- 23 hours ago
Censor (2021) [Full Movie] [Long Version]Full EP - Full
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00:02:04Hang on.
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00:12:44Shall we?
00:14:15It's always the same with you.
00:14:16What?
00:14:16I'm taking no responsibility.
00:14:18I never take responsibility.
00:14:19You lose your fucking job, and I'm the one that doesn't take responsibility.
00:14:22I've had enough of this shit.
00:14:24Fucking good to hear you.
00:14:25I'll be bringing him into it.
00:14:27It's fucking typical.
00:14:28I'll be bringing him into it.
00:14:55Late night?
00:14:57I wanted many white wines.
00:14:59Well, let's hope there's nothing to your stomach churning coming up then.
00:15:04What masterpiece are we dissecting?
00:15:06Extreme Coda.
00:15:36I mean, what is it with these directors?
00:15:38Male inadequacy, revenge catharsis.
00:15:45Didn't that get to you?
00:15:47Some of those scenes were so excessive.
00:15:50Just focus on getting it right.
00:15:52Don't really think about anything else.
00:15:59Plus, I haven't got a hangover.
00:16:02Enid, Fraser wants to see us.
00:16:04Says it's urgent.
00:16:23Shut up, do I?
00:16:34You two passed Deranged, right?
00:16:38Deranged?
00:16:39Yes, the Moreno film.
00:16:41We watched it a few months ago.
00:16:43Why?
00:16:45There's a sequence in it where a man eats someone's face.
00:16:50Oh, yes.
00:16:51Yes, 18.
00:16:52With extensive cuts.
00:16:56What's happened, Fraser?
00:16:59A man was arrested in Brighouse yesterday.
00:17:03He killed his wife, then he tore off and ate her face.
00:17:11Went on to shoot his two children.
00:17:14Dad.
00:17:15It's horrific.
00:17:17I got a call from some journalist 15 minutes ago who was breaking the story.
00:17:23He's linking the killings directly to Deranged.
00:17:26Oh, God.
00:17:28So they're blaming us?
00:17:29Well, there's the thing.
00:17:32This journalist seemed to know that it was you two who passed the film.
00:17:36How the hell do they know that?
00:17:37I can't believe you two let it get past you.
00:17:39It's complete hysteria.
00:17:42It's no worse than other material we've passed.
00:17:44The press are going to town, calling him the amnesiac killer.
00:17:50He's saying he can't remember what happened.
00:17:54Come on, Polis is already breathing down our necks without this.
00:17:58It's a complete disaster.
00:18:00I mean, I can't believe you'd go off like that without permission.
00:18:05Why would you be the forest?
00:18:12He didn't help.
00:18:14Sorry.
00:18:17I'm so sorry.
00:18:22I need you to walk me through your decisions again.
00:18:25So I'm 100% clear.
00:18:28And for the record,
00:18:30in future,
00:18:31if you have even the slightest doubt,
00:18:34just reject the film.
00:18:38The man who went berserk
00:18:40claims he cannot recall the incident at all.
00:18:43The accused has been dubbed by press as the amnesiac killer
00:18:47after links being made today
00:18:48between the killing and video nasty horror film Deranged.
00:18:53I live in a soft screen.
00:18:55Make the blood go cold.
00:18:57And now they're saying it's because of some film.
00:19:01It's like the world's gone mad.
00:19:02This has always been a really safe neighborhood.
00:19:04Like, for the kids and now.
00:19:06For everyone.
00:19:08A hotel in Pinsley
00:19:10has cleared on staff and guests
00:19:12after he found what could be a bomb
00:19:14if he won of the hotel.
00:19:16Mum?
00:19:18Dispickable woman.
00:19:19Letting people see that disgusting film,
00:19:21you should be ashamed of yourself.
00:19:35Enid!
00:19:37Where is she?
00:19:40Enid!
00:20:07Why, watch it, mate!
00:20:09It's me!
00:20:09Enid, why did you allow to rage to be redeemed
00:20:12since you have done on your hands?
00:20:13He's the amnesiac killer telling the truth.
00:20:15Why do you ban him his films?
00:20:16Ah!
00:20:17Ah!
00:20:22Ah!
00:20:22Ah!
00:20:24Ah!
00:20:24Ah!
00:20:29Ah!
00:20:32Ah!
00:20:33Ah!
00:20:33Ah!
00:20:33Ah!
00:20:34Ah!
00:20:34Ah!
00:20:35Ah!
00:20:46Ah!
00:20:49Ah!
00:20:51Ah!
00:20:52Ah!
00:20:53Ah!
00:20:54Ah!
00:20:56Ah!
00:21:05Hey, my kids are eating this. How the fuck do they know who passed it? You think she blabbed
00:21:10to the press? Oh, yeah. It's not even like we've paid that much. I could go to academia
00:21:16like that, seriously. And that scene is laughable. Even Little Miss Perfect thought it was funny.
00:21:25Enid?
00:21:33Bad luck, isn't it? I mean, it could have happened to any of us.
00:21:39If I'm here to make decisions, it can't be bad luck.
00:21:45No, but, well, you know what I mean? We all make mistakes.
00:22:13That's a single malt knife, Fraser. Don't be using it. I have to drown your sorrows.
00:22:20And who's this you've got squirreled away? Enid Bain. She's one of our censors.
00:22:26So this is Enid? Have we met? No.
00:22:31Doug Smart. Producer. Ident Investment Films.
00:22:40Fraser, you didn't tell me you're such a photogenic team.
00:22:44I tell me this, Enid. If you get bored of banning my films, I'm sure I could get you a
00:22:49job on the big screen.
00:22:50I'm not sure how much I like the idea of being raped and cutting pieces on camera.
00:22:57No, but I'm sure the public would love it.
00:23:00Okay, yeah, come on. Maybe you could watch my latest Frederick North submission from the archives.
00:23:08It's harmless, I promise. I'm sure you could slip me a 15.
00:23:13It's already on her schedule, and I'm sure she'll deal with it with her usual professionalism.
00:23:19Come on, Doug. Let me see you out.
00:23:22Enchanté, mademoiselle.
00:23:25What a wee cracker she is. Absolutely gorgeous.
00:23:36There were so many shits and fucks, it was impossible to cut them all, so we just had to give
00:23:41it a 15.
00:23:43Anyway.
00:23:45Thank you, Alf.
00:23:47What have we got now, then?
00:23:49Don't go in the church.
00:23:51There won't be many places left for us to go soon.
00:23:56Frederick North film.
00:23:58Haven't seen one of his in a while.
00:24:00He used to be quite prolific.
00:24:02The only thing I know is work.
00:24:03Oh, here's a laugh a minute.
00:24:21No silent titles.
00:24:24Unusual.
00:24:33This way.
00:24:34Please stop.
00:24:36I don't like it.
00:24:37Can we go back?
00:24:39No, it'll be fun.
00:24:47Let's play a game.
00:24:59Come on.
00:25:02Summon my shadow.
00:25:05Spin.
00:25:11Do it.
00:25:17One.
00:25:20Two.
00:25:24Three.
00:25:30Go on.
00:25:34in there
00:25:37go
00:26:02go
00:26:36go
00:26:42go
00:26:44go
00:26:48go
00:26:49go
00:27:00go
00:27:01go
00:27:01go
00:27:02go
00:27:13go
00:27:19go
00:27:20go
00:27:20go
00:27:20go
00:27:30go
00:27:42you okay it was quite full-on it shook me up just feeling a bit under the weather
00:27:51you know you can always talk to me don't you if you want to stressful times like
00:28:00when my mum passed away if i hadn't had someone to talk to i think i might have just
00:28:04i don't know lost it why do you think you can't remember
00:28:11who
00:28:14the amnesiac killer oh i don't know
00:28:23i mean why wouldn't you remember
00:28:28god it's hard to
00:28:31could be basic trauma brain it sort of shuts it out could have had a bang on the head even
00:28:39or
00:28:40but it makes me think my psychotherapy days would talk about how people construct stories
00:28:46to cope you'd be surprised what the human brain can edit out when it can't handle the truth
00:28:58look you're good at your job enid don't know what's going on out there get to you
00:29:06i don't know if you want to but maybe we could get out of here sometime go for a drink
00:29:20i'm so sorry about your mum perkins
00:29:25thank you for this
00:29:54Hello?
00:30:07Hello?
00:30:09Hello?
00:30:20Hello?
00:30:42Hi, Mum.
00:30:53Sorry, this work's been really busy.
00:31:00Oh.
00:31:01Okay.
00:31:03I hope you're alright, love.
00:31:10Are you still there, love?
00:31:13Yes.
00:31:21It's, um...
00:31:24I examined this film today.
00:31:28Oh.
00:31:30What was it about?
00:31:40Nothing.
00:31:43It doesn't matter.
00:31:50You must let work get you down, Enid.
00:31:54I saw the news.
00:31:56Only cause you're downstairs.
00:31:58Dad doesn't know what he's talking about.
00:31:59Alright, love.
00:32:00I'm sorry.
00:32:04I'm sorry.
00:32:07Well, don't overdo it, will you?
00:32:11You can't be responsible for everyone, Enid.
00:32:14It's just a job.
00:32:16Yeah.
00:32:18I suppose so.
00:32:21Yeah.
00:32:28I suppose so.
00:32:30You're welcome.
00:32:33I'm sorry.
00:32:38I'm sorry.
00:32:44I'm sorry.
00:32:50You're gonna be in a beginning, I'll be back in a second.
00:32:50I'm sorry.
00:32:50All the time.
00:32:53Take a moment.
00:36:19No.
00:36:22Well, without a list, it'll take at least a week.
00:36:40You're leaving on time, Enid.
00:36:42It's not like you.
00:37:02It's not like you.
00:37:02The beast man's coming to get you.
00:37:30Oh, hi.
00:37:34Yeah.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey.
00:37:57I thought that one was banned.
00:38:01I don't know.
00:38:02I don't know what you mean.
00:38:04I don't know.
00:38:05Maybe you can help me.
00:38:05I was looking for some of the more unusual Frederick North films.
00:38:13I've seen, um, I've seen, um, don't go in the church.
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:26I've seen you.
00:38:27Um, I've seen you in here before.
00:38:32I've seen you in here before.
00:38:32I just move to the area.
00:38:35I've seen you in here before.
00:38:39like what
00:38:45my favorite is a stationary massacre the repeated stabbing of the man's eye with compass
00:38:50then his stomach being ripped open with three to scissors his guts falling out his stomach
00:38:56being stapled back together masterpiece
00:39:08all right come on i've seen i've seen that you've got camel carnage and i know that that's been banned
00:39:16bloody hell okay so many places getting you know shut down police raids and my mate up
00:39:35i'm gonna get rid of it all soon myself anyway so
00:39:40that's all i've got of north it's a bit of a ropey copy might be a bit fuzzy and all
00:39:44the good bits
00:39:45and uh well someone's taped over the end with another film
00:39:52this place gives me a bad feeling it's like something from one of my nightmares
00:39:57let's go back no we've come too far to turn back
00:40:05strange what is it a book there's a symbol it's like some sort of portal wait let me see
00:40:18it's latin i can work it out
00:40:30tom stop it could be dangerous
00:40:48he's calling for me
00:41:05he's calling for me
00:41:07the evil is contagious
00:41:16he's calling for me
00:41:18he's calling for me
00:41:20he's calling for me
00:41:20the evil is contagious
00:41:47he's calling for me
00:42:05I don't know.
00:42:45I don't know.
00:42:47I don't know.
00:43:03I don't know.
00:43:03I don't know.
00:43:06I don't know.
00:43:06Do you remember Carol and Alan, Enid?
00:43:09Huh?
00:43:10Alan with a squinty eye.
00:43:12They broke up.
00:43:14Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:19Well, I suppose she's better off out of it, but I'm going to miss her.
00:43:22You can visit, love.
00:43:33I wanted to talk to you about something.
00:43:36Found a nice fella?
00:43:37No.
00:43:44It's to do with Nina.
00:43:49I know what we talked about and I understand, but I think I might have worked out where she
00:43:57is.
00:43:58Oh, please, Enid.
00:44:00Not this again.
00:44:02I know, Dad, but this is different.
00:44:06There's this actress.
00:44:09Her name's Alice Lee.
00:44:13I know it sounds mad, but I've got this really strong feeling that I think is her.
00:44:24I need you to look at this and just focus on her face.
00:44:29Just look at her eyes.
00:44:32We've been there before, Enid.
00:44:34Every time it's not her.
00:44:36Dad, please, you're not even looking at her.
00:44:37Please, just look.
00:44:40She looks just like the police mock-up, Dad.
00:44:43Enid, stop.
00:44:44Dad.
00:44:45Enid.
00:44:46This is exactly why we did what we did.
00:44:49We tried to do our best for you, but you go off doing whatever you want.
00:44:53Just like the day you went off with her.
00:44:54George.
00:45:21You won't see her.
00:45:38But the video was so cool.
00:45:46No.
00:45:47Google YouTube听 прим kim�ali budget.
00:45:47What should you do?
00:45:47Thank you, Teresa.
00:45:48I can see you in a room where it's over.
00:47:32No, Nina!
00:47:33No!
00:48:03No!
00:48:33No!
00:48:34No!
00:48:37No!
00:48:38No!
00:48:39No!
00:48:46No!
00:48:57No!
00:48:58No!
00:49:00No!
00:49:05No!
00:49:06No!
00:49:08No!
00:49:09No!
00:49:10No!
00:49:11No!
00:49:11No!
00:49:12No!
00:49:14No!
00:49:15No!
00:49:20No!
00:49:22No!
00:49:23No!
00:49:28No!
00:49:29No!
00:49:29No!
00:49:30No!
00:49:32No!
00:49:35No!
00:49:39No!
00:49:49No!
00:49:52No!
00:49:56No!
00:49:58No!
00:50:00No!
00:50:05No!
00:50:06I was in the area.
00:50:13We met at the census office.
00:50:16Of course, Enid.
00:50:22Sorry, I've been having a bit of bother.
00:50:25Some people don't seem to like my films.
00:50:35Do come in.
00:50:46Do you live alone?
00:51:01Yes, I live alone.
00:51:12This room seems familiar.
00:51:15Must be a sign.
00:51:18It's a rape scene from Extreme Coda.
00:51:23Someone's got a keen eye.
00:51:32Not this for Coda in L.A.
00:51:38Coda's did quite a bit, actually.
00:51:48We look similar, don't we?
00:51:50Who?
00:51:52You mean Alice Lee?
00:52:00I do, actually.
00:52:01I knew you reminded me of someone.
00:52:04Why don't we get this wet coat off?
00:52:12What's Frederick like?
00:52:14What can I say?
00:52:17He's a provocateur.
00:52:19And a genius.
00:52:21He's wildly misunderstood.
00:52:26You enjoy it, don't go in the church then, huh?
00:52:30Frederick pressed for you to view it.
00:52:34He wanted a woman's eye on his film.
00:52:38You're not enjoying your scotch?
00:52:52You might be interested to hear that he's shooting a juicy sequel to Church at the moment.
00:52:57With the monstrous Beastman.
00:53:01The sequels are all the rage these days.
00:53:07Where are they filming it?
00:53:10Near Frederick's.
00:53:11In the forest where we shot the original.
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film.
00:53:19She's come to the end of her shelf life, that one.
00:53:22What does that mean?
00:53:29Oh, let's not talk about some silly actress.
00:53:34I'm far more interested in talking about you, you know.
00:53:37What's gonna happen to Alice?
00:53:39Well, that's top secret.
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Just talk it off me.
00:53:47What?
00:53:48Keep around my house.
00:53:50You fucking prick tease.
00:53:51Just let go of me, please.
00:53:53Please stop.
00:53:55Please stop.
00:53:56Oh, my God.
00:54:47Thank you for the whiskey.
00:54:51I'll see myself out.
00:55:26You fucking sick bitch, I hope you get what's coming to you.
00:55:29You deserve to get sliced up, you fucking pussy.
00:55:32People shouldn't be given any bloody responsibility.
00:55:36The evil is contagious.
00:55:37It's all you want, you horrible woman.
00:55:39You can run the fucking house.
00:55:41He's shooting a juicy thing.
00:55:42The church at the moment.
00:55:44You're wrong inside.
00:55:45Look, you haven't been really good.
00:55:47You talk sense, and they go to shit.
00:55:49You are people.
00:55:50We damage things.
00:55:57We damage things.
00:56:15Enid?
00:56:16You alright?
00:56:25We are interviewing here.
00:56:29Help me! Help me! Save me!
00:56:31Er, Enid.
00:56:34Sorry.
00:56:37Someone's losing the plot.
00:56:47Hello. Can I help you?
00:56:53Excuse me, Enid.
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie.
00:57:10All right?
00:57:12No! No, no, no, no! You're not authorised!
00:57:14The amnesiac killer stated in court he had never seen the film Deranged,
00:57:18which is supposed to have influenced the attack.
00:57:20So he didn't even watch it?
00:57:22That's what it says here.
00:57:23Leave him!
00:57:28Get back!
00:57:33Get back!
00:58:01Get back!
00:58:32Get back!
00:59:01Get back!
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