- 8 hours ago
Censor (2021) [Full Movie] [Recommended]Full EP - Full
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00:14:55late night wanted many white wines well let's hope there's nothing to your stomach churning
00:15:01coming up then what masterpiece are we dissecting extreme coda
00:15:36I mean what is it with these directors male inadequacy revenge catharsis
00:15:45didn't that get to you some of those things were so excessive just focus on getting it right
00:15:52don't really think about anything else plus I haven't got a hangover
00:16:02Enid Fraser wants to see us says it's urgent
00:16:34you two pass deranged right deranged yes the marina film we watched it a few months ago
00:16:43why there's a sequence in it where a man eats someone's face oh yes yes 18 with extensive cuts
00:16:55what's happened Fraser a man was arrested in Brighouse yesterday he
00:17:05killed his wife then he he tore off and ate her face went on to shoot his two children dad
00:17:15it's horrific I got a call from some journalist 15 minutes ago was breaking the story
00:17:23he's linking the killings directly to deranged
00:17:25oh god so they're blaming us well there's the thing this journalist seemed to know that it was you
00:17:34two who passed the film how the hell do they know that I can't believe you two let it get
00:17:39past you
00:17:39it's complete hysteria it's no worse than other material we've passed the press are going to town
00:17:46calling him the amnesiac killer he's saying he can't remember what happened
00:17:54come on police is already breathing down our necks without this
00:17:58it's a complete disaster I mean I can't believe you'd go off like that without permission
00:18:14how sorry
00:18:17I'm so sorry
00:18:21I need you to walk me through your decisions again so I'm 100% clear and for the record
00:18:29in future if you have even the slightest doubt just reject the film
00:18:38the man who went berserk claims he cannot recall the incident at all the accused has been dubbed by
00:18:45press as the amnesiac killer after links being made today between the killing and video nasty horror
00:18:51film deranged
00:19:00the world's gone mad
00:19:02there's always been a really safe neighborhood like for the kids and now
00:19:06for everyone
00:19:16mom
00:19:17mom
00:19:35enid
00:19:36where is she
00:19:40enid
00:19:41oh
00:19:43oh
00:19:44Oh
00:20:14That's only true.
00:20:15Why do you ban on these films?
00:20:47Oh, yes.
00:20:49You're a lawyer.
00:20:50Your lawyer has my own duty, right?
00:20:54I don't know.
00:20:56But I've got a good job, and I've got a good job.
00:21:03But I've got a good job.
00:21:04And you've got a good job.
00:21:05Okay, my kids are in the house.
00:21:07How the fuck do they know who passed it?
00:21:09You don't see Blab to the press.
00:21:11It's not even like we've paid that much.
00:21:14I could go to academia like that, seriously.
00:21:18And that scene is laughable.
00:21:21Even Little Miss Perfect thought it was fun.
00:21:25Enid?
00:21:33Bad luck, isn't it?
00:21:35I mean, it could have happened to any of us.
00:21:39If I'm here to make decisions, it can't be bad luck.
00:21:45No, but, well, you know what I mean.
00:21:50We all make mistakes.
00:22:03Enid.
00:22:05One, two, three.
00:22:13That's a single malt.
00:22:14My freezer, don't be using it.
00:22:16I have to drown your sorrows.
00:22:21And who's this you've got squirreled away?
00:22:23Enid Baines.
00:22:24She's one of our senses.
00:22:26So this is Enid?
00:22:28Have we met?
00:22:29No.
00:22:31Doug Smart.
00:22:33Producer, I dent investment films.
00:22:40Fraser, you didn't tell me you're such a photogenic team.
00:22:44I tell me this, Enid.
00:22:45If you get bored of banning my films, I'm sure I could get you a job on the big screen.
00:22:50I'm not sure how much I like the idea of being raped and cutting pieces on camera.
00:22:57No, but I'm sure the public would love it.
00:23:00Okay, yeah, come on.
00:23:02Maybe Enid could watch my latest Frederick North submission from the archives.
00:23:08It's harmless, I promise.
00:23:10Yeah, I'm sure you could slip me a 15.
00:23:14It's already on her schedule, and I'm sure she'll deal with it with her usual professionalism.
00:23:19Come on, Doug, let me see you out.
00:23:22Enchanté, mademoiselle.
00:23:25What a wee cracker she is.
00:23:28Absolutely gorgeous.
00:23:36There were so many shits and fucks, it was impossible to cut them all,
00:23:39so we just had to give it a 15.
00:23:43Anyway.
00:23:45Thank you, Alf.
00:23:47What have we got now, then?
00:23:49Don't go in the church.
00:23:51There won't be many places left for us to go soon.
00:23:56Frederick North film.
00:23:58Haven't seen one of his in a while.
00:24:00Used to be quite prolific.
00:24:02Something I know is work.
00:24:03Oh, here's a laugh a minute.
00:24:21No silent titles.
00:24:24Unusual.
00:24:30Unusual.
00:24:32Unusual.
00:24:34Please stop.
00:24:36I don't like it.
00:24:37Can we go back?
00:24:39No, it'll be fun.
00:24:46Let's play a game.
00:24:49Let's play a game.
00:25:00Come on.
00:25:02Summon my shadow.
00:25:03Let's go.
00:25:04Spin.
00:25:11Do it.
00:25:17One.
00:25:20Two.
00:25:25Three.
00:25:30Go on.
00:25:34In there.
00:25:37Go.
00:25:55Go.
00:25:59Go.
00:26:08Go.
00:26:11Go.
00:26:14Go.
00:26:17Go.
00:26:25Go.
00:26:27Go.
00:26:38Go.
00:26:56Oh, my God.
00:27:30Oh, my God.
00:27:42You okay?
00:27:44I was quite full on.
00:27:47It shook me up.
00:27:49Just feeling a bit under the weather.
00:27:51You know, you can always talk to me, don't you?
00:27:55If you want to.
00:27:57Stressful times.
00:28:00Like, when my mum passed away, if I hadn't had someone to talk to,
00:28:03I think I might have just...
00:28:05I don't know.
00:28:07Lost it.
00:28:07Why do you think you can't remember?
00:28:11Who?
00:28:14The amnesiac killer.
00:28:17Oh, I don't know.
00:28:23I mean, why wouldn't you remember?
00:28:28God, it's hard to...
00:28:31It could be basic trauma.
00:28:33The brain sort of shuts it out.
00:28:36It could have had a bang on the head, even, or...
00:28:41It makes me think, in my psychotherapy days, we'd talk about how people construct stories to cope.
00:28:48You'd be surprised what the human brain can edit out when it can't handle the truth.
00:28:58Look, you're good at your job, Enid.
00:29:01Don't let what's going on out there get to you.
00:29:06I don't know if you want to, but...
00:29:08Maybe we could get out of here sometime.
00:29:11Go for a drink.
00:29:20I'm so sorry about your mum, Perkins.
00:29:25Thank you for this.
00:29:54Hello?
00:30:08Hello?
00:30:43Hi, Mum.
00:30:45Oh, Enid.
00:30:48Are you okay?
00:30:51I've been trying to get hold of you.
00:30:53Sorry, this work's been...
00:30:58really busy.
00:31:00Oh, okay.
00:31:03I hope you're all right, love.
00:31:10Are you still there, love?
00:31:14Yes.
00:31:22It's, um...
00:31:24I examined this film today.
00:31:29Oh. What was it about?
00:31:41Nothing.
00:31:44Doesn't matter.
00:31:50You must let work get you down, Enid.
00:31:55I saw the news.
00:31:57Dad doesn't know what he's talking about.
00:31:59All right, love.
00:32:00I'm sorry.
00:32:04I just thought it was...
00:32:07Well, don't overdo it, will you?
00:32:11You can't be responsible for everyone, Enid.
00:32:14It's just a job.
00:32:17Yeah, I suppose so.
00:32:21Okay.
00:32:22The next one time, Mr. Paragawa is 20 minutes left with me.
00:32:25Thank you, myself and everyone here.
00:32:27See you here in the sea.
00:32:29See you here in the sea.
00:32:29Good night.
00:32:31Good night.
00:32:32Good night.
00:32:34Good night.
00:32:36Good night.
00:32:39Good night.
00:32:41Good night.
00:32:44Good night.
00:32:48Good night.
00:32:50Good night.
00:35:56Um, Perkins and I examined Denko in the church yesterday.
00:36:02Well, the file's a bit thin in information.
00:36:05I was wondering if you had anything else on the director.
00:36:08It's Frederick North.
00:36:14Do you have a list of his films?
00:36:19No.
00:36:22Well, without a list, it'll take at least a week.
00:36:40Leaving on time, Enid, it's not like you.
00:37:02The beast man's coming to get you.
00:37:30Oh, hi.
00:37:33Oh, hi.
00:37:34Enjoy.
00:37:35Enjoy.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey, I thought that one was banned.
00:38:01I thought that one was banned.
00:38:04I thought that one was banned.
00:38:09Frederick North.
00:38:10I saw the other...
00:38:16So, yeah.
00:38:16I've seen Donko in the church.
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:29I've not seen you in here before.
00:38:33Just moves to the area.
00:38:35Someone like you who doesn't want to watch films like that.
00:38:40Like what?
00:38:45My favourite is Stationery Massacre.
00:38:48The repeated stabbing of the man's eye with the compass, then his stomach being ripped open with the razor scissors.
00:38:55His guts falling out, his stomach being stapled back together.
00:39:00Masterpiece.
00:39:08All right, come on. I've seen that you've got Calma Carnage.
00:39:12And I know that that's been banned.
00:39:16Bloody hell.
00:39:19Okay.
00:39:21So many places getting, you know, shut down.
00:39:23Police raids and my mate uptown.
00:39:25I've just stopped concentrating.
00:39:27Honestly, it's not worth the bloody stress.
00:39:35I'm going to get rid of it all soon, myself, anyway.
00:39:38So...
00:39:40That's all I've got of Norse.
00:39:41It's a bit of a ropey cop.
00:39:43He might be a bit fuzzy and all the good bits and, er...
00:39:46Well, someone's taped over the end with another film.
00:39:52This place gives me a bad feeling.
00:39:55It's like something from one of my nightmares.
00:39:58Let's go back.
00:39:58No.
00:39:59We've come too far to turn back.
00:40:03It's strange.
00:40:05What is it?
00:40:07A book.
00:40:08There's a symbol.
00:40:10It's like some sort of portal.
00:40:12Wait!
00:40:13Let me see.
00:40:18It's Latin.
00:40:20I can work it out.
00:40:21Let the sea.
00:40:24In Troi-bent.
00:40:26Hoc, Sepulchrin.
00:40:27Daer, te be ad, infernum.
00:40:30Tom.
00:40:31Stop.
00:40:32It could be dangerous.
00:40:35Qui est hic num quam, reviturto.
00:40:39Qui's hoc memento, in semperternum.
00:40:46Immutata, sencentua.
00:40:49Send Centaur.
00:40:50He's calling for me.
00:41:00Send Centaur.
00:41:05He's calling for me.
00:41:07The evil is contagious.
00:41:16He's calling for me.
00:41:19The evil is contagious.
00:41:35He's calling for me.
00:41:35The evil is contagious.
00:41:49They must live in a lifeline
00:41:49The evil is mortal.
00:41:49And to the evil is комментарiner.
00:42:03I believe we are.
00:42:03Let's try something that?
00:42:03You are Vegeta.
00:42:05How did you wait a minute?
00:42:06Aaaaaahhh!
00:42:09Aaaaaah!
00:42:10Aaaaaah!
00:42:12Aaaaaah!
00:42:46We definitely had some Jaffa cakes.
00:42:49Sorry, I should have found.
00:42:52Where do things end up?
00:42:55I should have got my bets in.
00:43:06Do you remember Carol and Alan, Enid?
00:43:09Huh?
00:43:10Alan with a squinty eye.
00:43:13They broke up.
00:43:14Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:20I suppose she's better off out of it, but I'm going to miss her.
00:43:22You can visit, love.
00:43:32I wanted to talk to you about something.
00:43:36Found a nice fella?
00:43:37No.
00:43:44It's to do with Nina.
00:43:49I know what we talked about, and I understand, but I think I...
00:43:55I think I might have worked out where she is.
00:43:58Oh, please, Enid, not this again.
00:44:02I know, Dad, but this is different.
00:44:06There's this actress.
00:44:09Her name's Alice Lee.
00:44:13I know it sounds mad, but I've got this...
00:44:18I've got this really strong feeling that I think is her.
00:44:24I need you to look at this.
00:44:26Just focus on her face.
00:44:29Just look at her eyes.
00:44:32We've been there before, Enid.
00:44:34Every time it's not her.
00:44:36Dad, please, you're not even looking at her.
00:44:37Please, just look.
00:44:40She looks just like the police mock-up, Dad.
00:44:43Enid, stop.
00:44:44Dad.
00:44:45Enid.
00:44:46This is exactly why we did what we did.
00:44:49We tried to do our best for you, but you go off doing whatever you want.
00:44:53Just like the day you went off with her.
00:44:54George.
00:44:55George.
00:44:56George.
00:45:16It doesn't work.
00:45:16It's because we got it now.
00:45:17It's just like we're not asleep to the whole world.
00:45:17Oh, yeah, I can't wait for somebody.
00:45:25I can't wait for but be a part of them.
00:47:31No, Nina!
00:47:35No!
00:47:36No!
00:47:36No!
00:47:36No!
00:47:36No!
00:47:37No!
00:47:37No!
00:47:38No!
00:47:40No!
00:47:40No!
00:47:41No!
00:47:43No!
00:47:44No!
00:47:48No!
00:47:50No!
00:50:22I'm sorry I've been having a bit of bother.
00:50:25Some people don't seem to like my films.
00:50:35Do come in.
00:50:56Do you live alone?
00:51:01Yes.
00:51:02I live alone.
00:51:12This room seems familiar.
00:51:15Must be a sign.
00:51:18It's a rape scene from Extreme Coda.
00:51:24Someone's got a keen eye.
00:51:32Not this for Coda in LA.
00:51:38It's quite a bit better, actually.
00:51:48We look similar, don't we?
00:51:52We look similar, don't we?
00:52:09Who?
00:52:12What's Frederick like?
00:52:14What can I say?
00:52:17He's a provocateur.
00:52:19And a genius.
00:52:21He's widely misunderstood.
00:52:26You enjoy it, don't go in the church then, huh?
00:52:31Frederick pressed for you to view it.
00:52:34I wanted a woman's eye on his film.
00:52:38You're not enjoying your scotch.
00:52:52You might be interested.
00:52:53You might be interested to hear that he's shooting a juicy sequel to church at the moment.
00:52:57With the monstrous Beastman.
00:53:01Sequels are all the rage these days.
00:53:07Where are they filming it?
00:53:10Near Frederick's.
00:53:12In the forest where we shot the original.
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film.
00:53:19She's come to the end of her shelf life, that one.
00:53:22What does that mean?
00:53:29Oh, let's not talk about some silly actress.
00:53:34I'm far more interested in talking about you, you know.
00:53:37What's gonna happen to Alice?
00:53:39Well, that's top secret.
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Just talk it off me.
00:53:47What?
00:53:48Keep around my house.
00:53:50You fucking prick tease.
00:53:51Just let go of me, please.
00:53:52Please.
00:53:53Please stop.
00:53:55Please stop.
00:53:56Oh, my God.
00:54:00Please stop.
00:54:01You're dead.
00:54:01Yes.
00:54:04He is falling in the way.
00:54:05I'm just going to kill them.
00:54:06You suck.
00:54:08You suck.
00:54:11You suck.
00:54:20Nothing, nothing.
00:54:23You suck.
00:54:25I don't know what to do.
00:54:26You suck.
00:54:47Thank you for the whiskey.
00:54:50I'll see myself out.
00:55:13I'll see myself out.
00:55:27Fucking sick bitch, I hope you get what's coming to you.
00:55:30You deserve to get sliced up, you fucking pussy.
00:55:32People are killed.
00:55:33Shouldn't be given any bloody responsibility.
00:55:36The evil is contagious.
00:55:37It's all you want.
00:55:38You are a woman.
00:55:39You can run with fucking elves.
00:55:41He's shooting a juicy snake.
00:55:42The church at the moment.
00:55:44You're all inside.
00:55:45Look, you're in a really good sense.
00:55:48And they go to shit.
00:55:49You are people.
00:55:50We damage them.
00:55:52You should be killed.
00:56:03Please.
00:56:05Please.
00:56:06Please.
00:56:06Help me.
00:56:08Please.
00:56:09Please.
00:56:15Enid?
00:56:16You all right?
00:56:26We are in a viewing here
00:56:29Help me, help me, save me, please
00:56:31Er, Edith
00:56:34Sorry
00:56:37Someone's losing the plot
00:56:47Hello
00:56:48Can I help you?
00:56:53Excuse me, Ed
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie
00:57:10All right?
00:57:11No, no, no, no, no
00:57:13You're not authorised
00:57:14The amnesiac killer stated in court
00:57:16He had never seen the film Deranged
00:57:18Which is supposed to have influenced the attack
00:57:20What? So he didn't even watch it?
00:57:22That's what it says here
00:57:33Get back!
00:57:35Get back!
00:57:36Get back!
00:57:39Get back!
00:57:40Get back!
00:57:40Get back!
00:57:42Get back!
00:57:44Get back!
00:57:44Look how happy I found itителей
00:57:47Yeah!
01:00:30Is this the film shoot with Alice Lee?
01:00:42You're late.
01:00:47You're sorry?
01:00:50I'm Debbie.
01:00:52I'll be doing your makeup.
01:01:02You don't look anything like your picture.
01:01:06At least you're here.
01:01:07Half the cast haven't turned up.
01:01:10Production's all over the place.
01:01:20Come on.
01:01:22Let's get you ready.
01:01:39Top off.
01:01:53At three?
01:01:56At three?
01:01:58At three?
01:01:58At three?
01:02:10Sit.
01:02:11Sit.
01:02:12Down on the chair.
01:02:15Sit.
01:02:32Debbie.
01:02:34I'll be right back.
01:02:38I'll be right back.
01:02:43I'll be right back.
01:02:55So weird.
01:03:00Doug never misses a gory emergency.
01:03:03See.
01:03:04See?
01:03:07I'll be right back.
01:03:10See?
01:03:11See?
01:03:11See?
01:03:12See?
01:03:13See?
01:03:16See?
01:03:27See?
01:03:36What have they got planned for us, Lee?
01:03:41What do you mean?
01:03:46Look at me.
01:03:58Look at me.
01:04:31I've been waiting for you.
01:04:36Fred...
01:04:37Frederick North.
01:04:41Step into the light so I can see you.
01:04:47Hurry up.
01:04:58Where's Alice Lee?
01:05:02Big fan, are you?
01:05:06Well, someone told me this was her last picture.
01:05:13You're guarded.
01:05:19That comes from a place of fear, doesn't it?
01:05:26I want you to tell me about Denko in the church.
01:05:31That...
01:05:34That bit with the girls, where did the...
01:05:36Where did the idea come from?
01:05:40Had an effect on you, did it?
01:05:51That scene...
01:06:00Was inspired...
01:06:03By a true story.
01:06:11All of my ideas...
01:06:14Are drawn...
01:06:18From real life.
01:06:21Well, that's not what happened.
01:06:24People think that I...
01:06:28Create...
01:06:29The horror.
01:06:31But I don't.
01:06:35Horror...
01:06:37Is already out there.
01:06:40In all of us.
01:06:41In all of us.
01:06:44It's in you.
01:06:46No, it's not.
01:06:47What?
01:06:47Of course it is.
01:06:50Don't be so naive.
01:06:54If you're gonna do this...
01:06:57I will need you to access your darkest impulses.
01:07:03I don't have any.
01:07:06No, they're in there...
01:07:09Somewhere.
01:07:11No, they're not.
01:07:12Oh, come on!
01:07:14Fucking commit!
01:07:21Improvise.
01:07:26Take control of your story.
01:07:33No.
01:07:34Okay, piss off then.
01:07:36No, please, no, wait, wait, please, please, wait.
01:07:38I just want my sister.
01:07:40I just wanna see her.
01:07:41I just really wanna see my little sister.
01:07:43I want her back.
01:07:44Please.
01:07:45Please.
01:07:46Please.
01:07:50Alright.
01:07:53Alright, we'll go with that.
01:07:56Let's play.
01:07:59There's something rotten inside you.
01:08:04You try to control it, but you only make things worse.
01:08:10Don't fight it anymore.
01:08:13Stop.
01:08:13Just let it out.
01:08:15Stop, it's you.
01:08:17There.
01:08:20That's it.
01:08:22And we'll take that energy into the scene.
01:08:27Come.
01:08:31Enter your story.
01:08:35Come.
01:08:45Enter your story.
01:08:47No?
01:09:00You tried to get me.
01:09:01Just let it out.
01:09:03No.
01:09:06No.
01:09:07No.
01:09:08No.
01:09:09No.
01:09:11No.
01:09:12No.
01:09:13No.
01:09:25My love, I've been waiting for you for such a long time.
01:09:40You have always been in my heart.
01:10:29The place I've been wrought out inside you, twisted up.
01:10:35It secretes my veins. Stop fighting it. Let it out. You know you are evil.
01:10:59This is not in the street. No, no, no!
01:11:10No!
01:11:15No!
01:11:17No!
01:11:19No!
01:11:47What the fuck is going on?
01:11:50Charles?
01:11:52No!
01:11:53What are you doing?
01:12:02No!
01:12:06Why?
01:12:08You did this!
01:12:10This is what I'm going for!
01:12:17Never!
01:12:19Come back!
01:12:21Nina!
01:12:23No!
01:12:23Nina!
01:12:25No, please, please, please!
01:12:26Get away from me, please!
01:12:27It's all right, it's all right, it's me.
01:12:29It's me, Enid.
01:12:31All right, I'm your sister.
01:12:35You killed Charles.
01:12:38No.
01:12:40No, he's going to hurt you.
01:12:43He was my friend.
01:12:46No, everything that I have done is to protect you.
01:12:52All right, to make things right.
01:12:54You're insane.
01:12:55No, please.
01:12:56No, please.
01:12:58Please, please, please.
01:12:58Please, it's all right, it's all right.
01:13:01No, it hurts you.
01:13:03No, it hurts you.
01:13:07Because you're my sister.
01:13:08You're my sister.
01:13:10What?
01:13:13That wasn't real.
01:13:18But it has to be, please.
01:13:21Because you have her eyes.
01:13:24I hope you have a sister.
01:13:26And it's not you!
01:13:29No!
01:13:30No, please, no, you...
01:13:32No, you have to be here, please!
01:13:34No, please, please, please be her, please!
01:13:36Please be her, please!
01:13:38Please, you have to be her, please!
01:13:40Please, you have to be her, please!
01:13:43You have to be her, please!
01:13:46Please, please, you have to be hurt.
01:13:50Please, you have to be hurt, please.
01:13:56Please, you have to be hurt.
01:14:00Please, please, you have to be hurt.
01:14:06Please, please, please be hurt.
01:14:11Please be hurt.
01:14:12Please, please.
01:14:14Please, Pia.
01:14:16Please, Pia.
01:14:18Please, Pia.
01:14:21Please, Pia.
01:15:09Please, Pia.
01:15:16Pia.
01:15:17Pia.
01:15:18Lina.
01:15:19You came back.
01:15:21To save me.
01:15:23Yes.
01:15:26I did.
01:15:29Come on.
01:15:31Let's go home.
01:15:43You're coming.
01:15:46You're coming.
01:15:48You're coming.
01:15:50I'm coming.
01:15:52I'm coming.
01:15:52I'm coming.
01:15:53I'm coming.
01:15:55I'm coming.
01:15:57I'm coming.
01:15:58You're coming.
01:16:07And what's fascinating is that now these issues have been dealt with properly,
01:16:12Video Nazis have been eradicated completely.
01:16:16The crime rate in Britain has actually dropped to zero.
01:16:20It's just like we said.
01:16:22The streets of Britain are safe at last.
01:16:25The imprisonment rate is at a record high.
01:16:28The criminals are all locked up.
01:16:31There's nothing to be afraid of anymore.
01:17:12There's nothing to be afraid of anymore.
01:17:41There's nothing to be afraid of anymore.
01:17:47There's nothing to be afraid of anymore.
01:17:49Dave, please.
01:17:50Help me.
01:17:52I don't know.
01:18:42I don't know.
01:18:52I don't know.
01:19:30I don't know.
01:20:00I don't know.
01:20:31I don't know.
01:20:59I don't know.
01:21:29I don't know.
01:21:53I don't know.
01:22:28I don't know.
01:22:59I don't know.
01:23:22I don't know.
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