01:20Bullshit.
01:21It is this freaking wide.
01:23And it's periodic.
01:26Bullshit.
01:27Show me.
01:35Something terrestrial.
01:36Gotta be.
01:37Bouncing off the moon.
01:39Gee.
01:40Never thought to check that.
01:42Look at that slope, man.
01:43You could ski down that thing.
01:45It is drifting.
01:47Look here.
01:48Zoom in.
01:49Zoom in.
01:50See that variation?
01:51And look.
01:52This gap here.
01:53This is where it stops and starts over.
01:55It repeats?
01:56Every 78 seconds.
01:58Every 78 seconds.
01:58The whole entire thing.
02:00Three hours straight and no end in sight.
02:06It can't be.
02:20It's gotta be something bouncing off the...
02:22Off the...
02:22It's not bouncing off the moon, Dave.
02:25Maybe it's those Chatty Cathy's at the forest service.
02:28I hate those guys.
02:29Always on the radios talking about trees.
02:31Dave, it's not Smokey Bear we're picking up.
02:33Look at that signal.
02:34It's drifting.
02:37What is it, Dave?
02:44Looks like simple pulse width modulation.
02:46Old school, like Morse code.
02:49Maybe somehow it's the time signal out of Fort Collins.
02:53They use pulse width modulation.
02:55It's not the atomic clock.
02:56The atomic clock changes every minute because it's a clock.
02:58This is the same exact data repeated every 78 seconds.
03:01Plus, this is coming from 600 light years away.
03:08This Morse code of yours seems to be split four ways.
03:14The pulses are of equal duration,
03:17but they're positioned across four different frequencies.
03:20Looks like a player piano.
03:21So not binary, but base four. Quaternary.
03:26This won't be easy to crack.
03:40What do you think it says?
03:41Maybe just, hello?
03:43Hey, we're out here.
03:45What'd we put on Voyagers 1 and 2? Chuck Berry?
03:49Maybe this is just their version of Johnny B. Goode.
03:53Imagine the power it took to send it.
03:58Megawatts? Gigawatts?
04:00And that's if it's pointed only at us.
04:03Antenna the size of Africa.
04:04Bigger.
04:07You go to all that trouble to send a message.
04:10It's gotta be more than just hello.
04:14And why make it hard to understand?
04:17Quaternary?
04:18It's like encryption.
04:20Why would you bother to...
04:30It's not quaternary.
04:36I think I know what it is.
04:59Alright.
05:18So, that thing will be...
05:21The twin moons hung low and full, two wine-green eyes peering over the horizon as if to steal a
05:27glimpse into Acacia's soul.
05:29She paced the blood-soaked decks of the Mercator looking for something, anything, that might take her mind off Rabanne.
05:36Ascending the foc'sle, her gaze lingered over a bare-chested young sailor.
05:41On hands and knees, he scrubbed, his sinewy forearms stretched taut as he washed away all trace of the day's
05:47fight.
05:48With a languid nod.
05:52Lucasia bade him follow to her cabin.
05:55Little did this callow deckhand know that serving at his captain's pleasure might take on such sweet meaning.
06:01Or, regrettably, that it would last but a single night.
06:08Later, at four bells, Lucasia stood by the mizzenmast.
06:12Once again, she was alone.
06:16She pulled her topcoat tighter, fingering its coarse wool, as her thoughts flashed back to Rabanne.
06:22It had been he who first wrapped the coat around her, whispering in her ear,
06:26May this keep you warm in my absence, my shy.
06:32With that, Rabanne, proud, haughty Rabanne, mounted the plank and leaped from sight.
06:40The amaranth and slipstand closed over him, leaving Mary a ripple.
06:58Attention, lovers of speculative historical romance literature, best-selling author Carol Sturka,
07:04will now sign her new novel, Bloodsong of Wiccaro, the fourth book in her Wins of Wiccaro trilogy.
07:09Wiccaro, please, the twins of Wiccaro.
07:13And Bloodsong is the best yet.
07:16God, are you in for a treat.
07:19Let's go, sang-wooks!
07:23Rabanne is alive, right?
07:26Maureen.
07:26You can read it.
07:28Why, well, tonight I've already unplugged the phone.
07:31Just, no, Rabanne's not on the cover.
07:34No, he's not.
07:35Yeah, he's never not been on the cover, Carol.
07:38Well, if Rabanne doesn't come back, I'm done.
07:46Page 218.
07:50Okay.
07:51Okay.
07:53Bye.
07:53Thanks, Maureen.
07:55Hi.
07:55It's welcome.
07:56Hi, Oban.
07:57Lately, I can't take your idea as me.
08:00It's a pretty good.
08:01Hi, Ben.
08:05Love it.
08:08Happy reading.
08:09This is Nikki with her pillow.
08:11Nikki with her.
08:12Oh, my gosh.
08:12It looks so good.
08:13You made this?
08:14Yes.
08:15This is Christine.
08:16This is Paulina and support person.
08:18This is Carlotta.
08:19Say Rabanne.
08:21Rabanne.
08:23When Rabanne and Ergamel fell in the cargo hold, do you remember what it was loaded with?
08:27I'm an adobian spice fruit, which Lucasia is definitely allergic to.
08:33Oh, you guys want a picture, too?
08:35Yes.
08:39Thank you so much.
08:40Hi, Tanya.
08:41Are you excited?
08:42Hi, Eva.
08:44I got two books.
08:45One for the tub.
08:46This is an authentic pet list, just like LeBan's.
08:49Okay.
08:49It's really sharp.
08:50Okay, so three things.
08:52A, when finally are they going to make a Wiccaro movie?
08:55And please tell me it'll be an actual theater, it's not on the Lifetime Network.
08:58B, you've got to get ILM to do the slipstand.
09:01Otherwise, it's just going to look like mailed.
09:03Pardon my French.
09:03And C, at a small but very crucial point, as a two-masted scooter, the Mercado would not
09:10possess a mizzenmast.
09:12Craig, I'm going to need you to put this back in the bag before the store manager sees it.
09:16Oh.
09:17Right?
09:18Your humble servant.
09:21Oh, that's the one.
09:23Oh, I love you.
09:23Thank you so much.
09:25See you at the next one.
09:28All right.
09:28All right.
09:33Hi, ladies.
09:34I have us going to the Hyatt Regency Dallas.
09:37Yeah.
09:38Thanks.
09:38Perfect.
09:40That was quite a send-off.
09:42I'm sorry, should I know who you are?
09:44Uh, depends.
09:45You a big fan of mindless crap?
09:47Uh-huh.
09:49I'm sorry.
10:02I'm sorry.
10:06I'm sorry.
10:09I'm sorry.
10:13Oh, my God.
10:17I'm sorry to show you.
10:20Good morning, Doc.
10:22Oh, it certainly is.
10:25Hey, Mel.
10:26Hey.
10:27Oh, where'd those come from?
10:29Yours truly.
10:31Help yourself.
10:32I think they're mostly glazed, but one box ought to be sprinkled, powdered and all that.
10:36What did we do to deserve this?
10:38Ah, my 14-year-old son from Arch and Van.
10:43Oh, aren't you a good dad.
10:44What does she play?
10:46Trombone.
10:47Dr. D.
10:49Good evening, morning, whatever.
10:52Look what Mel brought.
10:53Ooh, for us?
10:54Yeah, please.
10:56They got you two working late.
10:57Yeah, I gotta guess a bunch of rats.
11:01So how goes the big project?
11:03What have you heard?
11:05I don't know.
11:06Things?
11:08Well...
11:09Our team's fairly certain we've got a sequence that includes for a lysogenic virus,
11:13but after eight whole months of animal testing...
11:15Macaques, rabbits, mice...
11:16Guinea pigs.
11:17Guinea pigs.
11:18Now rats.
11:19No clinical signs whatsoever.
11:24Put another way?
11:26We got bupkis.
11:28We got bupkis.
11:45Okay, how do you want to do this?
11:47Uh, I can put him to sleep if you want to do the cardiac sticks.
11:51I hate the cardiac sticks.
11:53You're more than welcome to gas him.
11:56I hate gassing him.
11:58Might be in the wrong career.
12:00All right.
12:00Cardiac sticks it is.
12:03Let's get it over with.
12:06Uh-oh.
12:09Check it out.
12:11Oh, damn.
12:13What do you figure happened there?
12:20I don't know.
12:44He's looking pretty dead to me.
12:48You got a heartbeat?
12:50Can't feel jack shit in these gloves.
13:00Huh.
13:01Huh, what?
13:04He's absolutely got a heartbeat.
13:06Strong one.
13:06Just bam, bam, bam.
13:07It's weird.
13:08If I didn't know any better, I'd...
13:09Oh, God.
13:10Oh, shit.
13:11Oh, no.
13:12You've got to be kidding me.
13:15Did he break the skin?
13:17Um, yeah, I don't...
13:18Yeah, it's through the glove.
13:19Shit.
13:20Uh, soak it quick.
13:22If it's a merge.
13:23If it's bleeding, make sure to squeeze it out good.
13:26I'm going to call this in as soon as I catch him, okay?
13:29Okay.
13:52Let's mark 336, and, uh, Jen?
14:02Talk to me, Jen.
14:03Jen!
14:03Jen!
14:04Jen!
14:05Shit!
14:07I'm getting out right now.
14:09I got you.
14:11Okay, come on.
14:12I got you.
14:19Oh, God.
14:22Jen, can you hear me?
14:23It's going to be fine.
14:25You're going to be all right.
14:27Come on.
14:28You're going to be all right.
14:29You're going to be all right.
14:30You hear me?
14:31Come on.
14:31Come on.
14:32Come on.
14:32Talk to me.
14:33Come on, Jen.
14:33Come on.
14:34Jen!
14:35You all right?
14:37Jen?
14:38Just say something.
14:40Jen, I got you.
14:42I got you.
14:44Jen?
14:47Hey, hey, hey, Jen.
14:48Can you hear me?
14:50Jen, just say something.
15:02Damn it.
15:02Kidding me.
15:14Oh, no.
15:17Really?
15:32Can you believe this thing?
15:36You got skinny arms.
15:37You think you could maybe, uh...
15:42Uh, hey.
15:49You got skinny arms.
15:51You got skinny arms.
16:00You're good.
16:03Oh, no.
16:04Oh, no.
16:07I'm so sorry.
16:08Oh, no.
16:25Yes?
16:49I don't know.
17:18I don't know.
17:49I don't know.
18:25I don't know.
18:56I don't know.
19:31I don't know.
19:38I don't know.
19:40I don't know.
20:10Seriously?
20:11I had one Tito's in Salt Lake.
20:14That was like two hours ago.
20:15I don't know.
20:19I don't know.
20:23I don't know.
20:53I don't know.
20:56I don't know.
21:03I don't know.
21:21I don't know.
21:23I don't know.
21:24I don't know.
21:41I don't know.
21:56I don't know.
21:58I don't know.
22:15I don't know.
22:20I don't know.
22:26I don't know.
22:30I don't know.
22:30You know, I don't know.
22:31It's just a lot.
22:32I don't know.
22:32I do.
22:32I don't know.
22:32I don't know.
22:35I don't know.
22:36I love it.
22:42You ever read Finnegan's Wake?
22:44No.
22:46I tried too. In grad school.
22:51It's probably great. I don't know.
22:55All I know is it made me miserable trying to get through it.
23:01I figure you make even one person happy. Maybe that's not art.
23:08It's something.
23:16To Rabanne. Proud, haughty Rabanne.
23:29Did you bring your cigarettes?
23:32Since when do you smoke?
23:33Since now?
23:34Made my rise all over the town
23:37When I were born
23:41And everybody's like to have what I got
23:44You're pulling down this borderline
23:46It's what you find me here
23:48That's my name
23:55Were you trying to start a forest fire?
23:57Stop wasting my butane.
24:00Stop telling me how to smoke.
24:02I used to smoke in middle school.
24:04You know, you're supposed to light the other person's cigarette first, by the way.
24:06That's etiquette.
24:07Yeah? On a plane, do you put your own oxygen mask on first?
24:13Ooh.
24:14You're gonna hear it. Houston Mom, 78, says about Blood Song.
24:18Best Waikaro ever!
24:19All caps.
24:20And, uh...
24:2416, 17!
24:25No.
24:25Wow. Is that a new record?
24:27It's gotta be.
24:28Spoiler alert. Rabanne is back.
24:30And yummier than ever.
24:31Yummier than ever, I think she means.
24:33Mm-mm.
24:34You better belief he's got my permission to come aboard.
24:37I'd walk his plank anytime.
24:39I'm sensing a nautical motif.
24:41A little bit.
24:41Think Houston Mom's off for meds again?
24:43I think Houston Mom would spread her legs for a grilled cheese sandwich.
24:48Huh.
24:51Look at that.
24:53What?
24:55What do you think they're doing?
24:57What's what doing?
24:58The planes.
25:00Look.
25:03I don't know.
25:04Was that weird?
25:05Yeah, it's weird.
25:06Isn't it?
25:07All of them kind of parallel like that?
25:10Huh.
25:10I don't know.
25:22Anybody else weigh in?
25:24That's all the usual suspects.
25:26Plus, a few new ones.
25:28Everybody loves it.
25:40You want to answer a few questions for them?
25:43What now?
25:44No, no, no.
25:45Do a quick one.
25:45Let them know you're paying attention.
25:48Carol, my husband says Rabanne can be my hall pass, which I don't think is fair since Rabanne's not a
25:53real live person.
25:54Although I wish he was.
25:55In real life, was there an actual man you were thinking of when you came up with Rabanne?
26:01That's hilarious.
26:05You want to tell the truth?
26:09Or do you have to lose?
26:13Put down George Clooney.
26:15What?
26:16What's wrong with him?
26:17Nothing.
26:18Just, I mean, how about a hot Brazilian soccer player?
26:21Someone with dreadlocks.
26:22Hip it up.
26:23Just...
26:25Put George Clooney.
26:27It's safer.
26:34Shit!
26:36Oh.
26:56What?
26:57Buddy, you...
26:57You okay, buddy?
27:05Oh, Jesus.
27:17Helen, should we call someone?
27:22Helen!
27:23Helen!
27:24Stop looking at the goddamn f-
27:25Oh!
27:26Oh!
27:28Oh!
27:28Oh!
27:31Oh!
27:37Oh!
27:42Oh!
27:43Oh!
27:44Oh!
27:46Oh!
27:49Oh!
27:51Oh!
27:51Oh!
27:51Oh!
27:52Oh!
27:53Somebody help us!
27:54Help!
27:56Just hang in there.
27:57Or hang in.
27:58Hang in there.
27:59Just hang in there.
28:07Oh!
28:08Oh!
28:08Oh!
28:08Oh!
28:08Oh!
28:10Oh!
28:17Oh, my God.
28:41Oh, my God.
29:15Oh, my God.
29:23Oh, my God.
29:24Oh, my God.
29:25Oh, my God.
29:27Oh, my God.
29:27Please.
29:38Yes, yes, yes.
29:42Oh, my God.
29:51Oh, my God.
29:54Oh, my God.
30:08Oh, my God.
30:10Oh, my God.
30:24Come on, come on, come on.
30:25Come on.
30:27Come on, come on.
30:28Come on, come on.
30:28Come on, come on.
30:34Fuck you.
30:35Fuck you, fuck you.
30:36Fuck you, fuck you, fuck you, fuck you.
30:42Fuck you!
30:52You better get out.
30:53Come on, get out! Get out!
30:59No! Fuck!
31:03Fuck it! Go!
31:26Fuck!
31:48Help!
31:49No!
32:19No!
32:32Oh, thank God!
32:35Oh, thank God!
32:37Shh!
32:58Uh, Ma Bey!
33:02Do you row me?
33:03when you go!
33:09Don't sit still!
33:10We let things go
33:10Oh, my God!
33:12No!
33:19Oh, my God.
33:49Oh, my God.
34:00Wake up.
34:03Dr. Nguyen, I made you wake up.
34:09Please wake up.
34:10Dr. Nguyen, wake up.
34:15Please wake up.
34:17Dr. Nguyen, wake up.
34:23Dr. Nguyen, wake up.
34:54I'm so sorry.
34:55I'm so sorry.
34:55Don't come!
35:20Okay, there we go.
35:25Helen?
35:26Helen?
35:28Helen?
35:30Helen?
35:37Hi, baby.
35:47Hi, baby.
35:56No, no, no.
36:24No, no, no, no.
36:25God damn it.
36:26Okay.
36:31Come on.
36:38No, no, no.
36:40God no.
36:41Come on.
36:42Please.
36:43Please help me.
36:44Please help me.
36:52Please help me.
36:56Please help me.
37:01Please help me.
37:03Please help me.
37:07Please help me.
37:09Please help me.
37:10Please help me.
37:12Please help me.
37:13Please help me.
37:17I don't know.
37:50I don't know.
38:16Hey.
38:20Hey.
38:30What?
38:31What is happening?
38:58I don't know.
39:01I don't know.
39:01What's happening, you people?
39:02We just want to help Harold.
39:24I don't know.
39:32I don't know.
39:33I don't know.
39:35I don't know.
39:51I don't know.
40:03Hey.
40:13What the fuck?
40:40What the fuck?
41:04What the fuck?
41:38What the fuck?
41:51What the fuck?
42:03What the fuck?
42:48Come on, come on, come on.
42:49Come on, come on, please.
42:51Come on, come on, come on.
43:20Remember, April 2016, the last time you got locked out?
43:25You put a spare key under the flower pot.
43:28The one on the right.
43:30Back there.
43:37There you go.
43:46Leave me alone.
43:48Leave me alone, please.
44:01Come on, come on, come on.
44:30We're very sorry for your loss.
44:33Come on.
44:38Let's go.
44:47Come on.
44:56Wait.
44:58Come on.
45:13Oh, my God.
45:33Oh, my God.
46:11Oh, my God.
46:32Oh, my God.
47:03Oh, my God.
47:04Oh, my God bless America.
47:43Oh, my God.
48:10Oh, my God.
48:28Oh, my God.
48:31Oh, my God.
49:12Oh, my God.
49:24Oh, my God.
50:21Oh, my God.
50:21Oh, my God.
50:22Oh, my God.
50:25Oh, my God.
50:46Oh, my God.
51:37Oh, my God.
51:47Oh, my God.
52:05Oh, my God.
52:08Oh, my God.
52:37Oh, my God.
52:44Oh, my God.
52:55Oh, my God.
53:01Oh, my God.
53:04Oh, my God.
53:06Oh, my God.
53:08Oh, my God.
53:10Oh, my God.
53:22Oh, my God.
53:23makes you different figure it out why so we can fix it so you can join us
53:38carol you still there
53:43you said my life was my own it is 100 percent
53:50so what happens when i say no carol once you understand how wonderful this is carol
54:20hi you've reached 505-796-6933 we're on the french riviera drinking champagne we are not here in our
54:28sweatpants screening your call make it a good one carol hello it's us hello
54:38we're sorry we upset you carol we only want to make you happy
54:42shut up shut up shut up shut up
54:57you
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