked up a tail.
12:08Black SUV.
12:11Okay, Bill, get ready to engage.
12:15Hold on, everybody.
12:26Go, go, go, go.
12:29Down, down, get down.
12:30Down, down, down, down.
13:13How the hell did they find us?
13:25Officer Malloy, thanks, Nicky.
13:28Your shoulder, you need stitches.
13:31I'm fine.
13:32Some more of your friends?
13:33No, no idea who they are.
13:36I swear.
13:38All right, thanks, Nicky.
13:40Nicky, you know how they tracked us?
13:42Officer Malloy.
13:44The cop watching the motel.
13:45He never clocked out of his shift.
13:47Apparently, they found his car in the bottom of a ditch.
13:50Found him.
13:51Broke him.
13:52Yeah, he must have given them our plates.
13:55Both these cars are shot anyway.
13:56We better move.
13:57They might have backup right behind them.
13:58Nicky just told me her ex-husband's got a vacation home
14:01a couple of miles up the road.
14:02She said to make our way there, lay low,
14:04and await further orders.
14:05So come on.
14:07Let me guess, another cleanup crew?
14:09Yep.
14:11Any luck identifying the hit team?
14:12Yes.
14:14Great.
14:15Contractors for a company called Northlake Defense.
14:18Guns-per-hire work for anyone whose money's green.
14:21Payment originated from a shell company in Cyprus.
14:24Financial front for the Second Bureau.
14:26What twigged them to Mona?
14:27The courier who smuggled Mona into the country.
14:30He must have had a check-in protocol.
14:31When he missed it, Second Bureau hired BIF-1 and BIF-2 for cleanup.
14:35Which means?
14:36We can't send Mona into the cultural center.
14:39Plan A just crashed and burned.
14:41Hmm.
14:41I want everything on Khalil Malib.
14:43If he was rejected by the JV soccer team, I want to know.
14:46Yes.
14:46On it.
14:48Um, for what?
14:50Then me.
14:54Hi.
15:03What are they paying you people?
15:06Sit down.
15:07Don't move.
15:09Nikki's ex is the rich one.
15:10Apparently she rejected alimony because she didn't want to accept hush money from a narcissist.
15:19Ah.
15:21You okay?
15:22Yeah, I'm fine.
15:23I just reopened the graze.
15:25Hey, that's not a graze.
15:27That's a trench.
15:29Just gotta tighten this.
15:30We'll be good.
15:31We have a first aid kit here.
15:33I can do your stitches.
15:34Didn't let you near me with a needle.
15:36Not a chance.
15:36My dad was a doctor.
15:39I mean, if you lose an arm, you can't shoot a gun.
15:46Yeah.
15:47Relax.
15:47I'm good, but I'm not kill a man with a suture needle cut.
15:50Okay?
16:01Your dad taught you?
16:02Mm-hmm.
16:04Were you close?
16:05Extremely.
16:06My father spent his life trying to keep people on this earth.
16:10I spent mine finding the most efficient ways to take them off it.
16:15There.
16:19Thanks.
16:20Your dad would be proud.
16:25My mother was a chef, by the way.
16:27Oh, really?
16:29Let me share this with you as a thank you for the second chance.
16:36I could eat.
16:52Oh, garden.
16:56What can I get you?
16:57Hi, um, I just wanted some, uh, tea.
17:01We have many kinds of teas.
17:03Oh, uh, well, I just wanted regular.
17:09Give her, uh, chai aroni with nabat.
17:12That's what?
17:14It's, uh, saffron raw candy.
17:16You stir it in, it sweetens the bitterness.
17:18Oh.
17:20You're welcome.
17:24I've walked past this place just a million times.
17:27Hmm.
17:27I've never come in.
17:29You're a Persian?
17:31Hmm?
17:31Oh, well, my parents were.
17:33Then you are as well.
17:37Do you speak the language?
17:38No, not a word.
17:40Um, my parents came here during the revolution.
17:43So they wanted us to be very American, so now I can't even order tea.
17:50Hmm.
17:51That's a common story.
17:52To survive in the new world, we sometimes starve the old one.
17:59Hmm.
18:00Um, I have a place for people who want to learn what they came from.
18:06You are welcome there.
18:08There all night.
18:12Look around.
18:19Found this in the closet.
18:20Not quite my style, but it'll do.
18:23Well, that's $2,000 worth of goat hair.
18:25Try not to bleed all over it.
18:28No promises.
18:29This would be a lot easier if you hadn't taken away the knives.
18:32Well, keep up the good behavior, and Bill may allow you a spork.
18:35Let's not get carried away.
18:38Uh, could you grab the lid for me?
18:40Sure.
18:49Mm.
18:50Good.
18:51But never as good as my M.A.'s.
18:54Agent Bill, your mother a good cook?
18:59Her pot roast, and my death row meal.
19:02Colin, what was Mommy's specialty?
19:04Uh, well, I grew up in England, so boiled until grey is our national cuisine.
19:10Come on, she had to make something.
19:12Uh, well, I didn't really, uh, get much on my mum's cuisine.
19:15She passed away when I was ten.
19:17And then my dad left us three months later.
19:22But, um, I do remember Sundays after church, she'd always buy a packet of fruit gums.
19:29And she knew that I hated the yellow ones, so she'd always have my yellows and give me her reds.
19:33She probably hated the yellow ones, too.
19:36And that's what a mother does.
19:44Well, won't be as good as fruit gums, but it'll have to do.
19:48Satine.
19:49Satine.
19:55Hm.
19:57Switch with Collins.
20:00What, you think I have a cyanide tablet in my tooth?
20:02I think you're an assassin who knows a lot of creative ways to kill people.
20:11Okay.
20:19Really?
20:20All right.
20:23Okay.
20:28Good enough?
20:29Come on, eat.
20:30Yeah, it's good enough for me.
20:33Mm.
20:34Mm, oh.
20:36Wow.
20:38Hell.
20:40I'm hungry.
20:47Wow.
20:49Hmm.
20:51Not normally a spice guy, but that's, uh, incredible.
20:53Your friend has excellent taste in canned peppers, but they will sneak up on you.
20:57Yeah.
21:00Okay.
21:01Cheers.
21:02To, uh, to mothers.
21:04To America.
21:05I'll always drink to that.
21:12You weren't lying.
21:13Those peppers are no joke.
21:14I couldn't, um, ooh, I couldn't be anything in my tongue.
21:18You know, this totally reminds me of a meal that I had in Aleppo in, it's like, 2014.
21:27It was, um, in, um...
21:34Uh, Callan, you okay?
21:35No.
21:37Uh...
21:37What the hell is...
21:41Who?
21:43The water.
21:47You...
21:48You're poison.
21:52Very good deduction, Agent Bill.
21:55I found muscle relaxers in the emergency kit.
21:57Crushed them into the pitcher.
21:59New Westerners never could take spice.
22:02But don't worry.
22:04You'll only be out for an hour.
22:06Or ten.
22:08Confine the measuring spoons.
22:09It's not, uh...
22:11Bonnui.
22:12Bonnui.
22:14Bonnui.
22:24Non-profit.
22:27Oh...
22:30Oh...
22:31Oh...
22:32Uh...
22:33Uh...
22:34Uh...
22:35Uh...
22:35Uh...
22:36Uh...
22:37Uh...
22:37How long were we out?
22:38Oh, almost two hours.
22:41oh no go on say it i can hear you screaming it in your head i told you so you
22:46said it not me
22:47but i did warn you oh here we go she played you snipped out your abandonment issues knew you were
22:53just desperate for a hug from mommy she cracked you open like a walnut and forced your guard down
22:58oh you maintain peak situational awareness what are we doing she's got a two-hour head start we
23:03gotta get out of here i need to call nicky she took my gun no she didn't that's just great
23:18did you check the garage when we got here
23:33i'm driving this no chance they let a tier one prisoner get away how it's a question i'm sure
23:39i'm going to ask many times that are after action debrief let's just back up and focus on what we
23:43know mona only claimed to defect after colin and bill caught her right so you think this was all
23:48a ruse she was scrambling looking for her first way to escape her original plan is burned she can't
23:52meet her contact at the cultural center she knows we're gonna have eyes on that so where is she gonna
23:55go i think i might know where mona used a laptop to do a detailed search on a samir allen
24:01he's a
24:01lebanese-born naturalized u.s citizen a graduate student at hudson university in biochemical
24:08engineering samir could be providing her another poison or a bomb whatever it is she could be back
24:14on her original mission to assassinate her target in new york i'll get word back to colin and bill
24:19they need to intercept her asap okay in the meantime can you help me with a distraction
24:25can you find the second biggest donor to malib's cultural center yeah give me an hour
24:29i've got 30 minutes right
24:39hudson use the next exit copy that
24:44by the way i'm sorry
24:48for what crack about the mummy issues no well yes that
24:57i'm sorry for everything you've been through mom dying dad leaving you have to be a machine
25:04in this job i'm sorry about that too i mean katie gives me a reason to make it home for
25:11dinner
25:11she gives you a pressure point the moment you let someone in you hand the enemy a map to your
25:16throat that is a lonely way to live man better to be lonely than compromised
25:31gina make the call copy
25:39excuse me hi um i'm looking so wrong
25:45i didn't expect to see you so soon oh well you made such a compelling case i thought i'd come
25:51and see for myself
25:52well i am flattered come let me uh show you a little bit of what we do here
25:58you have a call on line one it's the old baby foundation they want to pull their funding
26:04oh please don't let me keep you yeah i'm so sorry could you come back tomorrow
26:10yeah i'd like that that'd be nice tomorrow i will show you the vip tour
26:15okay okay okay i'll show myself out please thank you for understanding
26:35excuse me
26:39samir's lab is empty his office hours start in 10 minutes
26:41well she could be in the building already let's split up
26:48excuse me
26:49excuse me seen this woman no thank you appreciate it excuse me but seen this woman
27:10is that dead end yeah
27:18wait gotta my four o'clock blue hat red coat may follow her
27:23Got her.
27:29Excuse me.
27:33Where I come from, it's traditional for the cook to stay to the end of the meal.
27:37We know you're procuring another poison from your supplier.
27:41Let's skip the part where you lie and take us to Samir, Alan.
27:49Samir isn't my supplier.
27:52He's my son.
27:55Oh, right.
27:57It's the truth.
27:58I got pregnant 20 years ago.
28:00I couldn't raise a child, not in this life.
28:02It would have been cruel.
28:04I paid someone to bring him here.
28:06He never even knew I existed.
28:09It's the most painful thing I ever did.
28:11You really expect us to believe you never intended to assassinate your target?
28:15That's right.
28:15My mission from the start was always finding Samir.
28:21You can lock me up, but please let me see his face.
28:24Just once.
28:28I buy it, not sure why.
28:30Well, the thing is, Mona, you've now put a target on this kid's back.
28:34Second Bureau knows you've turned.
28:36If they know you have a son here, and we have to assume they do, they'll look for any leverage
28:40they can.
28:45Okay, come on.
28:47What, what?
28:48Well, the scene was blown up.
29:05But I thought you did.
29:05I might see us very soon as possible.
29:05I reach out to humanity.
29:08I can never see any gruesome damage!
29:12I can never see you.
29:12What will you do?
29:13What will you take the across the board?
29:14I will not write you down at Logan123.
29:16But I have to say, we'll count on broken bones.
29:20uh can i help you samir sorry do i know you samir we believe you're being targeted by a foreign
29:32intelligence agency you need to come with us we'll come with who the hell are you
29:38we're with the u.s government and this is mona she's traveled a long way to find you
29:43she's your mother i'm your mother you look just like my papa your eyes they're just like his
29:58okay samir we can explain in the car but we need to move uh can i uh pack a few
30:03things first i don't
30:05think that's a good idea please this is my life's work okay fine but be quick we may not have
30:11much
30:28time
30:29can you hear me that frame these are your parents
30:34they're not kind
30:40i've rehearsed this moment so many times there's so much i want to say well maybe you could say it
30:45all in the car samir come on we cannot pack up your whole lab just give me a second okay
30:49in the past five minutes my estranged mother shows up with two guys from the government to tell me
30:53that i've got a target on my back what so forgive me if i'm a little scattered fellas it's a
30:56lot to
30:56process
31:03nikki hey are you with samir right now yeah why okay i'm gonna send you a photo
31:10samir is a second bureau sleeper they recruited him at the cultural center they radicalized him
31:16and trained him in improvised munitions i think they tapped him to finish the job that mona started
31:21okay well uh we'll uh we'll take that under advisement just excuse me a second samir say where you are
31:28hey
31:34out out get out now this place is gonna blow go go go go go
31:48they turned my son why why him because he's your son they knew what makes him tick how to manipulate
31:54him
31:54and i mean he's the perfect recruit and now he's gonna finish the job yeah some sort of improvised
31:58explosive gina have you accessed the files yet uh last few hours samir's search history has been
32:03tailored towards plastic printing companies any idea what he's printed uh looks like
32:09an id badge for st michael's hospital that's where his target is yeah yeah i mean it's the perfect
32:15kill box isn't it he can walk in masked up like a doctor or nurse know what about an eyelid
32:19should i have
32:20them evacuate the hospital no he's already inside he'll just detonate the bomb in the chaos
32:24agreed you guys need to find the target we'll get there and have some here copy
32:41don't hurt him promise me we'll do everything we can
32:54it could be anyone anywhere we need to split up yeah i'll take the east when you take west yep
33:00deep gina come on give us a fighting chance here any news on finding samir's target uh scanning
33:05pulling violating all sorts of hipaa laws do i even bother saying how illegal wait i got something
33:11guess not rami abbas lebanese exile outspoken critic of the current regime threatening to return to
33:17beirut and run as a reformist that sounds like the kind of target lebanese armed forces would want
33:21to take out where is he he's going into surgery or six oh but that wing's close to the public
33:28okay
33:40okay okay i've got eyes on the bus
33:49i think i think i see samir
33:54i think i see samir
34:27back stay back whoa whoa samir samir easy easy no look at me you don't want to do this mate
34:34there's no way out of this
34:37i let go of this and this whole building's gonna go down with me bill put the gun down samir
34:41look at
34:41me look at me we've got this right you and me have got this bill put the gun down
34:49hey you don't want to do this do you you don't know me no you're right i don't
34:54but trust me i have seen people blow themselves up before and they have a very different look in their
35:00eyes samir you're not a killer you're a student you're a an engineer you're a friend you're a son
35:09but i'm a soldier i'm doing this for my people no no mate you're not you are doing this right
35:15now
35:15because you are terrified
35:18and that's okay that's okay emotions are what make us human
35:25and that's the one thing they can't let you be because they need you to be a machine
35:32i'm fulfilling my mission you blew your mission the moment you met your mum
35:38she abandoned me is that what they said when they recruited you that she abandoned you
35:44it's the truth no wait i think she was trying to keep you safe
35:50but they picked at that wound didn't they they rubbed salt on it until it was really hurting
35:58and i know because my people did the same thing to me when they recruited me
36:03they knew that my mum died when i was 12 years old and that my dad walked out three months
36:07later he
36:08didn't even leave a note and they pushed and pressed on that bruise and they pressed and they pressed
36:14said i didn't need a family because they were my family yeah but it's not too late for you samir
36:25you still have time you still have a choice
36:31no i don't
36:33i have nothing hey hey hey your mother she just risked everything to spend five minutes with you and
36:40she is waiting for you downstairs i think there's something still there to salvage mate
36:50don't let them win
36:55come on come see you mum
37:37i just want to say goodbye
37:40yeah sorry that's not happening
37:56i spoke to doj he didn't kill anyone he's cooperating he could be out in five
38:02and what will happen to me you keep feeding us intelligence you'll get defector status a new life
38:09a new life the mother goes through while the child pays the price what kind of life is that
38:15they're monsters you'll get defector status a new life they're monsters you know on both sides
38:48are they getting hey you know on both sides you know what you're gonna be doing right now
39:13what's that is
39:15You two almost look like partners, if you squint.
39:18Not too hard.
39:19Could pop a blood vessel.
39:21So does this mean I've got to give the car back?
39:24We barely got to know each other.
39:25Oh no, keep it for the night.
39:27My ex won't miss it.
39:28And if he does, even better.
39:31I was hoping you'd say that.
39:33Mm-hmm.
39:34Good night.
39:35Night.
39:38I meant to tell you, it was really moving
39:42how you handled Samir.
39:44Oh, thanks.
39:46I remember what I said, to be honest.
39:49I remember.
39:52Yeah, you told him how your mom died when you were 12.
39:55But you told Mona you were 10.
39:59Is any of it true?
40:04Does it matter?
40:27I am home.
40:31Listen closely.
40:33Katie?
40:34What are you doing?
40:35What are you doing?
40:37You hear?
40:38You hear?
40:39And if you do this, it'll help you some sunny day.
40:45Bye.
40:48Ooh!
41:03Take your time.
41:06Don't live too fast
41:09Troubles will come
41:13And they will pass
41:18We'll find a woman
41:21And you'll find love
41:25And don't forget, son
41:29There is someone up above
41:42Boy, don't you worry
41:46You'll find yourself
41:50Follow your heart
41:54And nothing else
41:57You can do this
42:01Don't make a move
42:06You're home, buddy
42:07Yes, I am, buddy
42:09Missed you
42:10I thought you had to work late
42:12Boy, you like some parties
42:13I do
42:14And you're just in time to do
42:15I missed you, too
42:19Come sit
42:21So, we're going to lay a place for me, mister
42:23Okay
42:24All right, so what's on the menu, then?
42:26Max, what's on the menu?
42:29Baby, feel simple
42:31Feel simply
42:43After all, I get called
42:52Of course, I'd like to see
42:52And be careful
42:52And be careful
42:52Let's open
42:53Little upside down
42:53All right, so what's on the menu?
43:02I'm afraid
43:03I'm afraid
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