- 2 hours ago
Episode 01: Eleanor
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00:16It feels cheap to call it a friendship.
00:21It was something else, like a kinship from deep in our souls.
00:29We could face anything that life would throw in our path, as long as we had each other
00:33to come back to.
00:37We were supposed to grow old together.
00:41What we had was powerful and essential, and it was supposed to last forever.
00:56But that's not what happened.
01:24It's not what we had.
01:55When was the last time you saw the deceased?
01:57Um, we had dinner last night.
02:00You don't seem sure about that.
02:03No, I am.
02:04I'm sorry.
02:05I am.
02:05I just, um, it doesn't seem possible that that was yesterday, you know?
02:11Everything feels just so different now.
02:19Can I ask how?
02:23What happened?
02:25Was she robbed?
02:27Was she raped?
02:30Oh, that's not information we can share just now.
02:34We're hoping you can help us.
02:35Yes, however I can.
02:37What, what can I do?
02:39You may have been the last person to talk to your friend before the assailant, so you can
02:44tell us anything that you remember from last night.
02:56Okay, okay, okay, okay, okay.
02:58Here we go.
03:05Let's go.
03:06Thank you, thank you, thank you.
03:09I would like to thank my coworkers on the South Asian team for letting me win.
03:16And I have to thank our fearless leader, Eleanor, for the two most rewarding, challenging years
03:21of my life.
03:22May I say something?
03:23Of course.
03:24So, these somewhat ridiculous cornhole contests do serve a purpose.
03:32And it's not just to bring some joy and levity to the really difficult but crucial work that
03:38all of you are doing all over the world.
03:40These moments also mark passageways.
03:44So, Kumal, we raise our compostable cups to you today, because we are so proud of everything
03:51that you have accomplished at Rescue and Relief, and we are even more proud of all the work
03:56on your horizon.
03:59To Kumal!
04:00Everyone, please eat!
04:02I don't want to waste any food!
04:12Good speech, boss.
04:13What?
04:14I was just, you know, giving you a compliment.
04:16Well, don't do that.
04:19What's up?
04:20Do you have a second to talk?
04:21I don't.
04:22I'm so sorry.
04:23I don't.
04:23But maybe we can find some time later?
04:25Yeah.
04:27Yeah?
04:27I'll see you later.
04:28Mm-hmm.
04:28Okay.
04:35Aw.
04:35Aw.
04:36I'm watching.
04:36Aw.
04:37It's better, babe.
04:38I know.
04:39Yeah.
04:39Do I have to do this?
04:40It's just your tradition.
04:42From college.
04:43Yes.
04:44We were young.
04:44We had that taste.
04:45Elle, help me.
04:46I do not make the rules.
04:48Happy birthday!
04:49Happy birthday!
04:53Oh!
04:54It's odd.
04:55No.
04:55It's gotten worse.
04:57Yeah.
04:57It's disgusting.
04:57It's really bad.
04:58Okay, honey, how has the day been?
05:00Have you been adequately worshipped?
05:03Absolutely.
05:03Artemis woke up at 6 a.m. to start worshipping me.
05:07Why?
05:07By demanding pancakes.
05:09Oh.
05:09No, they were so sweet, the girls.
05:10And Howard had them write me little poems.
05:13That is sweet.
05:13Yeah, I know.
05:14It's kind of cheap.
05:15Hey, it's personal.
05:16Oh, Nancy.
05:17She deserves to be showered with gifts.
05:20Excuse me.
05:21Oh.
05:21Potato mini galettes with a tomato confin,
05:24paired with champagne.
05:25Compliments of the chef.
05:26Oh, thank you.
05:27Please thank Ponco for me.
05:28Will do, Miss Boucher.
05:31Amazing.
05:31They look very nice.
05:33Mm-hmm.
05:33I mean, they're tater tots, right?
05:34No.
05:35They are very fancy, artisanal tater tots.
05:39Okay.
05:40Rude.
05:40I love it when you sleep with chefs.
05:42Oh, how's it going with the coworkers?
05:44That's still...
05:45Yes, we are still connecting here and there.
05:50You know?
05:50Yes.
05:50It's very casual, though.
05:52Does he know that?
05:53Yes.
05:54Nancy.
05:54You good?
05:56What?
05:57Is everything okay?
05:58Yes.
06:00Ladies, I wanted to say...
06:02This is going to be long because I have to pee.
06:04No.
06:05No, just checking.
06:05I just wanted to say...
06:08...that I'm so happy to be here with the two people that I love most,
06:10who I feel most loved by in all the world.
06:12We do love you.
06:13Super.
06:13There's an Irish saying.
06:15Oh, God.
06:16Please, no.
06:16I'm just kidding.
06:18Happy birthday, beauty.
06:22All right, I'll be right back.
06:25We have your table ready, Miss Boucher.
06:26Fantastic.
06:28We don't have to regret that.
06:31Nancy, what is going on?
06:33Are you okay?
06:34Yeah.
06:35No.
06:36Um...
06:37What's happening?
06:38It's that guy.
06:39It's still happening.
06:41I...
06:41What?
06:42I thought you were breaking it off.
06:43I tried.
06:44I know.
06:45It's complicated.
06:46What does that mean?
06:48Mary doesn't know.
06:49Can you not say anything?
06:50I...
06:50I don't want to make her upset.
06:54But it's okay for me to be upset.
06:57Well, it's not like you're monogamous.
07:00Nancy, if you were being honest with Robert about what you were doing, that would be fine.
07:07I mean, open marriages are like open kitchens these days.
07:09Everybody's putting them in.
07:10It's not exactly Robert's style.
07:12But this thing that you were doing, it's not liberating you.
07:17It's just making you miserable.
07:19I know.
07:19I know.
07:21I...
07:23It's just when I'm with him, I feel powerless.
07:29Do you remember what you said to me about the difference between love and infatuation?
07:36What did I say?
07:38You said that love fills you up and infatuation depletes you.
07:43Are you sure I said that?
07:44Yes.
07:44That sounds more like Mary.
07:46No, you said it to me about Robert.
07:48The day that he proposed.
07:52Sometimes I think you see my life more clearly than I do.
07:55No.
07:56I just...
07:57Hi.
07:58Hi.
07:59Beautiful.
08:00Right?
08:00What are we talking about?
08:03Just Eleanor's entanglements.
08:06Huh.
08:07Well.
08:07Oh!
08:08I was offered cocaine in the bathroom.
08:10What?
08:11I didn't take it, but you know, it's nice to be asked.
08:13You still got it.
08:30Hmm.
08:32Hmm.
08:34Hey.
08:35Eleanor.
08:36It's Robert.
08:37Sorry to bother you so late or so early.
08:40It's okay.
08:41What's up?
08:41Well, Nancy didn't come home last night.
08:43She's not answering her phone.
08:45She didn't go home with you after dinner by any chance.
08:49Are you there?
08:51You okay?
08:52Yeah.
08:53Yeah.
08:53I'm sorry.
08:54Are you not alone?
08:55No, no.
08:56Can you just give me a second?
09:08Okay.
09:09So...
09:11Nancy hasn't come home yet?
09:12No.
09:13And I've left half a dozen messages and texts.
09:15There's no response.
09:16Um...
09:16Very concerning.
09:18Yeah, I don't...
09:19I don't know, Robert.
09:20I mean, we...
09:21We ate, and then she left.
09:24And she told you she was coming home?
09:28I mean, she didn't say that exactly,
09:30but I assumed.
09:34That's it.
09:35I'm calling the police.
09:36No, Robert.
09:36Just don't.
09:37Don't do that.
09:38Okay.
09:40So...
09:40But you do know where she is?
09:43Not exactly.
09:45Eleanor, what the hell's going on?
09:49Um...
09:49I'm gonna throw some clothes on and come to you.
09:52That's...
09:53That's not necessary.
09:53If you could just tell me...
09:54Robert, stop.
09:55Stop.
09:56Do not call the police until we talk, okay?
09:58Please.
10:00Okay.
10:00Okay.
10:01Okay.
10:02I'm on my way.
10:03Shit.
10:07Hey, Jordan.
10:10Can I take these jeans?
10:12No.
10:13Bill?
10:13Hi.
10:15You are?
10:16We didn't already?
10:17Yeah.
10:18But...
10:19It's fine.
10:20Because I was never here, remember?
10:22I was never here.
11:06I was never here.
11:18Hey.
11:22So she's done with me.
11:26She's leaving?
11:27Is that what this is?
11:28I don't know what she's thinking.
11:31And she hasn't said that, but...
11:33What?
11:33Jesus, Eleanor, come on.
11:34You came all the way over here.
11:35You might as well just tell me.
11:36She's seeing someone else?
11:40I'm so sorry.
11:46Well...
11:48There it is.
11:49I really don't want to be in the middle of all this.
11:54But who is he?
11:56She told me it was over.
11:57But you know how Nancy is, right?
11:59Like, sometimes she's very clear and then another...
12:01Then I need a name.
12:04David.
12:05David who?
12:06I don't know.
12:07She says that she met him through work.
12:09The museum?
12:10The ballet?
12:12Hospital?
12:12Where did she find this guy?
12:14She hasn't told me.
12:18So this dinner with you and Mary last night, that's what?
12:22Her alibi?
12:23No.
12:24We had dinner.
12:25We were celebrating Mary's birthday.
12:27Don't lie to me.
12:29Been lied to enough.
12:30Not by me.
12:31I have never lied to you.
12:33Not once.
12:34We all had dinner.
12:36And then she left.
12:40Would you like a drink?
12:43I quit.
12:44What?
12:46When?
12:47Two weeks ago.
12:49Feels like a year.
12:51Did it for her.
12:57Is this new?
12:59No.
13:00She's always moving the art around.
13:02Says it keeps things fresh.
13:03Is she really that unhappy with me?
13:06I know she shares everything with you and Mary but.
13:09Don't do that Robert.
13:11It's not you.
13:12She is unhappy with herself.
13:20Thanks for coming but I need to get myself together.
13:37Can we ask you to sit sir?
13:41I'd rather stand.
13:44A body was found early this morning that we have reason to believe is your wife's.
13:48Nancy's.
13:53How do you know it was her?
13:56A wallet containing her identification was found with a body.
14:00Yeah well that...
14:04Where?
14:06In Roseco Park sir.
14:08Under the Colorado street bridge.
14:10There's a long way there.
14:11I know the Arroyo flood been messing in my own life.
14:14What happened to her?
14:16The evidence suggests there was an assault that killed her.
14:21And unfortunately those are all the details we can tell you right now.
14:28We will need someone from the family to identify the body.
14:35I'm sorry. I'm sorry.
14:38What did you just say?
14:41We need someone to identify the body.
15:08Yes.
15:10It's her.
15:11It's Nancy.
15:15That's nasty.
15:22Miss Boucher?
15:25Miss Boucher?
15:27I asked how long you and the deceased had known one another?
15:31We've been best friends for 25 years.
15:35With Mary.
15:36I have to call Mary because she can't read about this.
15:40You told Mr. Hennessy that she was seeing another man?
15:45Yes.
15:46What do you know about him?
15:48Not a lot. His name is David.
15:53They met at work?
15:54At work?
15:55Yes.
15:57Mr. Hennessy tells us she was a homemaker.
15:59Yes.
16:00She does a lot of philanthropic work.
16:02She sits on the board of several different organizations.
16:05I'm sure that Robert could give you a complete list.
16:08We're talking to you right now.
16:11Is there anything more that you can tell us about her lover?
16:15Hair color?
16:17Age?
16:18Race?
16:19Height?
16:19Weight?
16:20No.
16:21I'm sorry.
16:22I wish there were.
16:23My wife has a best friend from college.
16:26Can't get them off the phone with each other.
16:30Is that a question?
16:33It just seems she might have told you more than a first name.
16:38Well, she didn't.
16:40As it happens.
16:47Am I being held?
16:49Or am I free to go?
16:52Somewhere else you need to be?
16:53You are free to go.
16:55Just do us a favor and stay in town.
16:59Of course.
17:04I'mless.
17:16Leave me alone, everybody.
17:24See you later.
17:28Look who else is here.
17:30I'm gonna go.
17:30Okay.
17:30Let me go.
17:31I'm gonna go.
17:32I love you about that.
17:34Hi.
17:35Hey.
17:36Hi, Ellie.
17:38Hi.
17:38I got a cut on my toe.
17:40It's infected.
17:40Whoa.
17:41I got a cat.
17:42You did?
17:42She started feeding a cat.
17:43It's not hers.
17:44Yes, it is.
17:45No, it's not.
17:46Yes, it is.
17:46Stop lying, you liar.
17:47Mom, tell her it's not her cat.
17:48This is a nice surprise.
17:50It is my cat.
17:50No, it's not.
17:51No, you don't.
17:52Yes, I do.
17:53No, you don't.
17:53Sweetie, why don't you take me inside for a second.
17:55Come on, girls.
17:55Who wants some iPad time?
17:56It's not yours.
17:57Go on.
17:57iPad!
17:57Ellie and Mommy need some grown-up time.
18:03What is it?
18:07It's Nancy.
18:11What?
18:12Oh, Mary.
18:14What?
18:17She's gone.
18:19What do you mean she's gone?
18:21Mary, she's dead.
18:25What are you...
18:30When you saw her body, what was it?
18:35What did they do to her?
18:38The wound is on the back of her head.
18:42Sue, her face was still perfect.
18:50What the fuck was she doing in the arroyo?
18:53I don't know for sure.
18:56What?
18:56What do you mean for sure?
18:58Do you know anything else?
19:01She was meeting someone.
19:03What?
19:04What do you mean she was meeting someone?
19:06Somebody that she was seeing.
19:07Oh, my God.
19:11Oh, my God.
19:15Is this what you two were talking about last night when I came back from the bathroom?
19:19Yes.
19:20But, Mary, she didn't...
19:22She barely told me anything.
19:24But you knew.
19:27Who was he?
19:28I don't know.
19:29I don't know much.
19:30I just know that he was texting her and she was upset.
19:33And so...
19:34They must have still been seeing each other and...
19:37Still?
19:38Yes.
19:38Still seeing each other?
19:39Yes.
19:41How long have you known about this?
19:44I don't know.
19:45Maybe a couple of weeks?
19:47My God.
19:48Jesus, Ellie.
19:49It wasn't my business to tell you.
19:51And I thought that she was gonna end it.
19:53I did not think it was gonna be a big deal.
19:54I did not think...
19:55She...
19:58Okay.
19:59Okay.
20:02Did she tell you anything else about him?
20:05She told me that his name is David and that they met at work.
20:10Did you tell the police?
20:12Yes, of course.
20:13I told them everything.
20:14Well...
20:14Yeah, but neither have you told me, so...
20:18What did you think?
20:19I was gonna be judgmental.
20:21Is that what she thought?
20:22No, Mary, I think she...
20:24You know, you can be more judgmental than me sometimes.
20:27Okay?
20:28You know?
20:28Yes.
20:29Fine.
20:29Maybe that's why she told me, Mary.
20:31Because she knew that I would be harder on her.
20:33And I was.
20:34I am the one who told her that she had to break it off with him.
20:37And so she went to see him.
20:38And now she's dead.
20:40Are you blaming yourself?
20:41I...
20:42You cannot do that.
20:43What happened?
20:46Hey, Marcus.
20:46Hi, sweetheart.
20:48Hey.
20:48How was it with your caseworker this morning?
20:50Mom, I'm an actual person now.
20:52You can talk to me.
20:55What's going on?
21:01Um...
21:03Okay.
21:07Um...
21:07Your...
21:09Your...
21:10Nancy was killed last night.
21:13They found her.
21:15I'm sorry.
21:17Mom.
21:17I'm so sorry.
21:18Mom.
21:19Oh, my God.
21:20Mom, I'm so sorry.
21:23It's okay, sweetie.
21:25It's okay.
21:26It's okay.
21:26I'm sorry.
21:29I'm okay, sweetheart.
21:32I'm okay.
21:32I'm okay.
21:36When the sun goes back to sleep.
21:45And the rain comes knocking on my window.
21:54When you look out for me too.
21:55I will look out for you.
22:04When you look out for me too.
22:13How could I?
22:23I'll tell you.
22:23I'll ever forget about you.
22:32It's too hard to put you...
22:33... saving signs of a brutal physical assault.
22:36There is no suspect in custody at this time.
22:39The victim's husband is Robert Hennessy,
22:41whose father is the founder of Hedgegrove Capital.
22:43Tributes poured in today on social media
22:46where Mrs. Hennessey amassed thousands of followers.
22:49Do they really think this will help?
22:52It might.
22:53It might make people care about her.
22:56Oh, come on.
22:57Be honest.
22:58If all you saw was this highlight reel of her life,
23:02don't you think you would hate her?
23:04Hate's an ugly word.
23:09I envy maybe.
23:11That's all I saw.
23:13This wasn't even the real her.
23:16Yeah, it was, Ellie.
23:18It just wasn't the whole her.
23:26Have you seen Cora?
23:29No.
23:30Not yet.
23:54I don't even know my mom owned any black clothes.
23:57She used to have this gorgeous black leather jumpsuit
24:02that she wore when we went to the club.
24:04I can't picture that at all.
24:06She always wanted to take me shopping.
24:09I never let her.
24:10I get that.
24:12Mothers and daughters, it's very complicated.
24:16No, but I wouldn't roast her for all the shopping she did.
24:19Now I'm, like, digging through her clothes,
24:23trying to find something to wear to her funeral.
24:27Cora, if this feels like too much,
24:30we don't have to do this right now.
24:34I can't feel anything, Ellie.
24:36I think you might be in shock.
24:39Is that what it is?
24:40Because I feel like something's wrong with me.
24:43Nothing is wrong with you, okay?
24:47I remember being in this room with your mom
24:50when you were just an infant,
24:53and she was holding you in her arms,
24:55and she was so in love with you.
25:00Nothing made her happier than being your mom.
25:05And all I did was push her away.
25:08Oh, and it's too late now.
25:14It's okay.
25:17Oh, I'm here.
25:22Would you stay with us?
25:25Really?
25:26I don't want to be alone with my dad.
25:30Oh, Cora, I...
25:32Okay.
25:34I know that he struggles with his emotions,
25:38but trust me, I have known him
25:40since I was barely older than you.
25:42It's not just the emotions.
25:45I don't feel safe with him right now.
25:55I don't need a publicist.
25:57I need them to find out who killed my wife.
26:01It's a crisis firm, Robert.
26:04And Daddy just wants to make the introduction.
26:07That's it.
26:08Ultimately, it's your choice.
26:11Have you given me more thought to the idea of a reward?
26:15Oh, I hate the idea of a bounty hunt.
26:18I know.
26:18No one wants to put any pressure on you,
26:20but at this point,
26:21it's just about controlling the narrative.
26:23Hey.
26:23I mean, we're in...
26:25Oh, Eleanor.
26:26No, you were here.
26:28Sorry to interrupt.
26:29No, come on in.
26:30Come on in.
26:31You've been such a good friend
26:32to be here with the family for this long.
26:39I was just headed to the kitchen.
26:41Does anyone else need a drink?
26:43No, thank you.
26:49Is it cold in here?
26:51My sister's just trying to help finish all the alcohol in the house.
26:55Yes, I think she's doing that.
26:59Cora asked me if I would stay with you guys for a while.
27:03Okay.
27:05So, how do you feel about that?
27:07It's not about how I feel.
27:10It's about figuring out what's best for Cora.
27:14If I thank you for everything that you're doing.
27:16Don't do that, please, Robert.
27:18No, it's something I forget to do.
27:22I can be a real asshole like that sometimes,
27:24just taking everyone around me for granted.
27:28How did Cora seem to you?
27:33She's scared of me.
27:34She didn't use the word scared, exactly.
27:40It can't be easy.
27:43Losing her mother,
27:45seeing them treat me like a suspect.
27:47They're not calling you a suspect, are they?
27:49That's where this is headed.
27:51You know, I have no alibi.
27:52I was home alone that night until I spoke to you.
27:56Sorry.
27:56I can understand having you around
28:00might make her a little more comfortable right now.
28:04I'm going to come by as often as I can,
28:07but I don't think it's a good idea for me to stay here.
28:11Yeah.
28:12Okay.
28:13Okay.
28:26Good afternoon.
28:27Hey, Mr. J.
28:28Oh, Sam, you changed your hair.
28:30I like it.
28:32Hey.
28:33Hi.
28:33We didn't think you'd be coming in yet.
28:35We would have gotten more prepared.
28:36Uh, I'm just coming in to grab a few things.
28:38I didn't want to disrupt the flow.
28:40Hi.
28:41You're the boss.
28:41You can do whatever you want.
28:43I just thought you might want some more time.
28:44Yeah, I don't want to make a big deal of it here at the office.
28:47I am so deeply, deeply sorry for your loss.
28:50I can't even imagine.
28:52There are no words.
28:53No words.
28:54Okay.
28:55You've said it, Olivia.
28:59Thank you for that.
29:03Some detectives were here earlier asking a few questions about the timing of that night.
29:08I told them I was already gone by then, so I couldn't help them.
29:11Yeah, they're just ticking boxes, trying to establish their timeline.
29:16Right.
29:17We will have to postpone the Middle East trip.
29:19Of course.
29:20There's too much going on right now for you to worry about that.
29:22They don't want me to leave town.
29:28If there's anything I need to know, you would tell me, right?
29:34Yes.
29:43Hey.
29:45Hey.
29:47We're trying to reach you.
29:48Yeah, it's not a great time.
29:52You going somewhere?
29:53I mean, you're not, like, leaving, right?
29:56No, I'm just grabbing stuff in case I have to work from home.
29:59I might maybe go into my friends to help.
30:02Who's helping you?
30:04What?
30:05I said, who's helping you?
30:10This is your loss, too.
30:14Okay.
30:15Jordan, I think what would be most helpful right now is your discretion.
30:23Okay?
30:23Yeah, sure.
30:24Okay, thank you.
31:25Oh, man.
31:26There.
31:28Are you smoking again?
31:31Yes.
31:32It's not a cigarette.
31:33It's an emotional crutch.
31:36I don't understand why we had to have this memorial so quickly.
31:39Because Robert wanted to get it over with, I think.
31:44Oh, shh, shh, shh, here they come.
31:45Um, will you just hold this one?
31:46What?
31:46Please, please, please, hold it.
31:47Hold it, hold it.
31:48All right.
31:49Hey, guys.
31:50Aunt Ellie, you're smoking?
31:54It's, uh, it's a bad habit, but it doesn't make her a bad person.
31:57Oh, thank you, Howard.
31:59Well, uh, we'll save two seats for you.
32:07Now they think I smoke.
32:09Oh, I'm sorry, but I don't think we should have brought them.
32:12Howard said we shouldn't shield them from grief.
32:14Oh, well, Robert's family planned this, so there's not going to be a lot of grief.
32:17We'll get elegance and waspy denial.
32:35When does the bride come out?
32:37It's not a wedding.
32:38It's a funeral.
32:39Actually, it's a memorial because there's no body.
32:43We don't believe in shielding them from grief.
32:46Yes, I heard.
32:49Isn't that crazy?
32:50Does this smell like something?
32:53It's rose pulp.
32:55We had the, uh, paper made from linen and rose petals from Nancy's garden.
33:00That's so lovely.
33:02You just smashed up her roses and, yes, of course.
33:07You are so kind to come.
33:09Oh, no, please.
33:12Such beautiful little girls.
33:15I'm so sorry you couldn't find child care on such short notice.
33:47No, no, you're up.
34:26She walks in beauty, like the night of cloudless climes and starry skies, and all that's
34:36the best of dark and bright meet in her aspect and her eyes, thus mellowed to that tender
34:45light which heaven to gaudy day denies.
34:53One shade the more, one ray the less.
35:07It was lovely, don't get me wrong, it just wasn't her.
35:11Yeah.
35:12Yeah.
35:13Well Kit runs a tight ship.
35:15You know she made me send her that Byron poem for approval, and then she told me no jokes,
35:21no tears.
35:22Jesus.
35:23Yeah.
35:24Did you see that guy in the denim jacket at the church yesterday?
35:30No, I don't think I saw him, why?
35:34You don't think anybody from Nancy's family would have come, right?
35:38No.
35:40Ellie, they wouldn't have dared.
35:42Right.
35:45Hey, so um, well Howard had this thought, it was a favor really, to ask.
35:52Okay.
35:53We wanted to know if it was possible, maybe Marcus could volunteer with you, because we
35:58thought if he saw some real suffering in the world, he could maybe get some perspective,
36:03and then he-
36:04Yes.
36:04Yes.
36:04Yes.
36:05Yes.
36:05I will find something for him, if he's willing.
36:08Thank you so much Ellie, that is very-
36:10Mary, they found him.
36:13Breaking footage of David Haji Boyez, also known as D.H. Boyez.
36:18There he is.
36:19As we can confirm, has been officially made-
36:21No fucking way.
36:23That's the guy?
36:24Yeah, that's what they're saying.
36:27Do you know him?
36:28How would I know him?
36:31Why did you ask me that?
36:35I'm sorry, I shouldn't have seen-
36:37No, I have never met this person.
36:40Mom's listed on his website as one of his patrons, you know, she's supported artists.
36:44We'll continue to bring-
36:45He is a painter, D.H. Boyez, also known as David.
36:50There's Kit right on the queue.
36:53Do you think this is the guy?
36:55I think we need to be very careful to not rush to judgment.
36:59Let's let them talk to him.
37:00Oh my God.
37:01L.A. artist D.H. Boyez was named a person of interest-
37:06What?
37:07What?
37:08Oh my God.
37:09What?
37:11Ellie!
37:15Oh, shit.
37:17Oh.
37:18D.H. Boyez, she just put this one up, didn't she?
37:20Right before she died, that's him.
37:23Is that Mom?
37:30Hey, hey, Rob.
37:32Dad, what are you doing?
37:34Dad!
37:35Dad!
37:35What are you doing?
37:36Dad!
37:36Ellie!
37:37Stop!
37:38Ellie!
37:39Dad!
37:39Please stop!
37:39You guys!
37:40Robert!
37:41Dad!
37:42Dad!
37:45Dad!
37:45Stop!
37:46Dad!
37:46Dad!
37:47Stay here, please.
37:47Stop it, Robert!
37:48Stop it!
37:49Oh my God, Robert.
37:50You have to stop.
37:51You have to take a beat.
37:53Jesus.
37:54Robert, what are you doing?
37:58Can't we talk about this inside?
37:59I just want you to take a beat.
38:01I want you to take a breath.
38:06Robert, please.
38:07She never loves me.
38:08Please stop it.
38:08I always wanted to be all mine, but she never was.
38:12There was always a piece of her that wouldn't be.
38:14And I always fucking knew it.
38:16Robert, I think that they have people watching you.
38:18I don't give a fuck.
38:19I understand that you're angry.
38:21You need to calm down.
38:22Hey, don't tell me how I should feel.
38:27Jesus Christ, Eleanor.
38:28You don't know everything, alright?
38:30She's my fucking wife.
38:47Does he have an alibi?
38:49David?
38:50Yeah, the guy she was sleeping with.
38:52Kind of.
38:53He was maybe at this art event of some sort, but he left early.
38:58Honestly, they don't have a lot of information.
38:59I just, I don't think it's him.
39:01She only told you his first name.
39:03We have nothing to go on.
39:04It could absolutely be him.
39:06She would have told me if he was black.
39:08She hardly told you anything about it.
39:10I know, but I am her best and only black friend.
39:12This would have come up.
39:14Okay.
39:19I gave the police the name David.
39:21What if it's not this David person?
39:23We still don't know who killed our best friend.
39:29I've never seen Robert that angry.
39:31Oh, he, he has a temper.
39:34Especially when he drinks.
39:37Or when he's jealous.
39:39No, he, you know, he loved her more than anything.
39:43Anger isn't the opposite of love.
39:46Sometimes it's the truest expression of it.
39:49You can't see it.
39:51Because Robert is your-
39:53My what?
39:55My friend?
39:56He's your friend.
39:57You and Robert have a connection.
40:02Yes.
40:02Her name is Nancy.
40:04Outside of Nancy.
40:05And Nancy knew it too.
40:10What are you saying?
40:13You're not the only person she confided in.
40:19That's all.
40:39Oh God.
40:40I'm sorry.
40:42I'm gonna frighten you.
40:43How did you get in here?
40:45Someone propped up the door.
40:47I should have texted.
40:48Yes.
40:51Sorry, can we...
41:09Look, I, um...
41:14I owe you an apology.
41:16The way that I was behaving,
41:18and what I said was cruel.
41:19Cruel.
41:22She was...
41:23my wife.
41:24But, uh...
41:26I know you guys were everything to each other.
41:31I'm sorry.
41:40I don't think I realized how much I needed to hear that from you.
41:45Are you gonna tell me why you're so dressed up?
41:48This is dressed up to you?
41:50Mm-hmm.
41:50This is how I leave the house after sundown.
41:55Where are you going?
41:57You know how...
41:58Nancy loves the ballet and how I...
42:03Don't. You hate it.
42:04I don't hate it.
42:05You do.
42:05I find it...
42:06What's that French expression?
42:08It's fucking boring, and...
42:10That's not French.
42:11My legs don't fit in the seats.
42:13What?
42:14What?
42:17Anyways, we're supposed to go to the opening tonight.
42:22And...
42:23I don't know what to do.
42:24I'm just banging around in the big empty house, alone.
42:27I can't sleep.
42:29I'm just...
42:30walking around, looking for her, but...
42:32she's not there.
42:34So I was thinking that...
42:37I don't know, maybe at the ballet, I could...
42:40you could feel her...
42:41with you.
42:42Yeah.
42:47Yeah.
42:48Exactly.
42:49Do you think...
42:50that's possible?
42:52I don't...
42:53know...
42:54what's possible anymore.
42:57I can't...
42:59she's just here.
43:02You know, we were all...
43:03just here...
43:05playing stupid...
43:07fucking card games.
43:08And now she's just...
43:09gone forever.
43:11It's like...
43:11I can't...
43:13It doesn't make any sense.
43:16So why shouldn't I be able to go to a place that she loved...
43:19so much...
43:20and feel her?
43:24I think you have to try.
43:28But...
43:29will you try with me?
43:35You want me to go?
43:37Yeah.
43:38No.
43:40Why not?
43:43I can't...
43:44I just can't.
43:45I mean, the optics.
43:47Fuck the optics.
43:48Who cares about the optics?
43:49I do.
43:50You should.
43:51We can't just...
43:52get dressed up...
43:54and have a night out on the town together.
43:55I'm...
43:56I'm sorry.
43:59I'm sorry.
44:01It was...
44:03it was a stupid idea.
44:05I'm sorry.
44:22There was a little bit of wind.
44:26I was sorry.
44:28so...
44:33But now...
44:38on the sides.
44:39It's not a little odd fire.
44:43for about to get rid of it.
44:44It was a given shot...
44:44When we stopped and we went...
44:44the game...
44:44we had to really contact us...
44:45we can't get rid of them...
44:50but we talked about what how come from us.
45:16My mother has this expression she loves.
45:21Have more than you show, say less than you know.
45:27It was advice I took to heart, guarding not only what we had, but how I felt.
45:36Sometimes I hid it so well, I couldn't even see it myself.
45:49Miss Boucher, I thought you were worried about the optics.
45:54I was, but then I remembered that French expression, fuck the optics.
46:01Right, shall we?
46:30I hope this isn't inappropriate.
46:32But the boss's daughter cleans up real nice.
46:37Just try to give me a usable shot this time, okay?
46:57I'm sorry.
46:59I'm sorry.
47:48You
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